Aaron Copland Collection
Catalog Record: http://lccn.loc.gov/2003561015
General International Standard for Archival Description
Music Division Library of Congress Washington, D.C.
Finding Aid encoded by Library of Congress Music Division, 2005
Encoded Archival Description
Encoded Archival Description (EAD) Version 2002
collection
Aaron Copland Collection1841-1991 (bulk 1911-1990)
Copland, Aaron, 1900-1990
Biographical History for: Aaron Copland Collection1841-1991 (bulk 1911-1990)
Biographical Sketch Date Event 1900, Nov. 14 Born in Brooklyn, New York to Harris Morris Copland and Sarah Mittenthal Copland, the fifth and last child. 1914 Started private piano lessons with Leopold Wolfsohn, Brooklyn, NY; subsequently studied piano with Victor Wittgenstein and Clarence Adler. 1917-1921 Studied harmony and counterpoint with Rubin Goldmark in New York City. 1918 Graduated from Boys' High School in Brooklyn. 1921 Summer Studied at newly established American Conservatory at Fontainebleau near Paris. 1921 Fall First piano piece, Scherzo Humoristique (The Cat and the Mouse), sold and published by Durand. 1921 Fall-1924 Studied composition and orchestration with Nadia Boulanger in Paris. 1925 Wrote first of many articles for Modern Music. 1925 Jan 11 Symphony for Organ and Orchestra (1924) performed by the New York Philharmonic, with Nadia Boulanger as soloist and Walter Damrosch as conductor; later, performed by Serge Koussevitzky, who originally suggested the composition, and the Boston Symphony Orchestra. 1925 Summer First stay at MacDowell Colony to work on Music for the Theatre, commissioned by the League of Composers, with the first performance scheduled in November with Serge Koussevitzky and the Boston Symphony Orchestra. 1925-1926 Recipient of Guggenheim Memorial Fellowship, the first in music, which was renewed for the 1926-1927 season. 1927, Jan. 28 Copland performed his Concerto for Piano and Orchestra (1926) with Boston Symphony, conducted by Serge Koussevitzky. 1927-1929 Wrote Symphonic Ode (1927-29) for the 50th anniversary of the Boston Symphony Orchestra in 1930; subsequently, revised the composition for the 75th anniversary of the orchestra in 1955. 1927 Began lecturing at New School for Social Research, New York City. 1928-1954 Joined League of Composers; later, in 1932, began serving on the Board of Directors. 1928 Assisted Alma Morgenthau Wertheim in establishing the Cos Cob Press which later became Arrow Music Press. 1928-1932 Co-founder with Roger Sessions of Copland-Sessions Concerts of Contemporary Music. 1929 Awarded $5,000 prize from the RCA Victor Competition for Dance Symphony (1925), based on portions of unperformed ballet Grohg. 1930 Wrote first extended piano work, Piano Variations. 1932 Organized first Festival of Contemporary Music at Yaddo, Saratoga Springs, NY, and the second one the following year. 1935 Taught composition at Harvard University while Walter Piston was on leave of absence. 1937-1945 Co-founder and president of the American Composers Alliance. 1938-1972 Co-founder and treasurer of Arrow Music Press, which incorporated the former Cos Cob Press. 1938, Oct. 16 First performance of ballet, Billy the Kid, written for Lincoln Kirstein and the Ballet Caravan. 1939 Published first book, What to Listen for in Music, based on lectures given at the New School for Social Research. 1939, Oct. 13 Elected president of American Composers Alliance. 1940-1965 At request of Serge Koussevitzky, taught composition during first season of Berkshire Music Center at Tanglewood; when Tanglewood reopened in 1946 after the war, Copland assumed many administrative positions in addition to teaching until his retirement in 1965. 1941 Published book, Our New Music, based on lectures at the New School for Research. 1941 Toured Latin America to lecture, perform and conduct on a grant made possible by the Committee for Inter-American Artistic and Intellectual Relations. 1942 Completed Lincoln Portrait, commissioned by Andre Kostelanetz, with text created by Copland from speeches and letters of Abraham Lincoln. 1942 Composed ballet, Rodeo, commissioned by Agnes de Mille. 1942 Completed the Fanfare for the Common Man from a request by Eugene Goossens who conducted the premiere in 1943 with the Cincinnati Symphony Orchestra. 1942, May 8 Elected a member in the Department of Music of the National Institute of Arts and Letters. 1945 Awarded Pulitzer Prize and Music Critic's Circle of New York for Martha Graham ballet, Appalachian Spring (1944), commissioned by the Elizabeth Sprague Coolidge Music Foundation. 1946, Jan. 24 Elected a member of the American Society of Composers, Authors and Publishers (ASCAP). 1947 Received Music Critic's Circle Award for Third Symphony (1944-46). 1947-1948 Wrote Clarinet Concerto commissioned by Benny Goodman and later choreographed by Jerome Robbins for the ballet Pied Piper (1951). 1947 Again, toured Latin America to lecture, perform and conduct under the sponsorship of the State Department. 1950 Won Oscar for the music score to the film, The Heiress (1949). 1950 Finished composing the Twelve Poems of Emily Dickinson. 1951-1952 Appointed Charles Eliot Norton Professor of Poetics at Harvard University and delivered a series of six lectures, the first time that an American composer was named as a Poetry Chair. 1952 Published new book, Music and Imagination, based on Charles Eliot Norton lectures at Harvard University. 1953, May 26 Appeared before The House Committe on Un-American Activities (HUAC). 1954, Apr. 2 Premiere of full length opera, The Tender Land, by the New York City Opera Company. 1954, Dec. 3 Elected member of the American Academy of Arts and Letters. 1956 Received Gold Medal in Music from the National Institute and American Academy of Arts and Letters. 1956 Received first of many honorary Doctor of Music degrees from Princeton University. 1960 Published fourth book, Copland on Music, which included reprints from previous publications and new material. 1961 Received the MacDowell Colony Medal for distinguished service in the field of music from the Edward MacDowell Association. 1961-1968 Served seven years as president of the Edward MacDowell Association. 1962 Premiere of Connotations commissioned by the New York Philharmonic for the opening of Philharmonic Hall (later Avery Fisher Hall) at Lincoln Center. 1964 Received Medal of Freedom, the "highest civil honor conferred by the President of the United States for service in peacetime," from President Lyndon B. Johnson. 1965-1966 Wrote, conducted and hosted series of 12 television programs, Music in the 20s, for National Educational Television. 1967 Composed Inscape which was commissioned by the New York Philharmonic to celebrate their 125th anniversary. 1968 Revised and enlarged earlier book, Our New Music, and published it under a new title, The New Music: 1900-1960. 1970 Awarded the Howland Memorial Medal from Yale University. 1975-1976 Interviews of Copland begun by Vivian Perlis for an oral history project in American Music at Yale University which became the foundation for a collaboration on a two volume autobiography, Copland: 1900 through 1942, first published in 1984, and Copland: Since 1943, first published in 1989. 1979 Bestowed Kennedy Center Honor along with other honorees Martha Graham, Henry Fonda, Ella Fitzgerald, and Tennessee Williams. 1986 Medal of the Arts conferred by President Reagan; also, awarded the Congressional Gold Medal by the House of Representatives. 1990, Dec. 2 Died at North Tarrytown, New York.
Scope and Content Note The Aaron Copland Collection consists of published and unpublished musical scores by Aaron Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. The collection spans 1841 to 1991 and covers six aspects of Copland's life -- composer, performer, teacher, writer, conductor and administrator for various organizations -- from about 1911, when he penned his first musical composition I'm On My Way to Mandalay, to 1990, the year of his death. The collection has been organized into thirteen major categories -- Music, Writings & Oral Presentations, Diaries, Correspondence, Professional Papers, Subject File, Scrapbooks, Biography, Awards, Art, Photographs, Victor Kraft Material and Books. The Music by Aaron Copland represents almost all of the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. Holograph manuscripts of Martha Graham's ballet Appalachian Spring, the popular pieces El Salón México and Fanfare for the Common Man (which was used later in his Third Symphony), represent just a fraction of available riches in this collection. At the end are three Published Compilations of Music by Copland -- two adaptations by Clare Grundman, A Copland Portrait and Sounding Success, and the third work, Piano Album, which is a collection of Copland solo piano pieces. The last category consists of Music Composed by Copland Not Assigned an ARCO Number which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. Among these pieces are sketches for The Ballad of Ozzie Powell, which served for Music for Radio, music composed for a unfulfilled musical, Tragic Ground, and sketches for a string quartet, composed between 1965-1968. At the beginning of the series see the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system. The Juvenilia: Works by Copland represent his early compositions and arrangements. Created between 1911 and 1926, the manuscripts encompass Copland's adolescent years studying with Rubin Goldmark in New York City through his student years and under the tutelage of Nadia Boulanger at Fontainebleau and Paris. Besides original holograph scores and sketches, these early works include compositional and piano exercises and scores and sketches of transcriptions and arrangements of other composers' works. The Music By Other Composers includes manuscripts, fascimiles, and printed music which were part of Copland's extensive collection of music. Most contain holograph annotations either in Copland's hand, especially his conducting scores, or signed by the composer or donor. These scores and the other published works from his collection, which became part of the Performing Arts Library at the New York Public Library, illustrate a broad, composite spectrum of composers in the Western Hemisphere. The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland. The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, What Europe Means to the Aspiring Composer, after his return from three years of musical study in France. The numerous cross references reflect Copland's penchant to borrow from himself and indicate the relationship of articles as they were discovered during processing. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. In most cases, the evolution of the final printed words for Copland's published books can be traced, though difficult at times because of his revisions, from the handwritten manuscript to the final typescript, beginning with the 1939 first edition of What to Listen for in Music and ending with The New Music, the 1968 revision of Our New Music (1941). Also, the correspondence and notes exist for a sixth book, the first volume of the projected two volume autobiography. Copland's earliest lectures began at the New School for Social Research with Aesthetics of Modern Music (1927) and ended with What to Listen for in Music. The complexity of Copland's borrowing from one medium to the other is demonstrated by the lecture, Music of the 20s, given in 1940, which probably became a source for the 1952 Harvard lectures of the same name which in term was incorporated in the published book, Music and Imagination, and finally became the source for the 1965 television special, Music in the 20s. Some of the earlier lectures also became the source for a 1947 series of lectures, Panorama of American Composers, which Copland delivered in Brazil. Two numbering systems by Copland were discovered on some lectures. See the Index for the Lectures and Speeches with AC Numbers for more information. Copland quickly embraced the new mediums of radio and television. His radio talks apparently began in the United States in 1936 for the CBS "Modern Music" series and continued until the 1976 statements for the BBC at the time of Benjamin Britten's death. He also frequently spoke on radio stations while on tour in various foreign countries. In the United States, he presented a series of fifty-two programs on WNCN, Aaron Copland Comments from 1968-1971. Fifteen years of television appearances began in 1965 with a program, Copland on Copland on the British Broadcasting Company, and, in the United States, with the production of Music in the 20s. Other appearances included the Bill Moyer's Journal Aaron Copland and the 1980 birthday tribute, A Copland Celebration! The Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. The ballet scripts contain an intriguing scenario, Memorial Day, Dances for Democracy in Crisis, which identifies the collaborators -- conceived by Lincoln Kirstein, Lew Christensen as the general stage director, music by Copland, choreography by Lew Christensen, Erick Hawkins, Eugene Loring, and the costumes by Jared French. Evidently, the ballet never developed beyond this scenario which includes forty-eight watercolor drawings. The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips. The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, The Red Pony and Something Wild. The date spans represent the actual span of year dates noted in the journal. Because of the fragile nature of some journals, the originals and archival photocopies will not be served to researchers. Photocopies of the journals, which are placed in binders, will be available to researchers. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order. The Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances. Of particular interest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, Arnold Schoenberg, and Virgil Thomsom. The General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail. The Professional Papers are divided into two sections, Business Organizations and Engagements. The Business Organizations include records that pertain to Copland's affiliation with and service for various private, public, and governmental agencies, organizations, and councils, at the local, national, and international level and material that relate to numerous publishers, agents and foundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), for which Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which include letters about score corrections for his music. Other significant material are the Copland-Sessions Concerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers, Modern Music, the Edward MacDowell Association, and Tanglewood which includes material on the Berkshire Music Center and the Boston Symphony Orchestra. The Engagements represent correspondence and other material between organizations for which Copland performed, spoke or conducted, or from whom he was bestowed an award or honor. The organizations include orchestras, universities and colleges, festivals, museums, and societies. The most notable events are his trips to Latin America in 1941 and 1947 and his frequent appearances with the London Symphony, New York Philharmonic, and National Symphony orchestras. The Subject File is a composite of printed matter and material on special subjects that Copland kept. The largest and most extensive is the Composition section which consists of published clippings, magazine articles, promotional material, annotated programs and other miscellaneous items relating to performances of his compositions. In May of 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged "communist" affiliations. The United States Congress section documents Copland's correspondence, notes, statements and evidence during this period. Also, an annotated copy of the Congressional Record of January 16, 1953 in which the affiliations were first recorded and a transcript of the hearing are included. Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour for which he conducted and lectured. The other scrapbook represents the beginnings of Copland's clipping file from 1924 to 1942. All, but the Australian tour scrapbook, have been preserved on microfilm because of their fragile condition (Microfilm 93/20002 Mus); the original of these three volumes will not be served to the public. The Biography series consists of divergent materials, some of which is biographical and others personal. The biographical material includes autobiographical notes, a notebook and assorted lists that pertain to Copland's activities and compositions, and two birthday albums. The 70th birthday album comprises "An album of composers' tributes" which contains congratulatory letters, musical salutes, poems and ink drawings from 116 composers. The 80th birthday album was presented by the National Symphony Orchestra from friends and includes congratulatory letters from President Jimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the John F. Kennedy Center for the Performing Arts), and international musical luminaries. The Awards series contain the artifacts that Copland received from the numerous and myriad honors and awards bestowed on him during his lifetime. Copland accepted his first honorary doctorate in music from Princeton University in 1956, and almost every year thereafter he approved another one either in humane letters or in music. The last one was a Degree of Fine Arts, Honoris Causa, from the New School for Social Research in 1983. Other tributes conferred on Copland from 1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, and letters accompany the actual degree, award or medal. The Art Works section is divided into Of Aaron Copland, Other Works, Poetry, and Posters that include drawings, caricatures, and portraits of Aaron Copland and other artistic renderings which consist of special editions of illustrated poems by various artists in different mediums. The two most illustrious artists represented are a numbered print by Pablo Picasso and an engraved color print by Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967 program to honor Nadia Boulanger. The Photographs series contain approximately 12,000 images and date from c. 1889-1985. The largest section is the portraits of Copland alone, both formal and informal, professional and amateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and the majority of the photographs reproduced in Copland's two volume autobiography, Copland, 1900-1943 (Volume I) and Copland Since 1943 (Volume II). Photographs from these books are identified with a Roman numeral I or II, designating the volume in which it was reproduced, followed by an Arabic numeral designating the page on which the photograph is found. A large portion of the photo images were taken by Copland's life-long friend, the professional photographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminaries of the American music scene from the first half of the twentieth century, including Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, Walter Piston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of items correspond or overlap between this series and the Victor Kraft Materials series. Illustrious photographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and Carl Van Vechten, among others. If photographic credits are not given, the photographer is, as yet, unidentified. See the Explanation of Code System for Photographs at the end of the series. The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976. Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. They first became acquainted in the early 1930's and maintained close contact until Kraft's death. Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft's photographs appeared in such prominent publications as Life Magazine, Harper's Bazaar, Junior Bazaar, and the French art journal L'Oeil, among others. The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of Aaron Copland, and portraits from the 1940s and 1950s of numerous composers and performers of the American music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festival during the 1940s is also well represented with many historically interesting images to be found in the photoprints, as well as the contact sheets and negatives. Photoprints by other prominent photographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935 portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unless otherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a sampling of Kraft's original negative sleeves which reveal insights into his systematization and methodology. See the Explanation of Code System for Photographs in the Victor Kraft Materials at the end of this series. The Copland Library series comprises selected books on a wide range of musical and general subjects from Copland's personal library. Most are signed, usually by the author, or contain annotations or information about Copland. The books reflect Copland's wide and varied interests and include those books written by Copland and translated into various languages. Many books concentrate on Copland's interest in French culture after his years of study in Paris. Wilda Heiss and Lloyd Pinchback, April 1995 Wilda Heiss and Lloyd Pinchback, Music Specialists, Revised 2000 Processed by: Virginia Chang, Carol Lynn Flanigan, Wilda Heiss, Albert Jones, Jonathan Kulp, Melchor de Medinaceli, Peggy Monastra, Lloyd Pinchback, Loras Schissel and Deanna Whitsitt. Formatted by: Stefan Patejak (1995) and Michael A. Ferrando (1995, 2000) Acknowledgment: A special thank you to Daniel Mathers for his invaluable assistance during the editing of the Music Manuscripts and Printed Editions by Aaron Copland.
series
Music, 1841-1988
The Music series is divided into two subseries: Music by Aaron Copland and Music by Others. The Music by Aaron Copland represents almost all of the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. The last category consists of Music Composed by Copland Not Assigned an ARCO Number which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. The Juvenilia: Works by Copland represent his early compositions and arrangements. The Music By Other Composers includes manuscripts, fascimiles, and printed music which were part of Copland's extensive collection of music. See the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system.
subseries
Music by Aaron Copland, 1911-1985
Music Manuscripts and Printed Editions by Aaron Copland, Published Compilations of Works by Copland, and Music Composed by Copland Assigned ARCO Number (1920-1985 and undated). Includes manuscripts, copies of manuscripts (ozalids, photocopies and photostats) and printed scores of Copland's original compositions, adaptations and transcriptions, compilations of Copland's works, and adaptations and transcriptions by other composers. Juvenilia: Works by Copland (1911-1926 and undated). Divided into Juvenilia Arranged Chronologically, Juvenilia Arranged Alphabetically by Title, and Copland Transcriptions or Arrangements of Works by Others. Included manuscripts and student music notebooks. See the Alphabetical Title Index to Aaron Copland Music Compositions and Key to ARCO Numeric System for a further explanation of Copland's numbering system.
Music Manuscripts and Printed Editions, 1920-1985
file
1) Humoristic scherzo : the cat and the mouse [piano work]
Scherzo humoristique : le chat et la souris.
On microfilm: MUSIC 1906, Item 6.
Humoristic scherzo : the cat and the mouse.
Ms. Piano solo (incomplete); 3 p.; 34.5 cm.
Scherzo humoristique : le chat et la souris = The cat and the mouse. Paris: Durand & Cie., [1921].
Publisher's proof. Piano solo; 5 leaves.
Scherzo humoristique : le chat et la souris = The cat and the mouse / pour piano 2 mains. Paris: Durand & Cie., 1948.
The cat and the mouse. New York: Boosey & Hawkes, 1950.
2) An old poem = Vieux poeme [song]
An old poem (melodie chinoise).
Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm.
Ms. Score for voice and piano; 3 p.; 34.5 cm.
Old poem.
An old poem : song for soprano with piano accompaniment.
Old poem. Paris: Éditions Maurice Senart, [1923].
Publisher's proof. Score for high voice and piano; 3 leaves
Score for high voice and piano; 3 p. (2 copies).
Old poem. Paris: Éditions Salabert, [1923].
Old poem. New York: Boosey & Hawkes, 1985.
3-A) Pastorale [song]
Pastorale.
Ms. Score for soprano and piano; 3 p.; 34 cm.
Ms. (photostat). Score for soprano and piano; 2 p.; 28 cm.
Ms. Score for voice and piano (incomplete); 1 leaf; 34.5 cm.
Pastorale. New York: Boosey & Hawkes, 1979.
3-B) Alone [song]
Alone.
Ms. Score for voice and piano; 3 p.; 35 cm.
Ms. Score for voice and orchestra; 10 p.; 35.5 cm.
Alone : melodie pour chant et piano.
Alone : song for voice, piano, and viola.
Ms. Score for voice, viola, and piano; 4 p.; 34.5 cm.
4) Four motets ; 4 motets = Quatre motets [chorus]
Four motets : for mixed chorus, a cappella.
Ms. Score for mixed chorus (SATB); 12 p.; 36.5 cm.
Four motets.
Ms. Score for mixed chorus; [13] p. (unnumbered); 35 cm.
"4 motets".
Ms. Score for mixed chorus (SATB); [12] p.; 35 cm.
Ms. Score for mixed chorus (SATB); 12 p.; 35 cm.
Ms. Score for mixed chorus (SATB); 11 p.; 30.5 cm.
Ms. Score for mixed chorus (SATB); 12 p.; 36 cm.
"Quatre motets" / pour un chorus mixte a cappella.
Ms. Score for mixed chorus (SATB); 11 p.; 34 cm.
Mss. Soprano vocal parts; Nos. I-IV; 33-35.5 cm.
Mss. Alto vocal parts; Nos. I-IV; 33-35.5 cm.
Mss. Tenor vocal parts; Nos. I-IV; 30.5-33 cm.
Mss. Bass vocal parts; Nos. I-IV; 33-36 cm.
Mss. Instrumental parts; for Nos. I-III; 31.5-35 cm.
Mss. (photocopies). Pages from corrected manuscript proofs; 14 leaves; various sizes.
"Help us, O Lord". [New York]: Boosey & Hawkes, [1979].
Score for mixed chorus (SATB), a cappella; 7 p. (2 copies).
"Thou O Jehovah, abideth forever". [New York]: Boosey & Hawkes, [1979].
Score for mixed voice (SATB), a cappella; 8 p.
"Gud ar min raddning" = "Thou, O Jehovah abideth forever". Stockholm: AB Carl Ghermans Musikforlag, [1987].
"Have mercy on us, O my Lord". [New York]: Boosey & Hawkes, [1979].
Score for mixed voices (SATB), a cappella; 8 p.
"Sing ye praises to our king". [New York]: Boosey & Hawkes, [1979].
Score for mixed voices (SATB), a cappella; 10 p.
5) Passacaglia [piano work]
Passacaglia.
Ms. Piano solo; 4 p. (ms.), 4 p. (photocopy); 35 cm.
On microfilm: MUSIC 1906, Item 36.
Passacaglia : pour piano seul.
Ms. Piano solo (score & sketches); 8 p.; 35 cm.
Passacaglia : a Mlle. Nadia Boulanger.
Passacaglia (orchestral).
Passacaglia : pour piano. Paris: Éditions Maurice Senart, [1922].
Passacaglia : pour piano. Paris: Éditions Salabert, 1959.
Passacaglia : for piano. New York: Boosey & Hawkes, 1987.
Passacaglia. New York: Éditions Salabert, n.d.
6) As it fell upon a day [song]
As it fell upon a day : song for soprano / with accompaniment of flute & clarinet.
Ms. Score for voice, flute and clarinet; 10 p.; 36 cm.
On microfilm: MUSIC 1906, Item 1.
[As it fell upon a day] : melodie pour chant / avec accompaniment de flute et clarinette.
Ms. Score for voice, flute and clarinet; [8] p. (pp. 3-10); 35.5 cm.
As it fell upon a day : melodie pour soprano / avec accompaniment de flute et clarinette.
Ms. Score for voice, flute and clarinet; 3 leaves; 35 cm.
As it fell upon a day : song for soprano / with accompaniment of flute and clarinet.
Ms. Score for voice, flute and clarinet; 7 p.; 34 cm.
As it fell upon a day.
As it fell upon a day : song for soprano / with accompaniment of flute and clarinet. San Francisco: New Music Society of California, 1929.
Score for voice with accompaniment of flute and clarinet; 14 p. (2 copies).
7) Symphony for organ and orchestra
Symphony for organ and orchestra.
On microfilm: MUSIC 1906, Item 93.
Ms. Orchestral sketches; 55 p. (12, 20, 23 p.); 34.5 cm.
Ms. Orchestral sketches; 46 p.; 34.5-36.5 cm.
Ms. (ozalid). Full score; 85 p.; 40.5 cm.
Ms. (ozalid). Full score; 83 p.; 43.5 cm. (spiral bound).
Symphony for organ and orchestra. London: Boosey & Hawkes, [1963].
Full score; 56 p. (3 copies, Copy 3 bound).
Symphony for organ and orchestra. London: Boosey & Hawkes, 1963.
8) Grohg [ballet]
Grohg : ballet in one act (revised 1932).
Grohg : ballet in one act (1925).
Ms. Full score sketches; 46 leaves (79, [2] p.); 34-35 cm.
Grohg : ballet in one act.
Ms. Additional piano sketches; various paginations; 35 cm.
On microfilm: MUSIC 1906, Item 23.
Ms. (photocopy). Piano solo; [12] p.; 38.5 x 25 cm. (bound).
"Petites valses" (origin of ballet Grohg).
"Trois dances du ballet Grohg" / en un acte.
Ms. Score for two pianos (draft); 68 p.; 36 cm.
"Three dances from Grohg" : ballet in one act.
Ms. Score for two pianos; pages unnumbered; 35 cm.
Grohg (Cortege macabre) : ballet in one act.
Mss. Miscellaneous pages from full scores, two piano arrangements, ballet synopsis, etc.; 40.5 cm.
8-A) Cortege macabre: from ballet Grohg
Cortege macabre.
Cortege macabre : from Grohg / ballet in one act.
Ms. (photocopy). Full score; 58 p.; 40 cm.
Ms. Score for two pianos (draft); 18 p.; 36 cm.
Cortege macabre : from Grohg -- ballet in one act.
Ms. Full score (incomplete); 7 p.; 40 cm.
Ms. (ozalid). 1st violin part; 6 p.; 34 cm.
Cortege macabre (from an unnamed ballet in one act) : for orchestra / arranged for two pianos by Aaron Copland.
8-B) Dance of the adolescent: from ballet Grohg
Dance of the adolescent : from Grohg.
Ms. Two piano transcription; 13 p.; 33.5 cm.
Ms. Two piano transcription; 21 leaves; 30.5 cm.
Dance of the adolescent : from dance symphony.
Ms. (ozalid). Two piano transcription; 21 p.; 30.5 cm.
Dance of the adolescent. London: Boosey & Hawkes, [1968].
Score for two pianos; 24 p. (2 parts in one folder).
9) Two choruses for women's voices : 9-A) "The house on the hill" ; 9-B "An immorality"
"House on the hill" : for women's voices.
Ms. Score (sketch) for women's voices (SSAA); 10 p.; 41 cm.
On microfilm: MUSIC 1906, Item 79.
"The house on the hill" : four-part chorus for women's voices / a cappella ; from "Children of the night" by Edward Arlington Robinson. Boston: E. C. Schirmer Music Co., [1926].
Score for women's voices (SSAA); 11 p. (2 copies).
"House on the hill" : four-part chorus for mixed voices a cappella; from "Children of the Night" by Edward Arlington Robinson. Boston: E. C. Schirmer Music Company, [1954].
"The house on the hill" : for SSAA chorus / a cappella. [New York]: Boosey & Hawkes, 1990.
9-B) "An immorality": from Two choruses for women's voices
"An immorality" : chorus for women's voices & piano acc.
Ms. Score for women's voices (SSA) and piano; 6 p.; 40 cm.
On microfilm: MUSIC 1906, Item 80.
"An immorality" : from "Lustra" by Ezra Pound. Boston: E. C. Schirmer Music Co., [1926].
Three-part chorus for women's voices (SSA); 15 p. (2 copies).
"An immorality" : three-part chorus for women's voices / with soprano solo. Boston: E. C. Schirmer Music Company, [1954].
"An immorality" : for soprano solo, SSA chorus and piano. New York: Boosey & Hawkes, 1990.
Score for chorus and piano; 12 p. (6 copies).
10) Music for the theatre [suite]
Music for the theatre : suite in 5 parts for chamber orchestra.
Ms. Full score (for 18 piece orchestra); 126 p.; 34.5 cm.
On microfilm: MUSIC 1906, Item 32 A.
Ms. Orchestral sketches; 32 p.; 34.5 cm.
On microfilm: MUSIC 1906, Item 32 B.
Ms. Score for piano -- 4 hands; 42 p.; 34.5 cm.
Music for the theatre : suite in five parts for small orchestra.
Music for the theatre : suite in five parts for small orchestra. Austria: Cos Cob Press, Inc., [1932].
Full score; 71 p. (4 copies, Copy 2 bound).
Music for the theatre : suite in five parts for small orchestra. New York: Cos Cob Press, Inc., [1932].
Music for the theatre : suite in five parts for small orchestra. New York: Boosey & Hawkes, [1956].
11) A dance symphony [orchestra]
A dance symphony.
On microfilm: MUSIC 1906, Item 14.
Ms. (photostat). Full score (incomplete); 99 p.; 38.5 cm.
Ms. Score for piano, four hands; 48 p.; 36 cm.
Ms. Full score; 53 leaves (several numbers skipped or pages missing); 41 cm.
Dance symphony.
Mss. Miscellaneous pages from full score; various sizes.
Dance symphony : for large orchestra. Austria: Cos Cob Press, Inc., [1931].
Dance symphony : for large orchestra. New York: Cos Cob Press, Inc., [1931].
11-A) Dance of the adolescent: from Dance symphony
Dance of the adolescent : from Dance Symphony. [London]: Boosey & Hawkes, [1968].
12) Concerto for piano and orchestra
Concerto for piano and orchestra.
On microfilm: MUSIC 1906, Item 12.
Concerto (in one movement--two parts) for piano and orchestra.
Ms. Short score for piano and orchestra; 33 p.; 34.5 cm.
On microfilm: MUSIC 1906, Item 11.
Concerto for piano and orchestra. Austria: Cos Cob Press, Inc., [1929].
Full score; 67 p. (3 copies, Copy 3 bound).
Concerto for piano and orchestra. New York: Cos Cob Press, Inc., [1929].
Concerto for piano and orchestra. New York: Boosey & Hawkes, [1929].
Concerto for piano and orchestra. New York: Boosey & Hawkes, [1956].
12-A) Concerto for piano and orchestra [two pianos]
Ms. Score for 2 pianos (four hands) and orchestra; 45 p.; 35.5 cm.
Concerto (in one movement - two parts) for piano and orchestra.
Ms. (ozalid). Score for two pianos; 31 p.; 32.5 cm.
Concerto (in one movement -- two parts) for piano and orchestra. New York: Cos Cob Press, Inc., [1929].
Score for two pianos, four-hand arrangement; 30 p. (2 copies).
Score for two pianos, four- hand arrangement; 30 p. (2 copies).
Concerto (in one movement -- two parts) for piano and orchestra. New York: Boosey & Hawkes, [1956].
Score for two-piano, four- hand arrangement; 30 p. (2 copies in one volume).
13) Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; "Ukelele serenade"
Two pieces for violin and piano : A) "Nocturne"; B) "Serenade" (original title).
Ms. Score for violin and piano; 17 p.; 35.5 cm.
Two pieces for violin and piano : A) "Nocturne"; B) "Serenade".
Ms. Sketch (score) for violin and piano; 12 p.; 34.5 cm.
Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade".
Ms. Score for violin and piano; 18 p.; 36 cm.
Ms. (negative photostat). Score for violin and piano; 18 p.; 35.5 cm.
A) "Nocturne" ; B) "Ukelele serenade".
A) "Nocturne" ; B) "Serenade".
[A) "Nocturne" ; B) "Ukelele serenade"].
Mss. Miscellaneous pages from Nocturne and Ukelele Serenade; 2 leaves.
13-A) "Nocturne": from Two pieces for violin and piano
"Nocturne".
Ms. (photostat). Violin part; 2 leaves; 33 cm.
"Nocturne". Mainz, Germany: B. Schott's Sohne, [1928].
Score for violin and piano, and violin part; 4 + 1 p.
"Nocturne". Mainz, Germany: B. Schott's Sohne, [1928?].
Score for violin and piano, and violin part: 4 + 1 p.
"Nocturne". London: Boosey & Hawkes, [1968].
"Nocturne". London: Boosey & Hawkes, [1978].
Piano score and clarinet part; 5 p. (pp. 15-19) + 2 p. (pp. 10-11).
13-B) "Serenade" ; "Ukelele serenade": from Two pieces for violin and piano
"Ukelele serenade".
Ms. (ozalid). Score for violin and piano; 12 leaves (pp. 7-18); 34 cm.
"Serenade".
Ms. (ozalid and negative photostat). Violin part; 8 leaves; 32.5 cm. (2 copies).
"Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928].
Score violin and piano score, and violin part; 10 + 3 p.
"Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928?].
Score for violin and piano, and violin part: 10 + 3 p.
"Ukelele serenade". London: Boosey & Hawkes, [1968].
Score for violin and piano, and violin part; 8 + 3 p.
14) Sentimental melody ; Five sentimental melodies [piano and chamber work]
Sentimental melody : for piano solo.
Five sentimental melodies for piano and violin.
Ms. Sketches for piano and violin score; 3 p.; 34.5 cm.
Sentimental melody.
Sentimental melody (slow dance). London: Schott & Co., Ltd., [ca. 1930].
15) Song ; Poet's song ; "In spite of everything which breathes and moves" [song]
Song (E. E. Cummings).
Ms. Score for voice and piano; 4 p.; 34 cm.
Ms. Sketch for voice and piano score; 1 leaf; 35 cm.
"In spite of everything which breathes and moves" song for voice and piano.
Ms. Score for voice and piano; 2 p.; 23 x 30.5 cm.
Song (E. E. Cummings). New York: Cos Cob Press, Inc., [1935].
Score for voice and piano; 3 p. (pp. 20-22).
Poet's song / words by E. E. Cummings. [London]: Boosey & Hawkes, [1962].
Song (E. E. Cummings). New York: Boosey & Hawkes, [1964].
Score for voice and piano; 3 p. (pp. 19-21).
16) Two pieces for string orchestra (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work]
Two pieces for string orchestra : I) "Lento molto" ; II) "Rondino" (incomplete; one page of "Rondino" only).
Ms. Score for string orchestra; [9] p.; 42 cm.
On microfilm: MUSIC 1906, Item 94.
Two pieces for string orchestra. New York: Arrow Music Press, Inc., [1940].
Score for string orchestra; 13 p. (3 copies).
16-A) Two pieces for string quartet (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work]
Two pieces for string quartet : A) Lento molto; B) Rondino.
Ms. Score for string quartet; 14 p.; 36 cm.
On microfilm: MUSIC 1906, Item 95.
Two pieces for string quartet. New York: Arrow Music Press, Inc., [1948].
Score for string quartet (miniature); 13 p.
16-B) "I) Lento molto" (slow movement for string quartet): from Two pieces for string quartet
I) "Lento molto".
Ms. Score for string quartet; 6 p.; 34.5 cm.
"Slow movement for string quartet".
Ms. Sketches for string quartet; 7 + 4 p.; 45 cm.
16-C) "II) Rondino": from Two pieces for string quartet
II) "Rondino" sur le nom du Gabriel Fauré / pour quatuor a cordes : from Two pieces for string quartet.
Ms. Score for string quartet; 8 p.; 36 cm.
II) "Rondino sur le nom du Fauré".
Ms. Score for string quartet; 10 p.; 35 cm.
"Rondino".
"Hommage á Fauré" : A) Prelude / No. IX from "Preludeo pour piano, Op. 103", by Gabriel Fauré; arranged for string quartet by A.C.
Mss. Full score (for string quartet), and Violin I and Violin II parts; 3 + 1 + 1 p.; 33-34.5 cm.
17) Vocalize (Improvisation) [voice & piano]
Improvisation (Vocalise pour voix et piano).
Ms. Score for voice and piano; 5 p.; 34.5 cm.
On microfilm: MUSIC 1906, Item 96.
Vocalize (Improvisation).
Ms. Score for voice and piano; 1 leaf; 40 cm.
Vocalize.
Ms. Sketch for voice and piano; 2 leaves; 32-35 cm.
Vocalise (Vocalize). [New York]: Boosey & Hawkes, [1957].
Score for high voice and piano; 6 p. (2 copies).
17-A) Vocalize [flute & piano]
Vocalize : for flute solo with piano accompaniment.
Ms. Flute part edited by Doriot Anthony Dwyer.
Vocalize : for flute and piano.
Ms. (ozalid). Score for flute and piano; 5 p.; 35 cm. (bound).
Vocalize : for flute and piano. [New York]: Boosey & Hawkes, [1957].
Score for flute (high voice) and piano; 6 p.
Vocalise for flute and piano. London: Boosey & Hawkes, [1974].
Score for flute and piano with flute part; 4 + 2 p.
17-B) Vocalise [oboe & piano]
Vocalise. London: Boosey & Hawkes, [1978].
Score for oboe and piano with oboe part; 2 p. (pp. 2-3) + 4 p. (pp. 2-5).
18) First symphony
First symphony : for large orchestra.
On microfilm: MUSIC 1906, Item 61.
First symphony.
Ms. Full score (early draft); 49 p.; 45 cm.
On microfilm: MUSIC 1906, Item 61 B.
First symphony : for large orchestra. Austria: Cos Cob Press, [1931].
Full score; 80 p. (4 copies, Copy 4 bound).
First symphony : for large orchestra. New York: Cos Cob Press, [1931].
18-A) "Prelude": from First symphony [chamber orchestra]
"Prelude" : from First symphony.
Ms. (ozalid). Full score; 14 p.; 35 cm. (bound).
Mss. Instrumental parts (incomplete); 9 leaves; 33 cm.
"Prelude" : [from First symphony].
Ms. (photocopy). Short score sketch (incomplete); [5] leaves; 36.5 cm.
"Prelude" : for trio (violin, cello, piano) / arranged from 1st movement of Symphony for Organ and Orchestra by the composer.
Ms. (photocopy). Full score; 7 p.; 35 cm.
"Prelude" : from First symphony. London: Boosey & Hawkes, [1968].
Full score for chamber orchestra; 12 p. (2 copies).
Parts for chamber orchestra; 31 cm. (2 sets).
19) Symphonic ode [orchestra]
Symphonic ode : for large orchestra.
Ms. Full score (draft); 44 + 6 p.; 45 cm.
On microfilm: MUSIC 1906, Item 59.
Symphonic ode.
Ms. Full score; 35 p. (incomplete); 45 cm.
Ms. Condensed score sketches; [56] p.; 35-45 cm.
On microfilm: MUSIC 1906, Item 60.
Ms. Condensed score sketches (2nd version); 50 p.; 34-40 cm.
Ms. (photocopy). Full score; 86 leaves (pages missing); 38.5 cm.
Ms. (negative photostat). Full score; 86 leaves; 35 cm.
20) Vitebsk (Study on a Jewish melody) : trio for piano, violin, and violoncello [chamber work]
Vitebsk (Study on a Jewish melody).
Ms. (photocopy). Score for violin, cello, and piano; 22 p.; 38.5 cm.
On microfilm: MUSIC 1906, Item 70.
Ms. Rough sketch and draft score for piano, violin, and cello; 26, 20 p.; 40 cm.
Vitebsk : study on a Jewish theme. New York: Cos Cob Press, Inc., [1934].
Score for violin, cello, and piano; 18 p.
Vitebsk. New York: Cos Cob Press, Inc., [1934].
Score for piano, violin, and violoncello -- parts for violin and violoncello laid in; 18 + 5 + 5 p. (3 copies).
21) Piano variations [piano work]
Piano variations.
On microfilm: MUSIC 1906, Item 68.
Ms. (photocopy). Piano solo; 17 leaves; 37 cm.
Ms. (photostat). Piano solo; 17 leaves; 34 cm.
Ms. Rough sketch and piano sketch; 63 p.; various sizes.
Piano variations. Austria: Cos Cob Press, Inc., [1932].
22) Miracle at Verdun [incidental music]
Miracle at Verdun.
Ms. Orchestral sketches; 27 p.; 33.5-40 cm.
On microfilm: MUSIC 1906, Item 85.
23) Elegies [chamber work]
Elegies : for violin and viola.
Ms. Score for violin and viola; 8 p.; 24 x 33 cm.
"Elegy."
Ms. Sketch for violin and viola score; 6 p.; 38 cm.
24) Short symphony (Second symphony) [orchestra]
Short symphony.
On microfilm: MUSIC 1906, Item 62.
Short symphony : partita.
On microfilm: MUSIC 1906, Item 63.
Ms. Rough orchestral score; 98 p.; 40-44.5 cm.
Ms. Short score (piano sketch); 32 p.; 33-34.5 cm.
Short symphony (No. 2).
Ms. Full score; 91 p.; 38 cm. (spiral bound).
Short symphony (No. 2). London: Boosey & Hawkes, [1955].
25) Statements for orchestra
Statements for orchestra.
Ms. Full score (rough draft); 50 p.; 38-45 cm.
Ms. Short score (piano sketch); 25 p.; 34.5 cm.
From Statements for orchestra.
Ms. Full score of parts II, IV, and VI; [11] p.; 38 cm.
Statements.
[Statements].
Ms. (photostat). Full score (reduced from actual size); 50 leaves; 28 cm.
Mss. Miscellaneous pages from scores; unnumbered; various sizes.
Statements. New York: Boosey & Hawkes, [1947].
Statements. London: Boosey & Hawkes, [1947].
26) Hear ye! Hear ye! [ballet]
Hear ye! Hear ye! : ballet in one act.
Ms. Conductor score, in 2 volumes; 228 p.; 41 cm.
On microfilm: MUSIC 1906, Item 77.
Ms. (photocopy). Full score; [113] p.; 25 x 38.5 cm. (bound).
Hear ye! Hear ye!
Ms. Sketches (rough piano version); various paginations; 34 cm.
Hear ye! Hear ye! : ballet in one act / small orchestra score / arranged from the original score for large orchestra (1935).
Ms. Full score; various paginations; 45 cm.
Hear ye! Hear ye! : "Girls dance" (as seen by the Negro waiter).
Ms. (photocopy). Short piano score; 11 leaves; 35 cm.
Hear ye! Hear ye! : "Dove dance".
Ms. (photocopy). Short piano score; 4 leaves; 35 cm.
Hear ye! Hear ye! : three cabaret numbers from the ballet.
Ms. Full score (unfinished); [16] p.; 46 cm.
Ms. (photocopy). Score for two pianos; 77 leaves; 35.5 cm.
27) What do we plant? [chorus]
What do we plant? : two-part chorus for junior high school.
Ms. Score for soprano and alto voices, and piano; 6 p.; 33.5-35.5 cm.
On microfilm: MUSIC 1906, Item 97.
What do we plant?
Ms. Score for soprano and alto voices, and piano; 8 p.; 34 cm.
Ms. Sketch for soprano and alto voices and piano (incomplete); 2 p.; 27 x 35 cm.
What do we plant? : two-part SA / words by Henry Abbey (8942-1911) / music by Aaron Copland. New York: Boosey Hawkes Belwin, Inc., [1941].
What do we plant? : two-part SA [New York]: Boosey & Hawkes, Inc., [19--?].
28) El salón México [orchestra]
El salón México.
On microfilm: MUSIC 1906, Item 47.
Ms. Two folders of rough sketches in one clamshell box; 26 + 28 p.; various sizes.
Ms. Rough orchestral score; 4 p.; 42 cm.
"Beyond the Rio Grand".
Ms. Full score (incomplete); [4] p.; 45.5 cm.
El salón México : popular type dance hall in Mexico City. London: Hawkes & Son, [1939].
Full score; 44 p. (2 copies, Copy 1 bound).
El salón México : popular type dance hall in Mexico City. London: Boosey & Hawkes, [1939].
28-A) El salón México [piano solo]
El salón México : Mexican Dance Hall.
Ms. Sketch for piano solo; 21 p.; 33.5 cm.
[El salón México].
Ms. (negative photostat). Piano solo; 28 p.; 29 cm.
Ms. (photocopy). Piano solo; 17 leaves; 34.5 cm.
El salón México. New York: Boosey & Hawkes, [1941].
28-B) El salón México [two pianos]
El salón México : arranged for two pianos by Leonard Bernstein.
Ms. Score for two pianos; 30 p.; 31.5 cm.
El salón México : for two pianos. [New York]: Boosey & Hawkes, [1943].
Score for two pianos; 30 p. (2 parts in one folder).
28-C) "Fantacia Mejicana" (Mexican fantasy): from El salón México
"Fantacia Mejicana" (Mexican fantasy) / adapted for piano and orchestra by Johnny Green from "El salón México".
Ms. (photocopy). Full score; 44 leaves; 47.5 cm. (spiral bound).
"Fantacia Mejicana" (Mexican fantasy) / for piano and orchestra adapted by Johnny Green from "El salón México".
Ms. (ozalid). Piano-conductor score; 17 p.; 33.5 cm.
"Fantacia Mejicana" : for solo piano.
Ms. (ozalid). Piano solo; 12 p.; 33 cm. (2 copies).
"Fantasia Mexicana" / adapted and orchestrated by Johnny Green for the M-G-M picture FIESTA. London: Boosey & Hawkes, [1952].
"Fantasia Mexicana" (Mexican fantasy) / da "El salón México" di Aaron Copland; adattamento di Johnny Green per il film M.G.M 'LA MATADORA'. Milano: Edizioni Suvini Zerboni, [1952].
28-D) El salón México [concert band]
Ms. (photocopy) Full score; [59] p. (30 leaves); 35.5 cm.
El salón México. [New York]: Boosey & Hawkes, [1972].
29) Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers" [piano works]
Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers".
Ms. Piano solo; 5 p. (on 2 leaves); 34 cm.
On microfilm: MUSIC 1906, Item 73.
Ms. Sketches for piano solo; 6 p. (on 2 leaves); 35.5 + 27 x 35 cm.
A) "Sunday afternoon music" ; B) "The young pioneers". New York: Carl Fischer, [1963].
29-A) "Sunday afternoon music": from Two children's pieces [piano solo]
"Sunday afternoon music". New York: Carl Fischer, [1936].
29-B) "The young pioneers": from Two children's pieces [piano solo]
"The young pioneers". New York: Carl Fischer, [1936].
30) The second hurricane [play/opera]
[The second hurricane].
On microfilm: MUSIC 1906, Item 49.
The second hurricane : a play-opera for high school performance / libretto by Edwin Denby.
On microfilm: MUSIC 1906, Item 50.
"No. 1 - Choral overture".
Ms. Choral score with orchestral indications; 12 leaves; 37 cm.
[The second hurricane] : excerpts from the opera.
Ms. (ozalid). Piano-vocal score (incomplete); various paginations; 38.5-40.5 cm.
On microfilm: MUSIC 1906, Item 48.
Mss. Miscellaneous pages from the opera; unpaged; various sizes.
The second hurricane : a play opera in two acts / libretto by Edwin Denby. Boston: C. C. Birchard & Co., [1939].
"2d hurricane" : [Gyp's song].
Ms. Solo vocal part; 1 leaf; 17.5 x 20 cm.
The second hurricane : a play-opera for high school performance / libretto by Edwin Denby. Boston: C. C. Birchard & Co., [1938].
Vocal score with piano accompaniment; X, 112 p.
The second hurricane : a play opera for high school performance / libretto by Edwin Denby. New York: Boosey & Hawkes, [1957].
Vocal score with piano accompaniment; [8], 112 p.
"That's the idea of freedom" / words by Edwin Denby. Boston: C. C. Birchard & Co., [ca. 1938].
Vocal score (SATB) with piano accompaniment; 8 p. (3 copies).
31) Music for radio (Prairie journal) ; Saga of the prairie [orchestra]
Music for radio : commissioned by the Columbia Broadcasting System.
On microfilm: MUSIC 1906, Item 31 A.
[Music for radio : commissioned by the Columbia Broadcasting System].
Ms. (ozalid). Full score; 84 p.; 38.5 cm.
Music for radio.
Ms. Full score (rough draft); 13, 44 p.; 33.5-38 cm.
On microfilm: MUSIC 1906, Item 31 B.
Ms. Open score, original pencil sketches; 28 p.; 34 cm.
Music for radio (Saga of the prairie). London: Hawkes & Son, [1940].
Full score; 52 p. (2 copies, Copy 1 bound; Copy 2 spiral bound).
"Prairie journal". London: Boosey & Hawkes, [1967].
32) Sextet [chamber work]
Sextet : for string quartet, clarinet and piano.
Ms. Score for string quartet, clarinet and piano; 59 p.; 34 cm.
On microfilm: MUSIC 1906, Item 64.
Sextet : for string quartet, piano and clarinet.
Ms. (photostat). Score for string quartet, piano and clarinet; 9 p.; 35 cm.
Sextet.
Ms. Score for string quartet, clarinet and piano (incomplete); 10 p.; 33.5 cm.
Sextet : for string quartet, clarinet and piano. New York: Boosey & Hawkes, [1948].
Sextet : for string quartet, clarinet and piano. London: Boosey & Hawkes, [1948].
33) Billy the kid [ballet]
Billy the kid.
On microfilm: MUSIC 1906, Item 72.
Billy the kid : complete ballet.
Ms. (ozalid). Full score; 169 p.; 43.5 cm. (spiral bound).
33-A) Billy the kid : ballet suite [orchestra]
Billy the kid : ballet suite. New York: Boosey & Hawkes, [1941].
Billy the kid : ballet suite. London: Hawkes & Son, [1941].
Billy the kid : ballet suite. London: Boosey & Hawkes, [1941].
Full score (miniature); 94 p. (2 copies).
33-B) Billy the kid [two pianos]
Ms. Score for two pianos; 63 leaves; 38 cm.
Ms. (ozalid). Score for two pianos; 63 p.; 38.5 cm.
Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes, [1946].
Score for two pianos -- four hands; 34 p. (2 parts in one folder).
33-C) Billy the kid [piano solo]
Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes, [1944].
33-D) "Waltz": from Billy the kid [band]
"Waltz" : Billy the kid. New York: Boosey & Hawkes, [1944].
33-E) "Celebration": from Billy the kid [band]
"Celebration" : from Billy the kid. New York: Boosey & Hawkes, [1945].
33-F) Billy the kid [small orchestra]
Billy the kid : small orchestra version.
Ms. Score for small orchestra; 124 leaves (pages missing); 43 cm.
"Prairie night" and "Celebration dance" : from Billy the kid. New York: Boosey & Hawkes, [1946].
33-G) Billy the kid [violin & piano]
"Waltz" and "Celebration" : from Billy the kid.
Ms. Score for violin and piano, and violin part; 5 + 13 p.; 35.5 cm.
Ms. (ozalid). Score for violin and piano; 13 p.; 35.5 cm.
"Waltz" and "Celebration" : from Billy the kid. S.l.: Boosey & Hawkes, [1950].
Score for violin and piano, and violin part; 10 + 4.
33-H) Billy the kid [cello & piano]
"Waltz" and "Celebration" : from Billy the kid. London: Boosey & Hawkes, [1952].
33-J) Billy the kid [orchestra]
Waltz from Billy the kid : [arranged] for youth orchestra (1956). New York: Boosey & Hawkes, [1957].
34) An outdoor overture [orchestra]
An outdoor overture : for school performance.
On microfilm: MUSIC 1906, Item 35 A.
"Signature for the high-low concerts".
Ms. (photocopy). Full score; 6 p.; 34 cm.
An outdoor overture. London: Hawkes & Son, [1940].
An outdoor overture. London: Boosey & Hawkes, [1940].
An outdoor overture. New York: Boosey & Hawkes, n.d.
34-A) An outdoor overture [band]
An outdoor overture.
On microfilm: MUSIC 1906, Item 35 B.
An outdoor overture : arranged for band by the composer.
Ms. Band score (incomplete); 20 p.; 42 cm.
An outdoor overture. New York: Boosey & Hawkes, [1948].
35) Lark [chorus]
Lark.
Ms. Score for mixed voices (SATB); 8 leaves; 38 cm.
On microfilm: MUSIC 1906, Item 27.
Ms. Sketch for mixed voices (SATB); 17 p.; 34 cm.
Lark : four-part chorus / for mixed voices (divisi) / with baritone solo (a cappella). [Boston]: E. C. Schirmer Music Co., [1941].
Score for mixed voices (SATB); (2 copies).
