Richard Rodgers Collection
Catalog Record: http://lccn.loc.gov/2003561025
General International Standard for Archival Description
Music Division Library of Congress Washington, D.C.
Finding Aid encoded by Library of Congress Music Division, 2006
Encoded Archival Description
Encoded Archival Description (EAD) Version 2002
collection
Richard Rodgers Collection1917-1980 (bulk 1925-1979)
Rodgers, Richard, 1902-1979
Biographical History for: Richard Rodgers Collection1917-1980 (bulk 1925-1979)
Biographical Note Date Event 1902, June 28 Richard Rodgers is born to Dr. William and Mamie (Levy) Rodgers in New York City 1917 Composes music for the amateur production One Minute Please 1919 Composes music for the amateur production Up Stage and Down 1919, Dec. 19 First collaborates with Lorenz Hart 1919-1921 Attends Columbia University 1920 Composes music for the amateur productions You'd Be Surprised and Fly With Me, and his first professional production Poor Little Ritz Girl 1921 Composes music for the amateur productions Say Mama, You'll Never Know and Say It With Jazz 1921-1923 Attends Institute of Musical Art Juilliard) 1922 Composes music for the amateur productions The Chinese Lantern and Jazz a la Carte 1923 Composes music for the amateur productions If I Were King and A Danish Yankee in King Tut's Court 1924 Composes music for the amateur production Temple Bells and The Prisoner of Zenda, and the professional production The Melody Man 1925 Composes music for his last amateur production Bad Habits of 1925, and professional productions The Garrick Gaieties and Dearest Enemy 1926 Composes music for the night club revue The Fifth Avenue Follies and the shows The Girl Friend, The Garrick Gaieties, Lido Lady London) Peggy-Ann and Betsy 1927 Composes music for the shows One Dam Thing After Another (London) and A Connecticut Yankee 1928 Composes music for the shows She's My Baby, Present Arms and Chee-Chee 1929 Composes music for the shows Spring Is Here and Heads Up! (London) 1930 Composes music for the shows Simple Simon and Evergreen (London) 1930, March 5 Marries Dorothy Feiner 1931, Jan. 11 Daughter, Mary Rodgers is born 1931 Composes music for the shows America's Sweetheart and The Hot Heiress (film) 1932 Composes music for the films Love Me Tonight and The Phantom President 1933 Composes music for the film Hallelujah, I'm a Bum 1934 Composes music for the film Hollywood Party 1935, March 5 Daughter, Linda Rodgers is born 1935 Composes music for the shows Mississippi (film) and Jumbo 1936 Composes music for the shows On Your Toes and Dancing Pirate (film) 1937 Composes music for the shows Babes in Arms and I'd Rather Be Right 1938 Composes music for the shows Fools For Scandal (film), I Married An Angel and The Boys From Syracuse 1939 Composes music for the shows Too Many Girls and Ghost Town (ballet) 1940 Composes music for the shows Higher and Higher and Pal Joey 1941 Composes music for the film They Met in Argentina 1942 Composes music for the show By Jupiter 1943 Composes additional music for a revival of A Connecticut Yankee, and composes music for his first show collaboration with Oscar Hammerstein II -- Oklahoma! 1945 Composes music for the shows Carousel and State Fair (film) 1947 Composes music for the show Allegro 1949 Composes music for the show South Pacific 1951 Composes music for the show The King And I 1952 Composes background score for the television documentary Victory at Sea 1953 Composes music for the show Me and Juliet 1955 Composes music for the show Pipe Dream 1957 Composes music for the television musical Cinderella (remade in 1965 with an additional song) 1958 Composes music for the show Flower Drum Song 1959 Composes music for the show The Sound of Music 1960 Composes background score for television documentary Winston Churchill--The Valiant Years 1962 Writes music and lyrics for the show No Strings, and additional songs for the remake of the film State Fair 1962-1969 Is President and Producing Director, Music Theater of Lincoln Center 1965 Composes music, with lyrics by Stephen Sondheim, for the show Do I Hear a Waltz?, and writes music and lyrics for additional songs added to the film version of The Sound of Music 1967 Writes music and lyrics for the television musical Androcles and The Lion 1970 Composes music, with lyrics by Martin Charnin, for the show Two by Two 1976 Composes music, with lyrics by Sheldon Harnick, for the show Rex 1979 Composes music, with lyrics by Martin Charnin and Raymond Jessel, for the show I Remember Mama 1979, Dec. 30 Richard Rodgers dies
Scope and Content Note The Richard Rodgers Collection at the Library of Congress consists predominantly of Rodgers' music holographs -- sketches, piano-vocal scores (many with lyric sheets included) and short scores. In addition, the collection includes the full scores for eight of the Rodgers and Hammerstein shows (Allegro, Carousel, Flower Drum Song, The King and I, Oklahoma, Pipe Dream, The Sound of Music, and South Pacific). The majority of these scores are in the hand of the orchestrator Robert Russell Bennett, but other orchestrators are represented and identified in this guide whenever possible. The collection also includes a small number of programs, photographs, miscellaneous papers, and a few miscellaneous items. A few items have been transferred to the Motion Picture Broadcasting and Recorded Sound Division -- Rodgers' "gold record" for The Sound of Music; two video cassettes of home movies; and one cassette tape recorded by Zoe Hyde-Thomson consisting of Rodgers' reminiscences during World War II. The two video cassettes of home movies are from the 20s & 30s, includes scenes w/ Larry Hart, Rodgers' family, and theatre & Hollywood people, such as Fannie Brice, Edna Ferber, Dorothy Fields, Herbert Fields, Lew Fields, Charlie Ruggles, Jean Harlow, Leila Hyams, Herbert Marshall, Al Jolson, Harry Langdon, and director Lewis Milestone on the set of "Hallelujah, I'm a Bum") 2c (1 including people above, w/ Mrs. Rodgers voiceover, the 2nd showing Mrs. Rodgers & her daughters, w/ no voice over), si. & sd., b/w, 3/4" Videocasettes VSA0082-83. Series I -- Show Music -- has been divided into Rodgers' manuscripts and the full scores; each of these sections has been organized alphabetically by show title and by song title within each show. In the instances when a Broadway musical either was revised, subsequently filmed, or a film musical was re-made, the materials for subsequent productions have been interfiled with the materials for the earlier production. When there are collections of sketches for a show, they are at the end of the materials for that show. Where a collection of sketches contains material from more than one show, the sketches are listed with the show which appears most often; cross-references have been provided for other shows appearing within these sketches. Other collections of sketches, representing a variety of shows, are placed in the Miscellaneous Sketches series; they are listed in chronological order (as nearly as can be determined), and are designated M.S. 1 (i.e., Miscellaneous Sketches 1), etc. Known song titles from these