Sophie Hutchinson Drinker Papers, 1859-1990 (bulk 1935-66)
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Sophia Smith Collection Smith CollegeNorthampton, MA
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Encoded Archival Description (EAD) Version 2002
collection
Sophie Hutchinson Drinker Papers
Creation of Sophie Hutchinson Drinker Papers
Time of Creation of Sophie Hutchinson Drinker Papers
Drinker, Sophie Hutchinson
Biographical History for: Sophie Hutchinson Drinker Papers
Biographical Note Sophie (Lewis) Hutchinson Drinker was born in Haverford, Pennsylvania, on August 24, 1888 to Sydney Pemberton Hutchinson and Amy Lewis. She attended boarding school at St. Timothy's School in Catonsville, Maryland, and graduated in 1906. Although she was then admitted to Bryn Mawr, she declined to attend college. She married Henry Drinker, a lawyer and musicologist, in 1911. They had five children: Sophie, Henry S., Jr., Cecilia, Ernesta, and Pemberton. The Drinkers were well known in the Philadelphia area for their invitation-only singing parties. Group songs and music, often with the accompaniment of invited musicians, including some from the Philadelphia Orchestra or the Curtis Institute, preceded and followed dinner prepared by the Drinker household staff. Sophie Drinker spent a significant portion of her life researching and writing about the history of women and music, as well as promoting choral singing by women. In 1930 she joined the Montgomery Singers, a women's chorus, and many years later she served as the group's president. In her scholarly work Drinker was greatly influenced by Mary Beard, pioneer women's historian, and the democratic, economically oriented history of the "progressive" school to which Beard subscribed. She worked with Beard on her abortive project to establish the World Center for Women's Archives. Drinker's book, Music and Women: The Story of Women in Their Relation to Music, was published in 1948. It was widely reviewed by the historical community but did not receive much attention from the musical community until the late twentieth century. She is also the author of Brahms and His Women's Choruses (1952) and articles on women and music. In her later works, Drinker moved away from the topic of music and began to focus more on women in colonial America. Her later works include the books Hannah Penn and the Proprietorship of Pennsylvania (1958) and The American Woman in Colonial and Revolutionary Times, 1565-1800 (jointly authored with Eugenie Andruss Leonard and Miriam Young Holden; 1962), and articles entitled, "Patriarchal Values in Women's Education" (1954), "Women and the Ideal Democracy" (1960), "Women Attorneys of Colonial Times" (1961), and "The Two Elizabeth Carterets" (1961). Cited for her "service in the cause of Music whereby she had brought together and made available much that, but for her, would have lain forgotten," Drinker received an honorary degree from Smith College in 1949. She served for a time as a guest lecturer at Pennsylvania Medical College for Women, from which she received an honorary degree in 1967. Throughout her life Drinker was involved in a number of philanthropic, civic, and women's groups, including the Marriage Council of Philadelphia, the Pennsylvania Society of the National Society of Colonial Dames of America, the Lucy Stone League, the Community Chest, and the League of Women Voters. Because of her work with, and writings on, women, Betty Friedan wanted Drinker to join the first elected board of the National Organization of Women. However, Drinker's health was failing at this point, so her daughter Ernesta volunteered in her place and won election to the board. Drinker died of cancer a few months later in September 1967. The Sophie Drinker Institute in Bremen, Germany, is named after her. Additional biographical sketches of Drinker written by Ruth A. Solie can be found in American National Biography and in the afterword of the 1995 edition of Music and Women: The Story of Women in Their Relation to Music.
Scope and Contents of the Collection The Sophie Hutchinson Drinker Papers consist of 3.75 linear feet and are primarily related to her books Brahms and His Women's Choruses and Music and Women: The Story of Women in Their Relation to Music. Types of materials include correspondence, research notes, songbooks, addresses, journal articles, newspaper clippings, transcripts of oral history interviews, and memorabilia. The bulk of the papers date from 1935 to 1966. Notable parts of the first series are the transcripts of oral history interviews conducted by Smith College Professor Ruth A. Solie with two of Drinker's daughters, Ernesta Drinker Ballard and Cecilia Drinker Saltonstall. These provide a glimpse into the life of Sophie Drinker and her family. WRITINGS is the largest series and much of it consists of research materials, notes, and correspondence relating to Drinker's book Brahms and His Women's Choruses. Of particular interest are the individual music notebooks, or stimmenhefte, that the chorus women copied from Brahms' manuscripts. Drinker obtained stimmenhefte from four women or their families in either their original book form or as photostatic copies. The photostatic copies are in many cases the only remaining copies as the originals were destroyed during World War II or otherwise lost. The stimmenhefte are all written in German. Except for the Völckers sisters' materials, there is a folder of correspondence associated with each woman's stimmenhefte that explain how the Drinkers acquired the material or the status of the songbooks. The search for the original choir members and their stimmenhefte began in the 1930s when the Drinkers contacted Dr. Hans Albrecht. Dr. Albrecht contacted many of the families of former choir members on behalf of the Drinkers and facilitated the acquisition or the copying of the stimmenhefte. A fuller account of the acquisitions can be found in the correspondence folders mentioned previously, or in Drinker's book Brahms and His Women's Choruses. The Jahrbuch der Gesellschaft Hamburgischer Kunstfreunde, 1902 [translation: Yearbook of the Hamburg Society of Friends of the Arts] contains a piece written in German by Franzisca Lentz about the women's chorus directed by Brahms. "Photographs and illustrations" includes images of Brahms, some of the chorus women, and other musical figures involved with the chorus. The "Writings by Brahms" folder contains a photostat of a few lines of music most likely written by Brahms. The subseries on Drinker's book Music and Women largely consists of bound volumes of her notes. The first volume (Part I: "Introduction/Prehistoric") contains a list of contents for the books; however, the titles on the outsides of the books sometimes do not exactly match the formal title or description Drinker gave them in the contents listing. The books are arranged according to Drinker's order in the first volume. Due to the fragility of these items, they may not be photocopied.