36) The quiet city [incidental music]
The quiet city : for clarinet, saxophone, trumpet, and piano.
On microfilm: MUSIC 1906, Item 43.
Ms. (photocopy). Full score; 29 leaves; 36 cm.
The quiet city.
Quiet city.
37) Five kings [incidental music]
Five kings.
Ms. Condensed score sketch; 41 p.; 33.5 cm.
On microfilm: MUSIC 1906, Item 76.
Ms. (photocopy). Condensed score sketch; 41 leaves; 36 cm.
38) The city [incidental music]
The city : music for the documentary film.
The city : film music.
Ms. Piano-conductor score; 34 leaves; 30-43 cm.
On microfilm: MUSIC 1906, Item 7 A.
Ms. (ozalid). Piano-conductor score; [34] leaves 41 cm. (bound).
Ms. Rough piano sketches; 42 + 1 p.; 34.5 cm.
On microfilm: MUSIC 1906, Item 7 B.
The city.
39) From sorcery to science [incidental music]
From sorcery to science : excerpt from the puppet show.
"The medicine chest" : from Sorcery to science / a puppet play.
Ms. Orchestral sketches; unnumbered; 34.5 cm.
From sorcery to science : puppet show.
40) Of mice and men [incidental music]
Of mice and men.
Ms. Open score; 72 leaves; 48.5 x 30 cm.
Ms. Pencil sketches; 26 + 4 leaves; 48.5 x 30 cm.
Ms. (mimeograph). Conductor score; various paginations; 31.5 cm.
Ms. (mimeograph). Conductor score; various paginations; 31.5 cm. (bound).
"Threshing machine sequence".
Ms. Full score, divided into section (cues); various paginations; various sizes.
Mss. Miscellaneous pages from the film production: including music cue sheets (in typescript), timing indications, and penciled notes.
41) Our town [incidental music]
Our town : complete film music.
Ms. Full score; various paginations; 47 cm.
Our town.
Ms. (mimeograph). Conductor score; various paginations; 32 cm. (3 copies, Copy 1 bound).
Ms. Orchestral sketches: unnumbered; various sizes.
Our town : music from the film score.
Copy of manuscript in the hand of Julia Smith. Orchestral sketch; 5 leaves; 36.5 cm.
Mss. Orchestral parts and conductor scores; various paginations; 32 cm.
Mss. Miscellaneous pages from the film score; 3 p.; 28-32 cm.
Our town : music from the film score. New York: Boosey & Hawkes, [1945].
Our town : music from the film score. London: Boosey & Hawkes, [1967].
"Story of our town" (from the film Our Town).
Ms. Score for violin and piano; 3 p.; 35.5 cm.
III) "The resting place on the hill".
Ms. Piano solo; 2 p. (pp. 6-7); 34.5 cm.
Our town : three piano excerpts from the film score. New York: Boosey & Hawkes, [1945].
"Story of our town" / in Two portraits for two guitars. S.l.: s.n., 1984.
Score for two guitars, and parts; 15 + 7 + 7 p. (spiral bound).
42) John Henry [orchestra]
John Henry.
Ms. Full score; 22 p.; 45.5 cm. (bound).
On microfilm: MUSIC 1906, Item 81.
Ms. (photostat). Full score; 22 p.; 45 cm.
Ms. Orchestral sketch; [6] leaves; 30.5 cm.
Copy of manuscript in the hand of Julia Smith. Orchestral sketch; [4] leaves; 36 cm.
42-A) John Henry [orchestra] (revised)
John Henry : based on the folk-tune. London: Boosey & Hawkes, [1953].
John Henry. [New York]: Boosey & Hawkes, [1953].
42-B) John Henry [youth orchestra]
John Henry : a railroad ballad for orchestra. London: Boosey & Hawkes, 1982.
43) Quiet city [chamber work]
Quiet city : for solo trumpet and string orchestra.
Ms. Score for solo trumpet and string orchestra; 18 leaves; 37.5 cm.
On microfilm: MUSIC 1906, Item 42.
Quiet city : for trumpet solo and string orchestra.
The quiet city : for solo trumpet and string orchestra.
Ms. Preliminary sketches; 22 p.; various sizes.
43) Quiet city [arrangements]
Quiet city New York: Boosey & Hawkes, 1988.
Ms. (photocopy). Score for wind ensemble; 45 leaves; 43.5 cm.
Quiet city : arranged for wind ensemble / accompaniment by Donald Hunsberger - 3/88. New York: Boosey & Hawkes, 1988.
Quiet city : for strings, trumpet and English horn (or oboe).
Copy of manuscript in the hand of Julia Smith. Condensed score and solo part; 8 leaves; 36.5 cm.
Quiet city : for strings, trumpet, and English horn (or oboe). New York: Boosey & Hawkes, [1941].
Score for strings, trumpet, and English horn (or oboe); 15 p. (2 copies, Copy 2 bound).
Quiet city. London: Boosey & Hawkes, [1941].
Quiet city : for strings, trumpet and English horn (or oboe). London: Boosey & Hawkes, [1941].
Full score (miniature); 15 p. (2 copies).
44) Piano sonata [piano work]
Piano sonata.
On microfilm: MUSIC 1906, Item 53.
Ms. Sketch for piano solo; 128 p.; various sizes.
Piano sonata. London: Hawkes & Son, [1942].
Publisher's proof. Piano solo; 28 leaves
Piano sonata. New York: Boosey & Hawkes, [1958].
44-A) Piano sonata (for band)
Piano sonata (arranged for band).
Ms. (ozalid). Full score (1st movement only); 39 p.; 46.5 cm.
45) Episode : improvisation for organ [organ solo]
Episode.
On microfilm: MUSIC 1906, Item 20.
[Episode].
On microfilm: MUSIC 1906, Item 19.
Episode : Improvisation for organ.
Ms. Sketch for organ solo; 3 p.; 30.5 cm.
Episode. New York: H.W. Gray Co., [1941].
46) Lincoln portrait [speaker & orchestra]
Lincoln portrait : for speaker and orchestra.
Ms. (ozalid). Full score with text; 72 p.; 39 cm. (spiral bound).
Ms. (ozalid). Full score with text; 72 p.; 40 cm. (spiral bound).
Lincoln portrait.
Ms. (ozalid). Full score (in part); pp. 22-37; 38.5 cm. (2 copies).
[Lincoln portrait].
Ms. Piano sketch with text (incomplete); 18 leaves; various sizes.
A Lincoln portrait : for speaker and orchestra.
Ms. (ozalid). Piano sketch with text; 20 p.; 38 cm.
Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943].
Full score (miniature) with text; 44 p.; 18.5 cm.
Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943?].
Lincoln portrait : for narrator and orchestra. [New York]: Boosey & Hawkes, [1967?].
Lincoln portrait. New York: Boosey & Hawkes, [1943].
46-A) Lincoln portrait [speaker & band]
Lincoln portrait. New York: Boosey & Hawkes, [1951].
Band score (full to symphonic); 40 p. (4 copies).
Conductor score for band (miniature); 16 p.
Lincoln portrait [New York]: [Boosey & Hawkes], [1943].
Score for narrator; 2 + 9 p. (pp. 4-12).
47) Rodeo [ballet]
Rodeo.
Ms. Full score; 106 leaves (1-85 and 118-139); 38 cm.
On microfilm: MUSIC 1906, Item 46 B.
On microfilm: MUSIC 1906, Item 46 A.
Ms. Orchestral insert; 27 leaves; 38 cm.
Mss. String parts insert; various paginations; various sizes.
Mss. String parts insert; various paginations; 32 cm.
"Saturday night waltz" (Mvt. III).
"Four dance episodes". New York: Boosey & Hawkes, [1946].
Full score; 96 p. (2 copies, Copy 1 bound).
"Four dance episodes". London: Boosey & Hawkes, [1946].
"Buckaroo holiday". New York: Boosey & Hawkes, 1960.
"Corral nocturne". New York: Boosey & Hawkes, 1960.
"Saturday night dance". New York: Boosey & Hawkes, 1960.
"Hoe-down". New York: Boosey & Hawkes, 1960.
47-A) Rodeo [piano solo]
Rodeo : ballet in one act.
Ms. Piano solo; [45] leaves; various sizes.
Rodeo : complete ballet.
Ms. (ozalid). Piano sketch; 37 p.; 34 cm.
[Rodeo : complete ballet.]
Mss. Fragments from piano solo arrangement; 6 leaves; various sizes.
Rodeo : four dance episodes / arranged for piano solo by the composer. London: Boosey & Hawkes, [1962].
47-B) Rodeo [string quartet]
"Hoe-down" / arranged for string quartet.
Ms. (ozalid). Score for string quartet; 9 p.; 36 cm. (soft bound).
47-C) Rodeo [string orchestra]
"Hoe-down" / arranged for string orchestra by the composer. [New York]: Boosey & Hawkes, [1945].
"Hoe-down" / arranged for string orchestra. [New York]: Boosey & Hawkes, [1945].
47-D) Rodeo [violin & piano]
"Hoe-down" / arranged for violin and piano by the composer.
Ms. Score for violin and piano; 8 leaves; 38 cm.
"Hoe-down" / arranged for violin and piano by the composer - 1945. [New York]: Boosey & Hawkes, [1946].
Score for violin and piano, and violin part; 8 + 4 p.
47-E) Rodeo [two pianos]
"Hoe-down" and "Saturday night waltz" / arranged for two pianos, four hands. [New York]: Boosey & Hawkes, [1950].
Score for two pianos, four hands; 16 p. (2 parts in one folder).
48) Las agachadas [chorus]
Las agachadas.
Ms. Score for mixed chorus (SSAATTB); 12 leaves; 37.5 cm.
On microfilm: MUSIC 1906, Item 83.
Las agachadas. S.l.: s.n., n.d.
Score for mixed chorus (SSAATTB); 14 p. (2 copies).
Las agachadas : the shake-down song / a cappella. [New York]: Boosey & Hawkes, [1942].
Score for solo group and eight-part mixed chorus; 24 p. (3 copies).
Las agachadas : the shake-down song / a cappella. [New York]: Boosey & Hawkes, [194-?].
Score for solo group and eight-part mixed chorus; 24 p.
49) Music for movies [orchestra]
Music for movies.
Ms. (ozalid). Full score; 102 p.; 39.5 cm.
Ms. (ozalid). Full score (incomplete); 31 leaves; 36.5 cm.
"The city".
"Sunday traffic".
Ms. (photocopy). Conductor (short) score; 6 p.; 33 cm.
Music for movies. London: Boosey & Hawkes, [1970].
50) Danzón Cubano [two pianos]
Danzón Cubano.
Ms. Score for two pianos -- four hands; 23 lvs; 35 cm.
On microfilm: MUSIC 1906, Item 17 B.
Ms. Original piano sketches; 42 p.; 31.5 cm.
Danzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers. Lynbrook, N.Y.: Boosey & Hawkes, [1943].
Score for two pianos -- four hands; 20 p. (2 parts in one folder).
Danzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers. New York: Boosey & Hawkes, [1943].
Danzón Cubano : composed especially for the twentieth anniversary of the League of Composers / for two pianos, four hands. London: Hawkes & Son, [1943].
Score for two pianos, four hands; 20 p. (2 folders - 2 scores in each folder).
50-A) Danzón Cubano [orchestra]
On microfilm: MUSIC 1906, Item 17 A.
Ms. (ozalid). Full score; 56 p.; 40 cm. (spiral bound).
Danzón Cubano. New York: Boosey & Hawkes, [1947].
Danzón Cubano. London: Boosey & Hawkes, [1964].
50-B) Danzón Cubano [piano solo]
Danzón Cubano [piano solo] (1949). [New York]: Boosey & Hawkes, [1949].
51) Fanfare for the common man [brass & percussion]
Fanfare for the common man.
Ms. Score for brass and percussion ensemble; 5 leaves; 38 cm.
On microfilm: MUSIC 1906, Item 21.
Ms. (photocopy). Full score; [4] leaves; 36 cm.
Fanfare for the common man. [New York]: Boosey & Hawkes, [1956].
Publisher's proof. Score for brass and percussion ensemble; 3 leaves
Fanfare for the common man. New York: Boosey & Hawkes, [1956].
Publisher's proofs. Brass and percussion ensemble parts; various paginations.
Fanfare for the common man. New York: Boosey & Hawkes, [1971].
Publisher's proof. Score for brass and percussion ensemble; 4 leaves.
Ms. Original pencil sketches; 4 p.; 32 cm.
Ms. (photocopy). Original sketches in pencil; 4 leaves; 32 cm.
Fanfare for the common man. London: Boosey & Hawkes, [1944].
Score for brass and percussion ensemble; 3 p.
Fanfare for the common man : in Ten Fanfares by Ten Composers / for brass and percussion. New York: Boosey & hawkes, [1944].
Score for brass and percussion ensemble; 3 p. (pp. 1-3) (2 copies).
Fanfare for the common man : from Ten Fanfares. New York: Boosey & Hawkes, [1956].
Brass and percussion ensemble parts; various paginations.
51-A) Fanfare for the common man [guitar]
Fanfare for the common man : transcribed for guitar by Dave Bogart (1942).
Ms. (photocopy). Guitar solo; 2 p.; 31.5 cm.
Fanfare for the common man : guitar solo / transcribed by Michael Hendrix.
51-B) Fanfare for the common man [trumpet ensemble]
Fanfare for the common man : arranged for trumpet ensemble by Ronald Small (1988).
Ms. (photocopy). Score for trumpet ensemble; 1 + 8 p.; 31.5 cm.
52) Sonata for violin and piano [chamber work]
Sonata for violin and piano.
Ms. Score for violin and piano; 37 leaves (page 5-B inserted); 34.5 cm.
On microfilm: MUSIC 1906, Item 55.
Ms. Violin part; 13 leaves; 30.5-34.5 cm.
Ms. (ozalid). Piano score, in part; 16 p. (pp. 21-36); 36 cm.
Ms. (ozalid). Violin part; 13 p.; 31-36 cm.
Ms. Complete violin and piano sketches; 85 p.; 32 cm.
Sonata for violin and piano. [New York]: Boosey & Hawkes, [1944].
Publisher's proof. Violin part; 13 leaves.
Sonata for violin and piano. New York: Boosey & Hawkes, [1944].
Score for violin and piano (violin part not included); 33 p.
Score for violin and piano, and violin part; 33 + 13 p.
52-A) Sonata for violin and piano [clarinet & piano]
[Sonata for violin and piano] : transcribed for clarinet and piano by Timothy Paradise (1980).
Ms. Score for clarinet and piano; 46 leaves; 30.5 cm.
53) The north star [incidental music]
The north star.
Ms. Full score divided by sequence titles, in 19 folders; various paginations; various sizes.
Ms. Original sketches; various paginations; 31.5 - 34 cm.
Mss. Drafts of conductor scores; various paginations; 31.5 - 34 cm.
Mss. Conductor's scores; various paginations; various sizes.
"Song of the fatherland".
Ms. (ozalid). Piano-vocal score; 3 + 1 p.; 32 cm.
"From the Baltic to the Pacific (loading song)" / based on traditional Russian folk tunes - composer unknown.
Ms. (ozalid). Score for mixed voices (SATB); 2 p.; 32 cm. (2 copies).
Mss. A mixer of annotated scores used in the Samuel Goldwyn production; various paginations; various sizes.
Miscellaneous choral scores of Russian folk songs.
53-A) "Younger generation" [song]: from The north star
"Younger generation" (song version).
Ms. Draft of piano-vocal score; [8] p.; 31.5 cm.
"Younger generation".
Ms. (ozalid). Piano-vocal score; 5 p.; 33 cm.
"Younger generation" / from Samuel Goldwyn's production. New York: Boosey & Hawkes, [1944].
Score for choral arrangement (SATB), with piano accompaniment; 10 p.; 26.5 cm.
"Younger generation". New York: Boosey & Hawkes, [1964].
"Younger generation". New York: Boosey & Hawkes, [1964?].
53-B) "Song of the guerrillas" [chorus]: from The north star
"Song of the guerrillas".
Ms. (ozalid). Conductor's choral score (TBB), with orchestral accompaniment; 7 p.; 33 cm. (2 copies).
"Song of the guerrillas". New York: Chappell & Co., [1943].
Piano-vocal score; 5 p.; 30.25 cm. (2 copies).
"Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment. New York: Boosey & Hawkes, [1944].
Score for men's voices (TTBB) with piano accompaniment; 12 p.
53-C) "No village like mine" [song]: from The north star
"No village like mine" / based on a traditional Russian tune - composer unknown.
Ms. Draft of piano-vocal score; 8 + 1 p.; 31.5 cm.
"No village like mine". New York: Chappell & Co., [1943].
Piano-vocal score; 5 p.; 30 cm. (2 copies).
54) Letter from home [orchestra]
Letter from home.
Ms. (pos. photostat). Full score; 38 leaves; 44.5 cm.
Ms. (neg. photostat). Full score; 38 leaves; 44.5 cm.
Ms. Original pencil sketches; various paginations; 32 cm.
Letter from home : piano reduction of the [original] score.
Ms. (photocopy). Piano score; 6 leaves; 43.5 cm.
55-A) Letter from home [symphony orchestra]
Ms. (ozalid). Full score; [1] + 38 p.; 41.5 cm.
Ms. (ozalid). Full score; [1] + 38 p.; 42.5 cm. (spiral bound).
Ms. (ozalid). Full score; [1] + 38 p.; 42 cm.
Mss. Orchestral parts; various paginations; 32 cm.
Mss. (ozalids). Orchestral parts (SET B); various paginations (Viola 7 folder empty); 35 cm.
Mss. (ozalids). Orchestral parts (SET A); various paginations; 35.5 cm.
54-B) Letter from home [reduced orchestra]
Ms. Full score (revised for reduced orchestra); [2] + 26 leaves; 38 cm.
Ms. (ozalid). Full score (revised for reduced orchestra); [2] + 26 p.; 38.5 cm. (spiral bound).
Letter from home : piano reduction of the score.
Ms. (ozalid). Piano score; 8 p.; 38.5 cm.
Letter from home. London: Boosey & Hawkes, [1964].
Score and parts; 22 p. score + 24 parts (4 copies, Copy 3 and 4, score only; Copy 3 bound).
55) Appalachian spring : ballet for Martha [ballet]
Appalachian spring.
Ms. Full score; 101 leaves; 37.5 cm. (bound).
Ms. (ozalid). Full score; 101 leaves; 38 cm. (bound).
Appalachian spring : original version for 13 instruments.
Ms. (ozalid). Full score; 101 p.; 38 cm. (spiral bound).
Appalachian spring (ballet for Martha) : 13 instrument version / as danced by Martha Graham's Company.
Ms. (ozalid). Full score; 101 p.; 37 cm. (bound).
Ms. (photocopy). Full score; 101 leaves; 37 cm.
Ms. Rough sketches (2 folders); various paginations; various sizes.
Ms. (photocopy). Rough sketches; 25 leaves; various sizes.
Mss. (photocopies). Miscellaneous pages from the ballet score; [27] leaves; various sizes.
55-A) Appalachian spring [suite]
Ms. (ozalid). Full score; 131 p; 35 cm. (spiral bound).
Ms. Full score (insert); 32 leaves; 38 cm.
Ms. (ozalid). Full score (insert); 32 leaves; 38 cm.
Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1945].
Appalachian spring : Ballet for Martha. London: Boosey & Hawkes, [1945].
Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1958].
Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1968].
Full Score; 82 p. Duration: Approx. 20 min.
Appalachian spring. Peking, China: People's Music, 1982.
55-B) Appalachian spring [piano work]
Ms. Piano reduction; 50 leaves (in mylar); 38 cm.
Ms. (ozalid). Piano reduction; 50 p.; 38 cm.
Appalachian spring : excerpts from the ballet.
Ms. (ozalid). Piano reduction (incomplete); [27] leaves; 38 cm.
Ms. (photocopy). Piano reduction (incomplete); 48 leaves; 41 cm.
55-C) Appalachian spring : version for 13 instruments [suite]
Ms. (ozalid). Full score for 13 instruments; 22 p.; 38.5 cm.
Appalachian spring (ballet for Martha) : version for 13 instruments. London: Boosey & Hawkes, [1972].
Full score (miniature); 66 p. (2 copies).
55-D) Appalachian spring [two pianos]
Appalachian spring : ballet for Martha / arranged for two pianos four hands by Melissa Postnikoff. S.l.: s.n., [1984].
Score for two pianos; 49 p. (spiral bound).
56) Jubilee variation [orchestra]
Jubilee variation.
Ms. (photocopy). Full score; 14 leaves; 34 cm.
57) Cummington story [incidental music]
Cummington story.
Ms. Full score; various paginations (129 leaves); 34.5 cm.
Ms. Piano reduction (draft); [51] p.; 32 cm.
58) Third symphony [orchestra]
Third symphony.
Ms. (ozalid). Full score; 255 p.; 38 cm. (bound in 2 volumes).
Ms. (ozalid). Full score; 253 p.; 38 cm. (3 volumes, spiral bound).
Ms. (ozalid). Full score; 255 p.; 38 cm. (2 volumes, spiral bound).
[Third symphony].
Ms. (ozalid). Full score (insert); 3 p. + 3 leaves; 38 cm.
Mss. Orchestral sketches; various paginations; various sizes.
Mss. Miscellaneous pages from full score; 7 leaves; 30.5-38.5 cm.
Third symphony. [New York]: Boosey & Hawkes, [1947].
Full score, with original ending (miniature); 155 p.
Third symphony. London: Boosey & Hawkes, [1947].
Full score, with revised ending; 153 p. (bound).
Third symphony (revised 1966).
58-A) Third symphony [piano sketch]
Ms. (ozalid). Piano sketch; [76] p. + 7 leaves; 36 cm.
Ms. (ozalid). Piano sketch; [71] p.; 36 cm.
Mss. Miscellaneous pages from open score; 4 leaves; 34 cm.
59) In the beginning [chorus]
In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo.
Ms. Score for mixed chorus; 46 leaves; 34.5 cm.
On microfilm: MUSIC 1906, Item 25.
Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm.
In the beginning : mixed chorus / a cappella / with mezzo-soprano solo.
In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. [New York]: Boosey & Hawkes, [1947].
In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. [New York]: Boosey & Hawkes, n.d.
Score for mixed chorus; 56 p. (2 copies).
60) Four piano blues : piano blues [piano work]
Four piano blues.
On microfilm: MUSIC 1906, Item 2A.
Ms. (ozalid). Piano solo; 13 p.; 34.5 cm.
"Blues 1".
Ms. (ozalid). Piano solo; 3 p.; 34.5 cm.
Ms. Sketch for piano solo; 19 p.; various sizes.
On microfilm: MUSIC 1906, Item, 2A.
Four piano blues. [New York]: Boosey & Hawkes, [1957].
"Three piano blues". [New York]: Boosey & Hawkes, [1949].
60-A) Four piano blues [chamber orchestra]
Ms. Score for chamber orchestra (incomplete draft); 37 p.; 36 cm.
Mss. (photocopy). Miscellaneous pages from score for chamber orchestra; 4 leaves.
61) The heiress [incidental music]
The heiress.
Ms. Condensed score; 207 leaves; 36.5 cm. (bound).
Ms. (photostat). Conductor score; various paginations; 30.5 cm. (bound).
Ms. (photostat). Conductor score; various paginations; 30 cm. (in two folders).
61-A) The heiress [suite]
The heiress : suite / reconstructed by Arnold Freed (1990).
Ms. (photocopy). Full score; 51 p.; 38 cm. (spiral bound).
62) Concerto for clarinet [chamber work]
Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano.
Ms. Full score; 91 leaves; various sizes.
On microfilm: MUSIC 1906, Item 9.
Ms. (ozalid). Full score; 91 p.; 38 cm. (spiral bound).
Concerto for clarinet.
On microfilm: MUSIC 1906, Item 8.
Concerto for clarinet : and string orchestra / with harp and piano. London: Boosey & Hawkes, [1952].
Full score (miniature); 42 p. (2 copies).
62-A) Concerto for clarinet [clarinet & piano]
Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano by the composer.
Ms. Score for clarinet and piano, and clarinet part; 37 + 13 + 3 leaves; 34.5 cm.
On microfilm: MUSIC 1906, Item 10.
Concerto for clarinet : and string orchestra / with harp and piano ; arranged for clarinet and piano by the composer.
Ms. (ozalid). Score for clarinet and piano, and clarinet part; 36 + 13 p.; 34.5 cm.
Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano.
Ms. (ozalid). Score for clarinet and piano; 36 p.; 34.5 cm.
Concerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano. [New York]: Boosey & Hawkes, [1950].
Score for clarinet and piano, and clarinet part; 27 + 11 p.
Concerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano. [New York]: Boosey & Hawkes, [1970].
Score for clarinet and piano, and 2 clarinet parts; 27 + 11 p.
63) The red pony [incidental music]
The red pony.
Ms. Full score (in 11 folders); various paginations; various sizes.
The red pony : original manuscript.
On microfilm: MUSIC 1906, Item 44.
Ms. (ozalid). Conductor score; various paginations; 31.5 cm. (bound).
Mss. (ozalid). Conductor scores; various paginations; 30.5 cm. (2 sets).
Mss. (ozalids). Conductor scores (extra copies); various paginations; 30.5 cm.
63-A) The red pony [suite]
On microfilm: MUSIC 1906, Item 45.
Ms. (ozalid). Full score; 161 p.; 39 cm. (spiral bound).
The red pony : children's suite.
Ms. (photocopy). Full score; 71 leaves; 35.5 cm.
The red pony : film suite for orchestra. New York: Boosey & Hawkes, [1951].
The red pony : film suite for orchestra. London: Boosey & Hawkes, [1954].
The red pony : film suite for orchestra. London: Boosey & Hawkes, [1964].
The red pony : film suite for band. New York: Boosey & Hawkes, [1969].
64) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]
[Preamble (for a solemn occasion)].
On microfilm: MUSIC 1906, Item 91.
Preamble : for a solemn occasion / for orchestra with speaking voice.
Ms. (ozalid). Full score; 22 p.; 38.5 cm. (spiral bound).
Preamble / for orchestra and speaking voice.
Preamble (for a solemn occasion).
"Preamble to the United Nations".
"Preamble (for the United Nations)" / for orchestra and speaking voice.
Copy of manuscript in the hand of Julia Smith. Full score; [21] leaves; 36 cm.
Preamble : for a solemn occasion. London: Boosey & Hawkes, [1953].
64-A) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [organ]
Preamble (for a solemn occasion) / for pipe or Hammond organ. New York: Boosey & Hawkes, [1955].
64-B) Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [symphonic band]
Preamble : for a solemn occasion / arranged for symphonic band by the composer.
Preamble : for a solemn occasion. New York: Boosey & Hawkes, [1974].
65) Old American songs, first set : arranged by Aaron Copland
Old American songs, first set : arranged by Aaron Copland.
Ms. Piano-vocal score; 21 leaves; 35.5 cm.
On microfilm: MUSIC 1906, Item 89.
Old American songs, first set : adapted by Aaron Copland.
Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm.
Old American songs, first set : for voice and orchestra / adapted by Aaron Copland.
Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm. (spiral bound).
Ms. Piano-vocal sketch (incomplete); 22 p.; 32 cm.
No. 4, "Simple gifts" : No. 5, "I bought me a cat" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1950; this arr. 1984). S.l.: Boosey & Hawkes, [1984].
Publisher's proofs (photocopies). Score for voice and guitar; 3 p. (pp. 33-35) + 6 p. (pp. 24-29).
Old American songs (newly arranged) : first set / by Aaron Copland. New York: Boosey & Hawkes, [1950].
Old American songs : first and second sets / adapted and arranged by Aaron Copland (1950-52) [selections]. London: Boosey & Hawkes, [1962].
Full orchestral score (miniature); 81 p. Ser. title: Hawkes Pocket Scores, No. 830.
Twelve folk song arrangements by Benjamin Britten, Matyas Seiber, Aaron Copland / transcribed for voice and guitar by Gregg Nestro [selections]. London: Boosey & Hawkes, [1984].
Score for voice and guitar; 41 p. (2 copies).
65-A) No. 1, "The boatman's dance": from Old American songs, first set
"The boatman's dance" [treble instrument & piano].
Ms. Score for violin and piano; [4] p. (pp. 4-7); 30 cm.
"The boatman's dance" / adapted by Aaron Copland / transcribed for baritone solo and four part men's chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].
Choral score (TTBB) with piano accompaniment; 8 p.
"The boatman's dance" / adapted by Aaron Copland ; transcribed for baritone solo and mixed chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].
Choral score (SATB) with piano accompaniment; 8 p.
"The boatman's dance" / arranged by Aaron Copland ; transcribed for baritone solo and mixed chorus by Irving Fine [chorus]. London: Boosey & Hawkes, [1952].
65-B) No. 2, "The dodger": from Old American songs, first set
Old American songs : No. 2, "The dodger" / adapted by Aaron Copland / transcribed for baritone solo and four part men's chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].
65-C) No. 3, "Long time ago": from Old American songs, first set
"Long time ago" / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].
Choral score (SATB) with piano accompaniment; 7 p.
"Long time ago" / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958].
"Long time ago" / arranged by Aaron Copland / choral adaptation by Ken Straker [chorus]. London: Boosey & Hawkes, [1960].
Choral score (SSA) with piano accompaniment; 7 p.
65-D) No. 4, "Simple gifts" (Shaker song): from Old American songs, first set
"Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].
Choral score (SA or TB) with piano accompaniment; 4 p.
"Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. London: Boosey & Hawkes, [1952].
"Simple gifts" (Shaker song) / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958].
65-E) No. 5, "I bought me a cat" (children's song): from Old American songs, first set
No. 5, "I bought me a cat" (children's song) / adapted by Aaron Copland / transcribed for tenor and soprano solo and mixed chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].
Choral score (SATB) with piano accompaniment; 14 p.
No. 5, "I bought me a cat" (children's song) / adapted by Aaron Copland / transcribed for three part men's chorus and solos by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952].
Choral score (TBB) with piano accompaniment; 16 p.
No. 5, "I bought me a cat" (children's song) / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958].
No. 5, "I bought me a cat" (children's song) / arranged by Aaron Copland / choral adaptation by Ken Straker [chorus]. London: Boosey & Hawkes, [1959].
66) Twelve poems of Emily Dickinson [songs]
Twelve poems of Emily Dickinson : set to music by Aaron Copland.
Ms. Piano-vocal score; 51 leaves; 34.5 cm.
On microfilm: MUSIC 1906, Item 38.
Ms. (ozalid). Piano-vocal score; 51 p.; 35 cm. (spiral bound).
Ms. (ozalid). Piano-vocal scores; 51 p.; 36.5 cm.
Ms. Piano-vocal sketches; 144 p.; various sizes.
No. 3, "Why do they shut me out of heaven?" / set to music by Aaron Copland.
Ms. (ozalid). Piano-vocal score; 3 leaves; 35.5 cm.
Ms. (ozalid). Piano-vocal score; 3 p.; 36 cm.
No. 4, "The world feels dusty" / set to music by Aaron Copland.
No. 7, "Sleep is supposed to be" / set to music by Aaron Copland.
No. 10, "I've heard an organ talk sometimes" / set to music by Aaron Copland.
Ms. Piano-vocal score; 3 leaves; 35.5 cm.
No. 10, ["I've heard an organ talk sometimes"].
Ms. (ozalid). Piano-vocal score; [2] p. (pp. 38-39); 35 cm.
[No. 10, "I've heard an organ talk sometimes"].
Ms. Score (sketch) for violin and organ (or piano); 16 p.; 34.5 cm.
No. 11, "Going to heaven!" / set to music by Aaron Copland.
Ms. (ozalid). Piano-vocal score; [7] p. (pp. 40-46); 35.5 cm.
No. 12, "The chariot" / set to music by Aaron Copland.
"(Nine) poems of Emily Dickinson : set to music by A.C."
On microfilm: MUSIC 1906, Item 39.
Twelve poems of Emily Dickinson.
Miscellaneous typescripts and holograph sketch notes relating to the work; 7 leaves
Twelve poems of Emily Dickinson : set to music by Aaron Copland. London: Boosey & Hawkes, [1951].
[No. 5], "Heart, we will forget him" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952].
[No. 6], "Dear March, come in!" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952].
[No. 10], "I've heard an organ talk sometimes" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952].
[No. 11], "Going to heaven!" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952].
Twelve poems of Emily Dickinson : set to music by Aaron Copland. New York: Boosey & Hawkes, [1960].
66-A) Twelve poems of Emily Dickinson [voice & orchestra]
Twelve poems of Emily Dickinson : set to music by Aaron Copland [voice & orchestra] (1950; orchestrated 1965).
Ms. Full score (incomplete); 16 leaves; 38.5 cm.
67) Quartet for piano and strings [chamber work]
Quartet for piano and strings.
Ms. Score for piano and strings; 43 leaves; 34 cm.
Ms. (ozalid). Score for piano and strings, and string parts (violin, viola, violoncello); 43 + 10 + 10 + 10 p; 35 cm. (4 bound volumes).
Ms. Piano sketches (rough sketches and first draft); various paginations; various sizes.
Copy of manuscript in the hand of Julia Smith. Score for piano and strings; 26 leaves; 36 cm.
Ms. Miscellaneous pages from piano score; 4 leaves; 34.5 cm.
Quartet for piano and strings. London: Boosey & Hawkes, [1952].
Score for piano and strings; 6 p. (2 copies, Copy 1 bound and includes string parts).
Quartet for piano and strings. New York: Boosey & Hawkes, [1957].
Quartet for piano and strings. London: Boosey & Hawkes, [1961].
Score for piano and strings (miniature); 36 p.
68) Old American songs, second set : newly adapted by Aaron Copland
Old American songs, second set : newly adapted by Aaron Copland.
Ms. Piano-vocal score; 27 leaves; 34.5 cm.
Old American songs, second set : adapted for voice and orchestra by Aaron Copland.
Ms. (ozalid). Full score; 74 p.; 38.5 cm.
Old American songs, second set : adapted by Aaron Copland [voice & orchestra].
Ms. (ozalid). Full score; 74 p.; 38.5 cm. (spiral bound).
Old American songs, second set : adapted by Aaron Copland [songs].
Ms. Piano-vocal sketches; various paginations; various sizes.
No. 4, "At the river" : No. 5 "Ching-a-ring chaw" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1952; this arr. 1984). S.l.: Boosey & Hawkes, [1984].
Publisher's proofs (photocopies). Score for voice and guitar; [3] p. (pp. 30-32) + [6] p. (pp. 36-41).
Old American songs : Second Set / adapted by Aaron Copland.
Miscellaneous items related to Old American songs; includes published piano-vocal score for the original version of "Ching-a-ring chaw".
Old American songs, second set : adapted by Aaron Copland. London: Boosey & Hawkes, [1954].
Old American songs, second set : adapted by Aaron Copland. New York: Boosey & Hawkes, [1965].
Old American songs : first and second sets / adapted by Aaron Copland [voice & orchestra]. London: Boosey & Hawkes, [1962].
Score for voice and guitar; 41 p. (2 copies; one copy filed with First Set (ARCO 65); the other copy filed with Second Set (ARCO 68).
68-A) No. 1, "The little horses": from Old American songs, second set
"The little horses" / adapted by Aaron Copland [song]. New York: Boosey & Hawkes, [1962].
"The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965].
Choral score (SA) with piano accompaniment; 7 p. (2 copies).
Choral score (SSA) with piano accompaniment; 8 p.
68-B) No. 2, "Zion's walls": from Old American songs, second set
"Zion's walls" / adapted by Aaron Copland / choral arrangement by Glenn Koponen. New York: Boosey & Hawkes, [1982].
Choral score (SATB) with piano accompaniment; 11 p. (3 copies).
68-D) No. 4, "At the river": from Old American songs, second set
"At the river" / adapted by Aaron Copland [song]. New York: Boosey & Hawkes, [1962].
"At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1964].
Choral score (SA) with piano accompaniment; 6 p.
Choral score (SSA) with piano accompaniment; 8 p. (3 copies).
No. 4, "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1964].
No. 4, "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1965].
68-E) No. 5, "Ching-a-ring chaw": from Old American songs, second set
No. 5, "Ching-a-ring chaw" / arranged by Aaron Copland [song]. London: Boosey & Hawkes, [1954].
Score for unison voices with piano accompaniment; 7 p.
No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland / arranged for chorus by Irving Fine. London: Boosey & Hawkes, [1955].
Choral score (SATB) with piano accompaniment; 15 p.
No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine. London: Boosey & Hawkes, [1955].
Choral score (SSAA) with piano accompaniment; 10 p.
No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine. New York: Boosey & Hawkes, [1955].
Choral score (SSAA) with piano accompaniment; 10 p. (2 copies).
No. 5, "Ching-a-ring chaw" / adapted and arranged by Aaron Copland. New York: Boosey & Hawkes, [1965].
Choral score (TTBB) with piano accompaniment; 10 p.
69) The tender land [opera]
The tender land.
Ms. Full score; 428 leaves; 38.5 cm. (3 folders).
Ms. (ozalid). Full score; 428 p.; 38.5 cm. (3 bound volumes).
Ms. Full score; 17 leaves (pp. 310-326); 38 cm.
Ms. (ozalid). Full score insert; pp. 75 A through 75 T; 38.5 cm.
Ms. Orchestral sketches; 180 p. + 6 p.; various sizes.
On microfilm: MUSIC 1906, Item 65.
Ms. Rough sketches; various paginations; various sizes. Note: Holograph in pencil.
On microfilm: MUSIC 1906, Item 66.
"The promise of living" / excerpt from the opera score [song].
Ms. Full score; 20 p. (pp. 141-160); 38 cm. (spiral bound).
"Stomp your foot" / excerpt from the opera score [song].
Miscellaneous leaves from orchestral score.
69-A) The tender land [piano-vocal]
The tender land : opera in three acts / libretto by Horace Everett [pseud. Horace Everett] ; music by Aaron Copland.
Ms. Piano-vocal score; 177 leaves + 5 leaf insert (pp. 133-137); 38 cm.
On microfilm: MUSIC 1906, Item 67.
The tender land : opera in two acts / libretto by Horace Everett [pseud. Erik Johns] ; music by Aaron Copland.
Ms. (ozalid). Piano-vocal score; 127 p.; 38.5 cm. (in 2 spiral bound volumes).
The tender land : Act III.
Ms. (ozalid). Piano-vocal score; 44 p. (pp. 128-170); 38.5 cm.
Ms. (ozalid). Piano-vocal insert for Act III; 12 leaves (pp. 133-144); 39.5 cm.
Ms. (ozalid). Piano-vocal insert for Act III; 10 p. (Z1-Z10); 38.5 cm. (2 copies).
Mss. (holographs and ozalids). Miscellaneous pages and fragments from piano-vocal scores.
The tender land : opera in three acts / libretto by Horace Everett [pseud. of Erik Johns] ; vocal score by the composer. New York: Boosey & Hawkes, [1956].
69-B) "Stomp your foot" [song]: from The tender land
"Stomp your foot" / arranged for mixed voices with piano duet accompaniment ; words by Horace Everett [pseud. of Erik Johns] ; music by Aaron Copland. New York: Boosey & Hawkes, [1954].
Score for mixed voices (SATB) with piano duet; 19 p. (4 copies).
"Stomp your foot" / arranged for male voices with piano duet accompaniment ; words by Horace Everett [pseud. of Erik Johns] ; music by Aaron Copland (1954) [song]. New York: Boosey & Hawkes, [1954].
Score for male voices (TTBB) with piano duet; 19 p. (2 copies).
69-C) "The promise of living": from The tender land
The tender land : "The promise of living" / quintet arranged for mixed chorus with piano duet accompaniment [song]. New York: Boosey & Hawkes, [1954].
Score for mixed chorus (SATBB) with piano duet accompaniment; 19 p. (3 copies).
69-D) "Laurie's song" [song]: from The tender land
"Laurie's song" [song]. New York: Boosey & Hawkes, [1956].
Publisher's proofs First and second proofs, 2 page holograph fragment of piano-vocal score, and pages 25-30 of published edition of The tender land vocal score; 7 + 6 + 2 + 6 p. (2 copies; page 7 of second proof not included).
"Laurie's song" / text by Horace Everett [pseud. of Erik Johns]. New York: Boosey & Hawkes, [1958].
70) Dirge in woods [song]
Dirge in woods : words by George Meredith.
Ms. Piano-vocal score; 5 leaves; 35.5 cm.
Ms. (ozalid). Piano-vocal score; 5 p.; 36 cm.
On microfilm: MUSIC 1906, Item 74.
Dirge in woods : words by G. Meredith.
Ms. Piano-vocal rough pencil sketch; 9 p.; 32 cm.
Dirge in woods.
Ms. Pages from piano-vocal score; 3 leaves; 35.5 cm.
Dirge in woods. New York: Boosey & Hawkes, [1957].
Publisher's proof. Piano-vocal score; 5 leaves
Dirge in woods : words by George Meredith. New York: Boosey & Hawkes, [1957].
71) Canticle of freedom [chorus & orchestra]
Canticle of freedom.
Ms. Score for chorus (SATB) and orchestra; 77 leaves; 38.5 cm.
Ms. (ozalid). Score for chorus (SATB) and orchestra; 77 p.; 39.5 cm. (spiral bound).
Ms. (ozalid). Full score (incomplete); 32 p.; 38.5 cm.
Ms. Condensed score; original pencil sketch (32 + 2 p.) accompanied by rough sketches in pencil (various paginations); 34.5 cm.
On microfilm: MUSIC 1906, Item 3.
"Let us now praise famous men".
Ms. Sketches for choral work (unfinished); various paginations; various sizes.
Ms. (positive photostat). Condensed score for mixed chorus and orchestra (miniature); 11 leaves; 28 cm.
71-A) Canticle of freedom [chorus & piano]
Canticle of freedom : text by John Barbour. New York: Boosey & Hawkes, [1955].
Score for mixed chorus (SATB) and piano; 16 p.
Score for mixed chorus (SATB) and piano; 16 p. (2 copies).
71-B) Canticle of freedom [chorus & orchestra]
Canticle of freedom : for mixed chorus and orchestra / text by John Barbour.
Ms. Full score (revised version); 22 leaves; 38.5 cm.
Ms. (ozalid). Full score (revised version); 20 p.; 38 cm.
Mss. Miscellaneous original (1955) pages from revised (1965) version; 16 p.; various sizes.
Canticle of freedom. New York: Boosey & Hawkes, [1968].
Full score; 52 p. (3 copies, Copy 2 bound).
72) Symphonic ode [orchestra]
Ms. (ozalid). Full score; 81 p.; 44.5 cm. (bound).
Ms. (ozalid). Full score; 81 p.; 44.5 cm.
Ms. Orchestral sketches; 4 leaves (5 p.); various sizes.
Symphonic ode. London: Boosey & Hawkes, [1957].
Full score; 69 p. (4 copies, Copy 1 (bound).
Symphonic ode. New York: Boosey & Hawkes, [1957].
73) "Variations on a Shaker melody": from Appalachian spring [band]
Variations on a Shaker melody : from Appalachian spring. New York: Boosey & Hawkes, [1960].
Full score and conductor score; 18 p. (2 copies).
74) Piano fantasy [piano work]
Piano fantasy.
On microfilm: MUSIC 1906, Item 75.
Ms. (ozalid). Piano solo; 56 p.; 34.5 cm. (spiral bound).
Ms. Piano solo; (draft); 75 p.; various sizes.
Ms. Rough piano sketches; 133 p.; various sizes.
Piano fantasy. New York: Boosey & Hawkes, [1957].
Publisher's proof. Piano solo; 45 leaves.
Ms. Miscellaneous leaves from the piano score; 16 leaves; various sizes.
Piano solo; 45 p. (2 copies, Copy 1 bound).
75) The world of Nick Adams [incidental music]
The world of Nick Adams.
Ms. (photocopy). Full score; 83 leaves; 43.5 cm.
Ms. Original pencil sketches (piano version); 51 p.; 39-43.5 cm.
76) Orchestral variations: from Piano variations [arranged]
Orchestral variations : based on Piano variations (of 1930).
On microfilm: MUSIC 1906, Item 69.
Orchestral variations : based on Piano variations.
Ms. (ozalid). Full score; 73 p.; 38 cm. (spiral bound).
Ms. (ozalid). Full score; 73 p.; 43.5 cm.
Orchestral variations. London: Boosey & Hawkes, [1960].
Full score; 62 p. (3 copies, Copy 1 bound).
77) The tender land [suite]
The tender land : orchestral suite from the opera.
Ms. (black line print). Full score; 100 leaves (30 + 70 p.); 43 cm.
Ms. Full score (incomplete); 17 leaves; 38.5 cm.
Miscellaneous performance notes for orchestral suite; 5 leaves
The tender land : orchestral suite from the opera. London: Boosey & Hawkes, [1960].
Full score; 92 p. (3 copies, Copy 1 bound).
The tender land : suite from opera. London: Boosey & Hawkes, [1960].
77-A) The tender land : orchestral suite from the opera [orchestra & mixed chorus]
78) Three Latin-American sketches [small orchestra]
Three Latin-American sketches : for small orchestra.
Ms. Full score; 73 leaves (28, 45 p.); 38.5 cm.
Ms. (ozalid). Full score; 28, 45 p.; 38.5 cm.
No. 1, "Estribillo" / for small orchestra.
Ms. (ozalid). Full score; 28 p.; 38.5 cm.
No. 2, "Paisaje Mexicano" ; No. 3, "Danza de Jalisco" / for small orchestra.
Ms. (ozalid). Full score; 45 p.; 38.5 cm. (spiral bound).
No. 3, "Danza de Jalisco".
Ms. (ozalid). Full score; [32] p.; 39 cm. (spiral bound).
Three Latin-American sketches.
Ms. Rough sketches; various paginations; various sizes.
Three Latin-American sketches. London: Boosey & Hawkes, [1975].
Three Latin-American sketches. New York: Boosey & Hawkes, [1976].
78-A) No. 3, "Danza de Jalisco" [piano solo]: from Three Latin-American sketches
No. 3, "Danza de Jalisco" (1st version).
Ms. (ozalid). Piano solo; 6 p.; 36.5 cm.
78-B) No. 3, "Danza de Jalisco": from Three Latin-American sketches [two pianos]
No. 3, "Danza de Jalisco" / for two pianos.
Ms. Score for two pianos; 17 leaves; 38 cm.
Ms. (ozalid). Score for two pianos; 17 p.; 38 cm.
Ms. Sketches for two pianos; 8 p.; 43.5 cm.
No. 3, "Danza de Jalisco" / for two pianos. London: Boosey & Hawkes, [1968].
Score for two pianos; 20 p. (2 parts in one folder).
79) Dance panels [ballet]
Dance panels : in seven sections.
Dance panels.
Ms. (ozalid). Full score; 142 p.; 38 cm.
Ballet for J.R.
Ms. (black line print). Full score (incomplete); 132 lvs; various sizes.
Ms. Orchestral sketches; unpaged; various sizes.
[Dance panels].
Mss. (holographs and ozalids). Miscellaneous pages from orchestral scores; various paginations; various sizes.
Dance panels : ballet in seven sections. London: Boosey & Hawkes, [1965].
Full score; 83 p. (3 copies; Copy 2 bound).
79-A) Dance panels [piano solo]
Dance panels : ballet.
Ms. (ozalid). Piano reduction; 46 p.; 36 cm. (spiral bound).
[Dance panels] : ballet.
Ms. (ozalid). Piano reduction; 46 p.; 36 cm.
Mss. (holographs and ozalids). Miscellaneous pages and fragments from piano scores; various paginations; various sizes.
Dance panels : ballet in seven sections (1959; revised 1962). London: Boosey & Hawkes, [1965].
80) Nonet [string orchestra]
Nonet : for solo strings.
Ms. (ozalid). Score for string orchestra; 36 leaves; 6 cm.
Ms. (ozalid). Score for string orchestra; 36 p.; 46 cm. (spiral bound).
Ms. (ozalid). Score for string orchestra; 36 leaves; 46 cm.
Nonet (in one movement) : for solo strings.
Ms. Score for string orchestra (incomplete, draft); [20] p. (pp. 1-11, AA-II); 38 cm.
Nonet.
Nonet : for solo string (in one movement).
Ms. Piano reduction; 21 p.; various sizes.
Nonet. London: Boosey & Hawkes, [1962].
Publisher's proof. Full score for string orchestra; 34 p.
[Nonet : for solo strings].
Mss. Discarded pages from score for string orchestra; 9 leaves; 46 cm.
Nonet for strings. London: Boosey & Hawkes, [1962].
Full score; 24 p. (2 copies, Copy 1 bound).
81) Something wild [incidental music]
Something wild.
Ms. Full score divided by cue numbers; various paginations; 47.5 cm.
Ms. (ozalid). Conductor score; 81 p.; 33.5 cm.
On microfilm: MUSIC 1906, Item 52.
Ms. (ozalid). Conductor score; various paginations; 33.5 cm. (bound).
Cue 4, "The subway".
Ms. (ozalid). Conductor score; 7 p.; 32 cm. (2 copies).
Ms. Original pencil score (draft, short version); 82 p.; 38.5 cm.
On microfilm: MUSIC 1906, Item 52.107
Mss. Orchestral parts divided by cue numbers.
Mss. Miscellaneous items relating to the film production: includes typescript of Something Wild - The City with annotations in pencil (128 leaves); shooting cues in typescript with annotations in pencil and ink which describe, in short phrases, film sequences, gives measurements of frames (in feet), and durations ([22] leaves, pp. 3-4 missing); typed letter form Sylvia Goldstein (of Boosey & Hawkes) to Mr. Copland dated May 23, 1962; and handwritten notes in ink and pencil.
82) Down a country lane [piano solo]
Down a country lane.
Ms. (photocopy). Piano solo; 2 p.; 37 cm.
Down a country lane. New York: Boosey & Hawkes, [1962].
Publisher's proof. Piano solo; 2 leaves; 26.5 x 28 cm.
82-A) Down a country lane [school orchestra]
Down a country lane. London: Boosey & Hawkes, [1965].
83) Connotations [orchestra]
Connotations : for orchestra.
On microfilm: MUSIC 1906, Item 13.
Ms. (ozalid). Full score; 93 p.; 48 cm. (spiral bound).
[Connotations for orchestra].
Ms. Various pages from full score original, now withdrawn; 15 leaves; 48 cm.
Ms. Pages from full score, used in final version; 27 leaves; 48 cm.
Ms. Rough sketches; 41 p.; various sizes.
Ms. Open score sketch; 27 p.; various sizes.
Ms. Tone row used in Connotations; 5 p.; 43.5 cm.
Ms. Condensed score (incomplete); [11] leaves; 38.5 cm.
Ms. (black line print). Condensed score (incomplete); [11] leaves; 38 cm.
Ms. (black line print). Condensed score (incomplete); [11] p.; 35.5 cm.
Mss. (reproductions). Miscellaneous pages from full score (27 leaves) and photocopy of copyist's manuscript of an arrangement for piano solo (incomplete); 16 leaves..
Connotations : for orchestra. London: Boosey & Hawkes, [1963].
Full score; 82 p. (2 copies, Copy 1 bound).
84) Music for a great city [orchestral suite]
Music for a great city.
Ms. (ozalid). Full score; 114 p.; 48 cm. (spiral bound).
[No. I, "The skyline"].
Ms. (black line print). Full score; 51 leaves; 48 cm.
[No. II, "Night thoughts"].
Ms. (ozalid). Full score; [20] p. (pp. 52-71); 38 cm. (spiral bound).
No. III, "Subway jam".
Ms. Condensed score sketch; 8 p.; 34.5 cm.
"III Movement".
[No. IV, "Toward the bridge"].
Ms. (ozalid). Full score; [30] p. (pp. 85-114); 48 cm. (spiral bound).
Music for a great city : concert suite from "Something wild".
Ms. Rough sketches; [30] p.; various sizes.
Music for a great city. London: Boosey & Hawkes, [1965].