sketches are also cross-referenced in the appropriate shows. When most sketches in a collection are identifiable, the occasional "unidentified" item is listed in the order in which it appears; when most of the sketches in a collection are unknown, there is only a general reference to the fact that unidentified sketches are included. When a portion of a song title is crossed through on the music, it is also crossed through in this guide. The appendix at the end of this guide is an alphabetical list of all of Rodgers' songs represented in this collection and where they can be found. This appendix does not include the full scores. The music for I Picked a Daisy, Lawrence of Arabia and the second film of State Fair were found together in a way that necessitated our making a best guess as to which materials were intended for which show. Our determinations should be construed as educated speculation, not fact. The full scores contain many examples of show material that was deleted or replaced with new orchestrations. In a few cases, well known selections are conspicuously absent, most notably, "Carousel Waltz" and "Soliloquy" from Carousel. The full scores are organized alphabetically by show, and by song titles within shows. Unfamiliar titles, and items such as "bridges," and "utilities" are grouped together in Miscellaneous sections at the end of each show. A number of the full scores are marked "N/G," apparently indicating that the score was "No Good" and was not used in the final incarnation of the show. This collection is an exquisite representation of the working life of a composer in both the breadth and the depth of the material it encompasses: close to 1,000 known song titles (some in various stages of composition), over 80 shows, and hundreds of untitled sketches are represented, primarily as holographs. The assembled materials span approximately sixty-two years (1917-1979), encompassing both Rodgers' amateur and professional life. Rodgers later works are most completely represented, but almost all significant early works are represented as well. There are also a number of lyric sketches for those works on which Rodgers acted as his own lyricist. Rodgers' melodic prodigiousness is evidenced in the collection by page after page of his sketches. They reveal intricacies of his working methods, for instance, there are lyric sheets with annotations by Rodgers indicating which syllables to accent, some have rhythms notated in the margins, or a melody may be scrawled on the back. There are series of sketches which show the evolution of a song -- giving three or four alternative themes, often with different time signatures and in different styles. The Rodgers and Hammerstein Fact Book by Stanley Green and the Catalog of the American Musical by Tommy Krasker and Robert Kimball were enormously helpful in determining correct song titles, as well as identifying the shows for which the songs were written or in which they were sung. Scott Willis, a Rodgers and Hart specialist, was gracious with both his time and knowledge, identifying a number of untitled pieces from the collection. Enormous thanks are due to Albert Tucker for his yeoman like work on both the processing of the collection and the creation of this guide. Mark Eden Horowitz, 1995
series
Show Music
Series I -- Show Music -- has been divided into Rodgers' manuscripts and the full scores; each of these sections has been organized alphabetically by show title and by song title within each show. In the instances when a Broadway musical either was revised, subsequently filmed, or a film musical was re-made, the materials for subsequent productions have been interfiled with the materials for the earlier production. When there are collections of sketches for a show, they are at the end of the materials for that show. Where a collection of sketches contains material from more than one show, the sketches are listed with the show which appears most often; cross-references have been provided for other shows appearing within these sketches. The full scores contain many examples of show material that was deleted or replaced with new orchestrations. Note: The show I Picked a Daisy (ca. 1960), lyrics by Alan Jay Lerner, was unproduced. The collaboration between Rodgers and Lerner was terminated, Lerner subsequently completed the show with Burton Lane and it became On a Clear Day You Can See Forever.
subseries
Manuscripts
file
Allegro (1947) lyrics by Oscar Hammerstein II
Allegro
Holograph piano-vocal score in pencil ; [8] p.
But the days on a planet see: [Sketches for Allegro : no. 3]
Come home
Holograph piano-vocal score in pencil ; 5 p.
A fellow needs a girl
Holograph piano-vocal score in pencil ; [3] p.
Finale act one
Holograph piano-vocal score in pencil ; 13 p.
The gentleman is a dope
Holograph piano-vocal score in pencil ; [7] p.
Good idea for Joe see: [Sketches for Allegro : no. 3]
Grandma see: [Sketches for Allegro : no. 3]
I have let the time run on see: [Sketches for Allegro : no. 3]
I know it can happen again
Holograph piano-vocal score in pencil ; [2] p.
It's a darn nice campus
Money isn't everything
Holograph piano-vocal score in pencil ; 8 p.
One foot, other foot
Holograph piano-vocal score in pencil ; 6 p.
Opening act I see: [Sketches for Allegro : no. 3]
Opening sequence
Poor Joe!
Holograph piano-vocal score in pencil ; [1] p.
Possibly I'm cynical see: [Sketches for Allegro : no. 3]
Sitting on the porch in the moonlight
So far
Holograph piano-vocal score in pencil ; [4] p.
To have and to hold see: [Sketches for Allegro : no. 3]
Two more [loves] see: [Sketches for Allegro : no. 1]
Two short years
What a lovely day for a wedding see: [Sketches for Allegro : no. 3]
The Wildcats are on a rampage
Will you marry me?
Wish them well : finale act I
Yatata!
Holograph piano-vocal score in pencil ; 9 p.
You are never away
You never had it so good
[Sketches for Allegro : no. 1]
[Sketches for Allegro : no. 2]
[Sketches for Allegro : no 3]
Holograph sketches in pencil ; 9 p. + [6] p. (variously paginated)
The American Idea (1973) television score
The American idea : main title theme
Holograph condensed score in pencil ; 2 p.
[The American idea]
Holograph condensed score in pencil ; 14 p.
America's Sweetheart (1931) lyrics by Lorenz Hart
I want a man See also: [M.S. 1] in MISCELLANEOUS SKETCHES
Holograph piano-vocal score in pencil, no lyric ; [3] p.
There's so much more see: [Sketches for One Dam Thing After Another]
[Sketches for America's Sweetheart]
Androcles and the Lion (1967) television musical, lyrics by Richard Rodgers
Don't be afraid of an animal
The emperor's thumb
Emperor's thumb (extension)
Ferrovius
Follow in our footsteps
No more waiting : verse.
No more waiting
Strangers
Strangers reprise
Strength is my weakness See also: [Two by Two sketches]
Velvet paws
[Sketches for Androcles and the Lion]
[Lyrics sheets and lyric sketches for Androcles and the Lion]
Holograph (pencil) and typed lyric sheets and lyric sketches ; [22] p.
[Miscellaneous Androcles and the Lion]
Babes in Arms (1937) lyrics by Lorenz Hart
All at once
Patter for All at once
Holograph piano-vocal score in pencil ; 2 p.