Ethnomusicology-History-Sources
lcsh
Music-History and criticism-Sources
Women composers-History-Sources
Women musicians-History-Sources
Women singers-History-Sources
Brahms, Johannes, 1833-1897-Choral music-Sources
lcnaf
Drinker, Henry Sandwith, 1880-1965
Drinker, Sophie Hutchinson, 1888-1967
series
SERIES I. BIOGRAPHICAL MATERIALS
Contents
Published material about Drinker, 1967, n.d.
Photograph of unidentified man,1952
Oral histories about Drinker: transcripts
Ernesta Drinker Ballard, 1990
Cecilia Drinker Saltonstall, 1990
Photographs, Sophie Hutchinson Drinker, 1949, n.d.
SERIES II. CORRESPONDENCE
Albrecht, Hans, 1935-39, 1950
Becker, Gretchen and unidentified, 1960-67
Gratwick, Harriet, 1946-48, n.d.
Helms, Sigmund, and Arthur Ware Locke, 1962-66, n.d.
Miscellaneous about the Drinker collection, 1965, 1981, n.d.
SERIES III. WRITINGS
Addresses
"Address to Marriage Council Trainees, March 1963"
"Women in American History," 9 Apr 1959
Articles
"Academia dei Dilettanti di Musica, 1930-60," by Sophie and Henry Drinker
"The Amateur in Music," by Henry S. Drinker
Books
Brahms and His Women's Choruses
Articles about Brahms, 1987, n.d.
Correspondence: permission letters, 1950-51
Diary entries and reminiscences, 1859, n.d.
Folksongs
Jahrbuch der Gesellschaft Hamburgischer Kunstfreunde, 1902 [translation: Yearbook of the Hamburg Society of Friends of the Arts]
Memorabilia, 1860, n.d.
[see also Box 2]
Photographs and illustrations, 1860-65, n.d.
Photographs: negatives, 1865, n.d.
Published copy of Brahms and His Women's Choruses (1952)
[see books in box 12]
Stimmenhefte [translation: music notebooks]
Franzisca Lentz
Correspondence: Anna Lentz, 1935-37
Paperbound volumes
Photostatic copy
Quartette
Versammlung No. 3
Memorabilia: medallion, n.d.
Stimmenhefte
Camilla Meier
Correspondence from Brahms, n.d.
No. 24 - 3 Stimmige Lieder für Frauen-Chor
No. 25 - Lieder & Gesange für Frauenchor ohne Begleitung
Notes
Clara von Königslow
Correspondence, 1951
Friedchen Wagner
Correspondence
Kurt Sauermann, 1936, 1950
Brahms to F. Wagner, n.d.
Volksleider, 1. Stimme
Volksleider, 2. Stimme
Volksleider, 3. Stimme
Volksleider, 4. Stimme
Partitur der Volksleider
Betty and Marie Völckers
Writings by Brahms, n.d.
Die Frau in der Musik, eine Sociologische Studie (1955)
Music and Women: The Story of Women in Their Relation to Music
Articles and reviews, 1948, n.d.
Published copy of Music and Women (1948)
Notes in bound volumes
[Due to their fragility, these items may not be photocopied.]
Part I: "Introduction/Prehistoric" (Foreword, Introduction to Primitive Ideas and Customs, Prehistoric Culture)
Part II: Primitive contemporaries
"American Indians" (North American Indians, South American Indians, Central American Indians)
"Pacific primitives" (Siberian primitives including Ainu in Japan, Malay, Pacific Islands)
"Africa"
Part III: Ancient civilizations and modern peasants
"Orient" (China; Tibet; Burma; Persia; Indo-China: Annamites, Siamese, and Cambodians; Japan; Korea; India)
"Near East" (Arabia, Armenia, Cappadocia, The Jews, Phoenicia, Sumer, Syria, Turkey, Crete, Etruria, Rome)
"Egypt" (Egypt, Carthage)
"Greece"
"Europe peasants" (Ancient Celtic, Ancient Eddic and Teutonic, Ancient Finno-Ugrian, Ancient Slavic, Modern Europe, and "The Participation of Russian Women in Music," by Katherine Swan)
Part IV: Christian culture
"Nuns"
"Early Christian - Mediaeval" (Early Christian, Mediaeval Laywomen (secular))
"1400-1700" (Renaissance 1400-1700 [laywomen])
"1700-1800" (18th century, Venetian conservatories)
"19th century" (19th century including the Brahms material)
"20th century"
"Meyer's 'Choral Singing'" (Kathi Meyer's "Choral Singing of Women")
BOOKS
Brahms and His Women's Choruses (1952)
Music and Women: The Story of Women in Their Relation to Music (1948)