85) Emblems [band]
Emblems : for symphonic band.
Ms. (ozalid). Full score; 65 p.; 51 cm. (spiral bound).
Ms. (ozalid). Full score (incomplete); 24 leaves; 51 cm.
Ms. (ozalid). Condensed score; 24 p.; various sizes.
Emblems : for band.
Ms. Condensed score (draft); 42 p.; 34 cm.
On microfilm: MUSIC 1906, Item 18.
Ms. Rough sketches; 43 p.; various sizes.
Emblems.
Full score and conductor score (2 volumes); 58 + 30 p. (2 copies).
Emblems. New York: Boosey & Hawkes, [1965].
86) Signature : CBS Playhouse [incidental music]
Signature : CBS Playhouse.
Ms. (ozalid). Full score; 8 p.; 37.5 cm.
Ms. (ozalid). Full score; 8 p.; 38.5 cm.
Ms. (black line print). Full score; 8 p.; 38.5 cm.
Ms. (ozalid). Full score (incomplete); 7 p.; 38.5 cm.
Ms. (ozalid). Full score (incomplete); [6] p.; 38.5 cm.
Ms. (black line print). Full score (incomplete); [2] p.; 38.5 cm.
Ms. (ozalid). Full score (incomplete); [2] p.; 38.5 cm.
[Signature : CBS Playhouse].
Ms. (black line print). Full score (incomplete); [1] p. (page V); 38.5 cm.
Ms. (ozalid). Full score (incomplete); [1] p. (page V); 38.5 cm.
Ms. (ozalid). Full score (incomplete); [1] p. (page VI); 38.5 cm.
87) In evening air [piano work]
In evening air.
Ms. Piano solo; (rough draft); 3 p.; 38.5 cm.
In evening air. London: Boosey & Hawkes, [1974].
88) Eight poems of Emily Dickinson [voice & chamber orchestra]
Eight poems of Emily Dickinson.
Ms. (ozalid). Full score; 109 p.; 38.5 cm. (spiral bound).
Eight poems of Emily Dickinson. New York: Boosey & Hawkes, [1981].
89) "Variations on a Shaker melody": from Appalachian spring [school orchestra]
"Variations on a Shaker melody" : from Appalachian spring. London: Boosey & Hawkes, [1967].
89-A) "Variations on a Shaker melody": from Appalachian spring [two pianos]
Variations on a Shaker melody : from Appalachian spring. New York: Boosey & Hawkes, [1984].
Publisher's proof. Score for two pianos; 12 p.
"Variations on a Shaker melody" : from Appalachian spring/ arranged for piano four hands by Bennett Lerner. New York: Boosey & Hawkes, [1985].
90) Inscape [orchestra]
Inscape : for orchestra.
Ms. (black line print). Full score; 48 p.; 50 cm. (spiral bound).
Ms. (black line print). Full score; 48 leaves; 50 cm.
Ms. Condensed score; 16 leaves; 38.5 cm.
Ms. (ozalid). Condensed score; 16 p.; 38.5 cm.
Ms. (ozalid). Condensed score (incomplete); 16 p.; 38.5 cm.
Ms. (ozalid). Condensed score (incomplete); 5 p.; 38.5 cm.
Ms. Rough sketches; unnumbered; various sizes.
Ms. Condensed score (draft); various paginations; 34.5 cm.
Mss. Miscellaneous handwritten and typescript notes regarding corrections in Inscape score; 5 leaves; various sizes.
Inscape. London: Boosey & Hawkes, [1968].
Full score; 47 p. (3 copies, Copy 2 bound).
91) Inaugural fanfare [wind ensemble]
Inaugural fanfare : for woodwinds, brass, and percussion.
Inaugural fanfare.
Ms. (ozalid). Full score: 18 p.; 38 cm. (spiral bound).
Ms. Rough sketch in pencil and condensed score draft; various paginations; various sizes.
Inaugural fanfare : wind ensemble. New York: Boosey & Hawkes, [1976].
92) Happy anniversary [orchestra]
Happy anniversary : a well-known tune arranged for symphony orchestra.
Happy anniversary.
"For Eugene Ormandy's 70th birthday" (ca. 1969).
Happy anniversary : a well-known tune arranged for symphony orchestra. London: Boosey & Hawkes, [1971].
93) Ceremonial fanfare [brass ensemble]
Ceremonial fanfare : for brass ensemble.
Ceremonial fanfare.
Ms. Condensed score (draft); 7 p.; 34.5 cm.
Ceremonial fanfare : for brass ensemble. London: Boosey & Hawkes, [1974].
94) Duo for flute and piano [chamber work]
Duo for flute and piano.
Ms. Score for flute and piano; 24 leaves; 38 cm.
Ms. (ozalid). Flute part (incomplete); [4] p. (pp. 7-10); 38.5 cm.
Ms. Score for flute and piano (draft); 27 p.; various sizes.
Ms. Score for flute and piano (incomplete); 4 leaves; 38 cm.
Mss. Miscellaneous pages from scores (2 leaves), and handwritten correction notes (3 leaves).
Duo for flute and piano. London: Boosey & Hawkes, [1971].
"Poem" : from Duo for flute and piano. London: Boosey & Hawkes, [1971].
Piano score and flute part; 5 p. (pp. 2-6) + 2 p. (pp. 2-3).
94-A) "Poem": from Duo for flute and piano [flute solo]
No. II, "Poem" : from Duo for flute and piano [solo flute] (1971). London: Boosey & Hawkes, [1971].
94-B) "Duo for violin and piano" [chamber work]
Duo for violin and piano.
Ms. (photocopy). Violin part; 7 leaves; various sizes.
95) Threnody I : Igor Stravinsky, in memoriam [flute & string trio]
Threnody I : Igor Stravinsky, in memoriam / three-part canon for flute and string trio.
Threnodies I and II : for flute/alto flute and string trio (1971-73). London: Boosey & Hawkes, [1977].
96) Night thoughts : homage to Ives [piano work]
Night thoughts : homage to Ives.
Ms. (ozalid). Piano solo; 8 p.; 34.5 cm. (spiral bound).
Night thoughts : Homage to Ives.
Night thoughts : homage to Ives. London: Boosey & Hawkes, [1973].
97) Threnody II : in memoriam, Beatrice Cunningham [chamber work]
Threnody II : in memoriam, Beatrice Cunningham.
Ms. (ozalid). Full score (for flute in G and string trio); 6 p.; 38.5 cm.
Threnody II : in memoriam, Beatrice Cunningham / for flute in G and string trio.
98) Midsummer nocturne [piano work]
Midsummer nocturne : piano solo.
Ms. (photocopy). Piano solo; 2 leaves; 35 cm. (3 copies).
Midsummer nocturne. London: Boosey & Hawkes, [1977].
Publisher's proof (photocopy). Piano solo; 2 p.
99) Mid-day thoughts [piano solo]
Mid-day thoughts : for piano.
Ms. (photocopy). Piano solo; 3 p.; 29 cm.
Midday thoughts. New York: Boosey & Hawkes, [1984].
100) Proclamation for piano [piano work]
Proclamation for piano.
Ms. (photocopy). Piano solo: 3 p.; 28 cm.
Proclamation for piano. New York: Boosey & Hawkes, [1984].
100-A) Proclamation for orchestra: from Proclamation for piano [arranged]
Proclamation for orchestra : orchestrated by Phillip Ramey (1984; orchestrated 1985). [New York]: Boosey & Hawkes, [1985].
Proclamation for orchestra.
Mss. Miscellaneous pages of holograph sketches from scores and parts in ink and pencil; photocopies.
Published Compilations of Works by Copland, 1982-1986
A Copland portrait : adapted by Clare Grundman (1985). New York: Boosey & Hawkes, [1986].
Album (1982). New York: Boosey & Hawkes, [1982].
Sounding success : a Copland tribute / adapted by Clare Grundman (1985). New York: Boosey & Hawkes, [1986].
Music Composed by Copland Not Assigned ARCO Numbers, 1911-1985
"Ballade ?" See also: "Two ballads for violin and piano" BOX: xxx
Ms. Condensed score draft for violin and orchestra; [1] p.; 38 cm.
"Ballade for vl. & orch." See also: "Two ballads for violin and piano" BOX: xxx
[Ballade]. See also: "Two ballads for violin and piano" BOX: xxx
Ms. Condensed score; [7] p., pages of music marked A-F; 43.5 cm.
"Two ballads for violin and piano" (1957).
Piano score and violin part; 8 + 4 leaves; 28 cm.
"Ballade of Ozzie Powell" : words on poem of Langston Hughes (1936-37).
Choral score and sketches; 3 + 2 p.; 33.5 cm.
"Corrigenda" : Copland-Shackelford organ variations (1973).
"Internationale" (1942).
"Into the streets May first" (ca. 1934).
Piano-vocal score and sketches; [4] p.; 34 cm.
[Miscellaneous holograph and copyist's manuscript pages in ink and pencil and photocopies of unidentified fragment from sketches, scores, and parts remaining in the collection file.]
"Motet : Psalm 28-6" (n.d.).
"Movement" : for string quartet (1921-24). New York: Boosey & Hawkes, [1988].
Score for string quartet; 13 p. (2 copies).
"Music Library Association 1931-1971" (1971).
Melody principal and schedule of MLA seminar sessions; 2 leaves + [4] p. program.
"String quartet" (1965-68).
Sketches for string quartet; [24] p.; 34.5 cm.
"Tragic ground" : a musical play / text by Lynn Riggs (1945).
Sketches, piano-vocal scores and libretto typescripts; unnumbered; various sizes.
Ms. (photocopy). Piano score; 6 p.; 43 cm.
Juvenilia, 1911-1926
Juvenilia (arranged chronologically), 1911-1926
Juvenilia (1911-1921).
Juvenilia: Schirmer manuscript music books (1917-1921).
Juvenilia A: Capriccio, for violin and piano (1916?).
Score for violin and piano; 1 leaf; 30.5 cm.
Juvenilia B: Moment musicale - a tone poem, piano solo (1917).
Juvenilia C: Melancholy, a song à la Debussy (1917).
Piano-vocal score (2 versions); 2 lvs.; 34 cm.
Juvenilia D: Spurned love (1917).
Piano-vocal score; [5] p. (pp. 21-25); 21 x 25 cm.
Juvenilia E: After Antwerp (1915).
Piano-vocal score; [3] p. (pp. 18-20); 21 x 25 cm.
Juvenilia F: Waltz caprice (1918).
Juvenilia G: Waltz caprice (1918).
Juvenilia H1: Danse characteristique, for piano duet (1917-18).
Juvenilia H2: Danse characteristique for orchestra (1919).
Juvenilia I: A summer vacation (1918).
Piano-vocal score; [5] p. (pp. 13-17); 21 x 25 cm.
Juvenilia J: My heart is in the east (1918).
Piano-vocal score; [4] p. (pp. 29-32); 21 x 25 cm.
Juvenilia K: Night, song with piano accompaniment (1918).
Juvenilia L: Poème for cello with piano accompaniment (1918).
Piano score and cello part; [4] + [1] p.; 34 cm.
Juvenilia M1: Lament, for cello and piano (1918-19).
Piano score and cello part; 3 + 1 p.; 34 cm.
Juvenilia M2: Lament, for violin and piano (1918-19).
Score for violin and piano; 2 p.; 20 x 23 cm.
Juvenilia N: Three sonnets for piano (1920).
Juvenilia O: Simone, song for soprano and piano (1919).
Juvenilia P: Prelude for violin and piano (1919).
Piano score and violin part; [4] + [1] p.; 34 cm.
Juvenilia Q: Music I heard, song for soprano with piano accompaniment (1920).
Juvenilia R: Sonata for piano (1920-21).
Juvenilia S: Prelude (Second) for violin and piano (1921).
Piano score and violin part; [3] + [1] p.; 34.5 cm.
Juvenilia T: Moods for piano solo (1920-21).
Juvenilia U: Fragment for trio for violin, cello and piano (n.d.).
Piano score (unfinished), and violin and cello parts; 5 + 1 + 1 p.; 34.5 cm.
Juvenilia V: String quartet (1921?).
String parts (unfinished); [15] p.; 35.5 cm.
Juvenilia V: String quartet (ca. 1921).
Full score (rough sketch, unfinished); [25] p.; 35.5 cm.
Juvenilia (arranged alphabetically by title), 1911-1926
Choral 24 (1921).
Double canon etc., etc. (n.d.)
This item contains several unrelated items, including "Double Canon on Broad Theme" for piano solo, a sketch for a piano-vocal work, and a part for trombone; [25] p.; 35 cm.
Fugue (n.d.).
Score for four unidentified instruments; [4] p.; 35 cm.
Jazzy song (1924?).
Piano and vocalize score; [4] p.; 35 cm.
Longchamps : ballet in one act (n.d.).
Material for introduction and dance (n.d.).
Motet (n.d.).
Piece for bassoon and piano (n.d.).
Piano score and bassoon part; [8] + [4] p.; 35 cm.
Piece for clarinette and piano (n.d.).
Piano score and clarinet part; [4] + [3] p.; 35.5 cm.
Piece for flute and piano (n.d.).
Piano score and flute part; [3] + [2] p.; 34 cm.
[Piece for flute, clarinet and voice] (n.d.).
Piece for horn and piano (n.d.).
Piece for oboe and piano (n.d.).
Piano score and oboe part; [4] + [2] p.; 34.5 cm.
Piece for trombone and piano (n.d.).
Piano score and trombone part; [4] + [1] p.; 35 cm.
Piece for trumpet and piano (n.d.).
Piano score and trumpet part; [4] + [1] p.; 35 cm.
Renaissance : practice song set to French words (1921).
Schumanniana : for cello and piano (1919).
Sea-fairies : tone poem for piano after Tennyson's poem of the same name (n.d.).
Fragment of piano score; 1 leaf; 12.5 x 27.5 cm.
Une chanson : practice song set to French words (1921).
Copland Transcriptions or Arrangements of Works by Others, 1841-1988
Beethoven, Ludwig van
Quartet, op. 131 : for piano - 2 hands / transcribed for piano solo by A. Copland (n.d.).
Brahms, Johannes
[Intermezzo in E major, op. 116, no. 6] : piano solo / copied by A. Copland (1919).
Second symphony - D major : arranged for violin, cello and piano by Aaron Copland (n.d.).
Chopin, Frederich
Etude, op. 10, no. 9 : transcribed for cello and piano by Aaron Copland (1919).
Etude, op. 25, no. 7 : transcribed for cello and piano by Aaron Copland (1919).
Piano score and cello part; [3] + [2] p.; 35 cm.
Two preludes - op. 28, nos. 4 and 6 : transcribed for cello and piano by Aaron Copland (1919).
Piano score and cello part; [2] + [1] p.; 34.5 cm.
Järnefelt, Armas
Berceuse.
Madetoja, Leevi
Little melody.
Mendelssohn, Felix
La chasse (Rondo capriccioso) : transcribed for orchestra by Aaron Copland (n.d.).
Ruggles, Carl (Charles Sprague)
Portals : originally for string orchestra (1926) / piano reduction by A. Copland [ca. 1926].
Sibelius, Jean
Romance.
Stcherbatcheff, Nicolas
First snow : transcribed for cello and piano by Aaron Copland (1919).
Piano score and cello part; [3] + [1] p.; 34.5 cm.
Takemitsu, Toru
The Dorian horizon .
Condensed score (sketch); [16] lvs.; 34 cm.
Tchaikovsky, Piotr Ilyich
5me symphonie : transcribed for piano - two hands by A. Copland (n.d.).
[Various composers]
Practice orchestrations .
The folder contains untitled orchestrations in several formats, instrumental parts, practice exercises, and instrumental range charts; various paginations; 34.5 cm.
Music by Others, 1912-1988
Music Manuscripts and Facsimiles by Others (1912-1988) includes some manuscripts, copies of manuscripts, copies of manuscripts (i.e. photocopies and photostats) of scores and some parts. Printed Music by Others (1841-1986) includes printed scores of original compositions and transcriptions.
Music Manuscripts and Facsimiles by Others, 1912-1988
Abell, Jeff
Piano fantasy, op. 1 (1970), 15 p.
Adler, Samuel
Thy song expands my spirit : a tribute to "Aaron Copland" on his birthday : piano solo (1980), 8 p.
Albright, William
Five chromatic dances (1976), 38 p.
Allanbrook, Douglas
Third quartet (1958-59), 25 p.
Ames, William
Declamation for orchestra and soprano (1972), 84 p.
Amiran-Pogatsov, Emanuel
Nahamu ami (1950), 30 p..
Ardévol, José
Seis piezas : for piano (n.d.), 12 p.
Sonata a tres : para dos flautas y viola (n.d.), 16 + 3 + 3 + 3 p.
Suite cubano no. 1 : para orquesta (1947), 68 p.
Suite cubano no. 2 : para orquesta (n.d.), 38 p.
Tres peguenos preludios : para piano (1945), 5 p.
Ashworth, William
Three dances : for piano solo (n.d.), [6] p.
Avshalomov, Jacob
The taking of Tung Kuan : orchestral score (1953), 47 p.
Ayala, Daniel
Mensaje telegráfico : para piano solo (1931), [3] p.
Babcock, David
Piano sonata : in one movement (1973), 10 p.
Quintet [woodwinds] (1972), 23 p.
String quartet (1973), 26 p.
Suite for piano (1973), 9 p. [includes correspondence referring to both "Suite for piano" and "String quartet"].
Ballou, Esther W.
Capriccio : for violin and piano (1963), 13 + 4 p.
Barber, Samuel
Happy birthday to Mary (1951), 1 leaf.
Barnes, Edward
The ballad of Bill Doolin (1980), 53 p.
In the garden (1978), 70 p.
Variations for brass quintet (1980), 43 p.
Bartók, Béla
Medea : ballet (1953/54), 1 leaf (incomplete reverse image photostat). Transcribed by Herbert Sandberg
Beale, James
Seventh piano sonata, op. 20 (1956), 20 p.
Sonata for violin & piano (1956), 36 p.
Becker, John J.
Concerto arabesque : for piano & orchestra (n.d.), 41 p.
Klaviersonate in C-Moll, op. 111 (1922 reproduction of autograph), 40 p.
Ben-Yohanan, Asher
Fantasia : piano solo (1956), 12 p.
Festive overture (1957), 37 p.
Berenholtz, Jim.
Orchestrated excerpts from "Winter" : an epic song of native Americans (1975), 42 p.
Berger, Arthur
Three pieces for string quartet (1945), 17 p.
Three poems from "Words for music, perhaps" (Yeats) : voice & piano (1945), 9 p.
Berio, Luciano
Opus number zoo : children's play for wind quintet (1951; rev. 1970), 12 p.
Bermachea, Moises O.
Philippine airs no. 1 (Filipino composition) : piano solo (n.d.), 13 p.
Bernstein, Leonard
Aaron's canon (for AC's 70th birthday) : piano solo (ca. 1970), 11 p.
Beversdorf, S. Thomas, Jr.
Portrait of Carlos Chávez (1947), 38 p.
Birtwistle, Harrison
Monody for Corpus Christi : for flute, violin, and horn (1959), 18 p.
Bizet, Georges
Farandole : from L'arlésienne (n.d.), 21 p.
Blake, David
Three choruses (1964) : for SATB to poems by R. Frost (ca. 1964), 18 p.
Blitzstein, Marc
After all white horses are in bed : for voice & piano (1929), 6 p.
Mister Youse : for voice & piano (1929), [4] p. (pp. 7-10).
Song : for voice & piano (1929), [2] p. (pp. 11-12).
You are like the snow : for voice & piano (1929), 7 p.
You are like the snow : for voice & piano (1929), 7 p. (different version).
Blondel, Jorge Urrutia
Opa-Opa : coro a cuatro voces mixtas "a capella" (1958), 4 p.
Boone, Charles
Chinese texts (1970), 6 p.
The edge of the land (1970), 13 p.
Oblique formation : for flute and piano (1965), [10] p.
Starfish (1966), 27 p.
Vermilion : for solo oboe (1970), 4 p.
Bornstein, Charles
Aaron Copland gewidmet : for piano solo (1977), 1 p.
Piano piece for Aaron Copland : piano solo (1968), 1 p.
Bourque, Richard
Five Robert Frost poems, op. 9 : voice & piano (n.d.), 7 p.
Bowles, Paul
La despedida : piano solo (1982), 1 leaf.
Five songs : voice & piano (n.d.), 7 p.
Brozen, Michael
The ways of water : cycle for voice and piano (1965), 19 p.
Buenaventura, Oscar
Concerto para dos pianos (n.d.), 16 p.
Butterworth, Neil
Letter to the world song cycle : for voice & piano (n.d.), 15 p. [includes correspondence from Mr. Butterworth to AC].
Cabezón, [?]
Two religious songs : for mixed chorus, SATB (n.d.), [6] p.
Carter, Elliot
Holiday overture (ca. 1960), 68 p.
Holiday overture (ca. 1960), 68 p. [same version, fewer annotations].
Sonata for cello and piano (1948), 41 + 14 p.
String quartet (1951), 101 p.
Cascarino, Romeo
Fugue : piano solo (n.d.), 1 leaf.
Minuet : piano solo (n.d.), 2 p.
Rag-time : piano solo (1940), 4 p.
Sarabande : piano solo (n.d.), 2 p.
She walks in beauty : voice & piano (n.d.), 4 p.
Castro, José Maria
10 improvisaciones breves : versión orquestal (1957), 78 p.
Conciertio para piano y orquesta (1955 revision), 97 p.
Cuarteto en sol : para cuerdas (1947), 14 + 7 + 7 + 7 + 6 p.
Cuarteto no. 3 (1956), 45 + 9 + 9 + 9 + 8 p.
[Preludio & toccata] (1952), 34 p.
Sonata : para 2 violoncellos (1938), 30 p.
Castro, Sergio de
Misterios : para orquesta (1947), 12 p.
Catunda, Eunice
Salmo 82 (1947), 7 p.
Sonatina : para piano (1946), 11 p.
Cazden, Norman
Sonatina : piano solo (1935), 8 p.
Chávez, Carlos
Soli (1933), 12 p.
Childs, Barney
Sonata for solo viola (1955/56), 14 p.
Ciry, Michel
Trio, op. 20 : pour hautbois, basson et piano (1946), 36 + 11 + 22 p.
Citkowitz, Israel
Ah's de man : for mixed chorus (SATB), 2 p.
Five songs : from "Chamber music" by James Joyce (1929), [45] p.
Cogan, Robert
Composition for string trio (1956), 8 p.
Sounds, and variations : for piano (1959-61), 16 p.
Crane, Robert
Voluntary for trombone and two pianos (n.d.), 27 p.
Dahl, Ingolf
Carmen canonicum for November 14, 1960. For chorus (SATTB) (1960), 1 leaf.
Trio for piano, violin and cello (1962), 56 p.
Dallapiccola, Luigi
Aria : in tre strofe 1944-47), 4 p.
Daus, Avraham
A group of "Zabres" in a trip (1957), 38 p.
A trip of Israeli Youth Group (1951), 38 p.
Suite for string orchestra (1952), 31 p.
Suite of songs by Rachel (1947), 15 p.
Davidovsky, Mario
Serie sinfonica (1959), 44 p.
Davies, Peter Maxwell
Fantasia : on an In nomine of J. Taverner (1962), 22 p.
Leopardi fragments : for orchestra (1961), 30 p.
O magnum mysterium (1960), 14 p.
Debussy, Claude
Golliwogg's cake walk (n.d.), 17 p. (includes 14 page typescript).
Del Tredici, David
Fantasy pieces : for piano (1960), 26 p.
I hear an army : from "Chamber music" (1964), 51 p.
The last gospel : for amplified soprano solo, amplified solo group, chorus (SATB) and orchestra (1967), 47 p.
The lobster - quadrille. For chorus (SATB) & orchestra (n.d.), 113 p.
Night conjure - verse I : a cycle of songs ... (1965), 113 p.
Night conjure - verse II : a cycle of songs ... (1965), 142 p.
Pop - Pourri. For chorus (SATB) & orchestra (1968), 79 p.
Songs from James Joyce (1958), 42 p.
Des Marais, Paul
Capriccio : for two pianos, percussion and celesta (1962), 62 p.
Diamond, David
Andante : voice & piano (n.d.), 1 leaf.
A buoyant music : overture no. 2 : for orchestra (1970), 60 p.
Chatterton : voice & piano (1946), [7] p.
Christmas tree : voice & piano (1970), 5 p.
The fall : a cycle of nine songs : for voice and piano (1970/71), 40 p.
For Aaron's birthday : 2 pianos (1988), 3 p.
Ma Tovu : for chorus (SATB) & organ (n.d.), 5 p.
Mizmor L'David : sacred service for the sabbath eve (1951), 125 p.
Music for chamber orchestra (1969), 87 p.
Six preludes : for piano (1935), 13 p.
Symphony no. 8 (1960), 108 p.
This world is not my home : voice & piano (1946), 2 p.
We two : a song cycle for voice and piano (1964), 39 p.
Diemente, Edward
Celebration : for wind ensemble (1969), 47 p.
Dinterstein, Norman
Contrasto. For orchestra (1968), 37 p.
Poema ultrasonico : for mixed chorus a cappella (1974), 32 p.
Pound : a cycle for soprano and piano (1969), 27 p.
Refrains. For orchestra (1970/71), 146 p.
Dolin, Samuel
Marchbankantata : a chamber cantata for baritone chorus (SATB), piano and synth A or Putney (with anplifier and two speakers and keyboard) (1971), 19 p.
Druckman, Jacob
Concerto for violin and small orchestra (1956), 106 p.
Incenters : for trumpet, horn, trombone and orchestra (n.d.), 43 p.
Laude : piece with medieval text (1952), 16 p.
Laude : piece with medieval text / piano reduction by Paul Aron (1952), 13 p.
Dukelsky, Vladimir
Tempo [?] (n.d.), 4 p.
Edel, Ytzhak
Sonatine for oboe and piano (1951), 22 + 5 p. (includes oboe part and correspondence).
Engel, A. Lehman
Introduction and allegretto, op. 13 : for woodwinds, brass and timpani (1933), 22 p.
Epstein, Alvin L
Duo for violin & piano (1958), 22 + 11 p.
Farrand, Noel
String trio : for violin, viola and violincello (n.d.), 35 p.
Fauberman, Harold
Quartet : for flute, oboe, viola, and cello (1956), 47 p.
Feldman, Morton
Out of "Last pieces" : orchestra graph (1961), 12 p. (includes notes).
Ferrari, Luc
Suite pour piano (1952), 15 p.
Feuchwanger, Peter
Variations on an eastern folk tune, book I & II : for piano (1957), 25, 26 p.
Fine, Irving
Music for piano (1947), 20 p.
Serious song : for string orchestra (1955), 14 p.
Fine, Vivian
Four polyphonic piano pieces (n.d.), 20 p.
Fitelberg, Jerzy
Concertino da camera : for violin and piano (1950/51), 30 + 15 p.
Fitzer, Jack
Noel 1949 (1949), 1 leaf.
Flanagan, William
Time's long ago : a cycle of songs to "Poeme 87" (Herman Melville) (1951), 19 p.
Foresythe, Reginald
Study in steel : for piano (n.d.), 7 p.
Foss, Lukas
Folk song : for orchestra (1975/76), 35 p.
Quartet : for 2 violins, viola and cello (n.d.), 35 p.
Franchetti, Arnold
The blind Geronimo and his brother : a musical tale for children (1978), 18 p.
Concertino : for flute, alto flute, piccolo, cello and percussion (1965), 21 p.
Concerto in DO for orchestra (1961/62), 59 p.
Dialoghi : to Marvin Salzberg (1960), 24 p.
In memory of John Fitzgerald Kennedy. For orchestra (1964), 65 p. (includes 3 page typescript).
Largo : piano reduction (n.d.), 20 p.
Largo for strings (1956), 8 p.
Prelude and fugue : a concert opera ... : for voices, piano and orchestra (1959), 114 p.
Sinfonia in LA (1967), 83 p.
3rd wind quintet (1963), 15 p.
Three ricercori : for winds, percussion, piano & strings (1958), 61 p.
Whate'er the theme the maiden sang ... : for soprano and orchestra (1962), 49 p.
Franco, Johan
Intermezzo I : for piano (1936), 2 p.
Gianneo, Luis
Sonatina : para flauta y piano (1937), 17 p.
Ginastera, Alberto
Ier cuarteto de cuerdas : score and parts for strings (n.d.), 30 + 12 + 12 + 8 + 8 p.
Variaciones concertantes : para orquestra de camara (1953), 69 p.
Giuffre, Jimmy
Clarinet quintet no. I (1963), 58 p.
Gottlieb, Jack
Sonata for piano (1960), 38 p.
Graves, Robert
Henry and Mary : song for soprano and tenor (n.d.), 1 leaf.
Gross, Robert
String quartet no. 4 (n.d.), 39 p.
Haieff, Alexei
Allegro : for piano (n.d.), 1 leaf.
Saints' wheel : variations on a circle of fifths (1960), 6 p.
Harris, Roy
[Piano reduction of unknown symphonic work] (1929), 31 p.
Piano sonata (n.d.), 19 p.
Theme from clarinet concerto (n.d.), 2 p.
Third symphony : in one movement (1939), 104 p.
Hatzidakis, Manos
Matinades and dances for piano (1947), 6 p.
Heilner, Irwin
Poem : words by Emily Dickinson (1928), 2 p.
Horne, Henri
Rhapsodie nocturne : for piano (n.d.), 36 p.
Ichiyanagi, Tossi
Toccata : for piano (n.d.) 14 p.
Imbrie, Andrew
Concerto : for violin and orchestra (1954), 139 p.
Ives, Charles E.
Decoration day : for orchestra (1912), 29 p.
General Booths' entrance into heaven : for voice & piano (1914), 7 p.
Jones, Charles
Three pieces for piano (1943), 10 p.
Karg-Elert, Siegfrid
Corale (n.d.), 1 leaf.
Katz, David
Sonata for two pianos (1980), 38 p. (includes correspondence).
Kennedy, John Brodbin
Inscription : symphonic movement for orchestra (1955), 18 p.
Lyric ode : for string orchestra (1959), 13 p.
Piano sonata : in one movement (1954), 15 p.
Songs of innocence : for voice and piano (1960), 21 p.
Kinarthy, Rander
Faustus : piano solo (1972), 9 lvs.
Kohn, Karl
Before night : for four part chorus of mixed voices (SATB) and piano (n.d.), 12 p.
Capriccios : for harp, violoncello, flute, clarinet, and piano (1962), 26 p.
Divertimento : for flute, oboe, clarinet, and bassoon (1959), 24 p.
Encounters : for flute, piccolo and piano (1966), 3 p.
Interludes : for orchestra (1964), 41 p.
Leisure and other songs : cantata for baritone and chamber ensemble (1965), 36 p.
Romanza : for baritone & piano (1965), 5 p.
Sonata da camera : for alto flute, clarinet and piano (1965), 15 p.
Three pieces : for flute and piano (1958), 10 p.
Two short pieces : for clarinet and piano (1959), 8 p.
Two songs : for soprano and piano (1964), 5 p.
When to her lute : for voice and piano (1963), 5 p.
Kolar, Henry
Aphorisms for string orchestra (1963), 8 p.
Music for brasses (1968, 9 p.
Kolb, Barbara
Appello (1976), 15 p.
Looking for Claudio (1975), 19 p. (includes notes).
Songs before an adieu : for soprano, flute/alto flute, guitar (1977-79), 23 p.
Koprowski, Piotr P.
Concerto grosso for string ochestra (1971), 17 lvs.
Korte, Karl
Symphony no. 3 (1969), 151 p.
Krieger, Edina
Movimento misto : para pequena orquesta (1947), 48 p.
Music da camera : para flauta, trumpete, violino e percussao (1948), 8 p.
Pecalenta : para flauta, violino, viola e celo (1946), 6 p.
Sonatina : para flauta e piano (1947), 14 p.
Kubik, Gail
Divertimento II. For small orchestra (1958), 43 p.
Service of intercession for the war : a war-time litany : for men's chorus, brass and percussion (1943), 35 p.
Laeser, Brian
Piece for two pianos (1973), 2 p.
Variations : on a theme by Aaron Copland (1973), 1 p.
Lambro, Phillip
Miraflores : for string orchestra (1956), 3 p.
Lanza, Alcides
Modulos (1965-III) : para guitarra (1966), 12 p.
Plectros II (1966-I) : para piano an electronic sounds (1965), 2 p.
Layton, Billy
An American portrait : symphonic overture : for orchestra (1953), 52 p.
Five studies for violin and piano (1952), 32 p.
In my craft or sullen art : for mixed chorus and brass sextet 1956, 5 p.
O make me a mask : for mixed chorus and brass sextet (1954), 20 p.
Septet : for violin, clarinet...and percussion (1958), 47 p.
String quartet : in two movements (1956), 56 p.
Twenty-four years : for mixed chorus and brass sextet (1955), 15 p.
Le Baron, Anne
Concerto for active frogs (1975), 12 p.
Lee, Noël
Commentaries on a theme from A. Copland : for trumpet, clarinet and piano (1966), 19 p.
Double concert : for piano, violin, and orchestra (1964), 76 p.
Double concert : for piano, violin, and orchestra (reduction) (1964), 47 p.
Errances : for concert band (1972), 36 p.
Fantasy for orchestra : in four movements (1953; rev. 1955), 76 p.
Four etudes : for piano (second set) (1967), 24 p.
Four rhapsodies : for chorus, mezzo-soprano, and orchestra (1952; rev. 1953), 79 p.
Four rhapsodies : reduction for 2 pianos (1952), 40 p.
Paraboles : oratorio en six mouvements (1954), 66 p.
Profile : for orchestra (1959), 12 p.
Quatre chants sur Baudelaire : pour voix et piano (1971), 26 p.
Seis canciones Amarillas : cycle of songs set to poems ... for lyric soprano and piano (1959), 20 p. (2 copies).
The song of songs : cycle of songs for dramatic soprano and piano ... (1949), 21 p.
Variations : for orchestra (1959/60), 58 p. (2 copies).
Lewis, Ken
Dance variations : for chamber wind ensemble (1975), 40 p.
Lewis, Peter
Images (In memoriam James Agee) : for reader & orchestra (1967), 34 p.
Sweets for piano : for M.S. (1965), 19 p.
Lilburn, Douglas
Duo : for 2 violins (1954), 18 p.
Elegy : songs set to poems (1947), [16] lvs.
Lombardo, Robert
12 contemporary piano pieces for children (1962), 12 p.
A war ballad : for narrator and cello (1966), 4 p.
Cinque piccoli pezzi : per violino e pianoforte (1965), 6 p.
Climbing for tree frogs : four love songs for soprano and harpsichord (1969), 12 p.
Dialogue of lovers : for soprano, baritone and chamber ensemble (1966), 58 p.
Fantasy for piano (1960), 10 p.
For my daughter, Rosalia : a madrigal for 24 voices SATB (1968), 13 p.
Fourplay : for violin, percussion, bassoon & harpsichord (1970), 26 p.
Frosted window : variations on white : for soprano, bassoon, viola, percussion (1975), 7 p.
In memoriam, Michele Lombardo, 1888-1967 : for bassoon, violin, viola, violoncello (1967), 5 p.
Largo : for string quartet (1969), 9 p.
Music for spring : three short pieces for horn and piano (1961), 12 + 3 p.
Orchestral aphorisms (1960), 26 p.
Orchestral fantasy (1962), 45 p. (includes concert program).
Program notes : for flute, bass clarinet, vibraphone, soprano and contrabass (1969), 15 p.
Second string quartet (1974), 23 p.
Three cinquains : for alto voice and chamber ensemble (1966), 6 p.
Three haiku for band (1961), 36 p.
Three madrigals : for three part women's chorus (1960), 9 p.
Three poems : for flute, oboe and mixed chorus (1961), 19 p.
Threnody : for strings (1964), 10 p.
Trio for brass (1959), 7 p.
Lynch, David
Hymn to pan (n.d.), 52 lvs. (includes text).
Martin, Frank
Der Cornet - No. 9 der Brief (1942/43), 4 p.
Marty, Jean-Pierre
3 etudes : pour piano (1955), 13 p.
Marzialy, Marcelle de
Quatuor. For strings (1943), 21 p.
[Unidentified orchestral score] (1945), pp. 7-35.
Mattila, Edward
Thirteen ways of looking at a blackbird : for reciter, chorus and chamber ensemble (1971), 22 p.
Michalsky, D[onal]
Birthday greetings - 1973 : from composition class of D. Michalsky of California State University, Fullerton, Cal. 92634 ( 1973), [25] p.
Milhaud, Darius
Trois chansons de Ronsard : voice & piano (1943), 8 p.
Miller, Carl
April : for soprano & piano (1942), 2 p.
Miller, Edward
6 canons : for alto recorder, harpsichord, and viola da gamba (1964), 6 lvs.
Anti-heroic amalgam : for orchestra (1969), 49 p.
Burlesque : 4 pianos (1965), 22 p.
Conquest : voice & piano (n.d.), 1 leaf.
Oh! the grand old Duke of York (n.d.), 1 leaf (found with compositions by Miller under the name Mother Goose).
On the death of friends in childhood : voice & piano (n.d.), 2 lvs.
Orchestral changes (1966), 33 p.
Orchestral fantasies (1968), 54 p.
Reflections : at the Bronx zoo. For orchestra (1965), 34 p.
The seven last days : for chorus, percussion, tape and silent film (1970), 11 p. [includes 1970 concert program, 5 p.]
Sinfonietta : for string orchestra (1966), 14 p.
A study for winds & strings (1959), 24 p.
Three pieces for band (1964), 24 p.
Untitled poem : voice & piano (n.d.), 1 leaf.
The young god : a vaudeville : for voice & small jazz ensemble (1968), 64 p.
Miller, Jean
Beguine no. 1 (1944), 2 p.
Beguine no. 2 (1946), 2 p.
Canción Afrocubana : voice & piano (1945), 3 p.
Conga (1945), 3 p.
Danzón : piano solo (1943), 1 leaf.
Tropic serenade (Afrocubana) : voice & piano (1946), 2 p.
Mills, Charles
Crazy Horse symphony (1957), 76 p.
Moevs, R[obert]
Cantata sacra (1952), 22 p.
Moss, [Lawrence] Larry
Far down the steel-gray water stretches : voice (baritone) & piano (n.d.), 3 lvs.
March : for piano (n.d.), 5 lvs.
String quartet (1957), 42 p.
Nabokoff, Nicolas
Serenata estiva : string quartet (1937), 14 p.
Nigg, Serge
Trois melodies, op. 9 : voice & piano (n.d.), 8 p.
Oberheide, Ken
Full fathom down rhapsody (n.d.), 4 lvs.
O'Brien, Eugene
Dédales : for soprano and chamber orchestra (1975), 83 p.
O'Connell, Glen
Comments for piano 1965 (1965), 15 p. (2 copies).
Music for string quartet 1967 (1967), 32 p.
Onderdonk, Henry
Sonata for two pianos (1965), 47 lvs.
Onofrey, Rev. Robert E.
Labyrinth, op, 46 : for clarinet alone (1973), [7] p.
Orgad, Ben-Zion
Biblical cantata : "The story of the spies" (1951), 58 p.
Out of the dust : quintet for mezzo-soprano (soprano), flute, bassoon, viola & violoncello (1955), [45] p.
Paddack, Christopher
Alborada 1964 : for piano (1964), 3 p.
Palester, Roman
Study 58 : full score (n.d.), 35 p.
Variations pour orchestre : partition d'orchestre (n.d.), 73 p.
Parris, Robert
Sonata : for violin and harpsichord (piano) (1956), 29 p.
Paxton, Glenn
Ballet : in nine sections (n.d.), 100 p.
Peck, Russell
My capricorn : for orchestra (1968), 57 p.
Peterson, Wayne
Chansons innocentes : II hist whist. For mixed chorus (SATB) & piano (1964), 11 p.
Metamorphoses for wind quintet (1966), 22 p.
Peixe, Guerra
2me divertissement : pour orchestre á cordes (1947), 31 p.
Duo para flauta e violino (1947), 15 p.
Música : para piano (1945), 9 p.
Peça p'ra dois minutos : para piano (1947), 4 p.
Sinfonia no. 1 (1945/46), 46 p.
Perrin, Hal and Fleurette
Introduction to harmonizing, embellishing, and improvising : for piano (n.d.), various paginations [includes correspondence].
Pfautsch, Lloyd
Dancetudes : for piano (n.d.), [7] p.
Pinkham, Daniel
Duo for violin and violoncello (n.d.), [8] p.
Pompeu, Mario
Pureza : for piano (n.d.), [3] p. [includes drawing of AC by A. Rodriguez].
The Brazil-United States anthem : for piano (1947), [3] p. + 2 leaves of text.
Porter, Quincy
Suite for viola alone (1930), 5 p.
Powell, Mel
Quintet : for two violins, viola, cello and piano (n.d.), 49 p.
Prokofiev, Serge
Quintet : for oboe, clarinet, violin, viola and bass (n.d.), [14] p.
Putsché, Thomas
Hexachord fantasies : nineteen pieces for piano (1967), 45 p.
Six preludes for piano (1961), 16 p.
Three bugs : for orchestra (1965), 30 p.
Ramey, Phillip
Autumn pastorale : for piano (1980), 3 p.
Commentaries : for flute and piano (1968), 8 p.
Diversions : for piano (1965/66), 11 p.
Pen sketches : five pieces for the young pianist (1967), 7 p.
Phantasm : for flute and violin (or two violins) (1984), 27 p.
Threnody : for the Victims of Israeli Agression : for piano (1974), 2 lvs.
Toccata giocosa : for piano (1966), 3 p.
Two short pieces : for piano (1967), 4 p.
Ranieri, Salvador
A tus ojos : voce e piano (n.d.), 4 p.
Danza arcaica : para piano (n.d.), 5 p.
Dos corales : para piano (n.d.), 2 p.
Niña y muñeca : para piano (n.d.), 2 p.
Ninna-Nanna 1964 : per una voce e pianoforte (1964), 3 p. [includes correspondence].
Tres invenciones para piano (n.d.), 6 p.
Reid, Clement
Sons of the desert : for piano four hands (1976), 24 p.
Revueltes, Silvestre
2o cuarteto (Magueyes) = Quartet no. 2 : for 2 violins, viola and cello (1931), 13 + 5 + 5 + 5 + 5 p.
Cuarteto : for 2 violins, viola and cello (1930), 13 p.
Música de féria : parts for 2 violins, viola and cello (1932), 5 + 5 + 5 + 5 p.
Robinson, Earl
Song of the free men : for 2 voices and piano (n.d.), 8 lvs.
Rorem, Ned
A burnt ship : voice & piano (1945), 2 p.
Psalm 100 (A psalm of praise) : voice & piano (1945), 3 p.
Psalm 120 (A song of degrees) : voice & piano (1945), 2 p.
Rouse, Christopher
The phoenix : flute/piccolo, percussion and piano (1973), 9 p. (2 copies).
Third stratum of empyrean (1979), 44 p.
Roy, Klaus G.
St. Francis' "Canticle of the sun", op. 17 : for chorus of 4 mixed voices (SATB) a cappella and solo viola (1950), 26 p. [includes additional literature].
There is a garden in her face, op. 10 : four-part chorus of mixed voices (SATB) a cappella (1940), 4 p.
Sadovnikoff, Mary B.
Carol : lead sheet (1964), 2 p.
Christ, the fleur-de-lis : lead sheet (1964), 1 p.
Dover beach (Matthew Arnold) : set to music by Mary B. Sadovnikoff : for mixed chorus, brass quartet, violoncello and piano (1965), 32 p.
Five songs on Chinese texts : for medium voice & piano (1950-53), 21 p.
Love song : voice & piano (n.d.) [14] lvs.
Salzberg, Marvin
String quartet I (1958), 31 p.
Theme, four short variations & fantasy (1959), 5 p.
Samuel, Gerhard
Cold when the drum sounds for dawn. For orchestra (1975), 24 p.
Santorsola, Guido
Aspirar : para canto y piano (1930), 3 p.
Canção triste : para piano (1934), 6 p.
Dos invenciones : para piano (1938), 6 p.
Passos perdidos na sombra : para canto y piano (1939/40), 3 p. (2 copies).
Sapp, Allen
First viola sonata 1948 : for viola and piano (1948), 23 p.
Four hand sonata 1944 (1944), 29 p.
The little lost boy (1953), 58 p.
Second violin sonata 1948 : for violin and piano (1948), 30 p.
Sonatina for piano 1945 (1945), 10 p.
Suite for piano 1949 (1949), 12 p.
Schlein, Irving
Preludes : for piano (n.d.), 15 p.
Schuman, William
Choral fanfare : for women's voices (1941), 1 leaf.
New England triptych : three pieces for orchestra (1957), 70 p.
Schumann, R.
Träumerei. For orchestra (n.d.), 8 p.
Schwartz, Lawrence
Theme & variations, op. 13 : in G major : for orchestra (n.d.), 7 lvs.
Scott, Kevin
Fanfare G.A.F. : an American overture : for symphony orchestra (1984), 51 p.
Sebastiani, Pia
Preludio no. 2 : para piano (1946), 6 p.
Sessions, Roger H.
Choral prelude. For organ (1924/25), 2 p. (3 copies).
Choral prelude no. 2. For organ (1926/27), 3 p.
Largo : from symphony in E minor (#1) . Condensed score (1928), 9 p.
Sonata. For organ (1928-30), 48 p. [includes 3 single page inserts].
Shackleford, Rudy
9 aphorisms : for organ (1972), 20 lvs.
I sat down under his shadow. For mixed chorus (SATB) (1972), 3 p.
Im Nebel / Im Spiegel. For strings & piano (keyboard) (1971), 12 lvs.
String 4-tet no. 1. (1972), 26 lvs.
Shanet, Howard
Perpetual praise. For 2 voices (1960), 2 p. (tribute to Copland's 60th birthday).
Shapero, Harold
Two psalms : for mixed voices a cappella (1952), 13 p.
Variations in C minor : for piano (1947), 17 p.
Shifrin, Seymour
Lament for Oedipus : for women's voices, string quartet, and piano (1957), 82 p.
The odes of Shang : for percussion, small mixed chorus & piano (1962), 41 p.
Siegmeister, Elie
Four songs (Robert Frost). For voice & piano (n.d.), 14 p.
Silva, Jesus Bermudez
Sonata Abril 12 : piano (1965), 13 p.
Sims, Ezra
Celebration of dead ladies. For voice & chamber ensemble (1976), 77 p.
Smit, Leo
Academic graffiti . For voice & chamber ensemble (1962/63), 14 p. (2 copies).
Canzone: L'addio : per tenore e pianoforte (1951), 4 p.
Capriccio : for string orchestra (1958-74), 45 p.
Carol. For soprano, alto & tenor (1944), 2 p.
Channel firing : for baritone & piano (1970), 12 p.
Four kookaburra marches : for orchestra (1972), 36 p.
In a dark time : for high voice & piano (1959), 9 p.
Suite of piano pieces (1944), 28 p.
A transient view : 5 choruses for unaccompanied voices (1967), 13 p.
Smith, Leland
Advice to young ladies : set for women's chorus with clarinet, violin, and violoncello (or with piano) (1963), 14 p.
Three Spanish songs : for voice & guitar (1959), 10 p.
Smith, Russell
Avowal (Geständnis). For voice & piano (1974), 2 p.
Duo : for flute or oboe and bassoon or cello (1948), 3 p.
Magnificat : for soprano solo, chorus & orchestra (1969), 177 p.
Palatine songs : for high voice, vibaphone, cymbal, clarinet horn and cello (n.d.), 39 p.
River of darkness. For voice & piano (1973), 15 p.
Symphony : for alto [voice] & orchestra (1976/77), 72 p. [includes 1 page note "TO THE PERFORMERS" and 3 leaf music insert].
[Three Preludes]. For piano (1973), 13 + 3 + 6 p.
Three songs : for high voice with piano accompaniment (1974), 14 p.
Trio : for violin, violincello & piano (1974), 55 lvs.
Variations in D : for cello & piano (1947), 12 p.
Smith-Masters, Anthony B.
Piano concerto no. 2. Full score (1983), 47 p.
Snavely, Chester P
Klee. For mixed chorus (SATB) (n.d.), 1 leaf.
Spelman, Timothy Mather
Homesick Yankee in North Africa : rhapsody for orchestra (1945), 32 p.
Starer, Robert
Ballade : for violin & orchestra (1955), 59 p.
Steger, Werner
Serenade : für streichorchester (1961), 12 p.
Stevens, Halsey
She's somewhere in the sunlight strong. For voice & piano (1942), 1 leaf.
Striko, Anthony
Last puppet : a one set opera : for mixed chorus (SATB) and piano (1956-59), 148 p.
Svane, Randy
Fantasy : for violin & piano (1973), 15 p.
Psalm 63. For voice & piano (1974), 5 lvs.
Psalm 98. For voice & piano (1974), 6 lvs.
Sydeman, William J.
Homage to L'histoire du soldat. For small orchestra (1962), 44 p.
Eucalypts (1970), 20 p.
Talma, Louise
All the days of my life : cantata for voice & chamber ensemble (1963), 45 p.
Thompson, T.
Dance portraits. Piano solo (1963-65), 10 p.
Piece in slow motion : psalm for trumpet, piano, bass, cello, percussion (1965), 16 p.
Thomson, Virgil
Five pieces from the Song of Solomon : for solo voice and percussion (n.d.), [11] p.
Pastorale (Portrait of Aaron Copland). For chamber ensemble (n.d.), 11 p.
Ten easy pieces and a coda. Piano solo (1926), 6 p.
Violin sonata I : violin & piano (1930), 21 p.
Violin sonata I : violin part (1930), 9 p.
Thorne, Francis
Rhapsodic variations for piano and orchestra (1965), 60 p.
Symphonic variations on a Duke Ellington theme (1959), 46 p.
Tosar, H. A.
"Aves errantes" de Rabindranath Tagore (Stray birds) : triptico para voz masculina y 11 instrumentistas (n.d.), 81 p.
Tsamitt, Cárlos
Friso araucano : para sopraná y baritonò y orquesta (1963), unpaged.
[Unidentified composer]
[Preludes I, II & III]. Piano solo (1970), 15 lvs.
[No title]. Full score for chorus and orchestra (1971), incomplete.
Urquhart, R. Craig
Mix : for orchestra (1975/76), [22] p.
String quartet in five movements (n.d.), 8 p.
Van Wyk, Carl
Op my Ou Ramkietjie. For voice & piano (n.d.), 6 p.
Wandellied (n.d.), 7 lvs.
Variations on happy birthday in tribute to Eugene Ormandy (1970), 30p.
Vazzana, Anthony
Birthday greeting to Copland. For chamber ensemble (ca. 1974), 5 lvs.
Vianna, Fructuofo
Sabiá : canção. For voice & piano (1938), 4 p.
Villa-Lobos, Heitor
Bachianas brasileiras - no. 9 : para orquestra de vozes (1945), 18 p.
Waters, Emory
Three short pieces for orchestra (1976), 52 lvs.
Webster, Daniel
Do you remember? For voice & piano (n.d.), 6 lvs.
Wessel, Mark
String-quartette (n.d.), 29 p. (includes parts)
Wilding-White, R[aymond]
Paraphernalia : a regalia of madrigalia from Chou and the South : for voice, winds, violin & piano (1960), 55 lvs.
Wilson, Richard
August 22 : for chorus of voices, percussion and piano (ca. 1974), 28 p.
Ballad of Longwood Glen : for tenor & harp (1975), 30 p.
In Schrafft's : a setting of W. H. Auden's poem : for mixed chorus, clarinet, harpsichord and mirimba (1979), 18 p.
Music for solo flute (1972), 11 p.
Serenade : variations on a simple march : for clarinet, viola and string bass (1978), 30 p.
Sour flowers : eight piano pieces (1979), 22 p.