All dark people see: [Sketches for Babes in Arms]
Babes in arms see: [Sketches for Babes in Arms]
I wish I were in love again
Imagine
Imagine ballet, or, [Peter's journey]
Holograph condensed score in pencil ; 22 p.
Johnny one note
The lady is a tramp
Holograph piano-vocal score in pencil ; [5] p.
[My funny] valentine
Peter's journey see: Imagine ballet
Where or when
You are so fair
[Sketches for Babes In Arms]
Bad Habits of 1925 , musical revue, lyrics by Lorenz Hart
College baby!
Holograph piano-vocal score in pencil & ink, no lyric ; [4] p.
I'd like to take you home
Holograph piano-vocal score in pencil, no lyric ; [4] p.
Mah jong maid
The merry merry
Holograph piano-vocal score in pencil & ink, no lyric ; [2] p.
Silver threads
Holograph piano-vocal score in pencil, no lyric ; 5 p.
Betsy (1926) lyrics by Lorenz Hart
Birds on high see: [M.S. 3] in MISCELLANEOUS SKETCHES
Bugle blow see: [Sketches for Betsy]
If I were you see: [M.S. 3] in MISCELLANEOUS SKETCHES
Is my girl refined?
The Kitzel engagement see: Opening ensemble see: [M.S. 3] in MISCELLANEOUS SKETCHES
Nations patters
Holograph condensed score in pencil ; 8 p.
One of us should be two see: [Sketches for Betsy]
Opening ensemble, or, [The Kitzel engagement]
Holograph piano-vocal score in pencil, no lyric ; 8 p.
Shuffle!
Sing! See also: [M.S. 3] in MISCELLANEOUS SKETCHES
This funny world see: [Sketches for Betsy]
[Sketches for Betsy]
The Boys from Syracuse (1938; film 1940) lyrics by Lorenz Hart
[Ballet]
Big brother
Come with me
Dear old Syracuse
Falling in love with love
Holograph piano-vocal score in pencil ; 11 p.
The Greeks have no word for it See also: [Sketches for Higher and Higher]
He and she
He had twins!
Holograph piano-vocal score in pencil ; [14] p.
Ladies of the evening
Holograph piano-vocal score in pencil ; 4 p.
Oh, Diogenes
The shortest day of the year
Sing for your supper
What can you do with a man?
Who are you?
Holograph piano-vocal score (verse only) in pencil ; [1] p.
Who are you? See also: [M.S. 11] in MISCELLANEOUS SKETCHES
[You have cast your] shadow on the sea
[Sketches for The Boys from Syracuse]
By Jupiter (1942) lyrics by Lorenz Hart
The boy I left behind me
Careless rhapsody
Everything I've got
Finaletto (Act II)
Fool meets fool
The gateway of the Temple of Minerva see: Temple of Minerva
Here's a hand
Jupiter forbid
Life was monotonous
Life with Father
Nobody's heart
Nothing to do but relax
Temple dance
Holograph piano score in pencil ; [2] p.
The Temple of Minerva
Wait till you see her See also: [Sketches for Oklahoma!]
Carousel (1945; film 1956) lyrics by Oscar Hammerstein II
Blow high, blow low
Carrousel
The carousel waltz See also: [Sketches for Hallelujah, I'm a Bum]
Ozalid of copyist's ms. piano score ; 18 p.
Geraniums ; Stonecutters ; What's the use of wond'rin'
The highest judge of all
Scene Billy and Julie ; If I loved you
Holograph piano-vocal score in pencil ; 14 p.
Act one, scene three opening ; June is bustin' out all over
Holograph piano-vocal score in pencil ; 10 p.
Julie and Carrie sequence ; Mister Snow
Holograph piano-vocal score in pencil, incomplete lyric ; 11 p.
Reprise Mr. Snow
A real nice clambake
Soliloquy
Holograph piano-vocal score in pencil ; 14 p. + [1] p. insert
Stonecutters cut it on stone see: Geraniums in the winder
There's nothin' so bad for a woman see: Geraniums in the winder
2 little people
Holograph sketch in pencil, some lyric ; [1] p.
What's the use of wond'rin' see: Geraniums in the winder
Carrie and Mister Snow ; When the children are asleep
You'll never walk alone
Chee-Chee (1928) lyrics by Lorenz Hart
I must love you see: Send for me in Simple Simon
[Various titles] see: [M.S. 2] in MISCELLANEOUS SKETCHES
The Chinese Lantern (1922) lyrics by Lorenz Hart
Chinese march
Holograph piano score in pencil ; [3] p.
I want to be a grocer
Wee little china rose
Holograph piano-vocal score in pencil, no lyric ; [5] p.
Cinderella (1957) television musical, lyrics by Oscar Hammerstein II
Do I love you (because you're beautiful)
Do I love you
Fol-de-rol
Copyist's ms. piano-vocal score in ink ; [1] p.
Gavotte!
Holograph piano-vocal score in pencil, no lyric ; 2 p.
If I weren't king see: [Sketches for Cinderella]
Impossible
In my own little corner
Corner
A lovely night
[A lovely night]
Mother and daughters' march
Prince is giving a ball
Holograph sketch (with lyric) in pencil ; 4 p.
Scene before In my own little corner
Ten minutes ago
Waltz for a ball
Waltz!
[Sketches for Cinderella]
Holograph sketches in pencil, some lyric ; [4] p.
[Lyric sheets]
Typed lyric sheets, one with sketch material in pencil, most with 2 copies ; [7] p.
A Connecticut Yankee (1927 & 1943 revival) lyrics by Lorenz Hart
Can't you do a friend a favor
Let's both go home and kiss our mothers see: [Sketches for A Connecticut Yankee]
My heart stood still see: [M.S. 3] in MISCELLANEOUS SKETCHES
Nothing's wrong
Holograph piano-vocal score and sketch in pencil, no lyric ; [3] p.
Someone should tell them see: [Sketches for One Dam Thing After Another]
This is my night to howl
Thou swell see: [Sketches for A Connecticut Yankee]
To keep my love alive
You always love the same girl
Holograph piano-vocal score in pencil ; 7 p.
Love the same girl
Holograph sketch in pencil, partial lyric ; 2 p.
You are what I need see: [Sketches for A Connecticut Yankee]
[Sketches for A Connecticut Yankee]
Dancing Lady (1933) film, lyrics by Lorenz Hart
Dancing lady see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party]
That's the rhythm of the day see: [M.S. 7] in MISCELLANEOUS SKETCHES
Dancing Pirate (1936) film, lyrics by Lorenz Hart
Are you my love? see: [M.S. 10] in MISCELLANEOUS SKETCHES
Dearest Enemy (1925) lyrics by Lorenz Hart
Bye and bye
Photocopy of holograph piano-vocal score, no lyric ; [3] p.
Old enough to love
Opening act one, or, [Heigh-ho, lackaday]
Holograph piano score in pencil ; [4] p.
Do I Hear a Waltz? (1965) lyrics by Stephen Sondheim
Interlude -- Perhaps
Do I hear a waltz?
Holograph piano-vocal score in pencil, partial lyric ; [3] p.
Do I hear a waltz
Holograph sketch in pencil, some lyric ; [2] p.
[Do I hear a waltz?]
Holograph sketch in pencil, with lyric ; [1] p.
Everybody loves Leona
Leona
Here we are again
Last week the English (This week Americans)
Last week the English
American tag
Holograph piano-vocal sketch in pencil ; 2 p.
Moon in my window
No understand
[No understand]
Perfectly lovely couple
Holograph piano-vocal score in pencil, partial lyric ; [4] p.
Perhaps
Philadelphia
San Marco
Someone like you
Someone like you : act I, scene 3
Someone woke up
Copyist's manuscript piano-vocal score in ink with holograph coda and insert material in pencil, lyrics in pencil ; [4] p.
Holograph piano sketch in pencil ; [1] p.
Stay
Holograph piano-vocal sketch in pencil, partial lyric ; [1] p.
Stay : coda
[Stay]
Holograph lyric sketch (4 lines) in pencil ; [1] p.
Stay -- Interlude
Holograph piano-vocal score in pencil, no lyric ; [1] p.
Take the moment
Thank you so much
Thank you so much : verse
Holograph piano-vocal score in pencil, last 4 measures crossed out ; [2] p.
I was thinking
Two by two : verse
Two by two
Holograph sketch in pencil with lyric ; [1] p.
[Two by two]
Holograph rhythmic sketch in pencil with crossed out lyric ; [1] p.
Two by two : promenade
We're gonna be all right
We're gonna be all right : refrain
What do we do? We fly!
Holograph piano-vocal score in pencil ; [6] p.
Planes 1 ; Planes 2
Holograph piano-vocal sketch and sketch with lyric, in pencil ; [2] p.
[Sketches for Do I Hear a Waltz?]
Ever Green (1930; film [ Evergreen ], 1934) lyrics by Lorenz Hart
Barker ; [Quand notre vieux monde etait tout neuf] = When the old world was new
Holograph piano-vocal scores in pencil, no lyrics ; 5 p. ; 3 p.
The beauty contest see: Opening act one
The colo[u]r of her eyes See also: [M.S. 2] in MISCELLANEOUS SKETCHES
Insert "Dancing on the ceiling" See also: Dancing on the ceiling in Simple Simon
Holograph melody in ink, with lyric ; [8] m.
Little clog : waltz
Holograph piano-vocal score in pencil, no lyric ; [2] p.
Lovely woman's ever young : The captain is a little baby
Harlemania
If I give in to you
Talking song
The cool of the evening
Sex-appeal
Je m'en fiche
Lion song
If we're in China
Nobody looks at the man
Opening act one, or, [The beauty contest]
Dance for Opening act one
Quand notre vieux monde etait tout neuf see: Barker
She was poor
When the old world was new see: Barker see: [Sketches for Spring Is Here]
Flower Drum Song (1958; film 1961) lyrics by Oscar Hammerstein II
Chop suey
Dummy rhythm for "Chop suey"
Holograph rhythmic sketch in pencil ; [1] p.
Don't marry me
Fan tan fanny
Holograph piano score in pencil, no lyric ; [2] p.
Gliding through my memoree
Grant avenue
A hundred million miracles
Miracles
Holograph piano-vocal sketch in pencil ; [4] p.
I am going to like it here
I enjoy being a girl
Like a god
Holograph lead sheet in pencil, partial lyric in ink ; [1] p.
Love, look away See also: Like a god See also: Sunday
Love, look away : verse See also: Like a god See also: Sunday
[Love, look away] See also: Like a god See also: Sunday
Holograph sketch in pencil, partial lyric in ink ; [1] p.
My best love
The other generation
She is beautiful see: You are beautiful
Sunday
Sunday verse
She is the girl
[Sketches for Flower Drum Song]
Follow Thru (1930) film, lyrics by Lorenz Hart
Because we're young
I'm hard to please
It never happened before
Softer than a kitten See also: Hunting ballet in Simple Simon
Fools for Scandal (1938) film, lyrics by Lorenz Hart
[Sketches for Fools for Scandal]
The Garrick Gaieties (1925) lyrics by Lorenz Hart
April fool
Gilding the guild
The joy spreader : a jazz opera in one act
Holograph piano-vocal score in pencil, no lyric ; 27 p.
Jury song
Manhattan
Monkey finale
Holograph piano score and melodic fragment in pencil ; [1] p.
Requiescat in pace
Sentimental me!
Speeches are gold
Stage managers' chorus
The three musketeers
The Garrick Gaieties (1926) lyrics by Lorenz Hart
Allez-up!
American beauty rose see: [Sketches for The Garrick Gaieties (1926)]
Back to nature see: [Sketches for The Garrick Gaieties (1926)]
Gigolo
Idylls of the king : Knights of round table
It may rain see: [Sketches for The Garrick Gaieties (1926)]
Just a little souvenir see: [Sketches for The Garrick Gaieties (1926)]
Keys to heaven
Mexico see: [Sketches for The Garrick Gaieties (1926)]
Reprise mountain greenery
Opening act I
Holograph piano-vocal score in pencil, no lyric ; [8] p.
Opening ; Opening chorus
Queen Elizabeth
Sleepyhead
Tennis
What's the use of talking
[Sketches for The Garrick Gaieties (1926)]
Ghost Town (1939) an American folk ballet, libretto by Richard Rodgers and Marc Platoff
Ghost town
Holograph condensed score in pencil ; 58 p.
[Ghost Town inserts]
Holograph condensed score in pencil ; 12 p.
[Sketches for Ghost Town]
The Girl Friend (1926) lyrics by Lorenz Hart
The blue room
Photocopy of holograph piano-vocal score (2 copies, normal and reduced sizes), no lyric ; [4] p.
Photocopy of holograph condensed score (2 copies, normal and reduced sizes) ; [1] p.
Creole crooning song
Look for the damsel!
The girl friend
Good fellow mine
To hum!
Holograph sketch in ink ; 1 p. (5 3/4" x 10 1/2")
Town hall tonight!
Turkey in the straw
Two of a kind
Why do I?
Photocopy of holograph piano-vocal score, no lyric ; [2] p.