Witkin, Beatrice
Parameters for eight instruments (1964), 18 p.
Woodard, James
Git along little dogie : for violin, voice & piano (1960), 15 p.
Yannatos, James
Symphony no. 1 : full score (1958), 118 p.
Three songs : voice & string quartet (1959), 8 p.
Zupko, Ramon
Fixations : piano, violin, cello & tape (1974), 30 p.
Printed Music by Others, 1841-1986
Albeniz, Isaac
Iberia, 1er cahier. Madrid: Union Musical Espanola, [1906].
Iberia, 4e cahier. Madrid: Union Musical Espanola, [1907].
Astaburuaga, René Amengual
Caricia. Santiago: Facultad de Bellas Artes de la Universidad de Chile, [1935].
Bach, Johann Sebastian
An introduction to Bach. Cincinnati: Willis Music Co., [1946].
"Bleib' bei uns, denn es will Abend werden" : Cantate. Leipzig: Breitkopf & Härtel, n.d.
Brandenburg concerto no.3 -G major . New York: Broude Bros., n.d.
Choralgesange, band II. Leipzig: Edition Peters, n.d.
Clavecin bien tempere, volume I. Paris: Durand & Cie., [1915].
Concerto in A minor : for violin. New York: G. Schirmer, Inc., [1920].
Concerto in E major : for violin and piano. New York: G. Schirmer, Inc., [1919].
English suites, vol 1. New York: G. Schirmer, Inc., [1896].
French suites. New York: G. Schirmer, Inc., [1896].
Fuga no. 8 do 1ovolume do clavecin bem temperado : arranjado para côro mixto a 4 vozes desiguaces por H. Villa-Lobos. Rio de Janeiro: Casa Arthur Napoleão, n.d.
Kantate Nr. 12 : "Weinen, Klagen, Sorgen, Zagen". Leipzig: Breitkopf & Härtel, [1890].
Kantaten Nr. 20. "O Ewigke, du Donnerwort!" Leipzig: Breitkopf & Härtel, [1890].
Kantaten Nr. 182. "Himmelskönig sei willkommen." Leipzig: Breitkopf & Härtel, [1895].
Konzert C Moll : für Violine und Oboe oder für zwei Violinen mit Klavierbegleitung. Leipzig: Edition Peters, n.d.
Kunst der Fuge. Leipzig: C. F. Peters, n.d.
Magnificat : Klavier-Auszug. Leipzig: C. F. Peters, n.d.
Orgel-Toccata C Dur : transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1900].
Orgelchoral-Vorspiele, Heft I : transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1898].
Orgelwerke, Band 3. Leipzig: Steingräber-Verlag, n.d.
Präludium, Fuge, Allegro, Es Dur : transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1915].
Präludium und Fuge D Dur : for piano solo. Leipzig: Breitkopf & Härtel, [1902].
[Sonatas : for unaccompanied violin]. Berlin: Ed. Bote & G. Bock, [1908].
Wohltemperiertes Klavier, Band II. Leipzig: C. F. Peters, n.d.
Bacon, Ernst
Tributaries. Berkeley: Musical Offering, [1978].
Coal scuttle blues : for two pianos. New York: Associated Music Publishers, [1944].
Adagio for strings : arranged for organ.... New York: G. Schirmer, Inc., [1939].
Capricorn concerto : score for flute, oboe, trumpet and strings. New York: G. Schirmer, Inc., [1945].
Essay for orchestra : for orchestra. New York: G. Schirmer, Inc., [1941].
Medea's meditation and dance of vengeance : op. 23A, for orchestra. New York: G. Schirmer, Inc., [1944].
Die Natali : choral preludes for Christmas, op. 37. New York: G. Schirmer Inc., [1961].
Piano concerto : op. 38, full score. New York: G. Schirmer Inc., [1962].
Overture to "The school for scandal" : for orchestra. New York: G. Schirmer, Inc., [1941].
Barth, Hans (compiler)
Piano music of today. Vienna: Universal Edition, [ca. 1936].
Divertimento for string orchestra. London: Boosey & Hawkes, [1940].
Etudes, op. 18. Vienna: Universal Edition, [1920].
Fünf Lieder, op. 16. : Gesang und Klavier. Vienna: Universal Editions, [1923].
Improvisations : pour piano. Wien: Universal Editions, [1922].
Piano-concerto no. 3. London: Boosey & Hawkes, [1947].
Sonate : piano solo. Vienna: Universal Editions, [1927].
Suite, op. 14 : piano solo. Vienna: Universal Editions, [1918].
Konzert G-Dur für Klavier und Orchester, op 58. Leipzig: Breitkopf & Härtel, n.d.
Piano concerto no. 1 : in C major, op. 15. New York: Edwin F. Kalmus, n.d.
Quartette, op. 18 [Band I] : partitur. Leipzig: C. F. Peters, n.d.
Quartette, op. 59 und op. 74 [Band II] : partitur. Leipzig: C. F. Peters, n.d.
Quartette, op. 95, op. 127, op. 130 [Band III] : partitur. Leipzig: C. F. Peters, n.d.
Quartette, op. 131, op. 132, op. 133, op. 135 [Band IV] : partitur. Leipzig: C. F. Peters, n.d.
Sonate per pianoforte, volume II. Milano: G. Ricordi & Co., [1919].
Sonate per pianoforte, volume III. Milano: G. Ricordi & Co., [1919].
Symphonien no. 6-9 : piano solo. Leipzig: C. F. Peters, n.d.
Ben-Haim, Paul
Sonatina, op. 38 : piano. Tel-Aviv: Israeli Music Publications, [1950].
Duo for oboe and clarinet. New York: C. F. Peters, [1955].
Ideas of order : full score. New York: C. F. Peters, [1956].
Three poems of Yeats from "Words for music, perhaps". New York: New Music Edition, [1950].
Allelujah II : per cinque gruppi di strumenti. Milano: Edizioni Suvino Zerboni, [1960].
Berlioz, Hector
Absence : [from] "Les nuits d'été", op. 7, no. IV. Paris: Costallat & Cie., n.d.
Auf dem Friedhofe. Leipzig: Breitkopf & Härtel, [1841].
Die Gefangene (Erste Fassung). Leipzig: Breitkopf & Härtel, n.d.
Roman carnival overture, op. 9. New York: Associated Music Publishers, n.d.
Symphonie descriptive [Royal hunt and storm from "The trojans"]. [France]: s.n., n.d.
Villanelle : [from] "Les nuits d'été", op. 7, no. I. Paris: Costallat & Cie., n.d.
Overture to "Candide" : [for] orchestra. New York: G. Schirmer, Inc., [1957].
Kaddish (Symphony no. 3) : vocal score. New York: Amberson Enterprises, Inc., [1965].
Trouble in Tahiti : piano-vocal score. New York: G. Schirmer, Inc., [1953].
Seven anniversaries : for piano. New York: M. Witmark & Sons, [1944].
Binet, Jean
Six mélodies : pour chant et piano. Paris: Éditions Maurice Senart, n.d.
This is the garden : a cantata of New York for mixed chorus and orchestra . New York: Chappell & Co., [1957].
Bloch, Ernest
L'abri = The shelter : [from] Poèmes d'automne. New York: G. Schirmer, Inc., [1918].
La vagabonde = The vagabond : [from] Poèmes d'automne. New York: G. Schirmer, Inc., [1918].
Psaume 22. New York: G. Schirmer, Inc., [1919].
Psaume 114. New York: G. Schirmer, Inc., [1919].
Psaume 137. New York: G. Schirmer, Inc., [1919].
Schelomo : violoncello & piano. Vienna: Universal Edition, [1918].
Sonate pour violon et piano. New York: G. Schirmer, Inc., [1922].
Musica folklorica ritual de La Tirana. Partitura. Santiago: Escuela y Conjuntos Nacionales, [1962].
Tres coros infantiles de caracter Chileno. Santiago: Revista de Arte, Universidad de Chile, [1939].
Boulez, Pierre
2ème sonate : pour piano. Paris: Heugel et Cie., [1950].
Troisième sonate pour piano - formant 2 - trope. London: Universal Edition, [1961].
Clavierstücke, op. 119. Berlin: N. Simrock, [1893].
Selected piano compositions. Boston: Oliver Ditson Company, [1910].
Six pieces for pianoforte, op. 118. Los Angeles: R. W. Heffelfinger, n.d.
Variationen über ein Thema von Josef Haydn, Op 56a : für Orchester. Leipzig: Breitkoff & Härtel, n.d.
Variations on a theme by Paganini, op. 35. London: Augener Ltd., n.d.
Britten, Benjamin
An American overture (1941) : for orchestra. London: Faber Music Ltd., [1985].
Billy Budd : an opera in four acts : vocal score. London: Boosey & Hawkes, [1951].
The burning fiery furnace, op. 77. London: Faber Music Ltd., [1966].
Our hunting fathers, op. 8 : symphonic cycle for soprano solo & orchestra. London: Winthrop Rogers Editions, [1936].
The poet's echo, op. 76 : high voice and piano. London: Faber Music Ltd., [1967].
Quartet no. 1 : score. London: Boosey and Hawkes, [1942].
Sinfonia da requiem, op. 20. London: Hawkes & Son, [1942].
Symphony, op. 68 : for cello and orchestra. London: Boosey & Hawkes, [1963].
Symphony, op. 68 : for cello and orchestra : reduction for cello and piano. London: Boosey & Hawkes, [1963].
The young person's guide to the orchestra, op. 34. London: Hawkes & Son, [1947].
Bruch, Max
Violin concerto in G minor, op. 26 : orchestra score. New York: Edwin F. Kalmus, n.d.
Bush, Alan
Relinquishment : for piano. London: Oxford University Press, [1929].
Busoni, Ferruccio
Harlekins Reigen : Rondo Arlecchinesco. Leipzig: Breitkopf & Härtel, [1917].
Indianisches Tagebuch, Erstes Buch. Leipzig: Breitkopf & Härtel, [1916].
Buxtehude, Dietrich
Oeuvres pour orgue : passacaille, chacones, préludes et fugues, toccatas, canzonette. Paris: Éditions Maurice Senart, [1923].
Carlos, Walter
Pompous circumstances : on a theme by Sir Edward Elgar for moog synthesizer. New York: Tempi Music Inc., [1975].
Carpenter, John Alden
Sea drift : symphonic poem. New York: G. Schirmer, Inc., [1936].
Carter, Elliott
Concerto for orchestra. New York: Associated Music Publishers, [1972].
A symphony of three orchestras. New York: Associated Music Publishers, [1978].
Variations for orchestra : full score . New York: Associated Music Publishers, Inc., [1957].
Caturla, Alejandro G.
Dos poemas Afro-Cubanos : voz e piano. Paris: Éditions Maurice Senart, [1930].
6 preludes and fugues for piano, op. 106. Bangor: Andrews Music House, [1974].
Chabrier, Emmanuel
Dix pièces pittoresques : pour piano. Paris: Enoch & Cie., n.d.
Chagrin, Francis
Symphony. London: Novello & Co., [1967].
Concerto for violin and orchestra : violin & piano version. New York: Mills Music, Inc., [1964].
Concerto for violin and orchestra : violin & orchestra version. New York: Mills Music, Inc., [1964].
Initium : for orchestra. Melville: Belwin-Mills Publishing Corp., [1975].
Sinfonia India : for large orchestra (1935/36), 80 p.
Sinfonia no. 5 : for string orchestra. Los Angeles: Affiliated Musicians, Inc., [1954].
Soli no. 2 : for wind quintet. New York: Mills Music, Inc., [1963].
Chopin, Frederic
Ballades and impromptus, vol. 31 : [from] Chopin's complete works for the piano. New York: G. Schirmer, Inc., [1894].
Etudes, vol. 33 : [from] Chopin's complete works for the piano, book eight. New York: G. Schirmer, Inc., [1916].
Mazurkas, vol. 28 : [from] Chopin's complete works for the piano, book two. New York: G. Schirmer, Inc., [1915].
Scherzi and fantasy, vol. 32 : [from] Chopin's complete works for the piano, book seven. New York: G. Schirmer, Inc., [1915].
Sonatas, vol. 35 : [from] Chopin's complete works for the piano, book eleven. New York: G. Schirmer, Inc., [1895].
Waltzes, vol. 27 : [from] Chopin's complete works for the piano, book I. New York: G. Schirmer, Inc., [1915].
Colgrass, Michael
As quiet as : for orchestra. New York: MCA Music, [1969].
The earth's a baked apple : piano-vocal score. New York: MCA Music, [1970].
New people : for mezzo-soprano, viola, and piano. New York: MCA Music, [1970].
Converse, Frderick S.
American sketches : symphonic suite for orchestra. New York: Edwin F. Kalmus, [1937].
Cordero, Roque
Sonatina ritmica : para piano. Washington, D.C.: Pan American Union, [1954].
Corelli, Arcangelo
Sonata in D, vol. 8 : for violin and piano. New York: G. Schirmer, Inc., [1908].
Cósme, Luis
Mãi d'agua canta : para violino e piano. Rio: Irmãos Vitale & C., n.d.
Oração á Teiniaguá. Rio: [Irmãos Vitale & C.], n.d.
Salamanca do Jaráu. Porto Alegre: Luiz Cósme, [1945].
Tres Manchas : para piano. [Rio]: [Irmãos Vitale & C.], n.d.
Canti di liberazione : per coro misto e grande orchestra. Milano: Edizioni Suvini Zerboni, [1955].
Job : una sacra rappresentazione : riduzione per canto e pianoforte. Milano: Edizioni Suvini Zerboni, [1952].
Damon, S. Foster (compiler)
Series of old American songs. Providence: Brown University Library, 1936.
Danenberg, V. (compiler)
Latviešu kora dziesma. Riga: Latvijas Valsts Izdevnieciba, [1955].
Daus, Abraham
Songs of Rahel : for low voice, flute, and viola. New York: Leeds Music Publications, [1952].
String quartet. London: Schott & Co. Ltd., [1962].
Berceuse héroïque : piano à 2 mains. Paris: A. Durand & Fils, [1915].
Pelléas et Mélisande : partition pour chant et piano. Paris: Fromont, [1902].
Preludes, 1er livre : pour piano. Paris: A. Durand & Fils, [1910].
Preludes, 2me livre : pour piano. Paris: A. Durand & Fils, [1913].
Twelve songs : for high voice. Boston: Oliver Ditson Company, [1913].
Four songs : on poems of James Joyce : for voice and piano. New York: Boosey & Hawkes, [1974].
I hear an army : for soprano and string quartet. London: Boosey & Hawkes, [1974].
Pop-pourri : for soprano, rock group, chorus, and orchestra. London: Boosey & Hawkes, [1974].
Scherzo : for piano, four hands. New York: Boosey & Hawkes, [1975].
Soliloquy : for piano. New York: Boosey & Hawkes, [1975].
Syzygy : for soprano, horn and chamber orchestra. London: Boosey & Hawkes, [1974].
Trio : for violin, viola and violoncello. Boston: Ione Press, [1974].
Demets, Paris E. (editor)
Album des 6 : pour piano. Paris: E. Demets, [1920].
A myriologue : for piano. New York: Southern Music Publishing Co. Inc., [1971].
Alone at the piano : pieces for beginners. New York: Southern Music Publishers Co. Inc., [1968].
Chorale. New York: Southern Music Publishing Co. Inc., [1951].
Concertino : for piano and small orchestra. New York: Southern Music Publishing Co. Inc., [1969].
Concerto : for piano and orchestra. New York: Southern Music Publishing Co. Inc., [1966].
Concerto : for small orchestra : full score. New York: Southern Music Publishing Co. Inc., [1970].
Don't cry : song for high voice and piano. New York: G. Schirmer, Inc., [1983].
The fall : a cycle of nine songs for voice and piano. New York: Columbia University Press, [1983].
Homage to Paul Klee : voice & piano. Bryn Mawr, PA: Elkan-Vogel, Inc., [1973].
Music for Shakespeare's Romeo and Juliet (1947). London: Boosey & Hawkes, [1948].
Music, when soft voices die. New York: Associated Music Publishers, Inc., [1944].
Quintet : for flute, string trio and piano. New York: Southern Music Publishing Co. Inc., [1942].
Rounds : for string orchestra. Philadelphia: Elkan-Vogel Co. Inc., [1946].
Sonata no. 2 : for violin and piano. New York: G. Schirmer, Inc., [1982].
String quartet no. 2 : for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1958].
String quartet no. 5 : for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1967].
String quartet no. 7 : for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1968].
Symphony no. 1 : full score. New York: Southern Music Publishing Co. Inc., [1969].
Symphony no. 4 : full score. New York: Southern Music Publishing Co. Inc., [1949].
Symphony no. 5 : full score. New York: Southern Music Publishing Co. Inc., [1968].
Timon of Athens : for orchestra. New York: Leeds Music Corporation, [1950].
The tomb of Melville : for piano. New York: Leeds Music Corporation, [1950].
Two anthems : for mixed chorus (SATB). New York: Southern Music Publishing Co. Inc., [1969].
Warning. Bryn Mawr, PA: Elkan-Vogel, Inc., [1973].
Diercks, John
Alleluia : SSAA a cappella. New York: Dow Music Publishers, [1958].
How long, O Lord : SATB, organ. New York: Dow Music Publishers, Inc., [1960].
Two psalms. New York: Dow Publishers, Inc., [1960].
Doolittle, Eliakim
Exhortation. Philadelphia: Elkan-Vogel, Inc., [1954].
Dukas, Paul
Ariane et Barbe-bleue : partition pour piano seul. Paris: A. Durand & Fils, [1906].
The sorcerer's apprentice. New York: Edwin F. Kalmus, n.d.
Duran, Gustav (editor/compiler)
14 traditional Spanish songs from Texas. Washington, DC: Music Division, Pan American Union, [1942].
Dvŏrák, Anton
Concerto in A minor, op. 53 : for violin and piano. New York: International, n.d.
Egk, Werner
Der Revisor : komische Oper in fünf Akten. Klavierauszug. [Berlin]: B. Schott's Söhne, [1957].
Einem, Gottfried
Danton's Tod : einer Oper in zwei Teilen ... . Klavierauszug mit Text. Wien: Universal-Edition, [1947].
Éloy, Jean-Claude
Equivalences : pour 18 instrumentistes. Paris: Heugel & Cie, [1965].
Etude III : partition d'orchestre. Paris: Heugel & Cie, [1965].
Fauré, Gabriel
2e quintette, op. 115 : partition et parties. Paris: A. Durand & Fils, [1921].
2me sonate pour violon & piano, op. 108. Paris: A. Durand & Fils, [1917].
6me nocturne : pour piano, op. 63. Paris: J. Hamelle, [1918].
12me barcarolle : pour piano, op. 106. Paris: A. Durand & Fils, [1916].
13e barcarolle : pour piano, op. 116. Paris: A. Durand & Fils, [1921].
13e nocturne : pour piano, op. 119. Paris: A. Durand & Fils, [1922].
Pelléas et Mélisande, op. 80. Paris: J. Hamelle, n.d.
Préludes, op. 103 : pour piano. Paris: Heugel & Cie, [1910].
Trio : pour piano, violon et violoncello. Paris: A. Durand & Fils, [1923].
Fennimore, Joseph
Bits and pieces : piano suite. New York: Edward B. Marks Corporation, [1970].
Serious song for orchestra : full score. New York: Broude Brothers, [1959].
Franck, César
Prélude, fugue et variation, op. 18 : pour piano à 2 mains. Paris: A. Durand & Fils, [1910].
Freed, Arnold
Acquainted with the night : for medium voice and piano. New York: Boosey & Hawkes, Inc., [1965].
Freer, Eleanor Everest
Bird song. Chicago: Music Library of Chicago, [1936].
Galan, Natalio
Intermedio variado : para dos pianos. La Habana: José Marti, [1960].
Gershwin, George
Concerto in F : for piano and orchestra. New York: New World Music, [1927].
Gesualdo, Don Carlo
Illumina nos : vocal score. London: Boosey & Hawkes, [1957].
Ghedini, Giorgio Federico
Concerto dell'albatro (da "Moby Dick" di Hermann Melville) : partitura. Milano: Edizioni Suvini Zerboni, [1949].
Gluck, Christoph Willibald von
Iphigenia in Aulis : overture. New York: Associated Music Publishers, n.d.
Orpheus : Klavierauszug. Leipzig: C. F. Peters, n.d.
Goldmark, Rubin
From the old mission : from "Prairie idylls" : a suite of four pieces for the piano. New York: G. Schirmer, [1915].
The meadow lark : from "Prairie idylls" : a suite of four pieces for the piano. New York: G. Schirmer, [1915].
Goloubew, Eugene
Poème : pour violon et piano. Moscow: Staatsmusikverlag, [1935].
Gounod, Charles
Romeo and Juliet. New York: G. Schirmer, Inc., [1897].
Grenet, Emilio (editor)
Música popular Cubana : 80 composiciones revisadas y corregidas. La Habana: Southern Music Publishing Co., [1939].
Grieg, Edvard
Holberg suite, op. 40. Copenhagen: Wilhelm Hansen, [1951].
Sonata for pianoforte, op. 7. New York: G. Schirmer, [1906].
Guarnieri, Camargo
Toada triste : for piano solo. S.l.: s.n., n.d.
Haubenstock-Ramati, Roman
Credentials. Vienna: Universal Edition, [1963].
Petite musique de nuit : mobile pour orchestre. Vienna: Universal Edition, [1959].
Symphonies de timbres. Vienna: Universal Edition, [1958].
Händel, Georg Friedrich
Concerto grosso, op. 6, no. 4 (A minor). New York: Broude Bros., n.d.
Hart, Jane (compiler)
Singing bee! : a collection of favorite children's songs. New York: Lothrop, Lee & Shepard Books, , [1982].
Haydn, Joseph
Andante con variazioni in Fm. New York: G. Schirmer, [1899].
Koncerto C Dur: pro violoncello a orchestr : partitur. Prague: Statni hudebni vydavatelstvi, [1962].
Sonatas, vol. I (nos. 1-10). New York: G. Schirmer, [1894].
Symphony no. 88 in G major : orchestra score. New York: Edwin F. Kalmus, n.d.
SymphonieNr. 95. New York: Edwin F. Kalmus, n.d.
Symphonie Nr. 102, B Dur. Leipzig: Breitkopf & Härtel, n.d.
Helfer, Walter
Appassionata : for violin and piano. Vienna: Universal-Edition, [1932].
Henze, Hans Werner
Being beauteous : Kantate auf das gleichnamige Gedicht aus "Les illuminations" (1872/73) von Arthur Rimbaud für Koloatur-sopran, Harfe und vier Violoncelli. Mainz: Edition Schott, [1963].
Hindemith, Paul
Das Marienleben : für Sopran und Klavier. London: Schott & Co. Ltd., [1948].
Das Marienleben, op. 27 : für Sopran und Klavier. Mainz: B. Schott's Söhne, [1924].
Reihe kleiner Stücke, op. 37 : Klavier. Mainz: B. Schott's Söhne, [1927].
Honegger, Arthur
Concertino pour piano et orchestre : réduction pour 2 pianos. Paris: Éditions Maurice Senart, [1925].
Pacific 231 : réduction pour piano 4 mains. Paris: Éditions Maurice Senart, [1924].
Le roi David : partition pour chant et piano. Lausanne: Fœtisch Frères, [1924].
Sept pièces brèves : pour piano. Paris: Éditions de La Sirène, [1920].
Husa, Karel
Sonatina : piano 2ms. Prague: Fr. A. Urbánek A. Synové, [1947].
Instituto de Investigaciónes Musicales
Antología del folklore musical Chileno. Santiago: Instituto de Investigaciónes Musicales, Universidad de Chile, , 1963.
Ivanov, Jānis
Simfoniia no. 7 : full score. Moscow: Gosudarstvennoe Voennoe Izdatel'stvo, [1955].
Ives, Charles
50 songs : piano-vocal score. S.l.: s.n., [1922].
The unanswered question : for chamber orchestra. New York: Southern Music Publishing Co., Inc., [1953].
Kliuzner, Boris
Symphony. Leningrad: Soviet Composer, [1959].
Konjović, Petar
Koštana. Belgrade: Državni Izdavački Zavod Jugoslavije, [1946].
Korngold, Erich Wolfang
The fairy tale recites and epilogue, op. 3, no. 7. New York: G. Schirmer, [1911].
Křenek, Ernst
Fünf Klavierstücke, op. 39. Vienna: Universal-Edition, [1926].
Piano sonata no. 4. Long Island City: Bomart Music Publications, [1950].
Violinkonzert, op. 29 : violino e piano. Vienna: Universal-Edition, [1925].
Kurtz, Eugene
Conversations : pour 12 instrumentistes : partition d'orchestre. Paris: Société des Éditions Jobert, [1966].
Le marcheur solitaire : monologue pour orchestre. Paris: Société des Éditions Jobert, [1965].
Motivations : pour piano. Paris: Société des Éditions Jobert, [1964].
Symphonie pour orchestre à cordes : full score. Paris: Éditions Jean Jobert, [1962].
Three songs from Medea : partition chant et piano. Paris: Société des Éditions Jobert, [1961].
Lee, Dai-Keong
Introduction and allegro : for string orchestra. New York: Sprague-Coleman, Inc., [1942].
Concergences : pour flûte et clavecin. Paris: Gérard Billaudot, [1974].
Levinson, Gerald
Trio for clarinet, violoncello, and piano. Bryn Mawr, PA: Merion Music, Inc., [1985].
Liszt, Franz
Etude in D-flat major (Un sospiro). New York: G. Schirmer, n.d.
Hark, the lark : transcription from the song by F. Schubert. New York: Century Music Publishing Co., [1908].
Rhapsodie hongroise no. 6 : "Au Comte Antoine D'Appony". New York: G. Schirmer, [1902].
Rhapsodie hongroise no. 11 : "Au Baron Fery Orczy" : pour piano. Berlin: Schlesinger'sche, n.d.
Lloyd, Caroline
Paisajes : suite para piano. Bogota: Hernan Diaz, [1972].
Lopatnikoff, Nikolai
Fantasia concertante, op. 42 : for violin and piano. New York: MCA Music, [1967].
Intervals, op. 37 : 7 studies for piano. New York: Leeds Music Corporation, [1957].
Symphony no. 3 : full score. New York: Leeds Music Corporation, [1951].
Lutoslawski, Witold
Muzyka żalobna : na orkiestre smyczkowa = Musique funèbre : pour orchestre à cordes. Warsaw: Polskie Wydawnictwo Muzyczne, [1958].
Mahler, Gustav
Adagietto from Fifth symphony. Detroit: Luck's Music Library, n.d.
Das Lied von der Erde : eine Symphonie ... : Klavierauszug mit Text. Vienna: Universal-Edition, [1911].
Kindertotenlieder : songs on the death of infants : für eine Singstimme mit Klavier oder Orchester. Leipzig: C. F. Kahnt, [1905].
Symphony no. 4 in G major. New York: Edwin F. Kalmus, n.d.
Marquiset, Armand
Iz Guete. Paris: Simon, n.d.
Medley, Bill and Pat Medley (arrangers)
Standard literature, volume 3. Winona: Hal Leonard Publishing Corporation, 1983.
Menasce, Jacques de
Outrenuit : Cinq mélodies sur des textes de Georges Cattaui. Paris: Durand & Cie, [1953].
Sonatina no. 2 : piano solo. New York: Mercury Music Corp., [1945].
Sonate pour alto and piano : en un mouvement. Paris: Durand & Cie, [1956].
Lieder ohne Wörte : für Pianoforte solo. Leipzig: C. F. Peters, n.d.
Trio, op. 49 : for piano, violin, violoncello. London: Augener Ltd., n.d.
Mexico. Secretaría de Educación Pública. (compilation)
10 cantos para escuelas primarias y secundarias. Mexico: Ediciónes de la Sria, 1944.
Meyerbeer, Giacomo
Die Afrikanerin : Oper in 3 Akten : Klavierauszug. Berlin: Ed. Bote & G. Bock, n.d.
Mihály, András
Monodia (per orchestra) : partitura. Budapest: Editio Musica Budapest, [1972].
Milford, Robin
Miniature string quartet in G, op. 35. London: Oxford University Press, [1938].
Les choéphores : partition d'orchestre. Paris: Heugel Editeur, [1916].
La création du monde : ballet de blaise Cendrars : pour piano à 4 mains. Paris: Max Eschig & Cie, [1923].
Douzième quatuor à cordes : score. Paris: Éditions Salabert, [1948].
Octuor à cordes : score. Paris: Heugel Editeur, [1949].
Saudades do Brazil : suite de danses : pour piano. Paris: E. Demets, [1922].
Mjaskovsky, Nicolai
Bizarreries : six esquisses, op. 25. Berlin: Édition Russe de Musique, [1923].
Moncayo, José Pablo
Huapango : partitura de orquesta. Mexico City: Ediciones Mexicanas de Música, [1950].
Monteverdi, Claudio
Il combattimento di Tancredi e Clorinda : per canto e pianoforte. Milano: Societa Anonima Notari, [1919].
Mortet, Luis Cluzeau
Mar de Luna : canto y piano. Montevideo: Editorial Cooperativa Interamericana de Compositores, [1941].
Mozart, Wolfgang Amadeus
Klavier-Konzert Nr. 23, A Dur, K.V. 488. Wiesbaden: Breitkopf & Härtel, n.d.
Konzert B-Dur : für Klavier und Orchester, KV 595. Leipzig: Breitkopf & Härtel, n.d.
Piano concerto no. 17 in G major, K. 453. New York: Edwin F. Kalmus, n.d.
Piano concerto no. 20 in D minor, K. 466. New York: Associated Music Publishers, n.d.
Sonaten : für Pianoforte 2 Händig. Wien: Universal-Edition, n.d.
Symphonie Nr. 40 G Moll, K.V. 550. Wiesbaden: Breitkopf & Härtel, n.d.
Violin concerto no. 4 in D major, K. 218. New York: Edwin F. Kalmus, n.d.
Mussorgsky, Modeste
Chants et danses de la mort. St. Petersburg: W. Bessel & Co., [1911].
Tableaux d'une exposition : pour piano. London: Augener Ltd., [1914].
Contrastes et développements : pour piano. Berlin: Édition Russe de Musique, n.d.
Nystedt, Knut
Spenningens land : symfonisk fantasi, op 19. Drammen: Harald Lyche & Co's Musikforlag, [1949].
Troens triumf : suite for blandet kor a cappella. Oslo: Musikk-Huset A/S, [1954].
Ballade for violin (unaccompanied). New York: Mercury Music Corp., [1950].
Ornstein, Leo
Danse sauvage (Wild man's dance), op. 13, no. 2. London: Schott & Co., [1915].
Pál, Kadosa
Serenade, op. 65 : für Kammerorchester. Budapest: Editio Musica, Budapest, [1970].
Palestrina, Giovanni da
Stabat mater : prose à 2 chœurs. Paris: Chanteurs de St. Gervais, [1911].
3 canções. São Paulo: Ricordi Brasileira, [1955].
Penderecki, Krzysztof
Ofiarom Hiroszimy TREN = To the Victims of Hiroshima THRENODY : pour 52 instruments a cordes. Warsaw: P. W. P. Przedstawicielstwo, [1961].
Polymorphia : für 48 Streichinstrumente. Germany: Hermann Moeck, [1963].
Philipp, Isidor (editor)
Anthology of French piano music : volume I, early composers. Boston: Oliver Ditson Company, [1906].
Pisk, Paul
Vier Klavierstücke, op. 3 : piano solo. Vienna: Universal-Edition, [1922].
Popov, Gavriil
Septet, op. 2. Moscow: Muzsektor Gosizdata Universal'noe Izdat., [1929].
Prokofiev, Sergei
Contes de la vieille grand'mère, op. 31 : pour piano. Leipzig: Breitkopf & Härtel, [1922].
Le pas d'acier : réduction pour piano à 2 mains.... Berlin: Édition Russe de Musique, [1928].
[Visions fugitive, op. 22]. [Germany]: A. & G., n.d.
Purcell, Henry
Three, four and five part fantasias for strings. London: J. Curwen & Sons Ltd., [1927].
Rachmaninoff, Sergei
Piano concerto no. 1, op. 1 : orchestral score. New York: Edwin F. Kalmus, n.d.
Arabesque : for solo flute. New York: G. Schirmer, [1986].
Canzona : for piano. New York: G. Schirmer, [1985].
Epigrams : piano solo. London: Boosey & Hawkes, [1968].
Leningrad rag : for piano. New York: Piedmont Music Company, Inc., [1974].
Memorial : piano solo. New York: Henmar Press Inc., [1981].
Ravel, Maurice
Daphnis et Chloé : partition pour le piano réduite.... Paris: A. Durand & Fils, [1910].
Sonatine : pour le piano. Paris: A. Durand & Fils, [1905].
Le tombeau de Couperin : 6 pieces pour piano. Paris: A. Durand & Fils, [1918].
Trio pour piano, violon et violoncelle. Paris: A. Durand & Fils, [1915].
Ristić, Milan
II. Simfonija : partitura. Belgrade: Edicija Udruženja Kompozitora, [1959].
Roldán, Amadeo
Motivos de son III mulata : transcripción para canto y piano. La Habana: Musicalia, [1932].
Roussel, Albert
Suite en fa : pour orchestre. Paris: A. Durand & Cie, [1927].
Ruggles, Carl
Portals : for string orchestra. New York: American Music Edition, [1930].
Salazar, Adolfo
Cuatro letrillas : para cors a cappella. Mexico City: Ediciones Mexicanas de Música, [1948].
Salmanov, V.
Dvenadtsat' : piano-vocal score. Leningrad: Soviet Composer, [1958].
Symphony. Moscow: Soviet Composer, [1959].
Santa Cruz, Domingo
5 poemas trágicos : para piano solo. Santiago: s.n., [1929].
Cantos de Soledad. Santiago: Revista de Arte, Universidad de Chile, [1936].
Quartet no. 1. New York: Peer International Corporation, [1956].
Agonia : canto y piano. Montevideo: Editorial Cooperativa Interamericana de Compositores, [1942].
Imágenes musicales : para piano y canto. Montevideo: A. Monteverde y Cia, [1936].
Satie, Erik
Gymnopedies : orchestrated by Claude Debussy. New York: Edwin F. Kalmus, n.d.
Sauguet, Henri
Les forains : ballet : réduction pour piano. Paris: Rouart, Lerolle & Cie, [1946].
La rencontre : Œdipe et la Sphinx. Paris: Heugel et Cie., [1949].
Scarlatti, Domenico
25 Sonaten. Leipzig: C. F. Peters, [1909].
Klavierwerke, Band I : piano solo. Vienna: Universal-Edition, n.d.
Opere complete per clavicembalo, volume 6.o : Suites 251 a 300. Milano: G. Ricordi & C., n.d.
Schäffer, Bogusław
Collage + form : for eight jazzmen and orchestra. Warsaw: P. W. P. Przedstawicielstwo, [1965].
Schmitt, Florent
Sonate libre en deux parties enchainées : (Ad modum clementis aquae) : pour violon et piano. Paris: A. Durand & Fils, [1920].
Schoenberg, Arnold
Drei Klavier-Stücke, op. 11. Vienna: Universal-Edition, [1910].
Fünf Klavierstücke = Five piano pieces, op. 23. Copenhagen: Wilhelm Hansen, [1923].
Fünf Orchesterstücke, op. 16. Leipzig: C. F. Peters, [1912].
Sechs kleine Klavierstücke, op. 19. Vienna: Universal-Edition, [1913].
Suite fur Klavier, op. 25. Vienna: Universal-Edition, [1925].
Schubert, Franz
Compositions for the pianoforte. New York: G. Schirmer, [1897].
Danses pour piano. Braunschweig: Henry Litolff, n.d.
Symphony no. 5 in B-flat major. New York: Associated Music Publishers, Inc., n.d.
New England triptych : three pieces for orchestra after William Billings. Bryn Mawr, PA: Merion Music, Inc., [1957].
Schumann, Robert
Album no. 1 : piano solo. Boston: B. F. Wood Music Co., [1908].
Cello concerto in A minor, op. 129. New York: Edwin F. Kalmus, n.d.
Davidbündler, op. 6 : Klavierwerke. Leipzig: Breitkopf & Härtel, n.d.
Fantasiestücke, op. 12 : for the pianoforte. New York: G. Schirmer, [1893].
Faschingsschwank, op. 26 : for the pianoforte. New York: G. Schirmer, [1897].
Konzert A Moll, op. 54 : Klavier zu 2 Händen. Leipzig: C. F. Peters, n.d.
Phantasie, op. 17 : for the pianoforte. New York: G. Schirmer, [1914].
Piano concerto - A minor, op. 54. New York: Broude Bros., n.d.
Scenes from childhood, op. 15 : for the pianoforte. New York: G. Schirmer, [1893].
Schumann-album, vol. 1 : songs with pianoforte accompaniment. Vienna: Universal-Edition, n.d.
Sonata for piano in G minor, op. 22. New York: G. Schirmer, [1902].
Variations on the name "ABEGG", op. 1 and Papillons, op. 2. New York: G. Schirmer, [1914].
Scott, Cyril
Sphinx, op. 63 : for the pianoforte. London: Elkin & Co. Ltd., [1908].
Scriabin, Alexander
Fünfte Sonate für Klavier, op. 53. Berlin: Édition Russe de Musique, n.d.
Poème no. 1, op. 32 (from Deux poèmes pour piano ). Leipzig: M. P. Belaïeff, [1904].
Quatre préludes pour piano, op. 48. Leipzig: M. P. Belaïeff, [1906].
Satanische Dichtung für Pianoforte, op. 36. Leipzig: M. P. Belaïeff, [1904].
Siebente Sonate für Klavier, op. 64. Berlin: Édition Russe de Musique, [1909].
Sonate (fa mineur) pour piano, op. 6. Leipzig: M. P. Belaïeff, [1895].
Sonate no. 3, en fa dièse mineur pour piano, op. 23. Leipzig: M. P. Belaïeff, [1898].
Sonate no. 10 pour piano, op. 70. Moscow: P. Jurgenson, n.d.
Trois études pour piano, op. 65, no. II. Moscow: P. Jurgenson, n.d.
Zwei Klavierstücke = Deux morceau pour piano, op 59. Berlin: Édition Russe de Musique, n.d.
Seelig, Carl (compiler)
Grotesken-Album. Vienna: Universal-Edition, [1922].
Seiber, Mátyás
Ulysses : cantata for tenor solo, chorus, and orchestra : vocal score. London: Schott & Co., [1948].
Sessions, Roger
Orchestral suite from The black maskers : for orchestra. New York: Cos Cob Press, [1932].
Quartet no. 2. New York: Edward Marks Music Corporation, [1954].
Sgambati, Giovanni
Toccata, op. 18, no. 4. New York: G. Schirmer, [1915].
Sahnow, Will (compiler)
Sing as we grow. London: Workers' Music Association, 1946.
From the land of thousand lakes : ten sketches for the pianoforte. Boston: Boston Music Co., [1911].
Smetana, Friedrich
The bartered bride overture : orchestral score. New York: Hawkes & Son, [1937].
A transient view : five choral settings for mixed voices. New York: Carl Fischer, [1976].
Stravinsky, Igor
Apollon musagète : réduction pour piano à 2 mains par l'auteur. Berlin: Édition Russe de Musique, [1928].
Agon : ballet for twelve dancers : piano score. London: Boosey & Hawkes, [1957].
Le baiser de la fée. Berlin: Édition Russe de Musique, [1928].
Capriccio pour piano et orchestre : réduction pour 2 pianos.... Berlin: Édition Russe de Musique, n.d.
Concerto en ré pour violon et orchestre : partition violon & piano. Mainz: B. Schott's Söhne, [1931].
Concerto per due pianoforti soli. Mainz: B. Schott's Söhne, [1936].
Grande suite de histoire du soldat : arrangement pour piano.... London: J. & W. Chester, [1922].
J. S. Bach Choral-Variationen über das Weihnachtslied "Vom Himmel hoch da komm'ich her" : for mixed chorus and orchestra : full score. London: Boosey & Hawkes, [1956].
Mavre : opera bouffe en 1 acte : réduction pour chant et piano. London: Édition Russe de Musique, [1947].
Ode : elegiacal chant in three parts. New York: Associated Music Publishers, [1946].
Pulcinella suite : for orchestra. London: Boosey & Hawkes, [1924].
Œdipus Rex : opéra oratorio en deux actes : réduction pour chant et piano. Berlin: Édition Russe de Musique, [1927].
Ragtime : pour onze instruments : transcription pour piano.... Paris: Éditions de La Sirène, [1919].
Suite de Pulcinella pour petit orchestre : partition d'orchestre (revised 1949 version). London: Boosey & Hawkes, [1949].
Symphonie en ut pour orchestre : partitur. London: Schott & Co., Ltd., [1948].
Sullivan, Arthur, Sir
The Mikado : or, the town of Titipu : vocal score. New York: Wm. A. Pond & Co., [1885?].
Szeligowski, Tadeusz
Pieśni zielone = Chansons vertes. Warsaw: Towazystwo Wydawnicze Muzyki Polskiej, [1931].
Szőllősy, András
Musica per orchestra : partitura. Budapest: Editio Musica, Budapest, [1973].
Szymanowski, Karol
IIIme sonate, op. 36 : piano solo. Vienna: Universal-Edition, [1919].
Des Hafis Liebeslieder, op. 24. Vienna: Universal-Edition, [1913].
Masques : trois morceaux de piano, op. 34. Vienna: Universal-Edition, [1919].
Métopes, op. 29 : piano solo. Vienna: Universal-Edition, [1922].
Mythes : trois poèmes, op. 30 : [for] violon et piano. Vienna: Universal-Edition, [1921].
Pieśni muezzina szalonego = Le muézin passionné = Lieder des verliebten Muezzins, op. 42. Vienna: Universal-Edition, [1922].
Vier Gesänge = Cztery pieśni, op. 41. Vienna: Universal-Edition, [1920].
Masque pour deux flûtes. Tokyo: Ongaku No Tomo Sha, [1960].
Tanifuji, Hideko
Piano album, band 1. Tokyo: Ongaku No Tomo Ed. Co., [1954].
Tansman, Alexandre
Concerto pour piano : avec accompagnement d'orchestre / réduction pour 2 pianos. Paris: Max Eschig & Cie., [1926].
Troisième sonatine pour piano. Paris: Éditions Max Eschig, [1933].
Tartini, Giuseppe
Sonata in G minor : for violin and piano. New York: Carl Fischer, [1919].
Tcherepnin, Alexander
Divertimento : op. 90 : full score. London: Boosey & Hawkes, [1966].
Symphonic prayer : full score. Bonn: Édition M. P. Belaieff, [1960].
Symphony no. 4 : op. 91 : full score. London: Boosey & Hawkes, [1959].
Teen-agers at the Shaker Village Work Camp (compilers)
Songs of the Shakers. Pittsfield, MA: Shaker Village Work Camp, [ca. 1956].
Eight introspections : for piano. New York: Edward B. Marks Music Corporation, [1965].
Tippett, Michael
Concerto for double string orchestra. London: Schott & Co., Ltd., [1946].
Toor, Frances (editor)
Cancionero Mexicano : para piano o guitarra. Mexico: Frances Toor, [1931].
Tschaikowsky, Peter
Concerto no. 1 in B-flat minor, op 23. New York: G. Schirmer, [1905].
Romeo and Juliet : orchestra score. New York: Edwin F. Kalmus, n.d.
Symphonie Nr. 5 [in] E minor, op. 64 : partitur. Wiesbaden: Breitkopf & Härtel, n.d.
Tsukatani, Akihirô
Suite for strings and percussions. Tokyo: Ongaku No Tomo Sha, [1962].
Turchi, Guido
Invettiva (dai "Carmina Burana"). Vienna: Universal-Edition, [1949].
[Unknown]
Russkie narodnye pesni : sbornik vtoroi. Moscow: Gosudarstvennoe Voennoe Izdatel'stvo SSR, [1936].
Vitali, Tommaso
Ciaccona (in G minor) for violin and piano. New York: Carl Fischer, [1921].
Vivaldi, Antonio
Concerto [in] la mineur : violon et piano. Mayence/Leipzig: B. Schott's Söhne, [1912].
Vlasov, V. and V. Fere
The spring in Ala-Too : fragments from the ballet. Moscow: State Music Publishers, [1958].
Wade, J. (editor)
Christy's minstrels': 145 new songs and choruses in vocal score. London: C. Sheard, n.d.
Wagner, Richard
Lohengrin : a romantic opera in three acts. New York: G. Schirmer, n.d.
The mastersingers of Nuremberg : complete vocal score. Mainz: B. Schott's Söhne, [1903].
The mastersingers of Nuremberg : complete vocal score. New York: G. Schirmer, [1904].
Parsifal : vocal score with piano accompaniment.... Cincinnati: The John Church Company, [1904].
Das Rheingold : piano selection. New York: G. Schirmer, [1904].
Siegfried Idyll. New York: Associated Music Publishers, n.d.
Tristan and Isolda : drama in three acts. New York: G. Schirmer, [1906].
Wagner-Liszt album : for pianoforte. New York: G. Schirmer, [1896].
Walker, William (compiler)
The southern harmony, and musical companion : containing a choice collection of.... Philadelphia: E. W. Miller, [ca. 1854].
Walton, William
Portsmouth point : an overture : full score. London: Oxford University Press, [1928].
Weber, Carl Maria von
Concertino für Klarinette und Orchester, op. 26. Wiesbaden: Breitkopf & Härtel, n.d.
Der Freischüz : romantische Oper in drei Aufzügen. Wolfenbüttel: L. Holle, n.d.
Webern, Anton
11. Kantate, op. 31 : Klavierauszug mit Singstimmen. Vienna: Universal, [1951].
Drei Gesänge, op. 23 : Gesang und Klavier. [Austria]: Universal Edition, [1936].
Quartett für Geige, Klarinette, Tenorsaxophon und Klavier, op. 22 : partitur. Vienna: Universal Edition, [1932].
Variationen für Klavier, op. 27. Vienna: Universal Edition, [1937].
Vier Stücke, op. 7 : Geige und Klavier. Vienna: Universal Edition, [1922].
Weill, Kurt
Aufstieg und Fall der Stadt Mahagonny : Klavierauszug. Vienna: Universal Edition, [1929].
Weisgall, Hugo
Six characters in search of an author : opera in three acts. Bryn Mawr, PA: Merion Music, Inc., [1957].
The stronger : opera in one act. Bryn Mawr, PA: Merion Music, Inc., [1957].
The tenor : opera in one act. Bryn Mawr, PA: Merion Music, Inc., [1957].
White, John and George Shackley (arrangers)
The lonesome cowboy : songs of the plains and hills. New York: Geo. T. Worth & Co., [1930].
Wilson, Domingo Santa Cruz
Viñetas : cuatro piezas para piano solo. S. Diego, Chile: Casa Amarillo, [1932].
Eclogue : for piano. New York: Boosey & Hawkes, [1980].
Wolfe, Stanley
Symphony no. 3 : full score. New York: Boosey & Hawkes, [1964].
Wolpe, Stefan
Dance : in form of a chaconne. New York: Arrow Music Press, Inc., [1941].
Passacaglia : for piano solo. New York: New Music Edition, [1947].
Sonata for violin and piano. New York: McGinnis and Marx, [1955].
Workers' Music Association (compiler)
Pocket song book. London: Workers' Music Association, 1948.
Sing and learn: a song book for children with tonic & staff notation. London: Workers' Music Association, 1940.
Yashirō, Akio
Symphonie pour grand orchestre. Tokyo: Ongaku No Tomo Sha, [1959].
Writings and Oral Presentations, 1925-1988
The Writings & Oral Presentations series represent over fifty years (c. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland and is divided into to main subseries: Writings by Aaron Copland and Writings by Others. The subseries, Writings by Aaron Copland is divided into 5 subseries: Articles, Books, Lectures & Speeches, Radio and Television. The subseries, Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. See the Index for the Lectures and Speeches with AC Numbers for more information.
Writings by Aaron Copland, 1925-1988
The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, "What Europe Means to the Aspiring Composer", after his return from three years of musical study in France. This series is divided into Articles, Books, Lectures & Speeches, Radio and Television. Includes unpublished manuscripts, notes and outlines; letters, typescripts, galley and page proofs; published articles clippings, reviews and promotional material. See the Index for Articles with AC Numbers for an explanation and numeric indexes of Copland's numbering system. See the Index for the Lectures and Speeches with AC Numbers for more information.
Articles
A.C. (A composer) looks at LP, n.d.
A.C.: Foreword to Modern Music reprints of articles about Igor Strav[insky], n.d.
Aaron Copland. Arthur Berger [Book review] See: Writings by Others, About AC, Articles: Clurman, Harold. Aaron Copland BOX: xxx
Aaron Copland: A visit to Israel, 1969
Aaron Copland remembers Nadia See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
Aaron Copland talks about American music to-day, 1958
Aaron Copland writes from South America, 1947
About Billy the Kid, n.d.
Active market in new music records, 1936
Always in my thoughts, 1953
America's cultural explosion - its scope and challenge See: Writings by Others, About AC, Interviews: The Playboy Panel. America's cultural explosion - its scope and challenge BOX: xxx
L'america ha la sua música, 1951
America's young men of promise, 1926
The American composer gets a break, 1935
The American composer today, n.d.
American composers on records, 1959
American culture I: Music, 1956 See also: Writings by AC, Articles: Report on American music, 1956 BOX: xxx
American music since 1930, 1945
The American musical scene, 1950
Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955 See also: Writings by AC, Articles: Modern music: 'Fresh and different' BOX: xxx
The art of Darius Milhaud, 1948 See also: Writings by AC, Articles: Sobre la música en el cine BOX: xxx
As a musician: Women's University Glee Club, n.d.
ASCAP and the symphonic composer, 1964
At the thought of Mozart, 1956
Baden-Baden, 1927
The battle of jazz and the classics, n.d.
Benjamin Britten: The Rape of Lucretia, an opera in two acts [Music review], 1947
Carlos Chávez - Mexican composer, 1928
Charles Ives, 1964
Claire Reis (1889-1978), 1978 See also: Writings by AC, Lectures & Speeches: Claire Reis BOX: xxx
Claire Raphael Reis, n.d.
The composer and his critic, 1932
The composer and the audience, n.d.
The composer as conductor, n.d.
The composer as critic, 1961 See also: Writings by AC, Lectures & Speeches: The composer as critic BOX: xxx
Composer from Brooklyn: An autobiographical sketch, 1941
The composer in America, 1923-1933, 1933
The composer in the United States, n.d.
The composer speaks out! Meet the composer!, n.d.
A composer's praise, 1962
Composer's report on music in South America, 1947 See also: Writings by AC, Articles: South American journey BOX: xxx See also: Writings by AC, Lectures & Speeches: [La música de las americas] BOX: xxx
Composers and composing, 1960
The composers get wise, 1940
Composers in Russia, 1960
Composers in the university, 1970
The composers of South America, 1941
The composers of South America, 1942
Composers without a halo See: Writings by AC, Articles: Komponisten ohne Glorienschen BOX: xxx
Composers' letters, 1963
Composing for Something wild, 1961
El compositor en los Estados Unidos, 1959
Contemporaries at Oxford, 1931
Contemporary music -- Is it peculiar?, n.d.
The contemporary scene, 1966
Copland on Carter, 1978
Copland salutes Boulanger, 1977
Cousin Michael, 1964
Creativity in America, 1952
Current chronicle: United States, New York, 1951
The danger of writing concert music, n.d.
Defends the music of Mahler [Letter to the editor], 1925
The dilemma of our symphony orchestra, 1956 See also: Writings by AC, Lectures & Speeches: The dilemma of our symphony orchestra BOX: xxx
Discoveries of a music critic, by Paul Rosenfeld [Book review], 1936
[Dmitri Shostakovich - 60th birthday], 1966
The essence remained. The life and music of Béla Bartók . Halsey Stevens [Book review], 1953 See also: Writings by AC, Articles: The life and music of Béla Bartók BOX: xxx
European festivals and premiers: A glance backward, 1960
Famous pupil recalls famous teacher See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
Faure [sic] festival at Harvard, 1945
Festival in Caracas: Recent Venezuelan event was devoted to composers of Latin America, 1954
Five post-romantics, 1941
For composers news record, n.d.
For the record! [Letter to editor?], n.d.
Foreword to Gardner Reed's book, Thesaurus of orchestral devices, n.d.
Foreword to new collection of 'The Gift to be Simple', May 1970
Four Weeks in the Soviet Union - 1960 See: Writings by AC, Articles: Composers in Russia BOX: xxx
Franz Liszt, n.d.
From a composer's journal, n.d.
From a composer's notebook, 1929
From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts [Letter to editor], 1942
From the '20's to the '40's and beyond, 1943
Gabriel Fauré, a neglected master, n.d.
The gifted listener, 1952
Her best pupils are famous See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
How we listen, n.d.
In appreciation.... [Leonard Bernstein], 1978
In memory of Marc Blitzstein (1905-1964), 1964
An indictment of the fourth B, 1952
Intro[duction] to Claire Reis' book, Composers, conductors and critics, 1974
Irving Fine (1914-1962), 1962
Is the university too much with us?, 1970
Is there a revolution in the arts?, 1940
Jak słuchać muzyki współczesnej (Listening to contemporary music)(in Polish), n.d.
Jazz structure and influence, 1927
Komponisten ohne Glorienschen (Composers without a halo), 1947
Latin Americans in music, 1942
Leon Kirchner: Duo for violin and piano [Music review], 1950
[Letter from composer], 1954
[Letter to editor] From the mail pouch: The composer's ob[?] See: Writings by AC, Articles: From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts BOX: xxx
[Letter to editor], New York Times, 27 April 1972
[Letter to editor], New York Times, n.d.
[Letter to the editor] Defends the music of Mahler See: Writings by AC, Articles: Defends the music of Mahler BOX: xxx
[Letter to editor re: Olin Downes], n.d.
[Letter to music editor], New York Times, 4 Oct. 1954
[Letters to the editor], New York Times Magazine, 14 Jan. 1950
[Letters to the editor], New York Times Magazine, 4 Sept. 1966
The life and music of Béla Bartók . Halsey Stevens [Book review], 1953
List of recorded works on contemporary American composers See: Writings by AC, Articles: American composers on records BOX: xxx
Listening to contemporary music See: Writings by AC, Articles: Jak słuchać muzyki współczesnej BOX: xxx
The live composer, 1939
Looking back with Aaron Copland See: Writings by AC, Books, Copland: 1900 through 1942, Miscellany: Article BOX: xxx
The lyricism of Milhaud, 1929
Making music in the star-spangled manner, 1960 See also: Writings by AC, Lectures & Speeches: Search for an "American" music BOX: xxx
Man's right to knowledge See: Writings by AC, Articles: Music and the human spirit BOX: xxx
Marc Blitzstein remembered See: Writings by AC, Articles: In memory of Marc Blitzstein BOX: xxx
[Mellers, Wilfred Howard], 1965
Memorial to Paul Rosenfeld See: Writings by AC, Articles: Benjamin Britten: The Rape of Lucretia, an opera in two acts BOX: xxx
Mexican composer, n.d.
Miklós Rósza and Bernard Herrmann, n.d.
Milhaud: First Symphony ; In Memoriam ; Protée [Record review], n.d.
Mlle. Boulanger, 80 this month, has taught greatest composers See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
Mlle. Boulanger and her bakery See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
Modern music: 'Fresh and different', 1955
Modern orchestration surveyed, 1930
A modernist defends modern music, 1949
Music: My way of life, 1964
Music and the human spirit, 1954 See also: Writings by AC, Articles: La música como aspecto del espiritu humano BOX: xxx
Music and the movies, 1949 See also: Writings by AC, Articles: Tip to movie goers: Take off those ear-muffs BOX: xxx See also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxx
Music as an aspect of the human spirit See: Writings by AC, Articles: Music and the human spirit BOX: xxx See: Writings by AC, Articles: La música como aspecto del espiritu humano BOX: xxx
Music for the theatre, n.d.
Music in America: Past, present, and future, n.d.
Music in Cuba, 1941
Music in the air, n.d.
The music of Israel [Book review], n.d.
Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review], 1953
Music since 1920, 1928
La música como aspecto del espiritu humano, n.d. See also: Writings by AC, Articles: Music and the human spirit BOX: xxx
La música en el extranjero, 1941
La música moderna è nata in reazione a Wagner, 1951
La música per film: nuovo mezzo di espressione musicale, n.d.
Musical world honors teacher Nadia Boulanger See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
Musikalisches Schaffen in Amerika, 1965 See also: Writings by AC, Articles: Creativity in America BOX: xxx
Nadia Boulanger, master teacher: She fans musical spark See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
Nadia Boulanger: An affectionate portrait, 1960
Nadia Boulanger: Mother of modern music, 1981
Nadia Boulanger at 80 still foremost music teacher See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
Neglected works: A symposium, 1946
Eine neue amerikanische Komponistengeneration, 1948 See also: Writings by AC, Articles: The new 'school' of American composers BOX: xxx See also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos New music in the U.S.A. BOX: xxx See also: Writings by AC, Articles: The composer in America, 1923-1933 BOX: xxx
The new 'school' of American composers, 1948 See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration BOX: xxx See also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos BOX: xxx
A note on Irving Fine, 1962 See also: Writings by AC, Articles: Irving Fine (1914-1962) BOX: xxx
A note on Nadia Boulanger, 1928
A note on young composers, 1935
Notes on a cowboy ballet, n.d.
Notes without music, by Darius Milhaud [Book review], 1953 See also: Writings by AC, Articles: Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review] BOX: xxx
Nueva generatión de compositores norteaméricanos, 1947 See also: Writings by AC, Articles: The new 'school' of American composers BOX: xxx See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration BOX: xxx
On being a composer, n.d.
On the notation of music, 1944
On the occasion of the 70th birthday of Serge Prokofieff, 1961
One hundred and fourteen songs, 1934
An open letter about the BBC, 1965
Oper für Amerika, 1960
Opera for America], 1959
Our younger generation - ten years later, 1936
Outline of history (Nef), n.d.
Paris octogenarian is a musical marvel See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
The personality of Stravinsky, 1949
[Phonograph recordings], n.d.
Piano fantasy, 1957
Piano fantasy - the commission, n.d.
Piano music of Noël Lee, n.d.
Pioneer listener See: Writings by AC, Articles: Discoveries of a music critic, by Paul Rosenfeld [Book review] BOX: xxx
Playing safe at Zurich, 1926
The pleasures of music, 1959 See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxx See also: Writings by AC, Lectures & Speeches: Contemporary trends in music today BOX: xxx
The pleasures of music, 1959 See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxx
Portrait of a symphony, n.d.
A quarter-century reflection, 1963
Questions on music, n.d.
Quiet city See: Writings by AC, Articles: Composers in Russia BOX: xxx
Ralph Hawkes: In memorium, 1950
Report on American music, 1956
Rubin Goldmark: A tribute, 1956
Salute to the arts and artists of Latin America, 1967
A salute to the Schwann, n.d.
Scherchen on conducting and Ewen on composers [Book review], 1935
Schoenberg and his school, by René Leibowitz [Book review], n.d.
Scores and records, 1936
Scores and records, Jan.-Feb. 1937
Scores and records, May-June 1937
Scores and records, 1938
Second thoughts on Hollywood, 1940
Serge Koussevitzky and the American composer, 1944
She has taught the greatest... See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
She taught many of the world's best musicians See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
Shoptalk: On the notation of music See: Writings by AC, Articles: On the notation of music BOX: xxx
Sobre la música en el cine, n.d. See also: Writings by AC, Articles: The art of Darius Milhaud BOX: xxx
Some notes on my "Music for the Theatre", 1941 See also: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, 1968-1971, Series I: Program 2, Draft BOX: xxx See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre] BOX: xxx
South American journey, 1947 See also: Writings by AC, Articles: Composer's report on music in South America BOX: xxx See also: Writings by AC, Lectures & Speeches: [La música de las americas] BOX: xxx
Special fondness for B. B. [Benjamin Britten], n.d.
Stefan Wolpe: Two songs for alto and piano [Music review], 1948
The story behind El salón méxico, 1948 See: Subject File, Compositions, El salón méxico, Programs 1938-1942 BOX: xxx
Stravinsky and Hindemith premieres, 1932
Stravinsky's "Oedipus Rex", 1928
Talk on N. B. [Nadia Boulanger], n.d.
Tanglewood: 1952, [1952]
The teacher: Nadia Boulanger, 1960
Thomson's musical state [Book review], 1939
Tip to moviegoers: Take off those ear-muffs?, 1949 See also: Writings by AC, Articles: Music and the movies BOX: xxx See also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxx
A tribute to Nadia Boulanger, 1967
The tutor of eminent composers, Mlle. Boulanger going strong at 79 See: Writings by AC, Articles: A tribute to Nadia Boulanger BOX: xxx
A visit to Israel, 1969
A visit to Snape, 1963
[A visiting composer], 1958
'A vital and varied music', n.d.
What Europe means to the aspiring composer, 1925
What is Jewish music?: The music of Israel [Book review], 1949
When private and public worlds meet, 1968
Where are we? What's been happening to so-called serious music in the sixties, n.d.
William Schuman: String quartet no. 4 [Music review], 1951
Workers sing!, 1934
The world of a-tonality: Schoenberg and his school [Book review], 1949
The world of the phonograph, 1937
The youngest generation of American composers, n.d.
Zoltán Kodály, n.d.
[Zoltán Kodály - 80th birthday], 1962
Miscellany: Notes for articles, n.d.
Books
Copland: 1900 through 1942 (1984), 1970-1985, n.d.
Copland on music (1960), 1959-1962, n.d.
Music and imagination (1952), 1952-1974, n.d.
The new music (1968), 1962-1969, n.d.
Our new music (1941), 1941-1948, n.d.
What to listen for in music (1939), 1937-1954, n.d.
What to listen for in music (1957), 1956-1966, n.d.
What to listen for in music, (1988, re-issue) 1988
Lectures & Speeches
Address, graduating class, Toronto Conservatory of Music, 1950
Address, graduating exercises, Brooklyn College, 1975
Address, graduating exercises, Juilliard School of Music, 1981
The aesthetic climate of today (English and Spanish), 1963 See also: Writings by AC, Lectures & Speeches: New trends in cont[emporary] music BOX: xxx
Aesthetics of modern music, 1927 See also: Writings by AC, Lectures & Speeches: Emergence of the Amer[ican] composer 1940-1955 BOX: xxx See also: Writings by AC, Lectures & Speeches: Masterpieces of modern music, Lecture I: America in music BOX: xxx
An American composer: Charles Ives, n.d.
The American composer today See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx See: Writings by AC, Lectures & Speeches: Composing in America (then and now) BOX: xxx
The American Composers Alliance, 1977
American contemporaries: Younger generation, 1957
American music, ca. 1936
American music See: Writings by AC, Lectures & Speeches: "Modern" American music - Part II BOX: xxx
American music - a survey, n.d.
American music and the American scene, 1940, 1950
American scene in music, 1949
Americans, 1940
Das amerikanische Musikleben, 1954, 1964
L'amerique et sa musique, 1949
The annual American Music Festival, n.d.
Appalachian spring, n.d.
Appreciation of modern music, 1927
The artist and society, 1959
Arts in the university See: Writings by AC, Lectures & Speeches: Role of university in the arts (Arts in the university) BOX: xxx
Berlioz - from the composer's standpoint, 1954
Bernstein, Leonard See: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein] BOX: xxx
Boulez, 1977
Central European composers, 1950
Claire Reis, 1978 See also: Writings by AC, Articles: Claire Reis (1889-1978) BOX: xxx
Comparative trends of recent European & American music, 1956, 1961
The composer and his audience, 1956
The composer as critic, 1961 See also: Writings by AC, Articles: The composer as critic BOX: xxx
The composer as critic, n.d.
Composer attitudes of the twenties, n.d.
The composer in the modern world, 1957
Composer looks at music in America, 1954
Composer today, n.d.
The composer's viewpoint See: Writings by AC, Lectures & Speeches: The meaning of music BOX: xxx
Composers and conductors conference, 1942?
Composers on criticism, n.d.
Composing in America (then and now), 1962, 1964 See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx
Compositional phases [on my three piano works], 1959, 1961
Compositional techniques in the 20th cent[ury], 1961
[Contemporary composers in the United States], n.d.
Contemporary music, 1960 See: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music BOX: xxx
Contemporary music: Living composers, 1938 See also: Writings by AC, Lectures & Speeches: Music in contemporary life BOX: xxx See also: Writings by AC, Lectures & Speeches: Survey of contemporary music BOX: xxx
Contemporary music: Music in the American scene, 1948
Contemporary music and its controversies, 1944
[Contemporary music in the U. S.]: The musical panorama in the 70's, n.d.
Contemporary music in the United States, 1951, 1964
The contemporary music in the United States, n.d.
Cont[emporary] music seminar See: Writings by AC, Lectures & Speeches: Seminar in contemporary music BOX: xxx
Contemporary trends in music abroad, 1954
Contemporary trends in music today, 1962 See also: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxx See also: Writings by AC, Articles: The pleasures of music BOX: xxx
Contrapuntal writing in cont[emporary] music in relation to Bach, 1950
Convocation, 1967, 1969
Copland at USD, 1975
Copland-Sessions Concerts 1928-31, 1971
Cowell, Henry See: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxx
La création du monde See: Writings by AC, Lectures & Speeches: Darius Milhaud BOX: xxx
Creativity and the composer, 1972, 1973
Creativity and the creative artist See: Writings by AC, Lectures & Speeches: Creativity and the composer BOX: xxx
Creativity in America See: Writings by AC, Articles: Creativity in America BOX: xxx
Creativity in America today, 1953, 1956, 1965, 1968
Cultural conference, n.d.
Current trends in cont[emporary] music, 1954, 1960, 1961 See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx
Darius Milhaud, 1948
The dilemma of our symphony orchestra, 1956 See also: Writings by AC, Articles: The dilemma of our symphony orchestra BOX: xxx
Dinner for W[illia]m Schuman, 1967
Dmitri Shostakovitch and the new simplicity, n.d.
Effect of the cold war on the artist in the United States, [1949?]
Emergence of the Amer[ican] composer 1940-1955, 1956
La emergéncia de la música norteamericana, 1961, 1962, 1963
Fauré, n.d.
[50th anniversary Pulitzer Prize dinner], 1966
Film music, 1940 See also: Writings by AC, Lectures & Speeches: Music in the movies BOX: xxx
Film music: Civitas Club, 1940
Film talk, 1971
For Alvin Johnson, n.d.
For 8-13 year olds, 1969
Forms of modern music, [193?]
Four lectures on contemporary music See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx
[Gold medal for music], 1956
History of American music, 1947
Influence of jazz and "Everyday Music", n.d. See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music BOX: xxx See also: Writings by AC, Lectures & Speeches: Intro[duction] to r[h]ythmic considerations in Amer[ican] music BOX: xxx
Influence of jazz on modern music, n.d.
Intelligent music-listening, 1937
The interpreter See: Writings by AC, Lectures & Speeches: On conducting Amer[ican] music; The interpreter from the composer's viewpoint BOX: xxx
Introducing Shostakovitch at dinner, 1949
Intro[duction] of N[adia] Boulanger as teacher, 1958
Introduction to my music, 1952 See also: Writings by AC, Lectures & Speeches: On my music BOX: xxx
Introduction to the cont[emporary] idiom: Four lectures on contemporary music, 1957-1958 See also: Writings by AC, Lectures & Speeches: Composing in America (then and now) BOX: xxx See also: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music BOX: xxx
Intro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d. See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music BOX: xxx See also: Writings by AC, Lectures & Speeches: Influence of jazz and "Everyday Music" BOX: xxx
[Introductory remarks for film "Brute Force"], n.d.
Is America musically mature?, 1941
Japan's composers, 1960
Jazz and folk influences, 1944
Jewish composers in the western world, 1951
L. B. [Leonard Bernstein], n.d. See also: Writings by AC, Lectures & Speeches: Talk on Leonard Bernstein BOX: xxx
Latin American music, 1947-1963
Das Lied von der Erde See: Writings by AC, Lectures & Speeches: Mahler - XX cent[ury] BOX: xxx
London speech, 1965 See also: Writings by AC, Lectures & Speeches: Talk for the BBC BOX: xxx
Lotus Club, 1978
Mahler - XX cent[ury], n.d.
Masterpieces of modern music, 1928-1929 See also: Writings by AC, Lectures & Speeches: Aesthetics of modern music BOX: xxx
The meaning of music, n.d.
MENC meeting, n.d.
Messiaen, Olivier See: Writings by AC, Lectures & Speeches: Music: Pro & Con II - Olivier Messiaen BOX: xxx
Mexican music [III] See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx
Milhaud, Darius See: Writings by AC, Lectures & Speeches: Darius Milhaud BOX: xxx
"Modern" American music - Part II, 1950, 1953
Modern Americans: Sessions; Cowell, n.d. See also: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions BOX: xxx
Modern Japanese music See: Writings by AC, Lectures & Speeches: Japan's composers BOX: xxx
Modern piano music, 1938
Modern piano repertoire and its interpretation, n.d.
Movie music, n.d.
Music - A composer's view (of music), 1967, 1971
Music: Pro & Con I - Sessions, 1950 See also: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxx
Music: Pro & Con II - Olivier Messiaen, 1950
Music and imagination See: Writings by AC, Books:Music and imagination BOX: xxx
Music and the other arts in contemporary America, 1955
Music for a modern world, 1949
Music in contemporary life, 1957
Music in the American scene I: New Phases: Cross-section, 1944 See also: Writings by AC, Lectures & Speeches: Jazz and folk influences BOX: xxx See also: Writings by AC, Lectures & Speeches: Music of the Americas BOX: xxx See also: Writings by AC, Lectures & Speeches: Music in the films BOX: xxx See also: Writings by AC, Lectures & Speeches: The problem of style-Shostokovitch vs. Schoenberg BOX: xxx
Music in the films, n.d.
Music in the movies, n.d. See also: Writings by AC, Lectures & Speeches: Film music BOX: xxx See also: Writings by AC, Lectures & Speeches: Film music: Civitas Club BOX: xxx See also: Writings by AC, Lectures & Speeches: Film talk BOX: xxx See also: Writings by AC, Lectures & Speeches: Writing for films BOX: xxx See also: Writings by AC, Articles: Music and the movies BOX: xxx
Music in the theatre, n.d.
Music of Argentina [IV] See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx
Music of the Americas, 1958 See also: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx
Music of today, 1935-1936
Music of today, 1936
Music of the 20s, 1942, 1963
Music of the 20s, 1942
Music of the 20s, 1960
Music of the 20s (Harvard lectures), 1952, 1954, 1959, 1960, 1962 See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music BOX: xxx
Musica americana: Part I; La nuova generazione di compositori americani: Part II, 1951
La música contemporanea negli Stati Uniti See: Writings by AC, Lectures & Speeches: The contemporary music in the United States, n.d. BOX: xxx
[La música de las americas], n.d. See also: Writings by AC, Articles: Composer's report on music in South America BOX: xxx See also: Writings by AC, Articles: South American journey BOX: xxx
La música en las peliculas, n.d.
La música norte americana y la escena norte americana See: Writings by AC, Lectures & Speeches: Panorama of American composers BOX: xxx
La musique contemporaine aux États Unis See: Writings by AC, Lectures & Speeches: The contemporary music in the United States BOX: xxx
N[adia] B[oulanger] as teacher See: Writings by AC, Lectures & Speeches: Intro[duction] of N[adia] Boulanger as teacher BOX: xxx
Nationalism in Amer[ican] music, n.d.
Nationalist trends in contemporary music, 1961
New music from Latin America See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx
New music in the Americas, n.d.
New music seminar [II], Brazilian music See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx
New phases: Cross-section, 1944 See: Writings by AC, Lectures & Speeches: Music in the American scene I BOX: xxx
New trends in cont[emporary] music, 1964 See also: Writings by AC, Lectures & Speeches: The aesthetic climate of today BOX: xxx
New trends in contemporary music, 1965
North and South American composers See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx
Notes on G. W. Chadwick, n.d.
Notes onTender land See: Writings by AC, Lectures & Speeches: The operatic problem BOX: xxx
La nueva generación de compositores See: Writings by AC, Lectures & Speeches: Panorama of American composers BOX: xxx
La nuova generazione di compositori americani See: Writings by AC, Lectures & Speeches: Musica americana: Part I BOX: xxx
Oedipus Rex, 1957
On American music, [?], 1978
On conducting Amer[ican] music; The interpreter from the composer's viewpoint, 1964
On my music, 1946, n.d.
Opera symposium, 1953
The operatic problem, 1954, n.d.
Panorama of American composers (in English and Spanish), 1947
Los placéres de la música See: Writings by AC, Lectures & Speeches: The pleasures of music BOX: xxx
The pleasures of music, 1959 See also: Writings by AC, Lectures & Speeches: Contemporary trends in music today BOX: xxx See also: Writings by AC, Articles: The pleasures of music BOX: xxx
Preoccupations of young composers, 1955
Presentation of gold medal for music to Elliott Carter, 1971
Presentation of gold medal for music to Virgil Thomson, 1966
Presentation of MacDowell Medal to Robert Frost, 1962
The problem of style -- Schoenberg vs. Shostakovitch, 1944
Recent Amer[ican] music: Comparison with Europe, 1956
Recent European (piano) music, 1959
Reis, Claire See: Writings by AC, Lectures & Speeches: Claire Reis BOX: xxx See: Writings by AC, Articles: Claire Reis BOX: xxx See: Writings by AC, Articles: Claire Raphael Reis BOX: xxx
Remarks in Japan conference, 1967
Role of the creative artist in education, 1949
The role of culture in the U. S., 1947
Role of university in the arts (Arts in the university), n.d.
Rubin Goldmark: A tribute See: Writings by AC, Articles: Rubin Goldmark: A tribute BOX: xxx
Schools and the arts, n.d.
Schuman, William See: Writings by AC, Lectures & Speeches: William Schuman BOX: xxx
Search for an "American" music, 1960 See also: Writings by AC, Articles: Making music in the star-spangled manner BOX: xxx
Seminar in contemporary music, 1957
Serge Koussevitsky [sic] - the 100th anniversary, 1974
[Serious music], 1972
Sessions, Roger See: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions BOX: xxx See: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell BOX: xxx
The sonata - '39-41, n.d.
Des souris et des hommes, 1958
Speech on recent 'Trends' at Pulitzer Prize dinner, 1966
Speech to Academía Brasileira de Música, 1947
Stadium concert, Aug. 16, 1939
Stadium concert - Intermission talk, 1939, July 5
Stockhausen lecture, 1963 See also: Writings by AC, Radio, United States: WBAI: Stockhausen'sMomente BOX: xxx
Stravinsky, 1937
[Style contrasts], 1941
Survey of contemporary music, 1934
Survey of contemporary music, 1940
Survey of contemporary music, n.d. See also: Writings by AC, Lectures & Speeches: Music in contemporary life BOX: xxx
Survey of contemporary music, n.d.
Symphonic masterpieces, 1938-1939
Talk - Music magazine, n.d.
[Talk at New York University], 1970
Talk for the BBC, 1945 See also: Writings by AC, Lectures & Speeches: London speech BOX: xxx
Talk on Leonard Bernstein, 1968 See also: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein] BOX: xxx
Talk to university and college concert managers, 1967
[Tanglewood], 1958
[Tanglewood - A musical place], n.d.
Technical steps in sound recording, n.d.
Tender landtalk (and the operatic problem) See: Writings by AC, Lectures & Speeches: The operatic problem BOX: xxx
Thirties in North America: America enters the arena of musical nations, n.d.
To band leaders [at convention], 1958
To concentrate on 3 countries - Brazil, Argentina, Mexico See: Writings by AC, Lectures & Speeches: Latin American music BOX: xxx
An uncertain glimpse into the musical future, 1972
Understanding contemporary music, 1950, 1957
Unidentified: Miscellany
Variation form in contemporary music, 1955
Variation forms - Classical forms in cont[emporary] music, 1952
What to listen for in music, Series I, n.d.
What to listen for in music, Series II, n.d.
William Schuman, 1971
Words and music, 1962
Writers and music, n.d.
Writing for films, n.d. See also: Writings by AC, Lectures & Speeches: Film music BOX: xxx
The younger generation of American composers, n.d.
Youngest generation of American composers, 1961
Radio
Argentina
Radio Argentina, n.d.
Radio del Estado, 1947
Radio El Mundo, 1947 See also: Writings by AC, Radio, Uruguay: Radio El Espectador BOX: xxx
Radio Libertad, 1947
Radio Splendid, 1947 Nov. 6
Radio Splendid: La semana musical, 1947 Nov. 12
Australia
The uncomplicated air of Aaron Copland, 1975 See: Writings by Others, About AC, Interviews: Plush, Vincent.The uncomplicated air of Aaron Copland BOX: xxx
Brazil
Marc Blitzstein: The airborne symphony, n.d.
Hora do Brazil, Nov. 1941
Radio Clube de Pernambuco See: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxx
Radio Espectador See: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxx
Radio Gazeta, n.d.
Radio Ministerio de Educação, 6 Oct. [?]
Radio Ministerio de Educação, 13 Oct. [?]
Radio Ministerio de Educação: Coletanea musical, 1947 Sept. 6
Radio Ministerio de Educação: Copland interview, 1947 Sept. 14
Radio Nacional: Comments by Copland, 1947 Sept. 12
Radio Nacional: Questionaire, 1947 Sept. 12
Radio Nacional: Samuel Barber, n.d.
Radio Nacional: Virgil Thomson, n.d.
Radio Roquete Pinto, 1947 Sept. 9
Radio Sociedade da Bahia See: Writings by AC, Radio, Brazil: Radio Gazeta BOX: xxx
Canada
CBC: The American musical scene, 1950 See also: Writings by AC, Radio, Great Britain: BBC: The American musical scene BOX: xxx
Chile
Radio La Americana: La audición "Nuevo mundo", 1941
Cuba
Radio Ministerio de Educación, n.d.
Radio Nacional, 16 Sept. [?]
France
Answers to Bernard Govoty, 1955
Dupriez, Christian. La musique contemporaine aux États-Unis, 1946
La voix de l'amerique: L'amerique depuis 1939, 1946
Germany
Norddeutscher Rundfunk: Program, 1961
Great Britain
BBC: The American musical scene, 1949 See also: Writings by AC, Radio, Canada: CBC: The American musical scene BOX: xxx
BBC: Music to remember, 1962
BBC: Statement on Benjamin Britten, 1976
Benjamin Britten Obituary, 1976
Italy
Radio Rome, 1949
Switzerland
Radio Lausanne, n.d.
United States
ABC: Music of today, Talk by Aaron Copland, n.d.
[American composers series], n.d.
American School of the Air: Music and the friendly arts, 1939
CBS: Columbia's Green Room, Copland and Graham, n.d.
CBS: Man's right to knowledge See: Writings by AC, Articles: Music and the human spirit BOX: xxx
CBS: Modern masters series - Aaron Copland, pianist-composer, 1936
CBS: Music for a great city, 1966
CBS intermission, 1939
Interview with [Edwin] Seaver, 1942
Modern music and audience, (1939?)
WABC: Howard Barlow series, 1940
WBAI: Stockhausen's Momente, 1962-1963 See also: Writings by AC, Lectures & Speeches: Stockhausen lecture BOX: xxx
WGBH: Our American music, Series IV, 1959-1960
WNCN: Aaron Copland comments, 1968-1971 See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre] BOX: xxx See also: Writings by AC, Articles: Some notes on my "Music for the theatre" BOX: xxx
WNCN: Aaron Copland comments, 1968-1971
WNYC: Questions, 1949
WQXR: Interview with Edwin Seaver, 1939
WQXR: Memorial to Paul Rosenfeld, 1946
WQXR: [Music for the theatre], 1942 See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, Series I-III, Program 2, Typescript BOX: xxx
WQXR: [New trends in music], 1939
WQXR: RCA Victor Record Showcase, Interview with Aaron Copland, n.d.
WQXR: Russian war relief program, 1942
WQXR: Testimonial dinner to Dr. Koussevitzky, 1944
Uruguay
Radio Ariel, Montevideo, 1947: Interview with Maestro Aaron Copland, 1947
Radio El Espectador, 1947 See also: Writings by AC, Radio, Argentina: Radio El Mundo BOX: xxx
Venezuela
Venezuela See: Writings by AC, Radio, Cuba: Radio Ministerio de Educación BOX: xxx
Miscellany
[Appalachian spring], n.d.
[Paul Bowles; Roy Harris; Aaron Copland], n.d.
Television
CBC: The music of man: Program five "The power of invention", 1977-1978
BBC: Copland on Copland, 1965
BBC: Miscellany: Clippings, 1964-1980
CBS: New York Philharmonic Young People's Concerts #1: "Music for the movie", 1969
Correspondence, miscellaneous, 1957-1981
WGBH: Aaron Copland: Music in the 20s, 1965
WNBC: Speaking freely, 1969
WNET: The American composer, Program #1: Aaron Copland, n.d.
WNET: Bill Moyer's journal "Aaron Copland", 1976
WNET: Music in America: Copland conducts Copland, 1975
WNEV: Copland profile, 1984-1985
WQED: A Copland celebration!, 1980
Writings by Others, 1925-1988
Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. This series is divided into About Aaron Copland, Articles, Booklets, Interviews, Libretti, Poetry and Scripts. Includes manuscripts, typescripts, unpublished and published printed material and microfilm. Arranged alphabetically by author in each category, then by title.
About Aaron Copland
By Title
Aaron Copland, 1961
[Aaron Copland](in Persian), 1961
Aaron Copland, n.d.
Aaron Copland: His flavor is personal, American, 1966-1977
Aaron Copland at 50, 1950
Aaron Copland on jazz, n.d.
Aaron Copland 75th anniversary: Dean of American composers, 1976
About Aaron Copland, n.d.
All' U. S. I. S. Aaron Copland, 1951
America gradually learns importance of artists, Copland notes, 1967
Amerikanische Komponisten: Aaron Copland, 1947
The arts at Northwestern, 1958
An award for Copland See: Writings by AC, Articles: Composers in Russia BOX: xxx
Bernstein tells of first time with Copland, n.d.
Boys High School Alumni Association: West coast chapter, 1980, 1983
Composers-in-residence, 1975
Concert, reception honor Aaron Copland on his birthday, 1981
Conferenza all'USIA: Parole e musica di Aaron Copland, 1951
Copland at 70, 1970-1971
Copland comes to town, 1977
Copland views movies as strong challenge to modern composers, 1948
Copland's "Hear Ye, Hear Ye!" and an Ibert ballet See: Writings by AC, Articles: Scherchen on conducting and Ewen on composers BOX: xxx
Copland's soundtrack, 1961
Dance Magazine awards 1979: Erick Hawkins; Aaron Copland; Jorge Donn, 1979
Una entrevista con Copland, 1932
Exchange of persons: Aaron Copland completes tour, 1948
Fontainebleau Alumni Bulletin: Music alumni news, Aaron Copland, comp '21, 1952-1954, 1961
For Aaron Copland at 80, 1980
For the people, 1939
Great guys in their day, n.d.
Great men of music, n.d.
Jazz as folk-music, 1925
The music man: Harmony in a new found land, 1959
New York state award 1975: New York Council on the Arts, 1975
The premiere of a noted composer's piece for youngsters: "Down a country lane", 1962
Un "Retrato Musical" de Martí?..., 1953
The rise of the American composer, n.d.
S. A. musicians getting to consider New York as hub of music world, n.d.
The second hurricane, n.d.
The simple gift of genius: The music of Aaron Copland on record, 1981
The spectacular 80s, 1983-1984
Thank you, Aaron Copland, 1965
U. S. composers in a bright era, n.d.
A visit to Peekskill, n.d.
Young boro musician wins fellowship honor, 1925
By Author
A. H. M.
The serried past, the full present of Aaron Copland, 1925
Affelder, Paul
The artists who create the nation's best serious music, 1963
Antheil, George
American music must grow up, 1949
Asbell, Bernard
Hear, hear new music, U.S.A., 1961
Avery, Stanley
When we were 21, 1951
Bauer, Marion
Aaron Copland: A significant personality in American music, 1939
Beals, Kathie
Copland the living classic, 1985
Behrend, Jeanne
Preludio a cinco programas: Estudio sobre el panamericanismo musical, 1946
Berger, Arthur V.
An Aaron Copland discography, 1955
American composers: Aaron Copland, Roy Harris, Walter Piston, 1943
The home-grown Copland, 1950
The "Third Symphony" of Aaron Copland, 1948
Stravinsky and the younger American composers, 1955
Aaron and Moses, 1975 See also: Writings by Others, About AC, Articles: Composers-in-residence BOX: xxx
Aaron Copland: Composer; Conductor, 1969-1970
Aaron Copland: An intimate sketch, 1970
Four American composers, n.d.
Boelzner, Gordon
[Titles by Gordon Boelzner] See: Writings by Others, About AC, Articles: Edmunds, John BOX: xxx
Bohm, Jerome D.
American composers and their critics, 1932
Bonvicini, Renzo
Ragazzi romani, 1953
Boulanger, Nadia
Tribute to Aaron Copland, 1975
Boys, Henry
Aaron Copland and his "Piano Variations", 1933
The Amsterdam festival, 1933
Burke, Kenneth
Music: A bright evening, with musicians, 1936
Cai, Dorothy Liang-Yu
Visiting Copland, 1983
Canby, Edward Tatnall
A note on the work of Aaron Copland, n.d.
The rhythmic basis of American music, 1955 See: Writings by Others, About AC, Articles: Berger, Arthur V.Stravinsky and the younger American composers BOX: xxx
Chase, Mary Coyle
Sketches of those just added to roll of Pulitzer Prize winners, 1945
Ives y Copland, n.d.
Christophe, Jean
La musique moderne: Un américain à Paris, 1971
Aaron Copland - Personal note, 1953
Compositores de johe: Aaron Copland, 1948
Clement, Thom
Composer Elmer Bernstein: Scoring fantasy films, 1986
Clurman, Harold
Aaron Copland by Arthur Berger [Book review], 1953 See also: Writings by Others, Books: Berger, Arthur. Aaron Copland BOX: xxx
My friend Aaron, 1975 See also: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland BOX: xxx
Nightlife and daylight, 1947
Cogan, Alice
Musical genius like a prophet, n.d.
Colapinto, Frank
Copland, 1945
Cole, Hugo
Myth of the all-American composer, 1980
Popular elements in Copland's music, 1970-1971 See also: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx
Commanday, Robert
At home with Aaron Copland, 1970
Conly, John M.
Aaron Copland looks ahead, 1965
Cooper, Martin
Extract from "Music Magazine", 1953
Craft, Robert
Stravinsky: Chronicle of a friendship 1848-1971, 1970
Deutsch, Didier
The composer and film music, 1941
Diana, Marta
Un coloquio en el Teatro Colon con Aaron Copland, n.d.
Dickinson, Peter
Aaron Copland at eighty-five, 1985
Copland at 75, 1975
Dommett, Kenneth
Aaron Copland - An appreciation, 1980
Dorfman, Roger
Rise of a composer, 1942
Downes, Olin
Copland at 50, 1950
Drago, Erensto C.
Copland, el músico que pudo ser un asessino, n.d.
Dyer, Richard
The neighborly composer, 1975
Edmunds, John and Boelzner, Gordon
Some twentieth century American composers. A selective bibliography, Part I and II, 1957-1959
Evans, Peter
Copland's middle way, 1960
First performances: Copland's "Connotations", 1963
The thematic technique of Copland's recent works, 1959
Eyer, Ronald F.
Meet the composer: Aaron Copland, 1943
Fields, Sidney
Notes on a top composer, 1970
Fierz, Gerold
Aaron Copland, 1956
Figueiredo, Guilherme
Ora, Sr. Copland, 1948
Twentieth-century music, 1947
Finkelstein, Sidney
The music of Aaron Copland, Part I and Part II, 1951
Notes on Aaron Copland, 1948
The great American composers: Aaron Copland, 1966
Ford, Christopher
Two views of Aaron Copland, n.d.
Freed, Richard
America's spirit in music: Aaron Copland, 1966
Birthday greetings to -- and from -- Aaron Copland, n.d.
Frymire, Jack
Copland 68, 1968
Fuller, Donald
A symphonist goes to folk sources, 1948
G. A. T.
Da Trieste, n.d.
Garrido, Pablo
Aaron Copland embajador músical de Norte-America, n.d.
Garvie, Peter
Aaron Copland (English and Spanish), 1962-1963
Gelles, George
Don't forget about Copland's writing, 1976
Gill, Dominic
Copland, 1969
Goldberg, Albert
Copland film scores and critics, 1948
Goldberg, Isaac
Aaron Copland, 1929
Aaron Copland and his jazz, 1927
Goldman, Richard Franko
The Copland festival, 1960
Goléa, Antoine
Une musique savante, 1962
Goodwin, Noel
The quiet American, 1963
Guernsey, Otis L., Jr.
Function of the movie musical score, 1949
Hadjinikos, George
Versuch einer Analyse der Copland-Sonate, n.d.
Hall, Roger L.
The story of 'Simple gifts': Shaker simplicity in song, 1987
Hamilton, David
Aaron Copland: A discography of the composer's performances, 1970
An Aaron Copland photo album, 1970 See: Writings by Others, About AC, Articles: Bernstein, Leonard. Aaron Copland: An intimate sketch BOX: xxx
The recordings of Copland's music See: Writings by Others, About AC, Articles: Bernstein, Leonard. Aaron Copland: An intimate sketch BOX: xxx
Hanson, Howard
Flowering of American music, 1949
Heinsheimer, H. W.
Aaron Copland: The making of an American composer, 1947
Aaron Copland: The making of an American composer, 1948
What price music?, 1947
Henahan, Donal
This Aaron is a musical Moses, 1975
Henderson, Robert
Copland's mark on America, 1980
Hershowitz, Alan
Copland: The music, 1980
Heylbut, Rose
America goes to the ballet, 1948
Hightower, Marvin
A retrospective for Aaron Copland, composer, 1978
Hohenlohe, Manfred
Das Buch von Aaron Copland: Unsere neue Musik [Book review], 1949
Holloway, Robin
Copland: Volume I, 1900-1942 [Book review], 1985
Johnson, Harriett
Aaron Copland: Dean of American composers, 1976
Kay, Norman
Aspects of Copland's development, 1970-1971 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx
Copland: All-American composer, 1965
Keener, Andrew
Aaron Copland, 1981
Keens, William
Part of it all: A profile of Aaron Copland, 1982
Kerman, Joseph
American music: The Columbia series (II), 1961
Kirkpatrick, John, Jr.
On Copland's music, 1928
Klein, Howard
Composers can be their own best conductors, 1966
A concert of conductors, 1964
Kolodin, Irving
Celebrating Aaron Copland, 1980
First fifty years hardest?, 1949
Music to my ears: Copland at the bowl, Samuel at Cabrillo, 1967
Koussevitzky, Olga
A wise and trusted friend See: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland BOX: xxx
Kriegsman, Alan M.
As American as a ten-gallon hat, 1974
Kubly, Herbert
America's no. 1 composer, 1948
Kyle, Marguerite Kelly
AmerAllegro, 1950
Lederman, Minna
Some American composers, 1947
Lerner, Bennett
Stalking American music, 1985
Lien, Connie
Going strong at 80, 1981
McLellan, Joseph
Classic Copland, 1983
Malloch, William
Copland's triumph, 1988
Masselos, William
The composer's workhorse, 1984
Matthews, David
Copland and Stravinsky, 1970-1971 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx
Mattos, Edward
Mellers, Wilfred
Aaron Copland and the American idiom, 1948
Hommage to Aaron Copland, 1970-1971 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx
Language and function in American music, 1942
Musique des U. S. A., 1947
Moor, Paul
Aaron Copland, 1951
In search of a native muse, 1949
Morrill, Charles
An afternoon with Aaron Copland, 1981
Morton, Lawrence
Music notes, 1943
Nelson, Boris
Aaron Copland, 1970
Nichols, Lewis
Talk with Aaron Copland, 1952
Northcott, Bayan
Composers of the sixties, 1970
Copland in England, n.d.
Notes on Copland, 1980
O'Brien, Frances
Aaron Copland, a portrait See: Writings by AC, Articles: Stravinsky and Hindemith premieres BOX: xxx
Oja, Carol J.
The Copland-Sessions Concerts and their reception in the contemporary press, 1979
Cos Cob Press and the American composer, 1988
Oppens, Kurt
A note on Aaron Copland, 1975 See: Writings by Others, About AC, Articles: Composers-in-residence BOX: xxx
Orga, Ateş (editor)
The composer speaks: Quotes from the composer See: Writings by Others, About AC, Articles: Dommett, Kenneth: Aaron Copland - An appreciation BOX: xxx
Orrego-Salas, Juan
Aaron Copland: A New York composer, 1948, 1952
Aarón Copland: Un músico de New York, n.d.
P. C. H.
Paddack, John Christopher
Aaron Copland (English and Spanish), 1964
Pasles, Chris
Aaron Copland: A reminder that music is a living art, 1978
Payne, Ifan
Copland on film: Indeed, the best does go on, n.d.
Perlis, Vivian
Aaron Copland and the piano, 1990
Boulanger -- 20th-century music was born in her classroom See: Writings by AC, Articles: Copland salutes Boulanger BOX: xxx
Perlis, Vivian and Aaron Copland
Copland and the BSO: A lasting friendship, 1981
Pettis, Ashley
Marching with a song, 1934
Plaistow, Stephen
Some notes on Copland's "Nonet" See: Writings by Others, About AC, Articles: Evans, Peter. First performances: Copland's "Connotations" BOX: xxx
Portela, Francisco V.
Copland, arquitecto de la música, n.d.
Pottersman, Edna
Copland conducts Copland, 1972
R. A. S.
[America's young men of promise], n.d.
Musical events, 1932
Aaron Copland: Genial patriarch of American music, 1985
Aaron Copland at eighty: A candid talk with the composer about himself, American music and its makers, 1980 See: Writings by Others, About AC, Articles: Dommett, Kenneth: Aaron Copland -An appreciation BOX: xxx
Redlich, H. F.
Music from the American continent, 1958
Reed, Philip
Copland and Britten: A composing friendship, 1990
Reti, Rudolph
Copland's "Third Symphony" termed a milestone, 1948
Roddy, Joseph
At 75, Aaron Copland is the first composer to live nicely off his notes, 1975
The case of Aaron Copland, 1976
Rosenfeld, Paul
Aaron Copland's growth, 1931
The advance of American music, 1939
Musical chronicle, 1925
Roy, Klaus George
A composer grows in Brooklyn, 1952
Salzman, Eric
Aaron Copland: The American composer is eighty, 1981
Disks: Copland, 1961
Sargeant, Winthrop
The case of Aaron Copland, 1946
Sasportes, José Estevão
Aaron Copland e a dança na América, 1961
Schonberg, Harold C.
Aaron Copland See: Writings by Others, About AC, Articles: Dommett, Kenneth. Aaron Copland - An appreciation BOX: xxx
Copland symbolizes a period, 1971
Aaron Copland, 1979
A 75th birthday tribute See: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland BOX: xxx
Secunda, Sholom
Di groyse idishe compozitors Bloch un Copland (The great Jewish composers Bloch and Copland), 1950
Reflections on the music life in the United States, 1956
Shapiro, Aaron
Aaron Copland wins Pulitzer Prize; Prominent as composer and author, 1945
Shostakovitch, Dmitri
Travel notes - No. 5, 1949
Slonimsky, Nicolas
"The Six" of American music, 1937
For and about Aaron on his 75th, 1975
Smith, Cecil Michener
Copland's "Hear Ye, Hear Ye!" and an Ibert ballet See: Writings by AC, Articles: Scherchen on conducting and Ewen on composers [Book review] BOX: xxx
League of Composers program celebrates Copland birthday, 1950
Soria, Dorle J.
Artist life, 1970 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx
Stahmer, Klaus
Aaron Copland: 75 Jahre, 1976
Stell, Loren
Aaron Copland and his influence, n.d.
Brooklyn to 'Billy the Kid', 1980
Stemmer, Konrad
Die synchronisierte Zeitschrift, 1952
Stoddard, Hope
Aaron Copland on the composer's craft, 1949
Strode, Rosamund
Aaron Copland at Aldeburgh, n.d.
Tākui, Hyūeru
Amerika no ongaku no soko o saguru (American music, a study in depth), 1960
Tsekai no mei shikishatachi (Aaron Copland - The gift of simplicity). Translated by Junji Miura, 1969
Taubman, Howard
The music of Aaron Copland (in Russian), n.d.
Scored for Americans: "Aaron Copland: His work and contribution to American music", by Julia Smith [Book review], 1956 See also: Writings by Others, About AC, Books: Smith, Julia. Aaron Copland: His work and contribution to American music BOX: xxx
A week for youth, n.d.
Temianka, Henri
On music, 1980
Contemporary American composers, VII. Aaron Copland See: Writings by AC, Articles: Stravinsky and Hindemith premieres BOX: xxx
Copland as great man, 1946
The cult of jazz, 1925
Tircuit, Heuwell
[Titles by Heuwell Tircuit] See: Writings by Others, About AC, Articles: Tākui, Hyūeru. Amerika no ongaku no soko o saguru BOX: xxx
Trench, Kelly
Aaron Copland at 75, 1975
Tryon, Winthrop P.
Symphony forecast - New work by Aaron Copland for season's first concert, 1945
Vice
I concerti: Musica americana d'oggi nella conferenza di A. Copland, 1951
Walsh, Michael
P.S., 1982 See: Writings by Others, About AC, Articles: Keens, William. Part of it all: A profile of Aaron Copland BOX: xxx
Ward, Robert
Aaron Copland: Four dance episodes from "Rodeo"[Music review] See: Writings by AC, Articles: Memorial to Paul Rosenfeld BOX: xxx
Warfield, William
Commentary See: Writings by AC, Lectures & Speeches: The composer as critic BOX: xxx
Waterfall, Beth
Celebrating the master of American music: Aaron Copland, 1985
Waters, Edward N.
Harvest of the year: Selected acquisitions of the music division, 1967
Watson, Marcia
Copland to receive prize, 1970
Widener, William Harry
Sour blue notes sounded on alleged reds in music, n.d.
Wimbush, Roger
Here and there with Roger Wimbush: Aaron Copland, 1964 See also: Writings by Others, About AC, Interviews: Wimbush, Roger.Here and there with Roger Wimbush: Aaron Copland BOX: xxx
Winner, Percy
Jazz played out, American audiences inert, native composers agree, 1929
Young, Douglas
The piano music, 1970-1971 See: Writings by Others, About AC, Articles: Copland at 70 BOX: xxx
Zanetti, Emilia
Aaron Copland giudica il "jazzismo", 1949
Aaron Copland [Book reviews], 1953-1954 See also: Writings by Others, About AC, Articles: Clurman, Harold. Aaron Copland, by Arthur Berger [Book review] BOX: xxx
Smith, Julia
Aaron Copland: His work and contribution to American music [Book reviews], 1956 See also: Writings by Others, About AC, Articles: Taubman, Howard. Scored for Americans: "Aaron Copland: His work and contribution to American music" BOX: xxx See also: Writings by Others, About AC, Dissertations: Smith, Julia Frances. Aaron Copland: His work and contribution to American music [Microfilm] BOX: xxx
Dissertations
Bayliss et al.
Freshman research project - Aaron Copland, n.d.
The music of Aaron Copland, n.d.
Cochran, Alfred Williams
Style, structure, and tonal organization in the early film scores of Aaron Copland, 1966
Conte, David Joseph
Aaron Copland's "Piano Quartet" - An analysis, 1982
Didriksen, Helen
Strange company: Aaron Copland, Emily Dickinson, and America at mid-century, 1988
Eckstein, Herbert
Origin, nature and purpose of Aaron Copland's "Third Symphony", 1976
Ehlers, Jeremy
A compositional study of works by Aaron Copland, 1979
Hilliard, Quincy Charles
A theoretical analysis of the symphonies of Aaron Copland, 1984
Horner, Mary Katherine Hall
The ballet suites of Aaron Copland, 1964
Kimball, Craig
On Copland: His music, 1962
Kozinn, Allan
Aaron Copland: An American composer and crusading personality, 1974-1975
Landau, Anne L.
The contribution of Jewish composers to the music of the modern world, 1946
Smith, Julia Frances
Aaron Copland: His work and contribution to American music [Microfilm], 1952
Spicknall, Joan Singer
The piano music of Aaron Copland: A performance-tape and study of his original works for piano solo, 1974
Interviews
A. Copland koncertował w polsce (A. Copland had concerts in Poland), 1966
Aaron Copland, 1964
Aaron Copland, 1975
Aaron Copland in conversation with music in America, n.d.
Anketa: Aaron Copland, 1966
Classical or modern? Aaron Copland questions a common musical distinction, 1960
Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff', 1976
Composer Copeland [sic] keeps moving towards 76 in '76, 1976 See: Writings by Others, About AC, Interviews:Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff' BOX: xxx
Copland and his music..., 1974
A leading composer looks at American music today, 1976
Listening to Aaron Copland, 1972
Noted American composer discusses his career, [1973?]
A. H.
Tage in Tanglewood: Unterhaltung mit Aaron Copland, 1949 See also: Writings by Others, About AC, Interviews: Hall, Roger L. BOX: xxx
'Simple gifts' tune was appealing to Aaron Copland, n.d.
Amaral, Cis
Eighty years young: Aaron Copland talks with Cis Amaral, 1981
Anthony, Michael
Copland: Music for the many, 1973
Banner, Randy
Fanfare for the composer, 1981
Bedell, Thomas
The LI interview: Aaron Copland, 1980
Bessom, Malcolm E.
Conversation with Copland, 1973
Bestor, Arthur E.
Is there a revolution in the arts? See: Writings by AC, Articles: Is there a revolution in the arts? BOX: xxx
Black, Cobey
Eternal spring of Aaron Copland, 1974
Bookspan, Martin
Martin Bookspan introduction to Aaron Copland, 1980
Bredeman, Dan
Audience is first - Copland, 1974
Buchwald, Art
P.S. from Paris: We have music too, 1955
Burton, Humphrey
The art and life of Aaron Copland, 1965
Chase, Jeffrey K.
Internationalism: Copland notes present tastes, 1963
Clopton, Willard
Audiences need shock says Aaron Copland, 1967
Close, Roy M.
Aaron Copland recommends conducting for those over 70, 1976
Cohen, Bruce
Concordy interview - Aaron Copland, 1977
The detached composer, 1964
Cone, Edward T.
Conversation with Aaron Copland, n.d.
Conversation with Aaron Copland, 1968
An interview with Aaron Copland on his life and music, 1968 See: Writings by Others, About AC, Interviews: Cone, Edward T. BOX: xxx
Cox, Ainslee
Copland on the podium, 1971
Dower, Catherine
Aaron Copland: Giant on the contemporary music scene, 1970
Dreiblatt, Martha
Lack of tradition blocks musical progress here, n.d.
Dufallo, Richard
Arts in America, 1987-1988
Eby, Starr
Copland 'One of the boys', [1978?]
Edwards, Sydney
Aaron Copland's secret ambition: An opera with elephants in it..., 1963
Elias, Albert J.
Copland: Movie music too pat, 1949
Elley, Derek
Turntable: Father figure, 1976
Fernández, Mauro Espinoza
Aaron Copland en El Salvador, 1975
Field
Interview: Aaron Copland 'Every American knows the west', 1976
Freedman, Guy
A Copland portrait, 1977
Gereben, Janos
Ladies and gentlemen, Aaron Copland, 1974
A venerable 'Talented amateur' coming to Cabrillo, 1978
Gilbert, Douglas
Brahms-Boogie-Woogie visioned for Carnegie Hall, 1945
Glackin, William C.