The Great Adventure (1963) television theme
The great adventure
Holograph condensed score in pencil ; [3] p.
Hallelujah, I'm a Bum (1933) film, lyrics by Lorenz Hart
Bumper found a grand ; What do you want with money?
I've got to get back to New York
Cornerstone laying
Sleeping beauty
Tick-tick
What do you want with money see: Bumper found a grand
Zoo see: [Sketches for Hallelujah, I'm a Bum]
[Sketches for Hallelujah, I'm a Bum]
Happy Birthday (1946) lyric by Oscar Hammerstein II
I haven't got a worry in the world
Heads Up! (1929; film 1930) lyrics by Lorenz Hart (Me for You was pre-Broadway title)
As though you were there
Copyist's ms. piano-vocal score in ink, lyric in pencil ; 4 p.
Jazz reception see: Opening act one
Opening act one
Holograph piano-vocal score in pencil, no lyric ; 6 p.
[Sketches for Heads Up!]
Higher and Higher (1940) lyrics by Lorenz Hart
A barking baby never bites See also: [M.S. 11] in MISCELLANEOUS SKETCHES
Blue Monday see: Opening act II
Disgustingly rich see: [Sketches for Higher and Higher] see: [M.S. 11] in MISCELLANEOUS SKETCHES
Ev'ry Sunday afternoon
From another world
How's your health?
It's pretty in the city
Life! Liberty!
Lovely day for a murder
Morning's at seven
Nothing but you
Ope[ning] act II
[Sketches for Higher and Higher]
Holograph sketches in pencil ; [1] p. (torn in half)
Hollywood Party (1934), film, lyrics by Lorenz Hart, Gus Kahn, Mr. Dietz and Arthur Freed
Black diamond see: [Sketches for Hollywood Party]
Burning see: [Sketches for Hollywood Party]
Hollywood party see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party]
I'm one of the boys see: [Sketches for Hollywood Party]
I'm a queen in my own domain see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party]
Keep away from the moonlight see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party]
My friend the night see: [Sketches for Hollywood Party]
[The night was made for dancing]
Holograph piano-vocal sketch in pencil, no lyric ; [3] p.
Holograph sketch in ink & pencil, with lyric ; [1] p.
Prayer see: [Sketches for I Married an Angel] see: [Sketches for Hollywood Party] see: [Sketches for Too Many Girls]
Reincarnation see: [M.S. 7] in MISCELLANEOUS SKETCHES see: [Sketches for Hollywood Party]
[Sketches for Hollywood Party]
I Married an Angel (1938; film 1942) lyrics by Lorenz Hart
Animated objects
Holograph piano-vocal sketch in pencil ; 11 p.
Angel without wings see: [Sketches for I Married an Angel]
Honeymoon ballet see: [Sketches for I Married an Angel]
How to win friends and influence people see: [Sketches for I Married an Angel]
I'll tell the man in the street see: [Sketches for I Married an Angel]
Opening : I married an angel
Holograph piano-vocal sketch in pencil, partial lyric ; 23 p.
Spring is here see: [Sketches for I Married an Angel]
A twinkle in your eye see: [Sketches for I Married an Angel]
Why have you eyes
Holograph piano-vocal sketch in pencil ; p. 12-14
Yodel [if you can]
Holograph and ms. sketch in pencil ; [1] p.
[Sketches for I Married an Angel]
I Picked a Daisy (ca. 1960) unproduced, lyrics by Alan Jay Lerner
Rachel see: State Fair
You walked in see: State Fair
[Sketches for I Picked a Daisy]
Holograph sketches in pencil ; [14] p. + blanks
Holograph lyric sketch in pencil for "[Jensen]" ; [1] p.
I Remember Mama (1979) lyrics by Martin Charnin and Raymond Jessel
The day Lars Gunderson died
The day Sven Lars Gundersen died
Typed lyric sheet, annotations in ink ; [1] p.
Don't laugh at Trina
Holograph sketch (crossed out) in pencil ; [1] p.
Easy come, easy go
Ev'ry day
Lullaby
Holograph piano-vocal score in pencil, no lyric ; 3 p.
Fair trade
I write, you read
A fam'ly we will be see: [Lyric sheets for I Remember Mama]
How do you bring up children?
I don't know how
I remember Mama
I write, you read see: Fair trade
It is not the end of the world
[It's going to be] good to be gone
It's going to be good to be gone
Lars, Lars
Holograph piano-vocal score and lead sheet in pencil ; [3] p.
A little bit more
Mama always makes it better see: [Lyric sheets for I Remember Mama] see: Getting married to a person in Two by Two
Maybe
Maybe, maybe, maybe
Typed lyric sheet, annotations in ink ; 2 p.
A most disagreeable man
He's a most disagreeable man
An old city boy at heart see: [Lyric sheets for I Remember Mama]
Such good fun see: [Lyric sheets for I Remember Mama]
Time
Uncle Chris!
We're staying here
Holograph lead sheet in pencil and photocopy ; [1] p. each
Dow'ry
What kind of man
When?
[Where we came from]
We don't wanna go back
Women without men
A writer writes at night see: [Lyric sheets for I Remember Mama]
You could not please me more
[Lyric sheets for I Remember Mama]
[Letter from Martin Charnin to R. Rodgers]
Holograph letter in ink, dated Dec. 25, '77 ; [1] p.
[Song listings with notes] : Typed and photocopied lists of used and unused songs ; [6] p.
[I Remember Mama playbills] : Playbills (2) from the Majestic Theatre, June and August, 1979
[I Remember Mama picture card] : Picture card featuring Liv Ullmann
I'd Rather Be Right (1937) lyrics by Lorenz Hart
Beauty sequence : [Here he is!]
Ev'rybody loves you See also: [Sketches for Fools for Scandal]
Have you met Miss Jones?
His chances are not worth a penny see: [Sketches for I'd Rather Be Right]
A homogeneous cabinet see: [Sketches for I'd Rather Be Right]
I'd rather be right [versions 1 & 2] see: [Sketches for I'd Rather Be Right]
Labor is the thing See also: [Sketches for I Married an Angel]
Not so innocent fun
Sweet sixty-five see: [Sketches for I'd Rather Be Right]
Take and take and take
A treaty, my sweetie, with you see: [Sketches for I'd Rather Be Right]
We're going to balance the budget
[Sketches for I'd Rather Be Right]
If I Were King (1923) lyrics by Lorenz Hart
[The] band of the ne'er-do-wells
Courtly etiquette
Holograph piano-vocal score in pencil, no lyric ; 7 p.
Lady of heaven ; Life is unstable
Holograph piano score and piano-vocal score in pencil, no lyrics ; 2 p.