A man as memorable as his music, 1975
Gräter, Manfred
Aaron Copland besucht Europa, 1957
Green, Paul S.
Washington exclusive: Dialogue with Aaron Copland, 1979
Hagler, Susan
Aaron Copland discusses his music, Hollywood, life as faculty commuter, 1944
An interview with Aaron Copland See: Writings by Others, About AC, Articles: Hall, Roger L. BOX: xxx
The story of 'Simple gifts': Shaker simplicity in song
'Simple gifts' tune was appealing to Aaron Copland, 1981 See also: Writings by Others, About AC, Interviews: AH. BOX: xxx
Tage in Tanglewood: Unterhaltung mit Aaron Copland, n.d.
Havsky, Vladimir
What makes it great: A conversation with Copland, 1970
Heinsheimer, Hans
Tanglewood (in German), n.d.
Hertelendy, Paul
Aaron Copland views women from his time machine, 1978
Holbert, Allan
Copland: I don't aim to please, 1967
Holland, A. K.
Music of today: Moderns in retrospect, n.d.
Hoover, Barbara
'Moses of American music' is roaming on his laurels, 1978
Hume, Paul
Strong words, music, 1969
Hurwitz, Robert
Interview: Aaron Copland, 1973
Ishii
Earon Kōpurando See: Writings by Others, About AC, Articles: Tākui, Hyūeru: Amerika no ongaku no soko o saguru BOX: xxx
J. D. G.
Serious music: An interview with Aaron Copland, 1961
Jones, Nina
When day's problems are done: Aaron Copland composes by night, 1962
Interview with Aaron Copland, [1980]
Kenyon, Nicholas
The scene surveyed [Copland surveys the American scene], 1975
Aaron Copland: If America ever had a composer laureate..., 1973
Gift to be simple [Aaron Copland at intersection of American musical currents], 1973
Larry, Sheldon
New world symphonist, 1975
Lee, Laura
In the movies: Composer urges 'Musical engineers' to save customers' ears, 1941
Leishman, Katie
Turning points: Aaron Copland, 1981
Lockspeiser, Edward
Conversation with Copland, 1960
Looney, Douglas
New music? 'Fascinating'...old music? 'A warm bath', 1969
McLaughlin, Lillian
Copland's advice: Try the moderns, 1969
Celebrating Copland, 1975
Markle, David
Interview with Aaron Copland 2/25/70, 1970-1973
Mason, Colin
Reluctant isolation, 1960
Mason, Eric
Counterpoint: The composer speaks, 1966
Mayer, William
The composer in the U. S. and Russia: A frank talk between Copland and Khachaturian, 1969
An historic meeting: Aram Khachaturian and Aaron Copland, [1969]
An historic meeting: Aram Khachaturian and Aaron Copland, 1969
Millais, Geoffroy
Aaron Copland talking about Benjamin Britten, 1976
Morris, Michael
[American song: Copland interview], n.d.
Newton, Jim
Copland keeping busy conducting, 1974
Norton, Mildred
[Aaron Copland], 1948
Oja, Carol
Aaron Copland and Minna Lederman on American music in the thirties, 1979
Overton, James L.
Copland enjoys his senior status, 1978
Interview of Aaron Copland, 1980-1981
The reminiscences of Aaron Copland, 1965-1977
Phi Mu Alpha Sinfonia: National delegate representative assembly
An interview with Aaron Copland: December, 1970; February, 1971, 1970-1971
The Playboy Panel
America's cultural explosion - Its scope and challenge, n.d.
Plush, Vincent
The uncomplicated air of Aaron Copland, 1975
R. B.
Música: O que dizem de nós, n.d.
A talk with Aaron Copland, 1972
Rosenwald, Peter J.
Aaron Copland talks about a life in music, 1980
Ryan, Barbara Haddad
Aaron Copland built legend with his role in U. S. culture, 1977
Saucier, Pierre
L'avenir n'est pas auz combinaisons à douze tons, 1955
Scherer, Ron
Copland comments on compositions; Scherer interviews famed composer, 1966
Schulman, Michael
Interview, n.d.
Seaman, Gerald R.
Telephone interview with Aaron Copland, 1979
Seaman, Julian
Copland sees hope in trend of moderns, 1928
Singer, Samuel L.
Copland cond [ucts], n.d.
Sitts, Richard
Copland says first visit led to return, n.d.
Conversation with Aaron Copland, 1980
Smith, Monica
Turntable: Copland looks ahead, 1968
Stearns, Dave
Copland - A common man's composer, 1977
Thurston, Chuck
Straight answers from Copland, 1978
Vadeboncoeur, Joan E.
Copland's composing career bloomed late, 1975
Van Sant, Rick
Composer Aaron Copland: He's still spirited at 76 [Premiere composer still youthful in outlook], 1976
Watters, Susan
Eye view: Aaron Copland on the sporting life, 1978
Wilson, Carolyn
Turntable: Cowboys and connotations, 1967
Here and there with Roger Wimbush: Aaron Copland, n.d.
Here and there with Roger Wimbush: Aaron Copland, 1968 See also: Writings by Others, About AC, Articles: Wimbush, Roger. BOX: xxx
[Koussevitzky: Tanglewood], 1948
Canto y melodía el dodecafonismo en México, 1954
Clurman, Harold S.
The future of jazz, 1926
Cohen, Ethel S.
Credo of a composer: Ben-Zion Orgad, n.d.
Gilbert, L. Wolfe
Sour grapes of wrath, n.d.
Giordano, L.
Actitudes para oír música, 1933
Glock, William
Nadia Boulanger, 1946
And now, Virgil's odyssey, 1971
Hoover, Suzanne R.
Nadia Boulanger, 1977
Johnson, H. Earle
The need for research in the history of American music, n.d.
Kennan, George F.
Seek the finer flavor, n.d.
Koussevitzky, Serge
Concerning interpretation . Translated by Nina Bechtereff, 1929
Krenek, Ernst
The composer and the interpreter, 1944
Kroll, Jack
The stage is a world, 1974
Brief encounters, n.d.
Liepmann, Klaus
Music and engineers, 1950
Maisel, Edward
Charles T. Griffes: The life of an American composer, 1984
McCorkle, Donald M.
The Moravian contribution to American music, 1956
Mitsukuri, Shukichi
Japanese scales and theri [sic] harmonic treatment, 1959
Noakes, David
Nadia Boulanger: A life dedicated to the art of teaching, 1971
Pirrotta, Nino
The Eda Kuhn Loeb Music Library, 1958
Read, Gardner
Tanglewood: Investment in musical futures, 1941
[Stravinsky], n.d.
Shaw, Theodore L.
The hypocrisies of criticism, 1952
Simon, Henry
Leonard Bernstein: Molto furioso, n.d.
South American composers, 1940
Souster, Tim
Organized delirium - Robert Henderson writes about the life and work of Pierre Boulez, 1969
Tanglewood tales, or youth makes music, 1948
Terse, Paul
Charles Ives (1874-1954): Ein biographischer Überblick, 1987
America's musical maturity: A twentieth-century story, 1961
Weisgall, Hugo D.
Jewish music in America, 1954
Whiteside, Thomas
The blockbuster complex-III: Onward and upward with the arts, n.d.
Wilson, Edmund
Paul Rosenfeld: Three phases, n.d.
Booklets
Charles Edward Ives, 1942
Gail Kubik: Divertimenti I and II - Sonatinas for piano and clarinet and piano, 1963
Christliebb, Don
Remembrance of Lawrence Morton, n.d.
Jazz music: What it is and how to understand it, 1927
Naur, Robert
Leonard Bernstein (in Dutch and English), n.d.
Nielsen, Tage
Danish music after Carl Nielsen, n.d.
Steuermann, Edward
Gail Kubik: Sonata for piano - Celebrations and Epilogue for piano, 1959 See: Writings by Others, Booklets: Boulanger, Nadia:Gail Kubik: Divertimenti I and II - Sonatinas for piano and clarinet and piano BOX: xxx
Miscellaneous
National Press Club, 1959
Rogers, Michael
The Rolling Stone interview: Paul Bowles, 1974
Libretti
Arita, Nadine and Robert Courtney
Hoe-Down! A musical tribute, 1985
Taverner, n.d.
Denby, Edwin
Libretto for a play opera, n.d.
Miltie is a hackie, n.d.
Lombardo, Kathleen
Savonarola, n.d.
Poetry
García-Lorca, Federico
Walking asleep, n.d.
Sannier-Salabert, Bernard
Final, 1951-1955
Scripts
Scripts: Ballet, Opera, and Play
Second hurricane See: Subject File, Compositions:Second hurricane BOX: xxx
Everett, Horace
Tender land See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 69 misc-B BOX: xxx
Graham, Martha
Appalachian spring See: Correspondence, Personal: Graham, Martha BOX: xxx
Kirstein, Lincoln
Memorial day, n.d.
Page, Ruth
Hear ye! Hear ye! See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 26.3 BOX: xxx
Riggs, Lynn
Tragic ground See: Music Manuscripts and Printed Editions by Aaron Copland: Music Composed by Copland Not Assigned ARCO Number, Box 117A/1-6
Robbins, Jerome
Bye bye Jackie, 1944
Shaw, Irwin
Quiet city See: Subject File, Compositions:Quiet city(Play typescript) BOX: xxx
Scripts: Film and Television
Clark, Dennis Lynton
The hanging of Ella Watson, n.d.
Goetz, Ruth and Augustus Goetz
The heiress See: Subject File, Compositions:The heiress(Film typescript) BOX: xxx
Hellman, Lillian
North star See: Subject File, Compositions:North star(Film typescript) BOX: xxx
Hotchner, A. E.
The world of Nick Adams See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 75 misc BOX: xxx
Steinbeck, John
The red pony See: Subject File, Compositions:The red pony(Film typescript) BOX: xxx See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 63 BOX: xxx
[Unidentified]
Ballad of Billy the kid See: Music Manuscripts and Printed Editions by Aaron Copland, ARCO 33-F BOX: xxx
Wilder, Thornton
Our town See: Subject File, Compositions:Our town(Film typescript) BOX: xxx
Diaries, 1910-1985
The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips. The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, "The Red Pony" and "Something Wild". The date spans represent the actual span of year dates noted in the journal. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order.
Because of the fragile nature of some journals, the originals and archival photocopies will not be served to researchers. Photocopies of the journals, which are placed in binders, will be available to researchers.
Datebooks, 1935-1985
The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips.
1935, Pocket
1936, Pocket
1937, Pocket
1938, Pocket
1939, Desk
1940, Desk
1941, Desk
1942, Desk
1943, Desk
1944, Desk
1945, Desk
1946, Desk
1947, Desk
1948, Desk
1949, Desk
1950, Desk
1951, Desk
1952, Desk
1953, Desk
1955, Desk & Pocket
1956, Desk & Pocket
1957, Desk
1957, Pocket
1958, Desk
1958, Oberlin College
1959, Desk
1959, Oberlin College
1960, Desk
1960, Pocket
1960, Oberlin College
1961, Desk
1961, Pocket
1962, Desk
1962, Oberlin College
1963, Desk
1963, Oberlin College
1964, Desk
1964, Oberlin College
1965, Desk
1965, Oberlin College
1966, Desk
1966, Oberlin College
1967, Desk
1967, Oberlin College
1968, Desk
1968, Oberlin College
1969, Desk
1969, Oberlin College
1970, Desk
1970, Oberlin College
1971, Desk
1971, Oberlin College
1972, Desk
1972, Pocket
1973, Pocket
1973, Desk
1974, Desk
1974, 1975, Pocket
1975, Desk
1976, Desk
1976, 1977, Pocket
1977, Desk
1978, Desk
1978, 1979, Pocket
1979, Desk
1980, Desk
1980, 1981, Pocket
1981, Desk
1982, Desk
1982, Pocket
1983, Desk
1984, Desk
1985, Desk
Journals, 1910-1973
The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, "The Red Pony" and "Something Wild". The date spans represent the actual span of year dates noted in the journal. See the Index for Journals with AC Numbers for an explanation and list of the journals in numeric order.
DO NOT SERVE; ONLY SERVE BINDERS Binder 1 = Box 243/Folders 1-16 and Box 244/Folders 1-10 Binder 2 = Box 244/Folders 11-18 and Box 245/Folders 1-18
Notes for an autobiography-A
[photocopy]
Notes for an autobiography-B
My trip abroad: List of performances attended in Paris; Notes on Fauré
South American journal; McCarthy hearings (1953); Chronological list of travels
Publications; Honors; Trips; Journals; Articles; Articles about; Compositions; Organizations; Lectures; TV; Radio; Recordings
[Diary]
Conducting activities; Orchestral and chamber music programs
South American diary, Aug-Dec 1941
Genealogy charts; List of publ[ished] works; Degrees; Financial data
List of original compositions; Disposition of original manuscripts
Financial data
Works conducted by AC
Red pony journal
European diary (including London trip)
European notes; Quotes; Dinners at Stravinsky's home; Notes
Journal of visits to Venezuela
Recordings; List of AC articles; Lecture engagements
European journal; Notes on making a movie score (Something wild); White House dinner
Notes on trip to Mexico-Brazil-Uruguay; Europe; Financial data
N[ew] Y[ork] Phil[harmonic]; [Charles Ives] [not in Copland's hand]
Latin-American diary; European tour
European tour; Financial data
Japan 'diary'
Europe; Israel; Financial data
[Europe]; Financial data
Correspondence, 1911-1991
The Correspondence series is divided into 2 subseries: Personal Correspondence and General Correspondence. The subseries, Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances. Of particular interest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with his long-time friend, Harold Clurman. Other significant correspondents are Leonard Bernstein, Paul Bowles, Benjamin Britten, Carlos Chávez, David Diamond, Roy Harris, Claire Reis, Roger Sessions, Charles Ives, Arnold Schoenberg, and Virgil Thomsom. The subseries, General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail.
Personal Correspondence, 1911-1991
The subseries, Personal Correspondence (1911-1991) contains letters to and from Copland with his family, teachers, fellow composers, literary figures, personal friends and acquaintances.
"A" miscellaneous
Abravanel, Maurice, 1986
Adler, Clarence, 1925-1954, 1957-1968
Adler, Peter, 1950-1969
Adler, Samuel, 1950-1970
Adomian, Lan, 1971-1972
Albee, Edward, 1958-1967
Allanbrook, Douglas, 1953-1967
Allers, Franz, 1942-1943
Anderson, James T., 1983
Antheil, George, 1928-1948
Ardevol, J., 1941-1956
Arnell, Anthony, 1950-1972
Art, Engelhardt, 1988-1989
Auden, W. H. (Wystan Hugh), n.d.
Austin, William, 1972-1989
Avshalomov, Jacob, 1953-1969
"B" miscellaneous
Babbitt, Milton, 1954
Babcock, David, 1972-1975
Bacon, Ernst, 1970-1979
Balada, Leonardo, 1967-1972
Bales, Richard, 1950-1981
Balso, Hugo, 1942-1966
Barber, Samuel, 1944-1975
Bauer, Marion, 1951-1955
Bavicchi, John, 1956-1961
Bazelon, Irwin, 1948-1949
Bean, Betty Randolf, 1958-1981
Becker, John, 1969
Beeler, Walter, 1949-1950
Beeson, Jack, 1968-1979
Ben-Yohanan, Asher, 1951-1957
Bennett, Robert Russell, 1974
Berger, Arthur, 1941-1982
Bergsma, William, 1948-1969
Berio, Luciano, 1952-1970
Bernier, Peggy, 1938-1971
Bernstein, Elmer, 1981
Bernstein, Leonard, 1936-1952, 1955-1988, n.d.
Biggs, E. Power, 1953-1967
Bing, Sir Rudolf, 1979
Bliss, Sir Arthur, 1964
Blitzstein, Marc, 1929-1963, n.d.
Bloch, Suzanne, n.d.
Bloomfield, Theodore, 1948-1954
Bonaventura, Mario di, 1962-1981
Boone, Charles, 1967-1972
Boorstin, Daniel J., 1956
Bornstein, Charles Zachary, 1968-1980
Boulanger, Nadia, 1920-1929, 1931-1979
Boult, Sir Adrian, 1949
Bowles, Jane, n.d.
Bowles, Paul, 1931-1943, 1971-1986 See also: Victor Kraft Materials, Correspondence BOX: xxx
Brant, Henry, 1930-1986
Bray, Byron, 1954-1976
Brennan, Pat, 1972-1983
Britten, Benjamin, 1938-1974
Brozen, Michael, 1953-1968
Bucci, Mark, 1949-1956
Burke, William, 1970-1977
Butterworth, Neil, 1975-1986 See also: Music, Music Manuscripts and Facsimiles by Others, Butterworth, Neil BOX: xxx
Byrns, Harold, 1948-1953
"C" miscellaneous
Cage, John, 1963-1975
Cantelli, Guido, 1956
Carpenter, John Alden, 1939-1947
Carasas, Enrique, 1972-1974
Carter, Elliott, 1945-1988
Carter, Helen, n.d. [Mrs. Elliott]
Casadesus, Mrs. Robert, 1974
Cascorino, Romeo, 1940-1966
Cazden, Norman, 1942-1974
Chanler, Theodore, 1929-1944
Cherry, Michael, 1972-1981
Chávez, Anita, 1979-1988
Chávez, Carlos, 1928-1970, 1972-1974
Childs, Robert Barney, 1954-1971
Churchill, Mary, 1929-1932
Citkowitz, Israel, 1926-1934, 1942-1967
Clurman, Harold, 1932-1980
Coe, Kenton, 1959-1973
Cogan, Robert, 1963
Colombo, Theodore, 1931-1967
Cone, Edward T., 1956-1969
Conroy, William, 1980-1981
Coolidge, Elizabeth Sprague, 1946-1952
Copland Family, 1911-1990
Cordero, Roque, 1957-1987
Corman, Robert, 1949-1953, n.d.
Cornell, Robert M., 1953-1979
Corwin, Norman, 1949
Cowell, Henry, 1934-1962
Curtin, Phyllis, 1977
Custer, Arthur, 1961-1973
"D" miscellaneous
Dahl, Ingolf, 1934-1970
Dallapiccola, Luigi, 1951-1960
Davidovsky, Mario, 1950-1974
Davies, Peter Maxwell, 1957-1964
Dello Joio, Norman, 1952-1969
Del Tredici, David, 1964-1986
DeMenasce, Jacques, 1947-1955
DeMille, Agnes, 1942-1985 See also: Professional Papers, Business Organizations, de Mille, Agnes. BOX: xxx
Denby, Edwin, 1929-1962
Des Marais, Paul, 1948-1975
Diamond, David, 1935-1988
Diemente, Edward P., 1967-1969
Dieudonne, Annette See: Boulanger, Nadia BOX: xxx
Dinerstein, Norman, 1963-1974
Dorati, Antal, 1946-1986
Downes, Olin, 1946-1955
Dreiblatt, Marty, 1967-1985
Druckman, Jacob, 1953-1978
Duffallo, Richard, 1967-1988
"E" miscellaneous
Engel, Lehman, 1938-1972
Epstein, Alvin, 1954-1969
Espinosa, Guillermo, 1947-1954
"F" miscellaneous
Ficher, Jacobo, 1943-1967
Fine, Irving, 1944-1952
Fine, Verna, 1944-1988
Fitelberg, Jerzy, 1932-1950
Fizdale, Robert, 1946-1963
Flanagan, William, 1948-1968
Foldes, Andor, 1948-1984
Foss, Lucas, 1943-1959, 1962-1980
Franchetti, Arnold, 1958-1984
Freed, Arnold, 1969-1971
Furman, James, 1968
"G" miscellaneous
Gaburo, Kenneth, 1956-1976
Galindo, Blas, 1942-1975
George, Earl, 1969-1975
Ginastera, Alberto E., 1941-1979
Giuffre, Jimmy, 1965-1969
Glanville-Hicks, Peggy, 1948-1954
Golde, Morris, 1953-1975
Goldman, Edwin Franko, 1942
Goldman, Richard Franko, 1941-1983
Goldmark, Rubin, 1919-1922
Goodman, Benny, 1963
Goosens, Eugene, 1942-1944
Gottlieb, Jack, 1954-1975
Gould, Morton, 1965-1980
Graham, Martha, 1941-1985
Green, Johnny, 1946-1972
Guarnieri, Camargo, 1941-1950
"H" miscellaneous
Haieff, Alexei, 1944-1967
Hammerstein, Oscar, 1949 II
Hansel, Katherine, 1954-1956
Hanson, Howard, 1928-1980
Hardisty, Donald, 1971-1977
Harpin, Mathias P., 1963
Harris, Roy, 1925-1989
Hawkins, Erick, 1942-1950
Heidelberg, Jack, 1942-1972
Heilner, Irwin, 1933-1970
Hellman, Lillian, 1943-1966
Helps, Robert, 1954-1980
Henderson, Jack, 1950-1969
Hennagin, Michael, 1965-1974
Hennessy, Richard, 1976-1983
Hill, Edward B., 1949-1957
Hindemith, Paul, 1940-1941
Hoffman, Allen, 1971-1973
Honegger, Arthur, 1947
Huffman, Robert, 1970
Hughes, Robert, 1958-1973
Husa, Karel, 1956-1979
"I" miscellaneous
Ibert, Jacques, 1950
Imbrie, Andrew W., 1956-1967
Ives, Charles E., 1932-1955
"J" miscellaneous
Jacobi, Frederick, 1933-1950
Jacobs, Paul, 1979
James, Philip, 1952-1974
Javits, Jacob, 1964-1974
Johns, Erik, 1947-1978 See also: Professional Papers, Business Organizations, Johns, Erik BOX: xxx
Johnstone, Winifred, 1947-1971
Jones, Charles, 1945-1949
"K" miscellaneous
Kabalevsky, Dimitri, 1955
Kahn, Erminie, 1938-1949
Kahn, Sue Ann, 1979-1980
Kapell, William, 1946-1986
Kaufman, Louis, 1947-1981
Kay, Ulysses, 1940-1950
Kelly, Jack Perry, 1973-1977
Kennedy, Edward, 1966-1986
Kennedy, John Brodbin, 1968-1984
Kenworthy-Browne, John A., 1959-1979
Kerr, Harrison, 1943-1953
Khachaturian, Aram, 1968-1973
Khrennikov, Tikhon, 1956-1982
Kirchner, Leon, 1949-1975
Kirkpatrick, John, 1942-1974
Kirstein, Lincoln, 1938-1976
Kohn, Karl, 1953-1967
Kolb, Barbara, 1972-1987 See also: Music, Manuscripts and Facsimiles by Others, Kolb, Barbara BOX: xxx
Korn, Barbara, 1957-1962
Korte, Karl, 1957-1972
Kostelanetz, André, 1941-1983
Koussevitzky, Serge, 1925-1949
Kozar, John, 1976-1980
Kraft, Rheba, 1972-1982
Kraut, Harry, 1972-1980
Kubik, Gail, 1941-1988
Kubly, Herbert, n.d.
Kurka, Robert, 1948-1954
"L" miscellaneous
Lakner, Yehoshua, 1951-1956
LaMontaine, John, 1952-1953
Landowska, Wanda, 1945
Lange, Francisco, 1942-1949
Lanza, Alcides, 1965-1969
Layton, Billy Jim, 1961-1969
Lederman, Minna, 1959-1983
Lee, Dai-Keong, 1942-1969
Lee, Noel, 1956-1986
Leinsdorf, Erich, 1962-1965
Lescaze, Mary, 1930-1975
Lescaze, William, 1942-1957
Lessard, John, 1940-1967
Lewis, Peter, 1961-1967
Lisenbee, Kenneth, 1974-1975
List, Eugene, 1974-1975
Lombardo, Robert, 1955-1983
Lopatnikoff, Nikolai, 1946-1971
Luening, Otto, 1943-1949
"Ma-Mes" miscellaneous
"Mey-Mz" miscellaneous
MacDowell, Mrs. Edward, 1943-1953
Manziarly, Marelle de, 1941-1988
Marlowe, Sylvia, n.d.
Martirano, Salvatore, 1955-1961
Masselos, William, 1951-1971
Mata, Eduardo, 1971-1983
Mayer, William, 1967-1973
McPhee, Colin, 1934-1959
Mafano, Paul, 1963-1964
Mellers, Wilford, 1943-1975
Mennin, Peter, 1958-1978
Menuhin, Yehudi, 1959-1981
Mester, Jorge, 1954-1970
Middleton, Jean, 1942
Mignone, Francisco, 1941-1946
Milhaud, Darius, 1930-1975
Milhaud, Madelin, 1947-1987
Miller, Arthur, 1956-1972
Miller, Ed, 1957-1970
Miller, Robert, 1974-1978
Mills, Charles, 1950-1958
Miranda, Eduardo, 1948
Montgomery, Jim, 1963-1974
Moore, Douglas, 1948-1963
Moor, Paul, 1943-1985
Moreno, Salvadore, 1942-1957
Morillo, Roberto Garcia, 1942-1944
Moross, Jerome, 1942-1944
Morton, Lawrence, 1940-1980
Mundy, Sophronus, n.d.
Musgrave, Thea, 1958-1973
"N" miscellaneous
Nabokov, Nicolas, 1945-1963
Nordoff, Paul, 1953-1970
Nystedt, Knut, 1948-1952
"O" miscellaneous
O'Brien, Eugene, 1972-1978
Odets, Clifford, 1939-1962
Okuma, Akirer, 1962-1966
Orbón, Julián, 1957-1971
Ormandy, Eugene, 1941-1980
Orrego-Salas, Juan, 1946-1981
"P" miscellaneous
Palmer, Robert, 1938-1957
Page, Ruth See: Professional Papers, Business Organizations BOX: xxx
Paradise, Timothy, 1978-1981
Parris, Robert, 1949-1957
Paz, Juan Carlos, 1941
Pears, Peter, 1975-1981
Pepe, Carmine, 1975-1976
Perlis, Vivian, 1970-1991
Perry, Julia, 1952-1954
Persichetti, Vincent, 1942-1987
Peyer, Gervase de, 1981-1982
Piston, Walter, 1933-1974
Plotts, Donald, 1964-1974
Posner, David, 1965-1974
Poulenc, Francis, 1950
Prokofieff, Serge, 1930-1933
Pyle, William, 1968-1978
"Ra-Rid" miscellaneous
"Rie-Rz" miscellaneous
Ramey, Phillip, 1967-1968, 1970-1985
Reis, Arthur, 1978
Reti, Rudolph, 1948-1951
Richie, Donald, 1962-1969
Riegger, Wallingford, 1956-1957
Robbins, Jerome, 1956-1986
Rochberg, George, 1951-1968
Rogers, Bernard, 1944-1956
Rorem, Ned, 1944-1984
Rouse, Christopher, 1962-1981 III
Ruggles, Carl, 1931-1965
"Sa-Sma" miscellaneous
"Smi-Sz" miscellaneous
Samuel, Gary, 1948-1966
Sanjuán, Petro, 1946-1952
Santa Cruz, Domingo, 1941-1965
Santoro, Claudio, 1942-1969
Sapp, Allen D., 1942-1953
Schaffer, Aaron, 1916-1921
Schippers, Thomas, 1954-1974
Schoenberg, Arnold, 1949-1950
Schuller, Gunther, 1965-1977
Schuman, William, 1938-1986
Sessions, Roger, 1926-1935, 1953-1973
Shanet, Howard, 1949-1966
Shapiro, Harold, 1940-1970
Shawe-Taylor, Desmond, 1954-1973
Shostakovitch, Dmitri, 1958-1969
Sidlin, Murry, 1974-1987
Siegmeister, Elie, 1932-1988
Sims, Ezra, 1961-1981
Slonimsky, Nicholas, 1927
Smit, Leo, 1944-1983
Smith, Carleton Sprague, 1940-1951
Smith, Julia, 1948-1958
Smith, Russell, 1949-1977
Steigerwalt, Gary, 1977-1979
Steinbeck, John, 1964-1972
Steinberg, William, 1946-1969
Stern, Isaac, 1960-1977
Stevens, Halsey, 1948-1955
Stevenson, Adlai, 1962-1965
Stokowski, Leopold, 1930-1969
Stravinsky, Igor, 1950-1967
Strickland, William, 1943-1954
Swanson, Howard, 1948-1967
Sykes, Gerald, 1925-1932, 1934-1980
Sykes, James, 1943-1981
Szell, George, 1947-1968
"T" miscellaneous
Takemitsu, Toru, 1966-1967
Talma, Louise, 1960-1980
Tcherepnin, Alexander, 1964-1986
Temianka, Henri, 1965-1986
Thomas, John P., 1967-1978
Thomas, Michael Tilson, 1969-1970
Thompson, Timothy, 1970
Thompson, Randall, 1950-1960
Thomson, Virgil, 1931-1988
Thorne, Francis, 1966-1978
Tippett, Michael, 1944-1970
Toback, John, 1963-1967
Toch, Ernst, 1942-1962
Tower, Joan, 1988
Trimble, Lester, 1952-1977
Turpin, Jim, 1946
"U-V" miscellaneous
Vainio, Lempi, 1967
Van Vechten, Carl, 1944-1945
Vauaerteuryck, Mueille, 1967-1973
Vega, Aurelio de la, 1958-1959
Villa-Lobos, Heitor, 1947-1966
"W" miscellaneous
Walker, David, 1953-1976
Ward, Robert, 1944-1987
Weisgall, Hugo, 1950-1977
Wiener, Alma, 1930-1953
Wilder, Thorton, 1948-1970
Wilson, Richard, 1969-1983
Wolpe, Stefan, 1948-1980
Wooldridge, David, 1970-1973
Wyner, Yehudi, 1947-1978
"X-Y-Z" miscellaneous
Xenakis, Iannis, 1963-1969
Zupko, Ramon, 1957-1975
General Correspondence, 1935-1991
The subseries, General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permissions, birthday and holiday greeting cards from family, friends and school children, and fan mail.
Aa - American Israel
American Jewish - Az
Ba - Benz
Ber - Boz
Bra - Bz
Ca - Caten
Catholic - Columbus
Combith - Cz
Da - Dz
Ea - Ez
Fa - Fz
Ga - Gz
Greeting Cards
Ha - Hec
Hel - Hz
Ia - Iz
Ja - Jz
Ka - Kz
La - Lz
Ma - Meh
Mel - Mz
Na - Ne
New - Nz
Oa - Oz
Pa - Philh
Pi - Qz
Ra - Rz
Sa - Serv
Sha - Spey
St - Sz
Ta - Tz
Ua -Uz
Va - Vz
Wa - Weste
Wf - Wz
Xa - Zz
Professional Papers, 1917-1990
The Professional Papers are divided into two sections, Business Organizations and Engagements. The Business Organizations include records that pertain to Copland's affiliation with and service for various private, public, and governmental agencies, organizations, and councils, at the local, national, and international level and material that relate to numerous publishers, agents and foundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), for which Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which include letters about score corrections for his music. Other significant material are the Copland-Sessions Concerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers, Modern Music, the Edward MacDowell Association, and Tanglewood which includes material on the Berkshire Music Center and the Boston Symphony Orchestra. The Engagements represent correspondence and other material between organizations for which Copland performed, spoke or conducted, or from whom he was bestowed an award or honor. The organizations include orchestras, universities and colleges, festivals, museums, and societies. The most notable events are his trips to Latin America in 1941 and 1947 and his frequent appearances with the London Symphony, New York Philharmonic, and National Symphony orchestras.
Business Organizations, 1922-1990
Aaron Copland Young Composers Competition, 1984, 1989
Alfred A. Knopf, Inc., 1964-1966
Alphonse-Leduc, 1928, 1957
American Academy in Rome, 1986-1987
American Academy of Arts & Letters
Correspondence
Notes
Programs
Speeches
American Academy of Arts and Sciences, 1968
American Committee for Democracy and Intellectual Freedom, 1940-1950
American Composers Alliance
Bulletin
Controversy with American Society of Composers, Authors, and Publishers (ASCAP)
Copyright Act of 1940
1943, Jan.-Jun.
1943, Jul.-Dec.
Membership Lists
Minutes of Meetings
American Council on Education, 1962, 1964
American Federation of Musicians, 1978
American Friends of the Aldeburgh Festival, 1974-1979
American International Music Fund, Inc.
American Music Center
American Music Publishers, Inc., 1965-1966
American Music Rental Library, 1940
American Musicological Society, 1978-1979
American Piano Company, 1927
American Society of Composers, Authors, and Publishers (ASCAP)
Awards Panel, 1960-1975
Board of Directors, 1974
Brochures
Committee Reports, 1973-1974
Contracts, 1946-1975
Desk Book, 1974
Financial Statements, 1961-1981
Lectures
Legal Papers
Royalty Statements
American-Soviet Music Society
Agendas
By-Laws
Correspondence, 1946-1947
Notes for Speeches
Press Releases
American Symphony Orchestra League, Inc., 1955-1957, n.d.
Arrow Music Press Inc.
American Music Center, Inc.
Background
Bank Books
Bank Statements
Catalogs
Checks
Check Stubs
Contracts, 1930-1956
Arrow Music Press
Associated Music Publishers & Co., 1941-1960
Barrios, Hilliard, Sain, & Co., 1949-1957
Boosey & Hawkes, Inc., 1944-1962
Broadcast Music, Inc., 1947-1957
Cone, Herbert A., 1954-1955
Engel, Lehman, 1940-1957
Harold Flammer, Inc., 1938-1940
Ives, Harmony T., 1950-1956
Weissberger, L. Arnold, 1948-1952
Weissberger & Frosch, 1953-1957
"Cos Cob Press and the American Composer" by Carol Oja
Deposit Receipts
Financial Statements
Arrow Music Press, Inc.
List of Composers
Production Expenditures
A-B
Boosey & Hawkes
Broadcast Music, Inc.
D-G
H-K
L-P
R-S
T-W
Tax Records
Arts Club of Chicago, 1930
Asociación Interamericana de Música (A.I.M), 1955-1957, n.d.
Associated Musicians of Greater New York, 1966
BMG Music See: Radio Corporation of America BOX: xxx
Ballet Russe de Monte Carlo, 1942-1949
Ballet Theatre (Ballet Caravan)
Contracts, 1938-1964
Correspondence, 1938-1969
Basil Douglas, Ltd.
Belock Recording Co. See: Everest Records BOX: xxx
Belwin Mills Publishing Corp., 1940-1987
Berkshire Music Center See: Tanglewood BOX: xxx
Berkshire Music Festival See: Tanglewood BOX: xxx
Bernays & Eisner See: Friedman, Abraham BOX: xxx See: Koussevitzky Music Foundation, Inc. BOX: xxx
Black, Mrs. Charles W., 1951
Boosey & Hawkes, Inc.
Biography
Bulletins
Clippings, 1964-1971
Contracts
Copland, Aaron
1941 [Jan.-May]
1941 [June-Dec.]
1942 [Jan.-Aug.]
1942 [Sept.-Dec.]
1943 [Jan.-Mar.]
1943 [Apr.-Dec.]
1944 [Jan.-June]
1944 [July-Dec.]
1946 [Jan.-June]
1946 [July-Dec.]
1947 [Jan.-July]
1947 [Aug.-Dec.]
1948 [Jan.-July]
1948 [Aug.-Dec.]
1949 [Jan.-July]
1949 [Aug.-Dec.]
1951 [Jan.-Mar.]
1951 [May-Dec.]
1952 [Jan.-July]
1952 [Aug.-Dec.]
1955 [Jan.-June]
1955 [July-Dec.]
1962 [Jan.-Aug.]
1962 [Sept.-Dec.]
1963 [Jan.-June]
1963 [July-Dec.]
1964 [Jan.-Apr.]
1964 [May-Sept.]
1964 [Oct.-Dec.]
1965 [Jan.-July]
1965 [Aug.-Dec.]
1966 [Jan.-July]
1966 [Aug.-Dec.]
1967 [Jan.-July]
1967 [Aug.-Dec.]
1968 [Jan.-July]
1968 [Sept.-Dec.]
1971 [Jan.-June]
1971 [Sept.-Dec.]
1972 [Jan.-Aug.]
1972 [Sept.-Dec.]
1973 [Jan.-July]
1973 [Aug.-Dec.]
1975 [Jan.-May]
1975 [June-Dec.]
1979 [Jan.-Mar.]
1979 [Apr.-Dec.]
1983 [Jan.-July]
1983 [Aug.-Dec.]
1986 [Jan.-Aug.]
1986 [Sept.-Dec.]
1987 [Jan.-Aug.]
1987 [Sept.-Dec.]
1988 [Jan.-May]
1988 [July-Dec.]
Undated
Invitations
Lists
Materials for Works
Performances
Scores to be Sent
Works in Libraries
Memos
Newsletters
Budapest, 1969
London, 1968-1990
New York, 1944-1986
Paris, 1960-1964
Notes, 1951-1977
Performance Surveys of Orchestras
Program Notes
Promotional Material
Receipts
Score Corrections
Appalachian Spring - Dance Symphony
Emblems Orchestral Score - Orchestral Variations
Piano Concerto - Third Symphony, untitled
Boston Musica Viva, 1979, 1988
Boston Symphony Orchestra
Programs See also: Tanglewood BOX: xxx
Boston University, College of Music, 1952
Bozell & Jacobs, Inc., 1981
Brandeis University, 1955-1980
British Broadcasting Co. (BBC), 1958-1986
Britten Estate, 1980-1981
CBS See: Columbia Broadcasting Systems (CBS) BOX: xxx
C. C. Birchard and Company
Contract, 1937
Correspondence, 1937-1939, n.d.
C-C Clubs, Inc. See: Concert Hall Society, Inc. BOX: xxx
Carl Fischer, Inc., 1935-1987
Century Association, The, 1967-1985
Chappell and Co., Inc., 1943
Charles Ives Society, Inc.
Correspondence, 1966-1984
Essays
Ives Review
Miscellaneous, 1939-1981
Charles Scribner's Sons, 1966
Chelsea House Publishers, 1967
Civic Films, Inc., 1939-1950
Columbia Artists Management
Columbia Broadcasting System (CBS), 1936-1976
Columbia Broadcasting System (CBS) / Columbia Records
Contracts, 1935-1986
Royalty Statements, 1935-1988
Columbia Gramophone Company, Ltd., 1936
Columbia Pictures Publication, 1962-1969 See: Belwin Mills Publishing Corp. BOX: xxx
Columbia University, 1962-1969
Commonwealth Fund, 1956-1964, n.d.
Composers' Forum, 1940-1966
Composers Recordings, Inc., n.d.
Concert Hall Society, Inc. 1947-1960
Concerts Management (London) Ltd., 1958
Copland School of Music, Queens College, 1981-1985
Copland-Sessions Concerts of Contemporary Music
Article, "A Chronicle of Copland-Sessions..." by Carol Oja
Clippings, 1928-1931
Correspondence, 1928-1988
Cos Cob Press See: Arrow Music Press BOX: xxx
Crescent Productions, Inc., 1943
Cuban-American Music Group
Correspondence, 1944-1946
Publications
Curtis Publishing Company, 1959
Czech Music Foundation, 1965-1968
Decca Record Company, Ltd., 1948-1959
de Mille, Agnes, [Tragic Ground], 1945, n.d. See also: Correspondence, Personal BOX: xxx
Department of State See: United States Government BOX: xxx
Doubleday & Co., Inc.
Contracts, 1959, n.d.
Correspondence, 1940-1979
Royalty Statements, 1961-1988
Durand & Cie., 1950
E. C. Schirmer Music Co.
Correspondence, 1940-1965
Royalty Statements, 1932-1976
E. P. Dutton & Company, n.d.
Éditions Maurice Senart, 1922
Éditions Salabert, Inc., 1942-1976
Edward MacDowell Association, Inc.
Announcements, 1953
Annual Reports, 1957-1958
Applications
Articles, 1962-1981
Alphi Chi Omega; Care and Feeding of Artists
A history of the MacDowell Colony
Story of the MacDowell Colony
Personal Notes of Artists, 1963
Certificate of Incorporation and By Laws, 1959-1960
Charts: Artists in Residence, 1948-1968
Clippings
Hale, Kay & Grant and Meyerson, 1961-1965
Keene Publishing Corporation, 1961-1968
Kendall, George
MacDowell, Mrs. Edward
MacDowell Colony
1963 [Jan.-May.]
1963 [June-Dec.]
1964 [Jan.-July]
1964 [Aug.-Dec.]
1965 [Jan.-Aug.]
1965 [Sept.-Dec.]
1968 [Jan.-May]
Ruder & Finn, 1963-1968
Security First National Bank, 1964
Financial Records
Income & Expenses, 1960-1966
Income & Expense Projections, 1962-1967
Miscellaneous, 1962-1967
Security Holdings, 1958-1966
Financial Reports
Fund Raising Survey, 1961
Investment, 1966-1968
Financial Statements, 1962-1966
Maps
Meetings, 1956-1968
Memos, 1962-1980
Newsletter: Colony, 1979
Peterborough
Programs, 1963-1981
Reply Cards
Reports, 1952, 1980-1981
Speeches, 1961-1971
Edwin A. Fleisher Music Collection, 1940-1951
Everest Records
Contracts, 1958-1960
Royalty Statements, 1959-1978
Everett, Horace See: Johns, Erik BOX: xxx
Festival of Contemporary Music See: Yaddo (Festival of Contemporary Music) BOX: xxx
Fisk University Library, 1945
Fontainebleau School of Music, Summer Session, 1982
Ford Foundation, 1959-1979
Friedman, Abraham (Bernays & Eisner)
Fromm Foundation (Paul Fromm)
G. Schirmer, Inc., 1965-1985
General Learning Corporation, 1971-1977
George Enescu Society of the United States, 1986
Group Theatre, 1939, [Quiet City]
H. W. Gray Co., Inc. See: Belwin Mills Publishing Corp. BOX: xxx
Harvard University
Correspondence, 1951-1952, 1965
Pamphlets
Harvard University Press
Contracts, 1952, 1964
Correspondence, 1953-1981
Royalty Statements, 1953-1988
Hewlett-Woodmere Public Schools, 1975
Independent Citizens' Committee of the Arts, Sciences and Professions, Inc., 1946
Institute of Contemporary Arts, 1959
Inter-American Foundation for the Arts, 1965
Inter-American Music Center See: Pan American Union BOX: xxx
International Society for Contemporary Music (ISCM)
Committees, 1955-1958, n.d.
Correspondence, 1948-1966, n.d.
Minutes, 1955-1958
International Television Trading Corp., 1986
John F. Kennedy Center for the Performing Arts, 1978-1982
John Simon Guggenheim Memorial Foundation
Annual Reports, 1971-1978
Correspondence, 1925-1973
Johns, Erik, 1986
Juilliard School, 1975-1984
Kiesgen et Giovanna, Bureau International de Concerts, 1929
Koussevitzky Music Foundation, Inc.
Agenda
Catalogs of Commissioned Works
Certificate of Incorporation and By-Laws
Clippings, 1968-1979
Contracts, 1949-1951
Bernays & Eisner, 1956-1969
Koussevitzky Recordings Society, 1987-1989
Library of Congress, 1950-1979
University of Rochester, 1945-1962
Financial Statements, 1944-1978
Lists of Commissions
Lists of Suggested Composers
Memos, 1960-1979
Minutes, 1944-1970
Notice of Meetings, 1951-1974
Proposals
Will, Olga Koussevitzky, 1970
League of Composers, Inc.
Administrative Records, 1934-1941
Dinner in honor of Serge Koussevitzky
International Society for Contemporary Music (ISCM), 1953-1970
Leonard Bernstein Foundation, Inc., 1958-1988
Library of Congress
Inventory of Compositions
Manuscripts Disposition Records
Lili Boulanger Memorial Fund, Inc., 1949-1980
Lincoln Center for the Performing Arts, Inc.
Conferences, 1956
Loew's Incorporated, 1946
Marc Blitzstein Memorial Foundation, Inc., 1964
Masada, Youth Zionist Organization of America, 1937
M.C.A. Artists Ltd. (affiliate of Music Corporation of America)
Contracts, 1939-1954
McGraw-Hill Book Company, Inc.
Contracts, 1937-1988
Mercury Theatre, 1938-1941
Metro-Goldwyn-Mayer Pictures, 1946
Modern Music
Contracts, 1965-1966
Lederman, Minna "Mink" (Mrs. Mell Daniel)
From Aaron Copland, 1944-1973, n.d.
To Aaron Copland
Music Corporation of America See: M.C.A. Artists, Ltd. BOX: xxx
Music Educators National Conference, 1942
Music Project for Television, 1981
National Association for American Composers and Conductors, 1964
National Association of Educational Broadcasters Radio Network, n.d.
National Broadcasting Company, Inc., 1956-1974
National Council of American-Soviet Friendship, Inc.
National Council of the Arts, Sciences, and Professions, 1949
National Educational Broadcasting Corporation, 1962-1970
National Endowment on the Arts
Correspondence, 1967-1968, n.d.
National Foundation on the Arts and Humanities, 1966-1967
National Institute of Arts and Letters
National Music Council, Inc.
Correspondence, 1939-1942
New Music Editions, A Quarterly Publishing Modern Compositions, 1928, 1941
New School for Social Research, 1928-1975
New York Philharmonic
Contracts, 1972-1980
New York Public Library, 1979
New York State Council on the Arts, 1971-1974
New York World's Fair, 1939
Norris, Frank See: Black, Mrs. Charles W. BOX: xxx
Ojai Festival, 1956, 1986
Ossabaw Island Project, 1961-1969
Paderewski Fund for the Encouragement of American Composers, 1952
Page, Ruth, [Hear Ye! Hear Ye!], 1934
Pan American Union (Inter-American Music Center), 1942-1967
Paramount Pictures Corporation, 1966
Paterson Management Limited, 1965
People's Songs, Inc., 1947
Phonographic Performance Limited, 1982, 1989
PolyTel Film Ltd., 1980
Prentice-Hall Media, Inc. / Schloat Productions
Correspondence, 1969, 1971
Royalty Statements, 1971-1982
Principal Artists Productions, 1940
Prometheus Enterprises, Inc., [Something Wild], 1961
Pulitzer Prize Advisory Board, 1966-1972
Radio Corporation of America (RCA Records)
Correspondence, 1948-1953
Republic Productions, Inc., 1948
Riggs, Lynn See: de Mille, Agnes BOX: xxx
Rockefeller Foundation
Annual Reports, 1968, 1970-1971
Correspondence, 1963-1982
St. Martin's Press, Inc., 1982-1987
Schloat Productions See: Prentice-Hall Media, Inc. / Schloat Productions BOX: xxx
Schott's Sons, 1927, 1930-1988
Sessions, Roger See: Copland-Sessions Concerts of Contemporary Music BOX: xxx
Silver Burdett Company, 1963-1980
Smith, Oliver See: de Mille, Agnes BOX: xxx
Songwriters' Protective Association
Contracts, 1956-1958
Correspondence, 1955-1958
Springate Corporation, 1974-1986
Summy-Birchard Company, 1938-1979 See also: C. C. Birchard and Company BOX: xxx
Tanglewood (Berkshire Music Center, Berkshire Music Festival)
Artist Information
Composition Department
Applicants, 1940-1964
Completed Applications, 1958
Classroom Teaching Materials
Composer Catalogues
Departmental Memos
Formal Analysis
Notes, 1961
Contracts, 1970-1980
Berkshire Music Center
Fromm, Paul, 1956-1971
Departmental Announcements
Faculty and Staff Lists
Faculty Board Notes
Festival Calendar of Events
Forums
Fromm Concerts and Players
Fromm Music Foundation
Happenings
Opening Exercises [remarks by Copland]
Programs, 1947-1960
Promotional
Reports
Scholarships
Student Lists, 1940-1963
Symposium Programs
Tanglewood Talks, 1940-1942
Television Productions of America, Inc., 1965
Thea Dispeker Artists' Representative
Theatre Guild, 1931
Thorne Music Fund, Inc., 1967-1968
United States Government
Committee for Inter-American Relations
Universal-Edition, 1932
Universidad de Chile
Correspondence, 1943-1944
University of Oklahoma, 1958-1959
University of Rochester, 1969-1979
Vanguard Recording Society, Inc., (West Projects, Inc.), 1960-1983
Walter W. Naumberg Foundation, Inc.
Warren Schloat Productions See: Prentice-Hall Media, Inc. / Schloat Productions BOX: xxx
Watts, Schuyler See: de Mille, Agnes BOX: xxx
West Projects, Inc. See: Vanguard Recording Society, Inc. BOX: xxx
WGBH Educational Television, 1965
Whittlesey House See: McGraw-Hill Book Company, Inc. BOX: xxx
William Morris Agency, 1955
WNCN Radio, 1968-1970
WNDT Educational Broadcasting Corporation, 1967-1968
Workers' Music Association Ltd., 1944-1954
World Law Fund, n.d.
World Peace Conference, 1949
W. W. Norton & Company, 1957-1981
Yaddo (Festival of Contemporary Music)
Conferences
Correspondence, 1932-1987
Engagements, 1917-1983
1917 Feb. 28, John Wanamaker, New York
1918 Jun. 21, Boy's High School
1927 Jan. 28 to 1927 Jan. 29, Boston Symphony
1927 Feb. 3, Boston Symphony (BSO in New York)
1928 Dec. 17, New School for Social Research
1929 Jan. 27, Cleveland Museum of Art
1929 Apr. 25, League of Composers / Metropolitan Opera House
[c.1933] Mar. 16, Pierre Degeyter Club
1934 Apr. 8, League of Composers
1934 May 11, Pierre Degeyter Club [lecturer]
1935 Dec. 7, Town Hall
1936 Dec. 9, Hotel Delano / League of American Writers [lecturer]
1937 Feb. 3 to 1937 Apr. 7, New School
1938 Feb. 23, High-Low Concerts / Hotel St. Regis
1938 May 27, Westminster Choir School [unclear whether AC participated]
1938 Nov. 30, Bronxville Women's Club
1939 Feb. 18, Brooklyn Museum
1939 Apr. 19, Bowdoin College
1940 Jan. 11, Brooklyn Institute of Arts and Sciences
1940 Jan. 12, Pro Musica, Inc.
1940 Dec. 5, High School of Music and Art Steigman, Benjamin M. (4,0)
1940 Dec. 12, South Orange-Maplewood Adult School [lecturer]
1941 Jan. 6, Allentown Musical Club
1941 Aug. 19 to 1941 Dec. 13, Latin America
1942 Feb. 18, Octave Club [lecturer]
1942 Nov. 30, Town Hall
1943 Feb. 17, Town Hall Music Forum
1943 Mar. 28, University of Redlands [lecturer]
1944 Apr. 11, University of Chicago [lecturer]
1944 May 3 to 1944 May 31, Harvard University [year is estimated]
1944 Oct. 30, Library of Congress [Appalachian Spring premiere]
1945 Feb. 22, WNYC, American Music Festival
1947 Aug. 14 to 1947 Nov. 28, Latin America
1948 Apr. 5, League of Composers
1948 Sept. 22, Ballet Russe de Monte Carlo / Metropolitan Opera House
1948 Nov. 4 to 1948 Nov. 16, University of California, Los Angeles [lecturer]
1948 Dec. 19, Modern Institute of Art
1949 Feb. 24, Composers' Forums [moderator]
1949 May 14, England / United Kingdom
1949 Oct. 17, Wellesley College [conference participant]
1950 Apr. 12, Julius Hartt Musical Foundation
1950 Apr. 20, Women's City Club of New York
1950 May 18 to 1950 May 21 Columbia University / Festival of Contemporary Music
1950 Oct. 7, Griffith Music Foundation
1950 Oct. 26, Agnes Scott College
1950 Nov. 9, Toronto Conservatory
1950 Nov. 30, New England Conservatory
1951 Feb. 15 to 1951 Mar. 31, Europe: Italy
1951 Apr. 13, Israel
1951 Jun. 2, Italy
1951 Nov. 13 to 1952 May 15, Harvard University / Norton Lectures
1952 Apr. 29, Dartmouth College
1952 May 16, Queens College
1952 May 28, Academy of Arts and Letters
1952 Nov. 2, New Friends of Music
1953 Apr. 27, George Peabody College
1953 Aug. 31, Mexico
1954 Mar. 20, International Society for Contemporary Music
1954 Apr. 30, Europe: Switzerland / London
1954 May 12, Boston University College of Music
[1954 Nov. 28?] Latin America: Venezuela
1955 Jan. 18, Baltimore Museum of Art
1955 Feb. 17, Oberlin College
1955 Mar. 8, Town Hall
[1955 Apr. 18 to 1955 Nov. 30?] Europe [2 trips]
1956 Jan. 11, National Symphony
1956 Jan. 12, Institute of Contemporary Arts / Corcoran Gallery
[1956 Jan. 14?] Mills College
1956 Jan 15, Stanford University
1956 Jan. 16, University of California, Berkeley
1956 Jan. 17, San Francisco Museum of Art
1956 Jan. 21, Vancouver Symphony
1956 Mar. 15, City College of New York
1956 Mar. 27, Institute of Contemporary Arts, Corcoran Gallery
1956 Jul. 21, Chicago Symphony / Ravinia Festival Association
1956 Dec. 6, Harvard Law School
1957 Jan. 30, New School
1957 Feb. 2, Institute of Contemporary Arts / Corcoran Gallery
1957 Feb. 3, University of Pennsylvania, Philadelphia
1957 Mar. 28, Latin America / Festivales de Musica Latinoamericana de Caracas
1957 Apr. 24, Cornell University
1957 Apr. 28, Ford Hall Forum
1957 May 24 to 1957 May 26, Ojai Festival
1957 Jun. 8, Brandeis University
1957 Oct. 10 to 1958 Jan. 16, University of Buffalo
1958 Jan. 30, New York Philharmonic
1958 Feb. 1, New York Philharmonic / Young People's Concerts [contract]
1958 Feb. 13, Illinois Wesleyan University
1958 Feb. 16, Washington University
1958 Feb. 21, Northwestern University
1958 Mar. 1, International Society for Contemporary Music / Fromm Music Foundation
1958 Mar. 2, University of Iowa, Cedar Rapids
1958 Mar. 6, University of Chicago
1958 Mar. 9, University of Wisconsin, Milwaukee
1958 Mar. 6, Canadian Music Association (Ontario)
1958 Apr. 13, Chamber Music Society of Baltimore
1958 Apr. 19, University of Louisville
1958 May 23 to 1958 May 25, Ojai Festival
1958 Jun. 9, Oberlin College
1958 Aug. 20, Europe: Dartington Hall Festival / Copenhagen / Stuttgart
1958 Dec. 15, Little Orchestra Society [clippings only]
1959 Jan. 2, St. Louis Symphony
1959 Jan. 13, Brandeis University Club / Hunter Playhouse [program only]
1959 Jan. 24, Academy of Music [clippings only]
1959 Jan. 29, Composers' Forums [clippings only]
1959 Apr. 10, Boston Symphony
1959 Apr. 19, Syracuse University [clippings only]
1959 May 4, Temple University [clippings only]
1959 Jun. 14, Boston Symphony [clippings only]
1959 Jun. 22, WQED & WQEX-Pittsburgh
[1959 Jun. 23 to 1959 Jul. 12?] Festival of Two Worlds; Spoleto [clippings only]
1959 Jul. 26, Boston Symphony / Tanglewood, Berkshire Festival
1959 Sept. 1, Princeton University
1959 Sept. 7 to 1959 Sept. 12, Edinburgh Festival [clippings only]
1959 Oct. 9 to 1959 Oct. 10, Carnegie Institute of Technology
1959 Nov. 19 to 1959 Nov. 21, Boston Symphony
1959 Dec. 20, Columbia Symphony Orchestra / Town Hall [pianist with Barber, Sessions, Foss and conductor for Les noces]
1960 Jan. 1 to Jan. 5, Boston Symphony
1960 Jan. 11, Dallas Symphony
1960 Jan 11, North Texas State College
1960 Feb. 5, National Orchestral Association
1960 Mar. 14, Soviet Union
1960 Apr. 11 to 1960 Apr. 24, London: London Symphony / BBC
1960 Apr. 26, Goucher College
1960 Apr. 29 to 1960 Jun. 17, Far East / Boston Symphony
1960 Jun. 22, Europe
1960 Aug. 13, Boston Symphony [contract only]
1960 Aug. 15 to 1960 Aug. 24, Aspen Music Festival
1960 Sept. 2, Symphony of the Air
1960 Nov. 7 to 1960 Nov. 13, New York Philharmonic / Young People's Concerts
1961 Jan 10, New Orleans Symphony
1961 Jan. 26 to 1961 Feb. 2, Composers' Showcase / Museum of Modern Art
1961 Feb. 13, New York Philharmonic
1961 Feb. 23, University of Massachusetts, Amherst
1961 Mar. 2, Dumbarton Oaks
1961 Mar. 11 to 1961 Mar. 12, Tri-City Symphony
1961 Mar. 24, University of Arizona, Tucson
1961 Mar. 26, Temple Beth Israel Forum
1961 Apr. 19, Peabody Institute
1961 Apr. 20, University of Delaware
1961 Apr. 23, WJR-Detroit / Detroit Adventure
1961 Apr. 25, Inter American Festival / Centro Interamericano de Musica
1961 Apr. 27, Brandeis University
1961 Apr. 28, Wayne State University
1961 May 6, Ann Arbor May Festival / Philadelphia Orchestra
1961 May 7, Contemporary Concerts Inc., Chicago
1961 May 11 to 1961 Jun. 12, Europe: United Kingdom / Yugoslavia / Spain
1961 Jun. 28, Boston Symphony / Tanglewood, Berkshire Festival [contract only]
1962 Jan. 15, Seattle Symphony [contract only]
1962 Jan. 21, Vancouver Symphony
1962 Feb. 1 to 1962 Feb. 7, Japan
1962 Feb. 8 to 1962 Mar. 1, England / United Kingdom
1962 Jun. 15, CBC
1962 Jul. 7 to 1962 Jul. 11, Chicago Symphony / Ravinia Festival Association
1962 Jul. 15 to 1962 Aug. 6, Latin America
1962 Sept. 23, New York Philharmonic
1962 Oct. 3 to 1962 Oct. 5, Educational Broadcasting
1962 Oct. 10, Mount Holyoke College
1962 Nov. 9, United States Information Agency
1963 Feb. 13, Wellesley College
1963 Feb. 2, Naumberg Memorial Lecture / Rutgers University
1963 Mar. 14, University of Hartford / Hartt College of Music
1963 Mar. 27, Festival of Contemporary Music / University of Michigan,
1963 Mar. 30, San Antonio Symphony
1963 Apr. 5 to 1963 May 11, Europe: London / Germany / Italy
1963 Jun. 29 to 1963 Jul. 28, Tanglewood, Berkshire Festival
1963 Sept. 9 to 1963 Oct. 20, Latin America
1963 Nov. 18 to 1963 Dec. 17, Europe: Germany
1964 Jan. 9, New York Philharmonic
1964 Feb. 3, University of Cincinnati
1964 Feb. 6, Syracuse University
1964 Feb. 8, New York Philharmonic / Young People's Concerts
1964 Mar. 4 to 1964 Mar. 8, Portland Junior Symphony
1964 Apr. 20, Goucher College
1964 May 4 to 1964 May 5, University of Rhode Island
1964 May 7, New York Philharmonic
1964 May 14 to 1964 Jun. 19, Europe: England / Paris / Amsterdam
1964 Jun. 11, Centre Culturel Americain
1964 Jul. 16, Stadium Concerts, Inc.
1964 Jul. 23, Chicago Symphony / Ravinia Festival
1964 Aug. 3 to 1964 Aug. 16, Tanglewood / Berkshire Festival
1964 Oct. 25, Sarah Lawrence College
1964 Oct. 31, Library of Congress
1964 Nov. 13, Educational Broadcasting
1964 Dec. 3, Rochester Philharmonic
1964 Dec. 5, Chicago Symphony
1964 Dec. 14, Chatham College
1964 Dec. 18, Pittsburgh Symphony
1965 Mar. 3, Vassar College
1965 Mar. 10, New England Conservatory
1965 Apr. 9, Boston Symphony
1965 Apr. 19, Voice of America
1965 Apr. 25, Inter-American System
1965 May 5 to 1965 May 7, Newton Public Schools
1965 May 17to 1965 May 23, Kalamazoo College
1965 Jul. 6, Chicago Symphony / Ravinia Festival
1965 Jul. 28, New York Philharmonic
1965 Aug. 8 to 1965 Aug. 22, Tanglewood / Berkshire Festival
1965 Aug. 24 to 1965 Aug. 28, New York Philharmonic [contract only]
1965 Aug. 31, Southern California Symphony / Hollywood Bowl
1965 Sept. 28, Yale University
1965 Sept. 30 to 1965 Nov. 14, Europe: United Kingdom / Italy / Poland
1965 Nov. 26, Cleveland Orchestra
1966 Jan. 24, University of Utah, Salt Lake City [honorary doctorate given]
1966 Jan. 25, Utah Symphony
1966 Feb. 21, California State College / California Chamber Symphony
1966 Feb. 23, Stanford University
1966 Mar. 2, Musica Viva Series / San Francisco Symphony
1966 Mar. 8, Baltimore Symphony Orchestra / Salisbury State College
1966 Mar. 10, Johns Hopkins University
1966 Mar. 24, CBC
1966 Mar. 25, Indiana State College / Indiana University of Pennsylvania
1966 Mar. 28 to 1966 Apr. 1, Inter-American Music Festival
1966 Apr. 4, International House
[1966 Apr. 20?] Instituto Nacional de Cultura y Bellas Astes / Music Festival of Caracas
1966 Apr. 21, Philadelphia Art Alliance
1966 Apr. 21, Swarthmore College
1966 Jul. 15, New York Philharmonic
1966 Aug. 18, Daytona Beach Festivals / London Symphony Orchestra
1966 Sept. 16, Japan: Nippon Columbia Musical Enterprise / Yomiuri-Nippon Symphony [2 more concerts also Sept. 21 and Sept. 27]
1966 Oct. 13 to 1966 Oct. 14, Library of Congress
[1966 Dec. 2?] Westchester Symphony Orchestra [date is approximate]
1967 Jan. 6, Minnesota Orchestra
1967 Jan. 20, St. Paul's School
1967 Jan. 28 to 1967 Feb. 4, Musica Viva Series / San Francisco Symphony
1967 Feb. 21, National Symphony
1967 Feb. 23, Woman's National Democratic Club
1967 Mar. 12, Concert Artists Guild
1967 Mar. 28, Juilliard School
1967 Apr. 4, State University of New York, Buffalo
1967 Apr. 6, Jacksonville University
1967 Apr. 8, University of Miami
1967 Apr. 20, St. Mark's School
1967 May 4, University of Chicago
1967 May 6, Interlochen Arts Academy, National Music Camp
1967 May 9, Oberlin College
1967 May 20, University of Chicago
1967 Jul. 9, Goldman Band / Guggenheim Memorial Concerts
1967 Aug. 8, Dartmouth College
1967 Aug. 22, Southern California Symphony / Hollywood Bowl
1967 Sept. 16 to 1967 Oct. 23, Europe: London / Vienna / Italy
1968 Jan. 23, Fulton County Schools
1968 Jan. 25, Atlanta Symphony
1968 Feb. 17, Richmond Professional Institute / Richmond Symphony
1968 Mar. 21, National Arts Club
1968 Mar. 24, State University of New York (SUNY), Downstate Medical Center
1968 Apr. 3, Montclair State College
1968 Apr. 21 to 1968 Apr. 28, Buffalo Philharmonic
1968 May 14, Latin America
1968 May 16, Collegiate School
1968 May 16, Rockefeller University
1968 May 24, Fellowship of Reconciliation
1968 Jun. 10 to 1968 Jun. 15, Musica Viva Series / San Francisco Symphony
1968 Jun. 25, New York Philharmonic
1968 Jul. 23, Chicago Symphony / Ravinia Festival
1968 Jul. 24, Civic Orchestra of Chicago
1968 Aug. 17, Cleveland Orchestra
1968 Aug. 23, Boston Symphony
1968 Oct. 20 to 1968 Oct. 31, London
1968 Dec. 11, Congregation B'nai Jeshurun
1968 Dec. 19 to 1969 Jan. 6, Israel
1969 Jan. 22, Hartford Symphony
1969 Feb. 4, Composers' Showcase
1969 Feb. 11, National Symphony
1969 Feb. 19, Civitas Club of Brooklyn
1969 Feb. 27, University of Houston
1969 Mar. 3, Houston Symphony
1969 Mar. 5, Drake University
1969 Mar. 15 to 1969 Mar. 22, Hudson Valley Philharmonic
1969 Mar. 30, Sang Prize
1969 Apr. 7, Jewish Community Center of Baltimore
1969 Apr. 9 to 1969 Apr. 10, Baltimore Symphony Orchestra
1969 Apr. 16, Hofstra University
1969 Apr. 23, State University of New York (SUNY), Stony Brook
1969 May 1, Syracuse University
1969 May 16, Pittsburgh Symphony
1969 Jun. 1, Peabody Institute
1969 Jun. 19, Garden State Arts Center / New York Philharmonic
1969 Jun. 28, Temple University / Zagreb Philharmonic
1969 Jul. 23 to 1969 Jul. 25, Stratford Festival
1969 Sept. 20, Louisville Orchestra / 'Downtown Salutes the Arts'
1969 Sept. 25, Detroit Symphony
1969 Oct. 29, New York Philharmonic / Young People's Concerts
1969 Nov. 7 to 1969 Nov. 25, Europe: Baden-Baden / Budapest / Bucharest / London [Budapest was just a visit]
1970 Jan. 30, Yale University
1970 Feb. 21, Charlotte Symphony
1970 Feb. 22, Plymouth Congregational Church
1970 Feb. 26, KSTP-Minneapolis
1970 Feb. 26, Minnesota Orchestra
1970 Mar. 15, Chamber Music Society of Baltimore
1970 Mar. 20, Toledo Orchestra
1970 Mar. 31, Ohio State University
1970 Apr. 1, Columbus Symphony / Ohio State University [lecture at OSU]
1970 Apr. 7, University of Chicago
1970 Apr. 9, Chicago Symphony
1970 Apr. 23, St. Louis Symphony
1970 Apr. 26, Cornell College
1970 May 20, Rochester Philharmonic
1970 Jul. 9 to 1970 Jul. 12, Interlochen Arts Academy
1970 Jul. 10, Phi Mu Alpha Sinfonia Fraternity
1970 Jul. 24 to 1970 Jul. 28, Tanglewood / Berkshire Festival
1970 Aug. 1, Cleveland Symphony / Blossom Festival
1970 Aug. 9, WCLV-Cleveland [video on Copland's works]
1970 Aug. 13, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl
1970 Aug. 14, Los Angeles County Museum of Art
1970 Sept. 28 to 1970 Oct. 8, Germany
1970 Oct. 29, New York Philharmonic
1970 Nov. 11, London Symphony Orchestra
1970 Nov. 18, New York University
1970 Nov. 19 to 1970 Nov. 25, Juilliard School / Albert Schweitzer Chair in the Humanities
1971 Jan. 16, Huntington High School
1971 Jan. 26, DePauw University
1971 Jan. 28, University of Wisconsin, Milwaukee
1971 Jan. 30, Milwaukee Symphony
1971 Feb. 9, Hunter College
1971 Mar. 11, North Carolina School of the Arts
1971 Mar. 17, University of Hartford / Hartt College of Music
1971 Apr. 17, Empire Sinfonietta / WPIX-New York [studio test]
1971 Jun. 17, New York Philharmonic
1971 Jun. 26 to 1971 Jul. 12, Europe: France / United Kingdom
1971 Jul. 28, University of Toronto
1971 Aug. 9, Harvard University
1971 Oct. 17, Evansville Philharmonic
1971 Oct. 31, Cornell University
1971 Nov. 13, Kansas State University, Manhattan
1971 Nov. 16, Ottawa University
1971 Dec. 16, Empire Sinfonietta
1972 Feb. 15, West Virginia University
1972 Mar. 1, Jacksonville University
1972 Mar. 2, University of Florida, Gainesville
1972 Mar. 13 to 1972 Mar. 19, Mexico
1972 Mar. 22, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl
1972 Apr. 3, University of Texas, Austin / Walter Prescott Webb Symposium
1972 Apr. 20, University of Nebraska, Lincoln
1972 Apr. 30, Queens College [concert cancelled]
1972 May 31 to 1972 Jun. 2, London: New Philharmonic / BBC
1972 Jul. 1, Grant Park Concerts
1972 Jul. 3, Civic Orchestra of Chicago
1972 Jul. 29, St. Louis Symphony / Mississippi River Festival
1972 Aug. 8, WJR-Detroit
1972 Aug. 10, Detroit Symphony / Meadow Brook
1972 Aug. 23, University of Hartford / Hartt College of Music
1972 Sept. 25, Denver Symphony
1972 Sept. 27, University of Colorado, Boulder
1972 Nov. 3, Johns Hopkins University / Milton S. Eisenhower Symposium
1972 Nov. 11, Austin Symphony Orchestra / University of Texas, Austin
1972 Nov. 19, Indiana University
1972 Nov. 30, University of British Columbia
1972 Dec. 1, Vancouver Symphony
1973 Feb. 11, United States Air Force Band
1973 Feb. 14, Skidmore College
1973 Feb. 26, Indiana Central College
1973 Mar. 3, St. Paul Chamber Orchestra
1973 Mar. 16, CHCH-TV-Hamilton / Hamilton Philharmonic / McMaster University
1973 Apr. 1, University of Arizona, Tucson
1973 Apr. 4, Staten Island Community College
1973 Apr. 29, University of Kansas, Lawrence / Symposium of Contemporary American Music
1973 May 3, Music Educators National Conference (MENC): Southern Division
1973 Jun. 1, New York Philharmonic
1973 Jun. 23, Grant Park Concerts
1973 Jun. 25, Civic Orchestra of Chicago
1973 Aug, 18, St. Louis Symphony / Mississippi River Festival
1973 Sept. 22 to 1973 Oct. 29, Europe: Budapest / Ankara, Istanbul / Prague / Madrid
1973 Dec. 3, Columbia University
1974 Jan 16., University of Cincinnati
1974 Jan. 18, Cincinnati Symphony
1974 Feb. 5, National Symphony
1974 Feb. 7, United States Information Agency
1974 Feb. 7, Woman's National Democratic Club
1974 Feb. 20, Columbia University
1974 Mar. 1, Indianapolis Symphony
1974 Mar. 23, Buffalo Philharmonic
1974 Mar. 26, State Univerisity of New York (SUNY), Buffalo
1974 Mar. 30, Brooklyn Philharmonia
1974 May 2, Rochester Philharmonic
1974 May 13, Phoenix Symphony
1974 May 19, Educational and Cultural Fund of the Electrical Industry
1974 Jul. 21, Boston Symphony / Tanglewood / Berkshire Festival
1974 Aug. 9 to 1974 Aug. 25, United Kingdom: International Festival of Youth / University of Keele
1974 Oct. 10, National Symphony
1974 Nov. 4, Cleveland Orchestra / "Copland Week"
1974 Nov. 21, University of San Diego
1974 Nov. 24, California Chamber Symphony
1974 Nov. 29, Honolulu Symphony
1975 Feb. 19 to 1975 Mar. 3, San Salvador
1975 Mar. 13, Western Connecticut State College
1975 Mar. 16, Syracuse University
1975 Mar. 21, Syracuse Symphony
1975 Apr. 5, John F. Kennedy Center for the Performing Arts
1975 Apr. 14, University of Delaware
1975 Apr. 15, Princeton University
1975 May 1, Dallas Symphony
1975 May 2, Dallas Baptist College
1975 May 5, California State University, Northridge
1975 May 7, California State University, Sacramento
1975 May 10, California Chamber Symphony
1975 May 10, University of Southern California
1975 May 14, Muncie Symphony Orchestra / Ball State University
[1975 May 20?] Brooklyn College [date is approximate]
1975 Jul. 4, Minnesota Orchestra
1975 Jul. 5, University of Minnesota / High School Musician's Project
1975 Jul. 12 to 1975 Jul. 22, Aspen Music Festival
1975 Jul. 26, National Symphony
1975 Aug. 19, Boston Symphony / Tanglewood / Berkshire Festival
1975 Aug. 31 to 1975 Oct. 4, Europe: Copenhagen / Paris / United Kingdom
1975 Nov 1. to 1975 Nov. 7, Oregon Symphony / "Mr. Copland Comes West" [several local colleges involved]
1975 Nov. 18, Harrisburg Symphony
1975 Nov. 19, Shippensburg State College
[1975 Dec. 1?] Minnesota Orchestra
1975 Dec. 7, American Symphony
1975 Dec. 15, Walter W. Naumberg Foundation
1975 Dec. 16, Mark Hellinger Theatre / Martha Graham Dance Company
1976 Jan. 1, Toronto Symphony
1976 Jan 16, Los Angeles Master Chorale
1976 Jan. 23, San Jose Symphony / San Jose State University
1976 Feb. 24, National Symphony
1976 Feb. 27, North Carolina Symphony
1976 Mar. 3, Stockholm / Konsertforeningen
1976 Mar. 15, University of Utah, Salt Lake City
1976 Mar. 18, Utah Symphony
1976 Mar. 25, Harvard Club
1976 Mar. 26, Haverford College
1976 Mar. 30, Kansas City Philharmonic
1976 Apr. 1, Ottawa University
1976 Apr. 9, Cincinnati Symphony
1976 Apr. 11, Miami University
1976 Apr. 22, Rochester Philharmonic
1976 Apr. 25, Kent State University
1976 Apr. 30, Ann Arbor May Festival
1976 May 6, Buffalo Philharmonic
1976 May 21, Ojai Festival
1976 May 27, Winnipeg Festival / CBC
1976 Jul. 3, Minnesota Orchestra
1976 Jul. 14, Tidewater Music Festival
1976 Jul. 25, National Symphony / Wolf Trap Farm Park
1976 Aug. 5, Philadelphia Orchestra / Saratoga Festival
1976 Aug. 6 to 1976 Aug. 21, Banff Festival of the Arts
1976 Aug. 24, Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl
1976 Oct. 18 to 1976 Nov. 10, Europe: Leeds Festival / University of Keele / CBS Records / University of East Anglia / Goteburg / Brussels
1976 Nov. 29, Tulane University [honorary doctorate also given]
1976 Nov. 30, New Orleans Symphony
1976 Dec. 4, University of Bridgeport / Carlson Festival of Arts
1977 Jan. 18, National Symphony / Inauguration Day
1977 Jan. 24, Yale University
1977 Feb. 11, Union College / American Composers' Forum
1977 Mar. 3, Occidental College
1977 Mar. 24, MacPhail Center for the Arts
1977 Mar. 26, Minneapolis Public Library [program 'Bookends']
1977 Mar. 26, St. Paul Chamber Orchestra
1977 Mar. 27, University of Wisconsin, River Falls
1977 Mar. 29, California State University, Fullerton
1977 Apr. 1, University of Redlands
1977 Apr. 6, University of Oklahoma, Norman
1977 Apr. 26, Nebraska Wesleyan University
1977 May 1, Denver Symphony
1977 Jun. 1, State University of New York (SUNY), Buffalo
1977 Jun. 6, New York Philharmonic / Financial World Magazine
1977 Jun. 1, National Symphony
1977 Jun. 21, Temple University / Pittsburgh Symphony
1977 Jul. 23, Santa Fe Chamber Music Festival
1977 Aug. 12, Philadelphia Orchestra / Saratoga Festival
1977 Aug. 20, Rochester Philharmonic
1977 Sept. 29, Library of Congress
1977 Oct. 15, Yale University
1977 Nov. 1, Fromm Music Foundation / Harvard University
1977 Nov. 14, National Symphony
1977 Nov. 15, Johns Hopkins University / Lester Levy Lecture
1977 Dec. 14, Florida Philharmonic
1978 Jan. 9, Houston Symphony
1978 Jan. 12, Van Cliburn Foundation
1978 Jan. 14, University of Tulsa
1978 Feb. 21, Baltimore Symphony Orchestra
1978 Feb. 23, Johns Hopkins Medical Institution
1978 Mar. 4 to 1978 Mar. 21, Australia
1978 Mar. 24, St. Paul Chamber Orchestra
1978 Mar. 26, National Symphony
1978 Mar. 31, American University
1978 Apr. 16, United States Military Academy, West Point
1978 Apr. 29, Crane School of Music / State University College, Potsdam
1978 May 10, Oakland University / "Aaron Copland Week"
1978 May 16, Toronto Symphony
1978 May 21, Plymouth Congregational Church
1978 Jun. 3, Michigan Opera Theatre / Central Michigan University
1978 Jun. 13, National Symphony / Wolf Trap Farm Park
1978 Jul. 8, St. Louis Symphony
1978 Aug. 25, National Symphony
1978 Aug. 27, Cabrillo Music Festival
1978 Sept. 17, Norfolk Symphony
1978 Oct. 20, Oakland Ballet
1978 Oct. 22, University of California, Riverside
1978 Oct. 24, California Institute of the Arts
1978 Oct. 30, Los Angeles County Museum of Art
1978 Nov. 7, Indiana State University [honorary degree]
1978 Nov. 10, Memphis State University
1978 Nov. 14, Tennessee Technological University
1978 Nov. 21, National Symphony
1978 Dec. 6, Sarah Lawrence College
1979 Jan. 27, San Antonio Symphony
1979 Jan 28, Chamber Arts Ensemble [audience member, music by AC]
1979 Feb. 17, St. Paul Chamber Orchestra [first concert date of tour]
1979 Mar. 15, San Diego Symphony
1979 Mar. 19, Dance Magazine
1979 Apr. 9, University of Missouri, Columbia
1979 Apr. 19, Vermont Symphony
1979 Apr. 26, Rochester Philharmonic
1979 May 4, University of Denver
1979 May 15, Nyack Public Schools
1979 May 18, Florida State University, Tallahassee
1979 May 28, National Symphony
1979 Jun. 4, Festival Casals
1979 Jul. 13, Lincoln Center Institute
1979 Aug. 4, National Symphony / Wolf Trap Farm Park
1979 Aug. 10, Toronto Symphony
1979 Aug. 15, Philadelphia Orchestra / Saratoga Festival
1979 Oct. 15, University of Arizona, Tucson [part of 1979 Tour with Minnesota Orchestra]
1979 Nov. 12, University of Delaware
1979 Nov. 14, Michigan State University
1979 Nov. 14, Third Street Music School Settlement
1979 Nov. 27, Kansas State University, Manhattan
1979 Dec. 1 to 1979 Dec. 2, John F. Kennedy Center for the Performing Arts
1979 Dec. 6, Third Street Music School Settlement
1980 Jan 3, Brooklyn Philharmonia
1980 Feb. 5, National Orchestral Association
1980 Feb. 29, University of Pennsylvania, Philadelphia
1980 Apr. 12, Primetime Saturday / NBC News
1980 Apr. 13, Buffalo Philharmonic
1980 May 9, Indianapolis Symphony
1980 May 11, Indianapolis Arts Chorale
1980 May 26, National Symphony
1980 Jun. 1, Brown University [honorary degree awarded]
1980 Jun. 18, New York Philharmonic
1980 Jun. 28, National Symphony
1980 Jul. 5, Tanglewood, Berkshire Festival
1980 Sept. 22, Detroit Symphony
1980 Oct. 11, New York Philharmonic
1980 Nov. 8, American Symphony
1980 Nov. 14, National Symphony
1980 Nov. 19, Harvard University
1980 Nov. 22, Symphony Space / Wall-to-Wall Copland and Americana
1980 Nov. 29 to 1980 Dec. 12, Europe: London Symphony / Brussels / Paris
1981 Jan. 9, Chamber Consortium
1981 Mar. 20, Albany Institute
1981 May 17, University of Nevada, Las Vegas
1981 May 20, All-City High School Orchestra
1981 May 29, Juilliard School
1981 Jun. 27, National Symphony
1981 Jul. 5, Dallas Symphony
1981 Sept. 9, John F. Kennedy Center for the Performing Arts
1981 Sept. 30 to 1981 Oct. 2, Composers' Showcase
1982 Mar. 6, San Diego Symphony
1982 Mar. 6, San Diego Chamber Orchestra
1982 Apr. 28, Kansas State University, Manhattan [honorary degree]
1982 May 23 and 1982 Jul. 24, State University of New York, New Paltz [honorary degree]
1982 May 30, National Symphony
1982 Jun. 12, Chamber Consortium
1982 Jun. 16, New York Philharmonic
1982 Jul. 4, Chicago Symphony / Ravinia Festival
1982 Jul. 15, Santa Fe Chamber Music Festival
1982 Aug. 24, National Symphony
1982 Dec. 7, New Haven Symphony
1983 Mar. 4, Composers' Showcase / Whitney Museum of American Art
1983 Jun. 1, Milwaukee Symphony
1983 Jul. 16, State University of New York, Purchase
1983 Nov. 20, [program does not state place / sponsor]
Subject File, 1923-1990
The Subject File is a composite of printed matter and material on special subjects that Copland kept. The largest and most extensive is the Composition section which consists of published clippings, magazine articles, promotional material, annotated programs and other miscellaneous items relating to performances of his compositions. In May of 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged "communist" affiliations. The United States Congress section documents Copland's correspondence, notes, statements and evidence during this period. Also, an annotated copy of the Congressional Record of January 16, 1953 in which the affiliations were first recorded and a transcript of the hearing are included.
Copyright Laws
Judson O'Neill Beall Steinway Inc., 1968-69
New York World's Fair, 1964-65
Opera Survey, 1954
Alumni Honor Roll
American Music Festival
Editions Salabert
Inter-American Music Bulletin
Musicanada
Catalogues
American Academy in Rome
Art Exhibit, 1953-1958
Art Exhibit, 1960
Art Exhibit, 1960-1967
Art Exhibit, 1968-1974
Art Exhibit, 1975
Art Exhibit, 1987
Aaron Copland
Other Composers
Schools
Clippings, 1920-1990
1976 Jan.-July
1976 Aug.-Dec.
1982 Jan.-May
1982 June-Dec.
1984 Mar. 24
1986 Jan.-Apr.
1986 May-Dec.
Commissions
Commission correspondence (requests not accepted), schedules
Compositions
Alone
Correspondence, 1984-1986
Appalachian spring, Ballet
Clippings, 1944-1960
Clippings, 1963-1976
Clippings, 1977-1984
Clippings, n.d.
Programs, 1944-1986
Promotional, 1940-1973, n.d.
Appalachian spring, Orchestra suite
Clippings, 1945
Clippings, 1946-1948
Clippings, 1952-1959
Clippings, 1960-1968
Clippings, 1970-1974
Clippings, 1975-1979
Clippings, 1980-1983
Programs, 1944-1945
Programs, 1945-1946
Programs, 1947-1953
Programs, 1954-1961
Programs, 1961-1966
Programs, 1967-1974
Programs, 1975-1979
Programs, 1980-1984
Promotional,1953-1985, n.d.
Appalachian spring, Orchestra suite for 13 Instruments
Clippings, 1947-1980
Programs, 1964-1978
Programs, 1979-1983
Promotional, 1975-1983, n.d.
Miscellaneous, 1945-1977
As it fell upon a day
Clippings, Programs, Promotional, Miscellaneous, 1923-1984
Billy the kid, Ballet
Clippings, 1939-1941
Clippings, 1942-1950
Clippings, 1960-1982
Programs, 1941
Promotional, 1938-1947
Promotional, 1950-1982
Promotional, n.d.
Miscellaneous, 1939-1988
Billy the kid, Orchestra
Clippings, 1940-1947
Clippings, 1951-1959
Clippings, 1961-1969
Clippings, 1970-1983
Miscellaneous, n.d.
Programs, 1940-1942
Programs, 1943-1948
Programs, 1950-1955
Programs, 1956-1968
Programs, 1969-1970
Programs, 1970-1974
Programs, 1975-1978
Programs, 1979
Programs, 1979-1982
Programs, n.d.
Promotional, 1955-1984, n.d.
Canticle of freedom for chorus and orchestra
Clippings, Commision correspondence, Miscellaneous, 1954-1979
Programs, 1955-1977
The cat and the mouse
Clippings, Programs, 1930-1980
CBS playhouse signature
Clippings, 1966-1967
Ceremonial fanfare
Clippings, Commision correspondence, 1969-1970
Programs, 1979-1986
Choral music
Promotional, 1975-1982
The city, Film
Clippings, Programs, 1939-1941
Concerto for clarinet
Clippings, 1950-1959
Clippings, 1960-1969
Clippings, 1970-1981
Commission correspondence, 1946
Programs, 1950-1963
Programs, 1964-1973
Programs, 1973-1977
Programs, 1978-1980
Promotional, 1950-1963
Promotional, 1964-1970
Promotional, 1975-1978
Promotional, 1979-1984
Miscellaneous, 1963, 1965, 1971
Connotations for orchestra
Clippings, 1962
Clippings, 1963
Clippings, 1964-1973
Clippings, 1974-1981
Commission correspondence 1959-1960, n.d.
Correspondence, 1962, n.d.
Programs, 1962
Programs, 1962-1968
Promotional, 1962-1963
Cortege macabre
Clippings, Miscellaneous, 1925-1975
Programs, 1925-1971
Dance panels
Clippings, 1963-1980
Programs, 1963
Programs, Promotional, 1965-1978
Miscellaneous, 1961-1979, n.d.
Dance sypmhony
Clippings, 1928-1972
Clippings, 1973-1981, n.d.
Programs, 1931-1970
Programs, 1971-1983
Promotional, Miscellaneous, 1937-1975
Danza de Jalisco
Clippings, Programs, 1968-1970
Danzon Cubano, Two pianos
Clippings, Miscellaneous, 1942-1969, n.d.
Programs, Promotional, 1942-1960
Danzon Cubano, Orchestra suite
Clippings, 1946-1978, n.d.
Programs, 1946-1983
Promotional, 1963-1980, n.d.
Dirge
Clippings, Programs, Promotional, 1955-1978
Down a country lane
Clippings, 1963-1981
Duo for flute and piano
Clippings, 1971-1986, n.d.
Commission correspondence, 1967-1969
Programs, Promotional, 1971-1989, n.d.
Miscellaneous, 1971-1976
Duo for violin and piano
Clippings, 1981, n.d.
Emblems
Clippings, 1965-1976, n.d.
Programs, 1964-1967
Programs, 1970-1980
Promotional, 1965-1975
Miscellaneous, 1964, n.d.
Episode
Clippings, Programs, Promotional, 1960-1978
Fanfare for the common man
Clippings, 1944-1976
Clippings, 1977
Clippings, 1978-1979
Clippings, 1980-1983, n.d.
Programs, 1944-1979
Programs, 1980-1983, n.d.
Promotional, Miscellaneous, 1946-1982
First symphony
Clippings, 1927-1969
Programs, 1927-1934
Programs, 1934-1935
Programs, 1936-1960
Programs, 1960-1980
Five kings, Ballet
Clippings, Correspondence, Programs, 1939
Four motets
Clippings, Programs, Promotional, 1979-1984
Grohg
Program, 1934
Happy (birthday) anniversary
Clippings, 1970-1973
Programs, 1969-1977
Clippings, 1934-1936, n.d.
Programs, Miscellaneous, 1934-1936, n.d.
Heiress, Film
Academy Award Presentation, Clippings 1948-1954, n.d.
Magazines, 1950
Promotional, Script, 1948
Hoe down (Rodeo)
Clippings, 1945-1953, n.d.
Programs, 1945-1947, n.d.
An immorality
Clippings, Programs, 1962-1968
In evening air
Clippings, 1976-1978
In the beginning
Clippings, 1947-1957
Clippings, 1960-1965
Clippings, 1966-1969
Clippings, 1975-1980, n.d.
Programs, 1947-1963
Programs, 1964-1968
Programs, 1971-1984, n.d.
Promotional, 1947-1984, n.d.
Miscellaneous, 1947-1950, n.d.
Inaugural fanfare
Clippings, 1969-1977
Commission correspondence, Programs, Miscellaneous, 1967-1985
Inscape
Clippings, 1967
Clippings, 1968-1973, n.d.
Programs, 1967-1970
Programs, 1970-1972
Programs, Promotional, 1973-1984
Miscellaneous, 1967-1969, n.d.
Into the streets may first
New Masses, 1934
John Henry
Clippings, 1955-1979
Commission correspondence, Programs, Miscellaneous, 1940-1980
Lark
Clippings, Programs, Promotional, 1943-1981, n.d.
Las agachadas
Clippings, Programs, 1942-1980, n.d.
Promotional, Miscellaneous, 1949-1963
Lento espressivo
Miscellaneous, 1985
Letter from home
Clippings, Programs, Miscellaneous, 1947-1978
Commission correspondence, Programs, Miscellaneous, 1944-1978
Lincoln portrait
Clippings, 1942-1943
Clippings, 1944-1965
Clippings, 1966-1968
Clippings, 1969-1975
Clippings, 1976-1980
Commission correspondence, 1942
Programs, 1942-1947
Programs, 1949-1962
Programs, 1963-1967
Programs, 1968-1976
Programs, 1977-1982, n.d.
Promotional, 1969-1983, n.d.
Mid-day thoughts
Clippings, Programs, 1983-1984
Motet
Programs, Promotional, 1934-1937
Music for a great city
Clippings, 1964 May
Clippings, 1964-1971, n.d.
Commission correspondence, 1962
Programs, 1949-1966
Programs, 1968-1980
Promotional, Miscellaneous, 1967-1978
Music for movies
Clippings, Programs, Promotional, 1943-1988
Music for radio
Clippings, Programs, Promotional, Miscellaneous, 1926-1950
Music for theater
Clippings, 1925-1933
Clippings, 1934-1941
Clippings, 1945-1981
Programs, 1925-1932
Programs, 1933-1940
Programs, 1941-1956
Programs, 1958-1974
Promotional, 1928-1985, n.d.
Miscellaneous, 1941, n.d.
Night thoughts
Clippings, 1974-1978
Programs, Promotional, 1972-1980, n.d.
Nocturne
Program, 1972 Oct.
Nonet
Clippings, 1961-1981, n.d.
Commission correspondence, 1957-1960
Programs, 1961-1965
Programs, 1966-1977
Promotional, Miscellaneous, 1960-1983, n.d.
North star, Film
Clippings, 1943-1953, n.d.
Script, 1943
Miscellaneous, 1941-1954, n.d.
Of mice and men, Film
Clippings, 1939-1969, n.d.
Program, n.d.
Old American songs
Clippings, 1951-1967
Clippings, 1968-1978
Clippings, 1979-1981
Programs, 1951-1970
Programs, 1971-1976
Programs, 1977-1978
Programs, 1979-1981, n.d.
Promotional, Miscellaneous, 1950-1984, n.d.
Orchestral variations
Clippings, 1958
Clippings, 1960-1985, n.d.
Programs, 1957-1975
Programs, 1976-1982
Promotional, Miscellaneous, 1958-1984
Our town, Film
Clippings, Programs, 1940-1988
Script, 1940
Our town, Suite
Clippings, 1940-1981, n.d.
Programs, Promotional, 1941-1982
Outdoor overture
Clippings, 1939-1973
Clippings, 1974-1983, n.d.
Commission correspondence, 1938
Programs, 1938-1946
Programs, 1964-1980
Programs, 1981-1984, n.d.
Promotional, 1939-1981, n.d.
Passacaglia
Clippings, Programs, Promotional, 1963-1980, n.d.
Piano concerto
Clippings, 1927-1953
Clippings, 1954-1965
Clippings, 1966-1983
Commission correspondence, 1943
Programs, 1926-1954
Programs, 1958-1969
Programs, 1970-1985
Promotional, Miscellaneous, 1936-1985, n.d.
Piano fantasy
Clippings, 1957-1972
Correspondence, Miscellaneous, 1956-1958, n.d.
Programs, 1957-1965
Programs, 1966-1988, n.d.
Promotional, 1957-1982, n.d.
Piano music, General
Clippings, 1945-1974
Clippings, 1975-1980
Programs, 1923-1983, n.d.
Promotional, Miscellaneous, 1940 -1983, n.d.
Piano sonata
Clippings, 1942-1947
Clippings, 1948-1960
Clippings, 1961-1970
Clippings, 1971-1972
Clippings, 1973-1981
Programs, 1944
Programs, 1945-1947
Programs, 1948-1957
Programs, 1958-1971
Programs, 1972-1975
Programs, 1976-1981, n.d.
Promotional, 1938-1958
Promotional, 1959-1978, n.d.
Miscellaneous, 1942-1952, n.d.
Piano variations
Clippings, 1931-1965
Clippings, 1966-1982
Programs, 1934-1941
Programs, 1942-1952
Programs, 1953-1974
Programs, 1975-1982, n.d.
Promotional, 1930-1947
Promotional, 1948-1958
Promotional, 1959-1982, n.d.
Miscellaneous, 1951-1981, n.d.
Poets song
Clippings, 1926-1974
Preamble
Clippings, Promotional, Miscellaneous, 1949-1973, n.d.
Commission correspondence, 1949
Programs, 1948-1965
Proclamation
Clippings, Promotional, Programs, 1983-1987
Quartet for piano and strings
Clippings, 1950-1975
Clippings, 1976-1986, n.d.
Programs, 1950
Programs, 1951-1953
Programs, 1954
Programs, 1955-1972
Programs, 1973-1978
Programs, 1979-1983, n.d.
Promotional, 1951-1986, n.d.
Quiet city
Clippings, 1941-1959
Clippings, 1960-1975
Clippings, 1976-1981, n.d.
Play Typescript, 1939
Programs, 1939-1941
Programs, 1942
Programs, 1943-1946
Programs, 1947-1965
Programs, 1966-1972
Programs, 1973-1983
Promotional, 1942-1980
Promotional, 1981-1984, n.d.
Miscellaneous, 1941-1957, n.d.
Red pony, Film
Typescript, 1947
Red pony, Suite
Clippings, 1948-1976
Clippings, Miscellaneous, 1977-1983
Correspondence, Notes, 1964-1968, n.d.
Programs, 1948-1980, n.d.
Rodeo, Ballet
Clippings, 1942-1984, n.d.
Programs, 1942-1945
Programs, 1948-1985
Promotional, 1954-1981, n.d.
Rodeo, Suite
Clippings, 1947-1981
Clippings, 1972-1977
Clippings, 1978-1983
Programs, 1950-1971
Programs, 1972-1977
Programs, 1980-1990, n.d.
Promotional, Miscellaneous, 1943-1989, n.d.
El salón Mexico
Clippings, 1938-1957
Clippings, 1958-1962
Clippings, 1963-1975
Clippings, 1976-1984, n.d.
Programs, 1937-1938
Programs, 1938-1942
Programs, 1948-1966
Programs, 1967-1972
Programs, 1973-1976
Programs, 1979-1985
Second hurricane
Clippings, 1936-1938
Clippings, 1938 1942
Clippings, 1942-1978
Photographs
Programs, 1937-1958
Programs, 1960-1978
Promotional, 1937-1985, n.d.
Script, 1937
Script, n.d.
Miscellaneous, 1941-1942, 1964, 1976-1977
Sextet
Clippings, 1947-1979, n.d.
Programs, 1939-1976
Programs, 1977-1979
Programs, 1980-1988
Promotional, 1943-1969
Promotional, 1970-1988
Promotional, Miscellaneous, n.d.
Short symphony
Clippings, Programs, Promotional, 1982-1985
Short symphony no. 2
Clippings, 1935-1981, n.d.
Programs, 1934-1970
Programs, 1971-1978
Promotional, Miscellaneous, 1960-1982
Something wild
Clippings, 1961-1962, n.d.
Statements for orchestra
Clippings, 1942-1967, n.d.
Programs, 1942-1957
Programs, 1970-1975
Programs, 1976-1981
Promotional, Miscellaneous, 1942-1976, n.d.
Symphonic ode
Clippings, 1932-1980, n.d.
Programs, 1932-1978
Programs, 1979-1980
Promotional, Miscellaneous, 1932-1976
Symphonic ode - revised
Clippings, 1932-1977, n.d.
Programs, 1931-1956
Miscellaneous, 1956, n.d.
Symphony for organ
Clippings, 1925-1964
Clippings, 1966-1980
Clippings, 1981-1982, n.d.
Programs, 1924-1981
Programs, 1982-1983, n.d.
Promotional, Miscellaneous, 1932-1976, n.d.
Tender land, Ballet
Tender land, Opera
Clippings, 1954-1962
Clippings, 1976-1987, n.d.
Correspondence, 1954-1988, n.d.
Notes, 1965, n.d.
Programs, 1954-1957
Programs, 1958-1964
Programs, 1965-1972
Promotional, 1954-1982, n.d.
Tender land, Suite
Clippings, 1958-1980
Programs, 1978-1990, n.d.
Programs, 1958-1959
Programs, 1960-1969
Programs, 1970-1983
Promotional, 1959-1983
Third symphony
Clippings, 1946
Clippings, 1947
Clippings, 1948-1956
Clippings, 1957-1959
Clippings, 1960-1970
Clippings, 1972-1987
Programs, 1946-1947
Programs, 1947
Programs, 1948-1950
Programs, 1952-1958
Programs, 1959-1962
Programs, 1965-1966
Programs, 1967-1969
Programs, 1970-1973
Programs, 1974-1976
Programs, 1977-1980
Programs, 1981-1989
Promotional, 1947-1982
Miscellaneous, 1946, 1958, n.d.
Three Latin American sketches
Clippings, Miscellaneous, 1972-1981, n.d.
Programs, Promotional, 1979-1982
Three songs
Program, 1986
Threnody I, II
Clippings, Miscellaneous, 1972-1978, n.d.
Programs, 1971-1982, n.d.
Promotional, 1973-1974
Promotional, 1977-1981, n.d.
Twelve poems by Emily Dickinson
Clippings, 1950-1968
Clippings, 1978-1981
Poems, Programs, 1950, 1970, n.d.
Programs, 1950-1972
Programs, 1973-1980, n.d.
Miscellaneous, 1949-1988, n.d.
Two choruses for women
Clippings, Programs, Promotional 1926-1952
Two pieces for string orchestra
Clippings, 1928-1970, n.d.
Programs, 1928-1965
Promotional, 1933, n.d.
Two pieces for string quartet
Clippings, 1928-1976
Programs, Promotional, 1929-1980
Two pieces for violin
Programs, Promotional, 1927-1949, n.d.
Variations on a shaker melody
Clippings, Programs, 1966-1978
Violin sonata
Clippings, 1944-1956
Clippings, 1957-1968
Clippings, 1969-1981, n.d.
Programs, 1946-1948
Programs, 1949-1950
Programs, 1951-1957
Programs, 1958-1968
Programs, 1969-1976
Programs, 1978-1981, n.d.
Promotional, 1944-1951
Promotional, 1952-1976
Promotional, 1977-1983, n.d.
Vitebsk
Clippings, 1929-1960
Clippings, 1961-1972
Programs, 1929-1949
Programs, 1950-1967
Programs, 1977-1983
Promotional, 1946-1984, n.d.
Vocalise
Clippings, Programs, 1973
What do we plant
Programs, 1946
The Floating Bear, 1962
Miscellaneous, 1971, n.d.
Opera Ideas, 1950-1986
Clippings, Correspondence, Notes, Script, 1950-1986
Programs, 1923-1988
Promotional Materials, 1960-1982
Recording, 1965-1985
Clippings, Promotional, 1965-1985, n.d.
Tribute and Multiple Composition, 1941-1991
Programs, 1941-1979
Programs, 1980-1981
Programs, 1982-1983
Programs, 1985-1990, n.d.
Promotional, 1950-1991
United States Congress: House Un-American Activities Committee, 1953-1957
Congressional Record, 1953 Jan. 16
Correspondence See also: Biography, Legal Papers, Attorney Correspondence BOX: xxx
Evidentiary Documents
Statements
White House, 1945-1988
Franklin D. Roosevelt [1933-1945]
Invitations [Inaugural], 1945
John F. Kennedy [1961-1963]
Invitations (General), 1961-1962
Lyndon B. Johnson [1963-1969]
Correspondence, 1964-1965
Invitations (General), 1964-1965
Invitations (Inaugural), 1965
Telegram, 1968
Gerald Ford [1974-1977]
Invitations (General), 1975-1976
Jimmy Carter [1977-1981]
Invitations (General, Inaugural), 1977-1981
Correspondence, 1977-1980
Ronald Reagan [1981-1989]
Correspondence, 1985
Invitations (General, Inaugural), 1981-1988
Scrapbooks
The series Scrapbooks is represented by four scrapbooks. Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour for which he conducted and lectured. The other scrapbook represents the beginnings of Copland's clipping file from 1924 to 1942.
Because of their fragile condition, all but the Australian tour scrapbook have been preserved on microfilm (Microfilm 93/20002 Mus); the original of these three volumes will not be served to the public.
Copland-Sessions Concerts, 1924-1931
DO NOT SERVE ORIGINAL
On Microfilm: 93/20002 Mus Item 1
Scrapbook, 1924-1942
On Microfilm: 93/20002 Mus Item 3
Yaddo Scrapbook, 1932-1933
On Microfilm: 93/20002 Mus Item 2
ABC Australian Tour, 1978
Biography, 1921-1988
The Biography series consists of divergent materials, some of which is biographical and others personal. The biographical material includes autobiographical notes, a notebook and assorted lists that pertain to Copland's activities and compositions, and two birthday albums. The 70th birthday album comprises "An album of composers' tributes" which contains congratulatory letters, musical salutes, poems and ink drawings from 116 composers. The 80th birthday album was presented by the National Symphony Orchestra from friends and includes congratulatory letters from President Jimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the John F. Kennedy Center for the Performing Arts), and international musical luminaries.
Accountant Papers
H. N. Whitney, Goadby
Korsh and Krauss
Autobiographical Notes
Biographical Notebook
Writings by AC
Writings about AC
Book Reviews
Radio Appearances
Recordings
Trips
Programs Conducted
List of Works
Honors
Biographical Sketches
Obituary
Birthday Album, 70th
Birthday Album, 80th
Calling Cards
Family Tree
Household
Automobile
Bills: Miscellaneous
Check Stubs [1957]
Citibank: Investment Summary
Citibank: Miscellaneous
Citibank: Statement of Transactions
Horizon Gas Company
Insurance: Blue Cross
Insurance: Equitable Brokers
Insurance: Miscellaneous
Insurance: Schiff Terhune
Mayfair Travel
Safety Deposit Information
Stock Investment Stubs
Stock Statements
Attorney Correspondence, 1946-1952
Attorney Correspondence, 1953-1967 See also: Subject File: House Un-American Activities Committee BOX: xxx
Attorney Correspondence, 1970-1978
Attorney Correspondence, 1979-1980
Attorney Correspondence, 1981
Attorney Correspondence, 1982-1984
Attorney Correspondence, 1985
Attorney Correspondence, 1986
Attorney Correspondence. 1987
Last Will and Testament
Addresses
Address Books
AC American Music Collection
Composition Department Members: Tanglewood
Compositions by AC
Conducting Engagements
Lecture Engagements
AC Letter Files
Lincoln Portrait Narrators
Peekskill Archives
Television Appearances
Unidentified
Medical Records
Inoculations
Music Assistant Information
Passports
Passport Information
Passport Photos
Peekskill House, Architectural Maps and Blueprint
Peekskill House, Architectural Specifications
Property Information
Rolodex
Stamp Collection
Awards, 1934-1985
The Awards series contain the artifacts that Copland received from the numerous and myriad honors and awards bestowed on him during his lifetime. Copland accepted his first honorary doctorate in music from Princeton University in 1956, and almost every year thereafter he approved another one either in humane letters or in music. The last one was a Degree of Fine Arts, "Honoris Causa", from the New School for Social Research in 1983. Other tributes conferred on Copland from 1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, and letters accompany the actual degree, award or medal.