Life is unstable see: Lady of heaven
Minuet
Minuett
Manuscript piano score in pencil & ink ; [2] p.
Holograph piano-vocal score in pencil, no lyric ; 4 p.
Waltz
Jumbo (1935; film 1962) lyrics by Lorenz Hart
The circus is on parade
Finale act II : wedding
Holograph condensed score sketch in pencil ; 7 p.
Diavolo
Ist act finale waltz ; Intro to wire walkers
Newer waltz : finale act I
Finale act I : box and white horse march
Act I finale : Foster girls
Holograph piano score in pencil ; [1] p.
Giant calliope : finale act II
Laugh see: [Sketches for Jumbo]
Little girl blue
Holograph piano-vocal score and piano score, in pencil ; 7 p.
March of the clowns : also March of animals
Memories of Madison Square Garden see: [Sketches for Jumbo]
The more I see of other girls : elephant song See also: [Sketches for Mississippi]
The most beautiful girl in the world
My romance
New strain for [Kimris?]
Over and over again see: [Sketches for Jumbo]
The song of the roustabouts see: [Sketches for Jumbo]
There's a small hotel see: [M.S. 9] in MISCELLANEOUS SKETCHES
Women!
[Sketches for Jumbo]
Photocopy of holograph sketches ; [4] p.
June Days (1925) lyrics by Lorenz Hart
Anyway
Keep 'Em Rolling (1942), film short, lyric by Lorenz Hart
Keep 'em rolling!
The King and I (1951; film 1956) lyrics by Oscar Hammerstein II
Anna's bedroom
Getting to know you See also: [Sketches for South Pacific]
Hello, young lovers
Anna and son Klin scene : leading to Hello, young lovers song
Before verse of Hello young lovers
Holograph piano-vocal sketch in pencil ; 3 p.
I have dreamed
I whistle a happy tune
Kralahome
Children's march
March?
Holograph sketch/piano score in pencil ; [3] p.
[My] lord and master
Now you leave
[A] puzzlement
Holograph piano-vocal sketch in pencil, partial lyric ; [4] p.
[The Royal Bangkok Academy]
Shall we dance?
Something wonderful
He can be wonderful
Holograph sketch in pencil with lyric ; [2] p.
[Song of the] king
Holograph piano-vocal score/sketch in pencil ; [3] p.
Waiting
We kiss in a shadow
Opening act 2
Ms. piano-vocal score in pencil ; [4] p.
Why? Why? Why?
Why? Why? Why? : new development
Incidentals for dialogues
Holograph incidental music (melody lines) with dialogue, in pencil ; [2] p.
[Sketches for The King and I]
[Program] : Printed program of the National Theater production, Washington, D.C., August 29, 1955.
Lady Fingers (1929) lyrics by Lorenz Hart
I love you more than yesterday see: [M.S. 2] in MISCELLANEOUS SKETCHES
Lawrence of Arabia (ca. 1960) unproduced [probably a television documentary]
Arab friend : counter to "Lawrence theme"
Holograph condensed score in pencil, no lyric ; [3] p.
Arab military
Holograph condensed score in pencil, no lyric ; 2 p.
Arab military : lyrical
Holograph condensed score in pencil, no lyric ; [2] p.
British military & music hall
[The father of the bride?]
Holograph piano-vocal sketch in pencil, lyricist unknown ; [1] p.
Lawrence theme : counter to "Arab friend"
Michener
Holograph piano score/condensed score in pencil ; 4 p. (incomplete)
[Sketches for Lawrence of Arabia]
Holograph sketches in pencil ; [5] p. + blanks
Let's Have Fun (1935) radio musical comedy
I'll take a little of you on toast see: [M.S. 8] in MISCELLANEOUS SKETCHES
Please make me be good see: [M.S. 8] in MISCELLANEOUS SKETCHES
Lido Lady (1926) lyrics by Lorenz Hart
Atlantic blues See also: [M.S. 3] in MISCELLANEOUS SKETCHES
[The] beauty of another day See also: [M.S. 3] in MISCELLANEOUS SKETCHES
Chuck it! see: [M.S. 3] in MISCELLANEOUS SKETCHES see: Chuck it! in Peggy-Ann
A cup of tea see: [M.S. 3] in MISCELLANEOUS SKETCHES
Ever-ready Freddy See also: [M.S. 3] in MISCELLANEOUS SKETCHES
Exercise
Finale act two See also: [M.S. 3] in MISCELLANEOUS SKETCHES
I want a man
Lido lady see: [M.S. 3] in MISCELLANEOUS SKETCHES
Morning is midnight see: [M.S. 3] in MISCELLANEOUS SKETCHES
My heart is Sheba bound see: [M.S. 3] in MISCELLANEOUS SKETCHES
A little flat in Soho See also: [M.S. 3] in MISCELLANEOUS SKETCHES
Try again tomorrow see: [M.S. 3] in MISCELLANEOUS SKETCHES
Two to eleven See also: [M.S. 3] in MISCELLANEOUS SKETCHES
You're on the Lido now see: [M.S. 3] in MISCELLANEOUS SKETCHES
Love Me Tonight (1932) film, lyrics by Lorenz Hart
Isn't it romantic? See also: [M.S. 6] in MISCELLANEOUS SKETCHES
Holograph piano-vocal score in pencil, partial lyric ; [5] p.
Love me tonight
Lover!
The man for me
Holograph piano-vocal score in pencil, partial lyric ; 4 p.
Mimi
Pierrot
The poor Apache
The son-of-a-gun is nothing but a tailor!
Holograph piano-vocal score in pencil, no lyric ; 9 p.
[That's] the song of Paree
A woman needs something like that
Main Street to Broadway (1953) film
There's music in you
Me and Juliet (1953) lyrics by Oscar Hammerstein II
The baby you love see: Me and Juliet sequence see: [Sketches for Me and Juliet]
The big black giant
I'm your girl
Verse -- I'm your girl
Ten minutes' intermission
Holograph piano-vocal score in pencil ; 16 p.
It feels good
It's me
Keep it gay
Marriage type love
Me and Juliet sequence : act II
Holograph piano-vocal score in pencil ; 12 p.
Opening of Me and Juliet See also: [Sketches for Me and Juliet], p. [15]: "My bounty" See also: [Sketches for Me and Juliet], p. [16]: "Me, who am I?"
That's the way it happens
Typed script including lyrics, annotations in pencil ; [4] p.