Honorary Degrees
Accademia Filarmonica Romana, 1963 (diploma)
Brandeis University, 1957 (printed materials)
Brandeis University, 1957 (diploma)
Brooklyn College, 1975
Brown University, 1980
The Catholic University of America, 1979
Columbia University, 1971 (printed materials)
Columbia University, 1971 (diploma)
Fairfield University, 1968
Harvard University, 1961 (printed materials)
Harvard University, 1961 (diploma)
Illinois Wesleyan, 1958
Indiana State University, 1978 (diploma)
Jacksonville University, 1967
Kalamazoo College, 1965
Kansas State University, 1982 (diploma)
Kansas Sate University, 1982 (Phi Beta Kappa)
Long Island University, 1974 (printed materials)
Long Island University, 1974 (diploma)
New England Conservatory, 1977
New School for Social Research, 1983 (diploma)
New York University, 1970
Oberlin College, 1958
Ohio State University, 1970
Ottawa University, 1976
Peabody Institute, Conservatory of Music, 1969 (diploma)
Princeton University, 1956 (printed materials)
Princeton University, 1956 (diploma)
Queens College, 1981
Rutgers University, 1967 (printed materials)
Rutgers University, 1967 (diploma)
San Francisco Conservatory of Music, 1976
University of Florida, 1972
State University of New York, New Paltz, 1982
Syracuse University, 1964 (printed materials)
Syracuse University, 1964 (diploma)
Temple University, 1959 (in tube)
Tulane University, 1976
University of Hartford, 1959
University of Portland, 1975
University of Michigan, 1964
University of Redlands, 1977
University of Rhode Island, 1964
University of Rochester, 1976
University of Utah, 1966 (printed materials)
University of Utah, 1966 (diploma)
University of York, 1971 (printed materials)
Citations, Medals, etc.
Academia Nacional de Bellas Artes, 1962 (membership)
Academia Nacional de Bellas Artes, 1963 (award)
Academy of Motion Picture Arts and Sciences, 1940 (nomination)
Academy of Motion Picture Arts and Sciences, 1943 (nomination)
Accademia Filarmonica Romana, 1963 (membership)
Accademia Nazionale di Santa Cecilia, 1956 (membership)
Accademia Nazionale Santa Cecilia, n.d. (medal)
Akademie der Künste, 1983 (membership)
Albany Institute of History and Art, 1981 (concert)
American Academy of Arts and Letters Medal, 1956 (printed materials)
American Academy of Arts and Sciences, 1951 (membership)
American Academy of Arts and Sciences, 1951 (citation)
American Chamber Orchestra, 1982 (tribute)
American Composers' Alliance, 1968 (award)
American-Israel Cultural Foundation, 1975 (award)
American-Israel Cultural Foundation, 1976 (award)
ASCAP, 1945 (plaque)
ASCAP, 1946 (membership)
ASCAP, 1985 (plaque)
American Symphony, 1975 (citation)
American Symphony Orchestra Golden Baton Award, 1978 (baton)
Art Critic's Circle, 1963 (award)
Association of College, University and Community Arts Administrators, 1976 (plaque)
The Bohemians, 1971 (dinner)
Boys High School Alumni Association, n.d. (citation)
Boys High School Alumni Association, 1953 (plaque)
Brandeis University, 1960 (award)
Brandeis University, 1960 (medal)
Brandeis University, 1963 (tribute)
Brandeis University, 1975 (award)
Brandeis University, 1975 (medal)
Brandeis University Medal, n.d. (printed materials)
Brooklyn Academy of Music, 1961 (citation)
Chamber Symphony Society of California, 1975 (Allegro Ball)
City of Aspen, 1975 (ACday)
City of Bridgeport, n.d. (key)
City of Buffalo, n.d. (key)
City of Chicago, 1980 (AC Day)
City of Cleveland, n.d. (key)
City of Cleveland, 1974 (AC Week)
City of Harrisburg, 1975 (AC Week)
City of Jacksonville, 1972 (key)
City of Kansas City, n.d. (key)
City of Los Angeles, 1975 (award)
City of New York, 1914 (citation)
City of New York, 1970 (medal)
City of New York, 1980 (plaque)
City of New York, 1983 (concert)
City of Peekskill, 1985 (AC Week)
City of Portland, 1975 (AC Week)
City of San Jose, n.d. (letter)
City of San Juan, n.d. (key)
City of San Salvador, 1975 (key)
Commander's Cross of the Order of Merit of the Federal Republic of Germany, 1970 (printed materials)
Commonwealth of Pennsylvania, 1975 (citation)
El Concejo Municipal de San Salvador, 1974 (citation)
Consul General of the United States, 1978 (luncheon)
Cookeville, Tennessee, 1978 (plaque)
County of Los Angeles, 1964 (citation)
County of Oswego, 1979 (plaque)
Da Capo Chamber Players, n.d. (concert)
Dancemagazine, 1979 (plaque)
École des Hautes Études Musicales de France, 1921 (award)
Edinburgh Film Festival, 1959 (award)
Friends of Music, 1964 (award)
German Cross, n.d. (medal)
Die Gesellschaft der Musikfreund, n.d. (medal)
Harvard Glee Club, n.d. (medal)
Harvard University, 1978 (citation)
Harvard University, 1934, 1944, 1951 (appointment as lecturer)
Hebrew Arts School, 1982 (dinner)
Henry Street Settlement, 1966 (award)
Institut de France, 1970 (membership)
International Capital of the Age of Enlightenment, 1979 (award)
International Congress on Nutrition, 1960 (award)
Irving Jr. High, Salt Lake City, n.d. (salutation)
Joffrey Ballet, 1989 (dinner)
Kansas State University, 1982 (AC Festival)
Kennedy Center Honors, 1979 (medal)
Kennedy Center Honors, 1979 (printed materials)
Lamont School of Music, n.d. (plaque)
Library of Congress, 1981 (concert)
Los Angeles County Museum of Art, 1970 (concert)
Louisiana Council for Music and Performing Arts, n.d. (medal)
MacDowell Colony Medal, 1961 (printed materials)
MacDowell Medal, 1961 (medal)
Massachusetts Federation of Music Clubs, n.d. (award)
Mostra Internazionale d'Art Cinematografica, 1959 (award)
Mu Phi Epsilon, 1986 (citation)
Music Critic's Circle, 1944, 1946 (award)
Music Educators' National Conference, 1973 (award)
Music in the Mountains, n.d. (concert)
National Academy of Recording Arts and Sciences, 1960 (plaque)
National Academy of Recording Arts and Sciences, 1962 (plaque)
National Academy of Recording Arts and Sciences, 1966 (plaque)
National Academy of Recording Arts and Sciences, 1967 (plaque)
National Academy of Recording Arts and Sciences, 1974 (plaque)
National Academy of Recording Arts and Sciences, 1975 (printed materials)
National Academy of Television Arts and Sciences, 1960-61 (plaque)
National Academy of Television Arts and Sciences, 1966-67 (plaque)
National Association for American Composers and Conductors, n.d. (medal)
National Bicentennial Medal, 1976 (medal)
National Endowment for the Arts Medal, 1986 (printed materials)
National Federation of Music Clubs, 1941 (award)
National Institute of Arts and Letters, 1942 (membership)
National Institute of Arts and Letters Medal, 1956 (printed materials)
National Music Awards, 1976 (award)
National Press Club, 1974 (award)
New York State Assembly, 1985 (citation)
New York State Music Awards, 1975 (award)
New York State Music Award, 1981 (citation)
New York State Music Awards, 1981 (award)
Oakland University, 1978 (plaque)
Oklahoma City, 1943 (award)
Ovation Magazine, 1989 (award)
Paramount Center for the Arts, 1985 (medal)
Pennsylvania House of Representatives, 1990 (citation)
Philharmonic Symphony Society of New York, 1970 (membership)
Phi Mu Alpha, 1961 (membership)
Phi Mu Alpha, 1970 (plaque)
Phi Mu Alpha, 1972 (plaque)
Phi Mu Alpha, 1974 (plaque)
Phi Mu Alpha, 1976 (award)
Phi Mu Alpha, 1979 (plaque)
Pi Kappa Lambda, 1970 (membership)
The Pierian Sodality of 1808, 1962 (certificate)
Pittsburgh Bicentennial, 1958 (medal)
Preservation and Revitalization of Cold Springs Area, 1983 (reception)
President of Brooklyn, 1980 (award)
Presidential Medal of Freedom, 1964 (printed materials)
Presidential Medal of Freedom, 1964 (medal)
Pulitzer Prize, 1945 (printed materials)
Pulitzer Prize, 1945 (diploma)
Rainier, Prince de Monaco, III, n.d. (medal)
Royal Academy of Music, 1959 (membership)
Royal Philharmonic Society, 1970 (membership)
Royal Society for the Encouragement of Arts Manufactures and Commerce, 1960 (membership)
San Jose, n.d. (plaque)
Scholastic Teacher's National Film and Filmstrip Awards, 1960 (award)
State of Kansas, 1976 (membership)
State of New York, 1979 (citation- 2 copies)
State of Louisiana, 1976 (AC Days)
State of Michigan, 1980 (citation)
State of New York, 1983 (citation)
State of North Carolina, 1976 (AC Day)
State of Tennessee, 1978 (award)
State of Utah, 1976 (AC Week)
State University of New York at Potsdam, n.d. (citation)
Stereo Review, 1981 (award)
Syracuse University Chancellor's Medal, 1975 (printed materials)
Syracuse University Chancellor's Medal, 1975 (medal)
Tanglewood, n.d. (concert)
Third Street Music School Settlement, 1979 (award)
Town of Cortland, 1985 (plaque)
Umpaqua Community College, 1981 (AC Festival)
United States Air Force Band, n.d. (citation)
United States Senate, 1985 (citation)
Universidad de Chile, 1963 (award)
Universidad de Chile, n.d. (award)
Universidade do Estado da Guanabara, 1950 (medal)
Universidade do Estado da Guanabara, 1963 (award)
University of Leeds, 1977, (tribute)
University of Pennsylvania, 1980 (citation)
University of Pennsylvania Glee Club, 1970 (award)
University of Pennsylvania Glee Club, 1970 (plaque)
Venezuelan Association of Authors and Composers, 1957 (award)
Washington, DC, 1980 (AC Day)
Westchester Council for the Arts, 1981 (plaque)
Westchester County Executive, 1981 (citation)
Westchester County Executive, 1985 (citation)
Westchester County Merit Award, n.d. (medal)
Westchester Music and Arts Camp, 1981, (festival)
William Penn College, 1983 (award)
Wisdom Magazine, n.d. (award)
Yale University Howland Medal, 1970 (printed materials)
Yale University Howland Medal, n.d. (medal)
Yale University Samuel Simons Sanford Medal, n.d. (medal)
Art Works, 1944-1983
The Art Works section is divided into Of Aaron Copland, Other Works, Poetry, and Posters that include drawings, caricatures, and portraits of Aaron Copland and other artistic renderings which consist of special editions of illustrated poems by various artists in different mediums. The two most illustrious artists represented are a numbered print by Pablo Picasso and an engraved color print by Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967 program to honor Nadia Boulanger.
Of Aaron Copland
Albee, E. (pencil sketch)
Altman, N. (right and left handprints)
Boyce, John (pencil sketch)
Frueh, A. (pencil sketch)
Frubauf, Aune (woodcut)
Hirsch, Joseph (portrait)
Hoffnung, Gerard (caricature reproduced in journal)
Irene (sketch)
Johnson, J. R. (watercolor; collage)
Nando (caricature)
Oslundigo, E. R. (watercolor)
Perrin, Joyous (ink sketch)
Re, F. (engraving, 2 copies)
Ross, Alvin (ink sketch)
Schiff, R. (ink sketch)
Schiff, R. (pencil sketch)
Unidentified (caricature)
Unidentified (caricature with Charles Ives)
Unidentified (ink sketch)
Unidentified (mounted newspaper photo of AC and Benny Goodman)
Unidentified (pencil sketch)
Unidentified (portrait)
Other works
Chagell, Marc (Print, included in a program honoring Nadia Boulanger)
Children (drawings)
Johnson, J. R. (painting)
Keahy, Ruth (watercolor, El Saloon Mexico)
Picasso, Pablo (numbered print of bull and horse)
Ross, A. (etching)
Ross, A. (etching, one for each month)
Unidentified (18th century songbook)
Unidentified (Japanese fabric sculpture)
Unidentified (paper collage)
Unidentified (Tango folio)
Unidentified (watercolor and floor plan of AC's house)
Wolf, R. Statements on art
Ammons, A., Breaking Out
Price, R., The Dream of the House
Tate, A., All is Brilling
Unidentified, For Aaron Copland (5 poems)
Unidentified, Patrick County, Virginia
Posters
Albany Institute
American Symphony Orchestra
Australian concerts
Basilique-Cathédrale Sante-Reparate
Bamberger Symphoniker
Barous, Terry (senior recital)
Beorgradska Filharmonija
Bologna concert
Boston University concert
Bowery Ensemble
Javier Cabada
Empire Sinfonietta
Harvest of Music Festival
Israel Philharmonic
Jordan Hall, Boston
National Symphony Orchestra
New York State Council on the Arts
Ojai Festival
Parkening, Christopher
Russian concerts
Schiff, Richard J.
Smit, Leo (recital)
Seymour Group, Australia
Syracuse University concert
Tender land
Trieste Philharmonic (2 copies)
Waldman, Paul
WFNL, U.S. Guys (Ives, Copland, Bernstein)
Photographs, 1889-1985
The Photographs series contain approximately 12,000 images and date from c. 1889-1985. The largest section is the portraits of Copland alone, both formal and informal, professional and amateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and the majority of the photographs reproduced in Copland's two volume autobiography, "Copland, 1900-1943" (Volume I) and "Copland Since 1943" (Volume II). Photographs from these books are identified with a Roman numeral I or II, designating the volume in which it was reproduced, followed by an Arabic numeral designating the page on which the photograph is found. A large portion of the photo images were taken by Copland's life-long friend, the professional photographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminaries of the American music scene from the first half of the twentieth century, including Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, Walter Piston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of items correspond or overlap between this series and the Victor Kraft Materials series. Illustrious photographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and Carl Van Vechten, among others. If photographic credits are not given, the photographer is, as yet, unidentified. See the Explanation of Code System for Photographs at the end of the series.
Photoprints with Aaron Copland
AC Portraits: Early (1900-1930)
1906, at age 6 [enlargement of smaller print]
[1920?], "Copland 1924" (Ortho) [ I;37]
1920s, AC in Paris
ca. 1920s
[1926?], "Copland in front of Koussevitzky's house, Boston, 1925" [I;101]
1930, 6 signed and mounted prints (Hermann Collmann)
AC Portraits: Middle (1931-1960)
[ca. 1930s], series, one mounted (Victor Kraft)
1932, series (Carl Van Vechten)
[1932], "Copland 1927" [copy of photo by Carl Van Vechten]
1946, "Studio in the Berkshires September, 1946" (Victor Kraft)
1947, signed and mounted (Irving Penn)
[1947], signed and mounted (Irving Penn)
ca. 1951, at piano, "Barn studio in Berkshires, circa 1951" (Victor Kraft)
1958, Life magazine (Gordon Parks)
1959 (Harold Shapero)
1960 (C. Manos)
Undated, 1 photo, matted (Carl Van Vechten), Undated
Undated, 2 photos (Victor Kraft) [Negs. CC-CP-N-1057-R2;22,23], Undated
Undated, 2 photos, 3 prints, Undated
Undated, 3 photos (George Platt Lynes), Undated
Undated, 2 prints, Undated
Undated, 8 proofs (Pach Bros.), Undated
Undated, At piano [Berkshires studio], Undated
Undated, [Berkshires?, outdoors] (Victor Kraft), Undated
Undated, Informal, Undated
Undated, [Massachusetts house, exterior and interior; sunset (Victor Kraft)] (Color slides)
Miscellaneous, AC at piano
Miscellaneous, informal
AC Portraits: Late (1961-1990)
1960s, proofs (Lotte Meitner-Graf)
[1960s], 2 photos, "in 60's" (Marc and Evelyne Bernheim)
[1960s], 3 photos, "in 60's" (Editta Sherman)
[ca. 1960s]
[ca. late 1960s?], mounted (Color)
1962, Apr., LIFE magazine (Yale Joel)
1970, Feb., mounted (John Hustad)
[ca. 1970s], signed and mounted
[ca. 1970s, outside], mounted (Color)
1971, mounted (Martha Crumb) (Color)
1972 (Bob Fullerton)
1977, signed and mounted (Leo Smit) (Color)
1978, 3 photos, signed (King Wehrle)
1979 (Hans Namuth)
1979, mounted (Mickey Adair)
1980, 13 photos (Suzie E. Maeder)
[ca. 1980] (Iris Posner) (Color)
[ca. 1980], matted (Color)
1981, signed (Nancy Rica Schiff)
1982, signed and mounted (Ralph Titus)
1983 (Arthur Mones)
1984, at piano (Lucy Cobos)
1985, signed (Marianne Barcellona)
[ca. 1985] (from [by?] Ann Mann) (Color)
At piano (Dennis Goulden)
Undated, At piano (Victor Kraft?)
Undated, At piano, signed by AC (Paul Moor)
Undated, Series (David Diamond)
Undated, Series (Editta Sherman)
Undated, Signed and mounted (Lotte Meitner-Graf)
Undated, 1 print (Kazuo Inoue Okayama)
Miscellaneous (Color)
Miscellaneous, AC at the piano
AC Family
1909, AC with sister Josephine [enlargement copy]
1935, Golden wedding anniversary banquet for AC's parents, mounted [banquet camera photo]
1935, Golden wedding anniversary banquet for AC's parents [banquet photo, rolled]
AC with family, Undated
Miscellaneous, Undated
Miscellaneous (Color), Undated
AC Conducting: Middle (1930-1960)
Foreign Countries
1960, Berlin, conducting "Nonet" (Paul Moor)
[1960, Japan] (Kazuo Inoue Okayama)
[1960?], Japan, "Conducting in Japan" (Jun Miki)
[1940s?, Tanglewood], 2 photos (Victor Kraft)
AC Conducting: Late (1961-1980s)
1963, Columbian National Symphony
1970, Berlin (Victor Kraft)
1970, Berlin (Peter Muck)
1970, London, London Symphony Orchestra (Julian Hahn)
1970, London, London Symphony Orchestra (Victor Kraft)
1970 Nov., London, London Symphony Orchestra (Victor Kraft?) (Color slides)
1980, London, London Symphony Orchestra (Crowthers)
1980, London, [London Symphony Orchestra?], 5 photos (Suzie Maeder)
England (Victor Kraft), Undated
1964 Summer, New York City, Lewis Stadium, rehearsal of Lincoln Portrait with Adlai Stevenson (Marc and Evelyne Bernheim)
1970, Los Angeles (Mary Leipziger)
1970 Dec., New York Philharmonic Orchestra (Color slides)
[ca. 1970s], Kent State University (Jack Davis)
1971 Nov., Kansas State University, Copland Festival (Ralph Titus)
[1972], Austin Symphony (James E. Alvis)
[1972] Mississippi River Festival (Charles H. Cox)
1973 Feb. 11, United States Air Force Band and Singing Sergeants, Washington, D.C. [photo scrapbook]
1976, Saratoga Springs, 2 photos (Allen J. Winigrad) (Color)
[1976?, Saratoga Springs], 3 photos (Color)
1981 Sept., Library of Congress, conducting "Nonet"
Undated, Detroit Symphony Orchestra with William Warfield (L. Wardrop)
Undated, Norfolk Symphony Orchestra [photo scrapbook]
Undated, San Francisco [dual slides] (Color slides)
Unidentified and Miscellaneous
AC Conducting: Miscellaneous and Unidentified
[ca.1960s] Unidentified
Undated, 1 print (Goldstein)
Undated, 2 prints (Kenneth Love)
Undated, 4 photos, mounted (J. Fowler)
Undated, Enlarged photo (Gordon Clarke)
Undated, Series of 15 prints (Gordon Clarke)
Undated, Series of 17 prints (Nicholas Tucker)
Unidentified (Color slides)
AC Performing
At piano, 1967 Congregation of the Arts, Dartmouth College [photo album]
At piano, 1970 Nov., AC with André Previn and London Symphony Orchestra, "Piano Concerto" rehearsal (Color)
At piano, Undated
Film
Radio and Television (Color)
AC with Composers
Barber, Samuel and Virgil Thomson, Gian Carlo Menotti, and William Schuman, ca. 1940, "AC with American composer friends" (John Stewart)
Boulanger, Nadia and Serge Koussevitzky
Koussevitzky, Serge, 1944 May, "American Composers' Testimonial Dinner in Honor of Dr. Serge Koussevitzky"
Koussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (Victor Kraft)
Rochester, New York Conf[erence] of American Composers, 1925
Thomson, Virgil and Roger Sessions (Color slide)
Thomson, Virgil, Walter Piston, and Herbert Elwell, 1924, Paris
AC with Conductors
Mehta, Zubin, ca. 1980 (Color)
AC with Choreographers
Robbins, Jerome, J. B. Kennedy, and Arthur Gold and Robert Fizdale
Smith, Oliver and Agnes de Mille, 1942, Tanglewood (Victor Kraft)
AC with Performers
Gold, Arthur and Robert Fizdale
MacLeish, Archibald, 1923
Barzin, Leon and National Orchestra Association, 1975 (Ezio Petersen, UPI)
Dartmouth College, Congregation of the Arts, 1967 [photo scrapbook]
Miscellaneous - Performers, Composers, and Politicians (Color)
Unidentified (Bern Ketchum)
AC with Famous People and Politicians
AC with Recording and Publishing Executives
Hawkes, Ralph, ca. 1949, Tanglewood
AC with Friends
Bernstein, Leonard (Color)
Bernstein, Leonard, Tanglewood (Victor Kraft) See also: AC with Composers and Festivals and Artist Colonies, Tanglewood (Victor Kraft) BOX: xxx
Bernstein, Leonard, ca. 1940, at piano, 2 photos (Victor Kraft)
Bernstein, Leonard, 1962, at rehearsal for "Connotations"
Ramey, Philip (Color)
Walker, David and Nadja [AC's dog], ca. 1970
Early photos, 1912-1920, n.d.
AC with Acquaintances
Garfein, Jack, 1961, Peekskill
LaTouche, John, 1937, on set of Rudy Burkhardt's film "145 West 21"
Mosely, Carlos (Victor Kraft)
AC with Others
Boys High School, Brooklyn, Class of June 1918
Festivals and Artist Colonies
Aspen, Colorado
Ojai, California
Santa Fe, New Mexico
Tanglewood, [1940s]
Tanglewood, [1940s] (Color)
Tanglewood, 1985
University of Gainsville, Forida, 1972
Yaddo, 1932
Travel
Colombia
France, 1920s
Germany, Bamberg
Israel
Japan
Japan, 1962 Jan., "Joint U.S. - Japan Conference on Cultural and Educational Interchange January 1962" [Photo album]
Latin America
Mexico
Peru
Poland
Portugal
Puerto Rico
Turkey
USSR
Events
Awards
"Golden Apple"
Miscellaneous, honors (Color)
Birthday celebrations
1977, Johns Hopkins University
Dinners
1944 May 16, "American Composers' Testimonial Dinner in Honor of Dr. Serge Koussevitzky, May 16, 1944" [banquet camera photo]
1954 Mar. 30, "40thanniversary dinner, Amercian Society of Composers, Authors and Publsihers, The Waldorf-Astoria, March 30, 1954"
70th birthday
80th birthday, Boosey & Hawkes
Dinners and Receptions (Color)
Honorary degrees
1958 June, Oberlin College
1971, Columbia University
Lectures and Seminars
1967, Dartmouth College, Congregation of the Arts [photo scrapbook]
1972, University of Texas, Symposium
Press conferences and Interviews
Receptions
Photoprints without Aaron Copland
Composers
Berger, Arthur (Victor Kraft)
Bernstein, Leonard, [ca. 1947, NY Times article] (Victor Kraft)
Bernstein, Leonard, signed (Lotte Meitner-Graf)
Bernstein, Leonard and brother, [ca. 1930s] (Andrée Vilas)
Blitzstein, Marc, David Diamond, and Colin McPhee, [ca. 1940s] (Victor Kraft?)
Bowles, Paul [ca. 1930s] (Victor Kraft)
Britten, Benjamin (Andrée Vilas)
Britten, Benjamin (Victor Kraft)
Cage, John, [ca. 1947, NY Times article] (Victor Kraft)
Diamond, David, [ca. 1948] (Victor Kraft?)
Foss, Lukas, [11/47 NY Times] (Victor Kraft)
Haieff, Alexei, [ca. 1947, NY Times article] (Victor Kraft)
Honegger, Arthur and Elizabeth Sprague Coolidge, Tanglewood, [1947] (Victor Kraft)
Kennedy, J. B. (Daniel Entin)
Milhaud, Darius, [ca. 1940s] (Victor Kraft)
Piston, Walter, [ca. 1940s] (Victor Kraft)
Shapero, Harold, [ca. 1947, NY Times article] (Victor Kraft)
Stravinsky, Igor (Victor Kraft)
Thomson, Virgil, [ca. 1980s] (Nancy Rica Schiff)
Tippett, Michael (Nicholas Tucker)
Conductors
Boult, Sir Adrian
Davies, Meredith
Hoffman, Irwin, [ca. 1940s] (Victor Kraft)
Hoffman, Irwin, Leonard Bernstein, and Serge Koussevitzky, 1947, Tanglewood (Victor Kraft)
Koussevitzky, Serge and Olga (Victor Kraft)
Koussevitzky, Serge, signed and matted, (Lotte Neustein)
Shaw, Robert [1947, rehearsal at New York City Center for Harper's Bazaar] (Victor Kraft)
Choreographers
Robbins, Jerome (Victor Kraft)
Performers
Fizdale, Robert and Arthur Gold, 1947, 4 prints (Victor Kraft)
Kapell, William, 15 prints (Victor Kraft)
Newlin, D[ika?], 6 prints (Victor Kraft)
"Tender Land" production and other productions (Color)
Friends
Kraft, Victor
Kraft, Victor [with camera], ca.1940
Ross, Alvin, signed (Carmen Schiavone)
Acquaintances
Coolidge, Elizabeth Sprague and Arthur Honegger, [1947, Tanglewood] (Victor Kraft)
Miscellaneous People and Subjects
"Peter Grimes" scenes (Andrée Vilas)
Mittenthal store, Texas, 1889 [copy of photo]
Tree, 1964 Feb., signed and matted (Robert Lombardo)
Ballet
"Billy the Kid"
"Dance Panels", 1963, Munich
Motion Pictures
"North Star", [1943]
Photos of Artwork
Houses
"Rock Hill," Peekskill, NY (Victor Kraft?)
Miscellaneous (Color slides)
Contact Sheets
AC Portraits: Early (1900-1930) and Middle (1931-1960)
AC Portraits
Middle (1931-1960)
Middle (1931-1960) and Late (1961-1990)
AC Conducting
Middle, Foreign Countries, 1964, [London?]
AC in studio
Foss, Lukas and Harold Shapero (Victor Kraft)
Chávez, Carlos and Harold Clurman, [ca. 1960s] (Victor Kraft)
AC with others
Reception
London, 1970 (Victor Kraft)
London, 1972 (Victor Kraft)
Piston, Walter (Victor Kraft)
Bernstein, Leonard (Victor Kraft)
Fizdale, Robert and Arthur Gold (Victor Kraft)
Tanglewood
Photo Albums
Family: ca. late 1800s - early 1900s)
AC alone
AC with friends
Mexico, 1932
United States, 1932
Color Slides
Negatives
Black and White
35mm and 2.5x2.5 negatives
Negatives: Not to be served see: following Explanation to code system.
4x5 negatives and 5x7, 8x10 copy negatives
Color
35mm, 2.5x2.5 negatives, and one 8x10 transparency
Victor Kraft Materials, 1918-1976
The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976. Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. They first became acquainted in the early 1930's and maintained close contact until Kraft's death. Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft's photographs appeared in such prominent publications as "Life Magazine", "Harper's Bazaar", "Junior Bazaar", and the French art journal "L'Oeil", among others. The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s [and/or 1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of Aaron Copland, and portraits from the 1940s and 1950s of numerous composers and performers of the American music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festival during the 1940s is also well represented with many historically interesting images to be found in the photoprints, as well as the contact sheets and negatives. Photoprints by other prominent photographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935 portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unless otherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a sampling of Kraft's original negative sleeves which reveal insights into his systematization and methodology. See the Explanation of Code System for Photographs in the Victor Kraft Materials at the end of this series.
Biographical
Personal Papers
Foreign Service application
Bowles, Paul, 1935-1936
Miscellaneous, 1937-1975
Professional Papers
Brazil, 1951-1953[?]
Photoprints
Victor Kraft: Portraits and Family
Portraits
Early
Early and Middle
Middle
Middle with camera
Middle and Late
Family
Family and childhood
Alone and with Jeremy Kraft: Late
With Jeremy Kraft, [ca. 1970s, snapshots] (Color)
VK with others
VK with Pearl Kazin
Kazin, Pearl alone [curled prints]
Composers and Performers
Copland, Aaron: Portraits: [Middle]
Copland, Aaron: 1948, Tanglewood, "Copland-Milhaud with composition students"
Copland, Aaron: With others (Color)
Dancers, in studio
Foss, Lukas and Alexei Haieff
Johns, Erik and Frances Garman, [ca. 1940s?]
Kapell, William
Kraft, Victor with camera
McPhee, Colin, Walter Piston, and Igor Stravinsky
Mitropoulos, Dmitri
Shaw, Robert, 1947, City Center, New York
Tanglewood, 1940s
Unidentified performers, backstage
Famous People
Bowles, Paul, [ca. 1930s]
Denby, Edwin, [ca. 1930s, Mexico]
Laughton, Charles and Elsa Lanchester
McCullugh, Carson, signed (Ronny Jaques)
Rosenfeld, Isaac
Van Vechten, Carl, portrait series
Miscellaneous People
"The Captain with friend", 8 prints
Soldiers descending steps, 2 copies
Men, mostly unidentified
[Unidentified], 4 prints
[Unidentified], Children
[Unidentified], Group photos
[Unidentified], Men
[Unidentified], Women
[Unidentified], Woman, elderly
[Unidentified], Women, [story photos ?]
New York City
Baseball game
Brooklyn Bridge
Cityscapes
Columbus Circle
Street Scenes
1951, "Maranhao Uprising, 10-16-51" [curled prints]
1951-52 [curled prints]
1951-52, miscellaneous [slightly curled prints]
1952, "Cooperativa Agraria" [curled prints]
Guatemala
Guatemala photoprints, [curled prints]
Mexico photoprints
508 W114 Ca8-7621 [slightly curled prints]
"Parana Dupes" [badly curled prints]
Miscellaneous: Italy
Miscellaneous: France
Miscellaneous: Photo post cards
Miscellaneous: Unidentified
Story Photos
Butcher
Harper's Bazaar
Junior Bazaar, 1947 Feb., "How They Got Started"
Miscellaneous, [mostly unidentified]
Fashion / Models
Garman, Frances
Models, miscellaneous
Studies, nude figures, 4 prints
Magazine Product Photos
Miscellaneous Subjects
Animals
General
Landscapes
Landscapes (Color)
Landscape
AC and AC with others
AC [rolled contact strip]
AC, in England
Famous people
Miscellaneous people
"Pendle Hill July 1955 w. Orders !"
Street scenes
Brazil [curled prints]
Brazil [assorted subjects]
Europe
Guatemala [curled prints]
Haiti [rolled contact strips]
Italy, Puglia region [photos for L'Oeil magazine] [badly curled prints]
Mexico [assorted subjects]
Mexico [story boards]
Travel / Landscapes, miscellaneous and unidentified
Story photos
Fashion model
Fashion models
Miscellaneous subjects
Miscellaneous subjects and unidentified
Russian slides, "Sikhote-Alin Reserve", Produced by Novosti Press Agency [Nature scenes]
FRAGILE, DO NOT EXPOSE TO BRIGHT LIGHT
Victor and Jeremy Kraft, 1974 Sept.
AC with two unidentified people
[Brazil]
Italy [Pisa]
[Mexico?], 1954 Sept. 24, A-B-C-D
1955 Sept. 14, [Unidentified]
1956 Mar. 16, [Unidentified]
Undated and unidentified
35mm negatives and 8x10 copy negatives
35mm, 2.5x2.5, 4x5 negatives and transparencies (Color)
Negative Sleeves and Wrappers
Sampling of sleeves with notes and identification codes by VK
Artwork and Miscellaneous
Brazil, 1948-49, Fundaçao Brasil Central (F.B.C.) [3 maps]
Davison, Robert[?], watercolor landscape, signed, 1948 Oct.
Junior Bazaar and Harper's Bazaar, miscellaneous magazine pages [photos]
Miscellaneous post cards [Reproductions of artwork]
Tsachacbosov, numbered etching print of a fish, signed, 1946
Miscellaneous magazine and newspaper clippings
Miscellaneous foreign publications
Copland Library, 1908-1988
The Copland Library series comprises selected books on a wide range of musical and general subjects from Copland's personal library. Most are signed, usually by the author, or contain annotations or information about Copland. The books reflect Copland's wide and varied interests and include those books written by Copland and translated into various languages. Many books concentrate on Copland's interest in French culture after his years of study in Paris.
Title only
One hundred Japanese folk-songs. Ongaku no tomo-sha, 1960.
Orquestra Sinfónica de México. 1929-30.
Adrian, P. G.
Réflexions sur l'univers sonore. Éditions Richard-Masse, 1954.
Alfred Knopf
Read at a luncheon given by Fannie Hurst, Anne O'Hare McCormack, and H. L. Mencken.... Alfred Knopf, 1941.
Amado, Jorge
ABC de Castro Alves. Livraria Martins, 1945.
American Society of Composers, Authors and Publishers (ASCAP)
Copyright Law Symposium, no. 21-34. Columbia University, 1986.
Andreis, Josip and Slavko Zlatic (editors)
Yugoslav music. Edition Jugoslavija Beograd, 1959.
Andrews, Edward D.
The gift to be simple. J. J. Augustin, 1940.
Anouilh, Jean
Pièces brillantes. La Table Ronde, 1951.
Antek, Samuel
This was Toscanini. Vanguard, 1963.
Ausubel, Nathan (editor)
A treasury of Jewish folklore. Crown, 1948.
Notes on the piano. Syracuse, 1963.
Bakeless, Katherine Little
Story-lives of American composers. Stokes, 1941.
Balzac, Honoré de
Le Lys dans la Vallée. Éditions R. Simon, n.d.
Bang, Herman
Erzentrische Novellen. Fischer, 1921.
Barolini, Antonio
Elegie di Croton. Feltrinelli, 1959.
Bator, Victor
The Béla Bartók Archives: history and catalogue. Bartók Archives, 1963.
Bayard, Samuel Preston (editor)
Hill country tunes. American Folklore Society, 1944.
Bearsley, Aubrey
The later work of Aubrey Beardsley. Dover, 1967
Beck, Georg
Guide to the beauty of Bamberg. Bayerische, 1969.
Beck, Georges
Darius Milhaud. Heugel, 1949.
Becker, John
After Geneva. London Magazine Editions, 1975.
Aaron Copland. Oxford, 1953.
Aaron Copland. Club du Libre Americain, 1962.
Berger, Melvin
Masters of modern music. Lothrop, 1970.
Bergson, Henri
The two sources of morality and religion. Doubleday, 1954.
Bernanos, Georges
Sous le soleil de Satan. Plon, 1926.
Findings. Simon and Schuster, 1982.
The joy of music. Simon and Schuster, 1959.
Bever, Adolphe van and Paul Léautaud
Poètes d'aujourd'hui. Mercure, 1922.
Boccaccio, Giovanni
Decameròn. Rizzoli, 1950.
Borevitz, Victor
B. C. E. Biggest Century Enterprise. Borevitz, 1972.
Botkin, B. A. (editor)
The pocket treasury of American folklore. Pocket, 1950.
Boucher, Maurice
La philosophie de Hermann Keyserling. Les Éditions Rieder, 1927.
Breton, André
Situation du surréalisme entre les deux guerres. Éditions de la Revue Fontaine, 1945.
Brincourt, André
La farandole. La Table Ronde, 1952.
Brindle, Reginald Smith
Serial composition. Oxford, 1967.
Brooks, Van Wyck
The pilgrimage of Henry James. Dutton, 1925.
Bruyr, José
L'écran des musiciens. Les Cahiers de France, 1930.
Honegger et son oeuvre. Éditions Corrêa, 1947.
Bynner, Witter
Cake. Knopf, 1926.
Cage, John
Writing through Finnegans Wake. University of Tulsa, 1978.
Campos, Jorge Hernandez
La parabola del Terron. 1945.
Campos, Rubén
El folklore y la música méxicana. Secretaría de Educación Pública, 1928.
Camus, Albert
L'étranger. Gallimard, 1942.
Le mythe de Sisyphe. Gallimard, 1942.
La peste. Gallimard, 1947.
Carco, Francis
Jésus-la-Caille. Artheme Fayard, n.d.
Cartwright, Jean and John Cartwright
Enjoy Santa Fe more. New Mexico Publishing Co., 1976.
Castillo, B. Díaz del
Conquista de la nueva españa, tomo II. Espasa-Calpe, 1928.
Cendrars, Blaise
Histoires vraies. Grasset, 1938.
Chapin, Katherine Garrisoin
Lament for the stolen. Centaur, 1938.
Chevalier, Maurice and Robert Doisneau
My Paris. Macmillan, 1972.
...and other poems. Privately printed, 1955.
Citron, Samuel and David Diamond
The golden slippers. Friends of the Jewish Theatre for Children, 1967.
Clermont-Tonnerre, E. de
Robert de Montequiou et Marcel Proust. Flammarion, 1925.
Cober, Alan
The forgotten society. Dover, 1975.
Cocteau, Jean
Carte blanche. Éditions de la Sirene, 1920.
Lettre à Jacques Maritain. Librairie Stock, 1926.
Mon premier voyage. Gallimard, 1936.
Opium. Librairie Stock, 1930.
Cogley, John
Report on blacklisting: II Radio-television. The Fund for the Republic, 1956.
Conteurs Anglais
La Venus Indienne. Bibliothèque des curieux, 1921.
Att lyssna tíll muśik. Stockholm: Gebers, 1949.
Att lyssna tíll muśik. Gebers, Almquist & Wiksells, 1957.
Az új zene, 1900-1960. Zenemükiadó, 1973.
Come ascoltare la musica. Garzanti, 1950.
Come ascoltare la musica. Garzanti, 1954.
Come ascoltare la musica. Garzanti, 1959.
Cómo escuchar la música. Fondo de Cultura Económica, 1955.
Cómo escuchar la música. Fondo de Cultura Económica.
Como ouvir (e entender) música. Editôra Artenova, 1974.
Copland on music. Doubleday, 1960.
Copland on music. Andre Deutsch, 1961.
Copland on music. Da Capo, 1960.
Copland on music. Norton, n.d.
Lerne Musik hören. Kasparek, 1948.
Luister zo naar muziek. Zomer & Keunings, n.d.
Music & imagination. Mentor, 1952.
Music and imagination. Harvard, 1952.
Music and imagination. Oxford, 1952.
[Music and imagination ]. Shorinsha, Tokyo, 1962.
[Music and imagination ]. Shridhar Hari, 1962.
[Music and imagination ]. 1968.
Música e imaginación. Emece, 1955.
Música y músicos contemporáneos. Editorial Losada, 1945.
Musik von heute. Humboldt, 1947.
The new music, 1900-1960. Norton, 1968.
The new music, 1900-1960. MacDonald, 1968.
A nova música. Gráfica Record Editôra, 1969.
Nueva música, 1900-1960. Editorial Letras, 1969.
Our new music, leading composers in Europe and America. Whittlesey, McGraw-Hill, 1941.
Unsere neue Musik. Kasparek, 1947.
Vom richtigen anhören der Musik. Rowohlts, 1967.
What to listen for in music. Whittlesey, 1939.
What to listen for in music. Mentor, 1953.
[What to listen for in music ] Tehran, Iran: Zavar, 1956.
What to listen for in music. McGraw-Hill, 1957.
[What to listen for in music ]. Cairo: Hassan Irani, 1958.
[What to listen for in music. ] Tokyo: Ongaku no tomo-sha, 1965.
Copland, Aaron and Vivian Perlis
Copland, 1900 through 1942. St. Martin's, 1984.
Coulette, Henri
The war of the secret agents. Scribner's, 1966.
Counterattack
Red Channels: Report of Communist influence in radio and television. American BusinessConsultants, 1950.
Crevel, René
Le clavecin de Diderot. Editions Surrealistes, 1932.
Davison, Alvin
The human body and health. American Book Company, 1908.
Derais, François and Henri Rambaud
L'envers du journal de Gide. Le nouveau portique, 1951.
The Alice and Frederick Slee lectures. University of Buffalo, 1961.
Dolan, Robert Emmett
Music modern media. Schirmer, 1967.
Drutman, Irving
Good company. Little, Brown, 1976.
Edwards, Arthur
The art of melody. Philosophical Library, 1956.
Eekhoud, George
Escal-Vigor. Mercure de France, n.d.
Le terroir incarné. La Renaissance d'Occident, 1923.
Elöd, Juhász
Amerikai variációk. Zenemükiadó, 1969.
Bernstein Story. Zenemükiadó, 1972.
Engel, Gabriel
Gustav Mahler: song-symphonist. Bruckner Society of America, 1932.
Engel, Lehman
Words with music. Macmillan, 1972.
Ewen, David (editor)
The book of modern composers. Knopf, 1942.
Composers of today. Wilson, 1934.
Fennell, Frederick
Time and the winds. G. LeBlanc, 1954.
Fernández, Justino
Folklore Méxicano. Eugenio Fischgrund, n.d.
Fernández, Ramón
André Gide. Éditions R.-A. Corrêa, 1931.
Foote, Arthur and Walter R. Spalding
Modern harmony in its theory and practice. Schmidt, 1905.
Forster, E. M.
Alexandria: a history and guide. Doubleday, 1961.
Maurice. Edward Arnold, 1971.
Fox, Ida
In the wind. Antiphon, 1970.
France, Anatole
L'anneau d'améthyste. Calmann-Levy, n.d.
Franco, Enrique
La música en los estados unidos. La Editora Nacional, 1955.
Friedman, Sanford
Rip Van Winkle. Atheneum, 1980.
Gagliani, Oliver
Oliver Gagliani. Ideograph, 1975.
Oliver Gagliani: a retrospective. 1984.
Gagne, Cole and Tracy Caras
Soundpieces, interviews with American composers. Scarecrow, 1982.
Galantière, Lewis (editor)
The Goncourt journals. Doubleday, 1958.
Gavoty, Bernard and Daniel Lesur
Pour ou contre la musique moderne. Flammarion, 1957.
Genet, Jean
Pompes funebres. 1948.
Georges-Michel, Michel
Gens de théâtre que j'ai connus 1900-1940. Brentano, 1942.
Gide, André
André Gide. Éditions du Capitole.
Ainsi soit-il ou les jeux sont faits. Gallimard, 1952.
Amyntas. Gallimard, 1925.
Attendu que... Charlot, 1943.
Les caves du Vatican. Nouvelle Revue Française, 1922.
Les contemporains. Capitole, 1928.
Corydon. Nouvelle Revue Française, 1924.
Un esprit non prévenu. Éditions Kra, 1929.
Et nunc Manet in te. Ides et Calendes, 1947.
Les faux-monnayeurs. Gallimard, 1925.
Feuillets d'automne. Mercure de France, 1949.
L'immoraliste. Mercure, 1923.
Incidences. Nouvelle Revue Français, 1924.
Journal, 1939-1942. Gallimard, 1946.
Journal, 1942-1949. Gallimard, 1950.
Journal des faux-monnayeurs. Gallimard, 1927.
Les nourritures terrestres. Gallimard, 1921.
Nouveaux prétextes. Mercure, 1921.
Les nouvelles nourritures. Gallimard, 1935.
Paludes. Gaimard, 1926.
Prétextes. Mercure, 1923.
Retouches à mon retour de l'U.R.S.S. Gallimard, 1937.
Le retour de l'enfant prodigue. Gallimard.
Retour de l'U.R.S.S. Gallimard, 1936.
Robert. Gallimard, 1930.
Saül. Gallimard, 1922.
Si le grain ne meurt, II. Nouvelle Revue Française, 1924.
La symphonie pastorale. Gallimard, 1925.
Voyage au Congo: Carnets de route. Gallimard, 1927.
Le voyage d'Urien. Gallimard, 1929.
Gide, André and J. L. Barrault
Le procès: Pièce tirée du roman de Kafka. Gallimard, 1947.
Goldfarb, Rabbi Israel and Samuel E. Goldfarb
Friday evening melodies. Bureau of Jewish Education, 1918.
Gorali, Moshe; Gideon Almagor, and Moshe Bick (editors)
The golden peacock. Haifa Music Museum, 1970.
Gordon, Henry Evarts
Vocal expression in speech. Ginn and Company, 1911.
Gordon, Philip
The availability of contemporary American music for performing groups... Teachers College, Columbia University, 1950.
Goss, Madeleine
Modern music-makers. Dutton, 1952.
Notebooks of Martha Graham. Harcourt Brace Jovanovich, n.d.
Konzertführer neue Musik. Fischer-Bucherei, 1955.
Green, Julien
Adrienne Mesurat. Librairie Plon, 1927.
Journal, 1935-1939. Librarie Plon, 1939.
Journal, 1950-1954. Librarie Plon, 1955.
Gregory, Horace (editor)
The poems of Catullus. Grove Press, 1956.
The triumph of life. Viking, 1943.
Gruen, John
The private world of Leonard Bernstein. Viking Press, 1968.
Hahn, Reynaldo
Journal d'un musicien. Plon, 1933.
Hallgren, Mauritz A.
Seeds of revolt. Knopf, 1933.
Hammond, Mac
The horse opera and other poems. Ohio State University, 1966.
Harrison, Lou
Lou Harrison's music primer. Peters, 1971.
Hayden, George
The cancer of the French candystoreman... R. E. Martin, 1972.
Heinsheimer, Hans W.
Best regards to Aida. Knopf, 1968.
Henriot, Émile
Les livres du second rayon. Le Livre, 1926.
Henry-Marx
Ryls. Librairie Ollendorff, n.d.
Hernan, W. J.
What you want to say and how to say it in Italian. Hernan, 1920.
Testimony in pictures. Introduction by Heinrich Strobel. Schott, 1961.
Hines, Robert Stephan (editor)
The composer's point of view. University of Oklahoma, 1963.
Hoffman, E. T. A.
Musikalische Novellen und Auffäße. Insel, n.d.
Hoffnung, Gerard
Hoffnung's musical chairs. Dobson and Putnam, 1958.
The maestro. Dobson, 1953.
Hölderlin, Friedrich
Gedichte. Insel, n.d.
Holguín, Guillermo Uribe
Vida de un música colombiano. Libreria Voluntad, 1941.
Hopkins, Antony
Talking about concertos. Heinemann Educational Books, 1974.
Howe, Mark Anthony De Wolfe
The tale of Tanglewood. Vanguard Press, 1946.
Hughes, Rupert (composer); Deems Taylor, and Russell Kerr (editors)
Music lovers' encyclopedia. Garden City Publishing, 1939.
Hurst, Fannie (editor)
A record of tributes to Clarence Adler.... , n.p., n.d.
Hurtado, Leopoldo
Espacio y tiempo en el arte actual. Editorial Losada, 1941.
Estética de la música contemporanea. Biblioteca del colegio de graduados de la facultad de filosofia..., 1934.
Introducción a la estética de la música. Ricordi Americana, 1951.
Realidad de la música. Emecé Editores, 1953.
Instituto di Studi Verdiani
Verdi. Instituto de Studi Verdiani, 1969.
Jackson, George Pullen (editor)
Down-east spirituals and others. J. J. Augustin, n.d.
Spiritual folk-songs of early America. Dover, 1964.
Jarustowski, Boris
Die Dramaturgie der klassischen russischen Oper. Henschelverlag, 1957.
Jelinek, Hanns
Anleitung zür Zwölftonkomposition. Universal-Edition, 1952.
Johnson, Thomas (editor)
Final harvest: Emily Dickinson's poems. Little, Brown, 1961.
Kai, Miwa
Say it in Japanese. Dover, 1954.
Kierkegaard, Søren
Aus dem Tagebuch des Verführers. George Muller, 1927.
King, Francis
E. M. Forster and his world. Scribner, 1978.
Kirkpatrick, John (editor)
The music manuscripts and related materials of Charles Ives. John Kirkpatrick, Yale University, 1960.
Kohlhaas, Michael
Aus einer alten Chronik von Heinrich von Kleist. Lesel, n.d.
Kosarin, Sol
Juvenile delinquency. Vantage Press, 1956.
Kostelanetz, Richard (editor)
The new American arts. Horizon, 1965.
Kramer, Aaron
Denmark Vesey. Kramer, 1952.
Last, Jef
Zuyderzée. Gallimard, 1938.
Leatherman, Leroy and Martha Swope
Martha Graham. Knopf, 1966.
Leconte (editor)
Plan de Paris. Leconte, n.d.
Lee Stern Press
Who is who in music, 1941. Lee Stern Press, 1941.
Lefèvre, Frédéric
Entretiens avec Paul Valéry. "Le Libre", 1926.
Lenin, V. I.
Imperialism: the highest stage of capitalism. International Publishers, 1939.
Lewis, Richard (editor)
In praise of music. Orion, 1963.
Lime, Maurice
Gide, tel je l'ai connu. Julliard, 1952.
Lobato, José Monteiro (editor)
Alice no paíz das maravilhas por Lewis Carroll. Nacional, 1931.
Lockspeiser, Edward (editor)
Lettres inédites de Claude Debussy a André Caplet. Éditions du Rocher, 1957.
Lomax, John and Alan Lomax
Cowboy songs. Macmillan, 1938.
Our singing country. Macmillan, 1941.
Luxton, Eleanor G.
Banff. Summerthought, 1975.
Machado, Lavínia
A study of Brazilian folksongs. University of Miami, thesis, 1955.
Machlis, Joseph
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Music under the moon. Mahanna and Berkshire Symphonic Festival, 1935.
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L'armonioso labirinto. Rosa e Ballo, 1946.
La pietra del Bando. Ateneo, 1945.
Strawinsky. Cavallino, 1945.
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La condition humaine. Gallimard, 1933.
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Jean Cocteau. Odette Lieutier, 1945.
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La vie de Disraeli. Gallimard, 1927.
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Emotion and meaning in music. University of Chicago, 1956.
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The structure of music. Oxford, 1935.
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Look & move on. Black Sparrow Press, 1976.
Love with a few hairs. Braziller, 1968.
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Dylan Thomas. New Directions, 1946.
Five young American poets. New Directions, 1944.
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Portrait of a marriage. Atheneum, 1973.
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Aaron Copland his life. Holt Rinehart Winston, 1969.
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Charles Ives en el recuerdo. Editora Distribuidora Argentina, 1975.
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Unit & universe. Clarke & Way, 1961.
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Great modern composers. Dodd, 1941.
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A treasury of Mexican folkways. Crown Publishers, 1947.
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La rebelion de los Colgados. Insignia, 1938.
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My country. Ginn and Company, 1918.
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Gabriel Fauré. Durand, 1914.
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For my people. Yale, 1942.
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Hispanic anthology. Putnam's, 1920.
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Walter, Eugène and Zev. Walter
Singerie songerie. Willoughby Institute, 1958.
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