A very special day
Verse: Special day
Wake up little theatre
[Sketches for Me and Juliet]
The Melody Man (1924; film 1930) comedy by Herbert Fields, R. Rodgers, and Lorenz Hart
Moonlight Mama
Mississippi (1935) musical film, lyrics by Lorenz Hart
Easy to remember see: [M.S. 8] in MISCELLANEOUS SKETCHES
I keep on singing
[Sketches for Mississippi]
No Strings (1962) lyrics by Richard Rodgers
Be my host
Verse Be my host ; Be my host
Eager beaver
Holograph sketch in pencil, partial lyric ; [2] p.
How sad
[How sad]
Holograph lyric sketch in pencil ; [1] p.
I was there
[I was there]
Holograph lyric sketches in pencil ; [2] p.
Intro. to scene change
La-la-la
Holograph piano-vocal score in pencil ; 3 p.
Loads of love
Holograph sketch in pencil, including crossed out material titled "Lovely love" ; [1] p.
Look no further
Love makes the world [go]
Holograph lead sheets (2) in pencil ; [1] p. each
I do like Maine
The man who has everything
Man who has everything
No strings
Holograph lead sheet (no lyric) and sketches (some lyrics) in pencil ; [3] p.
Nobody told me
Holograph lead sheet (no lyric) and sketch in pencil ; [2] p.
[An] orthodox fool
Holograph sketch in ink & pencil ; [2] p.
The sweetest sounds
Yankee, go home!
You don't tell me
[You don't tell me]
[Sketches for No Strings]
Holograph sketches in pencil, some lyric ; [1] p.
[Lyric sketches]
Holograph lyric sketches in pencil and typed ; [47] p. total
[Lyrics]
Red binder containing typed lyric sheets ; [17] p.
Oklahoma! (1943; film 1955) lyrics by Oscar Hammerstein II
All er nothin!
Boys and girls [like you and me]
The farmer and the cowman
I cain't say no
A scandal for the jaybirds
Kansas City
Lonely little room
Many a new day
Oh, what a beautiful mornin'
Oklahoma
Out of my dreams
[Out of my dreams]
People will say we're in love
Verse People will say
Pore Jud is daid
Poor Jud
The surrey with the fringe on top
When I go out walkin' with my baby
[Sketches for Oklahoma!]
On Your Toes (1936; film 1939) lyrics by Lorenz Hart
Glad to be unhappy see: [Sketches for Jumbo] see: [M.S. 10] in MISCELLANEOUS SKETCHES
The heart is quicker than the eye see: [Sketches for On Your Toes]
It's got to be love see: [Sketches for Jumbo]
On your toes see: [Sketches for On Your Toes]
Our private olympic games
[La Princesse Zenobia ballet]
10th avenue lead See also: [M.S. 9] in MISCELLANEOUS SKETCHES
There's a small hotel see: [Sketches for Jumbo]
Questions and answers
Too good for the average man see: [M.S. 10] in MISCELLANEOUS SKETCHES
Two-a-day for Keith
[Sketches for On Your Toes]
One Dam Thing After Another (1927) musical revue, lyrics by Lorenz Hart
Dance negre
Opening act I : sandwich girls
Make hey! Make hey! see: [Sketches for One Dam Thing After Another]
Progress
Shakespeare
Shakespeare Dance
[Sketches for One Dam Thing After Another]
Pal Joey (1940; film 1957) lyrics by Lorenz Hart
Bewitched, [bothered and bewildered] See also: [M.S. 12] in MISCELLANEOUS SKETCHES
Chicago see: A great big town
Den of iniquity
Do it the hard way
The flower garden of my heart
A great big town
Happy hunting horn see: [Sketches for Pal Joey]
I could write a book
I'm talking to my pal
Plant you now, dig you later See also: [M.S. 12] in MISCELLANEOUS SKETCHES
Take him See also: [M.S. 12] in MISCELLANEOUS SKETCHES
That terrific rainbow
You mustn't kick it around
Zip!
[Sketches for Pal Joey]
Peg o' My Heart (1933) film
When you're falling in love with the Irish see: [Sketches for I Married an Angel]
Peggy-Ann (1926) lyrics by Lorenz Hart
Act I finale
Holograph piano score/sketch in pencil ; [3] p.
Store opening
Chuck it! See also: [M.S. 3] in MISCELLANEOUS SKETCHES
Dummy march see: [Sketches for Betsy]
Give this little girl a hand see: [Sketches for Peggy-Ann]
Hello see: [M.S. 3] in MISCELLANEOUS SKETCHES
Howdy to Broadway
Holograph piano-vocal score in pencil, partial lyric ; 2 p. (incomplete)
A little birdie told me so see: [M.S. 3] in MISCELLANEOUS SKETCHES
Paris is really divine
Peggy! Peggy!
Tramping along see: [Sketches for Betsy]
A tree in the park see: [Sketches for Peggy-Ann]
[Sketches for Peggy-Ann]
[Sketches for Peggy-Ann] See also: "My Clementine" in NON-SHOW MUSIC
Pipe Dream (1955) lyrics by Oscar Hammerstein II
All at once : verse
All kinds of people
Bum's opera
Bum's opera See also: "Tide pool"
Everybody's got a home [but me]
The happiest house on the block
How long? see: [Sketches for Pipe Dream]
I am a witch
Holograph piano-vocal sketch in pencil, with lyric ; [2] p.
On a lopsided bus
[The] man I used to be : verse
The man I used to be
The next time it happens
[The next time it happens]
The party that we're going to have tomorrow night
Suzy development : 1 and 2
Suzy development
Suzy is a good thing : verse
Suzy is a good thing
Sweet Thursday
Thinkin'
The tide pool
Tide pool
Holograph sketch in pencil, with lyric ; [2] p.
[Tide pool]
[Sketches for Pipe Dream]
The Play's the Thing (n.d)
Music & the emotions
Holograph (Lorenz Hart) lyric sheet in pencil ; [3] p.
Ope[ning] act I
[Lyrics for The Play's the Thing]
Holograph (Lorenz Hart) lyric sheets/script in pencil ; [16] p. total
Please! (1933) revue
Rhythm see: [Sketches for Babes in Arms] see: Rhythm! in The Show Is On
Present Arms (1928) lyrics by Oscar Hammerstein II
[Various titles] see: [M.S. 2] in MISCELLANEOUS SKETCHES see: [M.S. 3] in MISCELLANEOUS SKETCHES
The Prisoner of Zenda (1924) lyrics by Herbert L. Fields
Curtain raiser act II/Introduction to Opening act I begin see: Finale act I
Finale act I
Make way
Holograph condensed score in pencil ; [4] p.
March
My king can do no wrong : act one
My king can do no wrong : act II
Oh, dear!
Oh! dear : opening act I
Opening act III
Holograph condensed score in pencil ; [5] p.
Russian melody
Holograph sketches in pencil, some crossed out ; [2] p.
Trio act one
When men are in love
Will never do
Without your love
The worst of friends
Yankee-doodle (Counter melody) see: Oh, dear!
Rex (1976) lyrics by Sheldon Harnick
[As once I loved you]
As once I loved you
Away from you : intro
Away from you
Holograph lead sheet/sketch in pencil, with lyric ; [1] p.
Holograph lead sheet/sketch in pencil, with lyric ; 2 p.
Away from you : reprise
Away from you : partial reprise
The chase
Christmas at Hampton Court
Come to court
Dear Jane
Don't come to court
Lizzie's lullaby
Elizabeth
Eternal stars
At the field of cloth of gold
From afar see: [Lyric sheets for Rex]
Henry Catherine scene : as in "Where is my son"
Holograph lead sheet/piano-vocal score in pencil ; [1] p.
I brought you a gift
I'll miss you See also: "Te Deum"
In time
In time : reprise
Kings
Kings : reprise
My daughter : [My daughter -- I]
My daughter : [My daughter -- II]
No song more pleasing
No song more pleasing : reprise
The pears of Anjou
Rex
Henry Anne duet
Holograph piano-vocal score in pencil ; [2] p. (incomplete)
So much you loved me
Typed lyric sheets (2 versions) ; [1] p. each
Te Deum
Tell me
Tell me : reprise
There are kings
To please Your Grace
To please my king
The wee golden warrior
Where is my son? See also: "The field of cloth of gold" for the lyric sheet
Holograph piano-vocal score in pencil ; 6 p. + 2nd p. 5
What now
Why?
Intro. Ann ; Anne
Would I not love you
Typed lyric sheets (3 versions) ; [1] p. each
[Sketch for Rex]
Unidentified holograph sketch material in pencil ; [1] p.
[Lyric sheets for Rex]
Photocopyies of typed lyric sheets ; [4] p. total
[Song listings] : Typed listings of used and unused songs from Rex ; [2] p.
[Playbill for Rex] : Playbill for Lunt-Fontanne Theatre, April 1976. Note: annotation in ink on "Scenes And Musical Numbers" page
Saturday Night Around the World (1965) unproduced TV special
Saturday night see: [Two by Two sketchbook]
[Saturday Night Around the World]
Holograph melodic sketch material in pencil ; [1] p.
Say Mama (1921) amateur musical comedy, lyrics by Lorenz Hart
Jack and Jill
Priscilla
Show him the way
She's My Baby (1928) lyrics by Lorenz Hart
I still believe in you
This goes up see: [M.S. 3] in MISCELLANEOUS SKETCHES
When I go on the stage see: [Sketches for One Dam Thing After Another]
The Show Is On (1936) revue, lyric by Lorenz Hart
Rhythm!
Simple Simon (1930) lyrics by Lorenz Hart
He dances on my ceiling
Don't tell your folks
He was too good to me
Hunting ballet
Holograph piano score and sketches in pencil ; 13 p. + [5] p.
Finaletto of Hunting scene
Hunting song
I still believe in you see: She's My Baby
Oh, so lovely!
Send for me See also: [M.S. 2] in MISCELLANEOUS SKETCHES
Sweetenheart
Ten cents a dance
Photocopy of holograph piano-vocal score ; [4] p.
Something Gay (1935) non-musical play
You are so lovely and I'm so lonely see: [M.S. 5] in MISCELLANEOUS SKETCHES
The Sound of Music (1959; film 1965) lyrics by Oscar Hammerstein II and Richard Rodgers
Climb ev'ry mountain
Do-re-mi
Edelweiss
End of Scene 3 : Fav. things & "Maria"
How can our love survive?
[How can love survive?]
I have confidence
Confidence See also: Fair is fair in NON-SHOW MUSIC
Holograph sketch (for above) in pencil ; [1] p.
I have confidence : new refrain
I have loved and I've learned
Ländler
The lonely goatherd
Maria
My favorite things
Favorite things
No way to stop it
[No way to stop it]
An ordinary couple
Ordinary people
Holograph piano sketch in pencil ; [2] p.
Sixteen going on seventeen
Reprise verse "Sixteen"
Holograph sketch and lyric in pencil ; [2] p. (3 3/4" x 6" paper)
Sixteen going on seventeen : end of 1st chorus of "Sixteen going on seventeen" [and] end of 2nd chorus
Ms. piano-vocal score in pencil, annotations in ink ; 2 p. (incomplete)
So long, farewell
Goodbye
Holograph sketch in pencil, some lyric ; [3] p.
Something good
[Something good]
The sound of music
[The sound of music] : Sound II [and] Verse Sound of
[Sketches for The Sound of Music]
Unidentified holograph sketches in pencil on non-music paper ; [2] p.
South Pacific (1949; film 1958) lyrics by Oscar Hammerstein II
Bali ha'i
Bloody Mary
Bright canary yellow
Not this heart
Dites-moi
Happy talk
Honey bun
Wash that man
My girl back home
Now is the time
Some enchanted evening
Intro. to "Enchanted" reprise
There is nothin' like a dame
This nearly was mine : verse [and] intro.
This nearly was mine : refrain
Twin soliloquies
A wonderful guy
Younger than springtime
Carefully taught
[Sketches for South Pacific]
Holograph sketches in pencil, some lyric ; [8] p.
Holograph sketches in pencil, some lyric ; [5] p.
Spring Is Here (1929; film 1930) lyrics by Lorenz Hart
[Sketches for Spring Is Here]
The color of her eyes see: Ever Green see: [M.S. 2] in MISCELLANEOUS SKETCHES
With a song in my heart see: [M.S. 4] in MISCELLANEOUS SKETCHES
Stage Door Canteen (1943) musical film
The girl I love to leave behind
State Fair (1945 & 1962 remake) film, lyrics by Oscar Hammerstein II and Richard Rodgers
All I owe Iowa[y]
Away from home
Isn't it kinda fun?
It might as well be spring
It's a grand night for singing
It's the little things in Texas
More than just a friend
[More than just a friend] : Sweet-hog of mine
Never say "no"
Never say no to a man
Our State Fair
Rachel see: This isn't heaven
State Fair See also: Dear friend in NON-SHOW MUSIC
That's for me!
This isn't heaven
[This isn't heaven]
We will be together
Willing and eager
You walked in see: This isn't heaven
[Sketches for State Fair] See also: Infantry in NON-SHOW MUSIC
[Sketches for State Fair]
Holograph lyric sketches in pencil ; [19] p.
Temple Bells (1924) amateur musical comedy, lyrics by Lorenz Hart
Bobolink
They Met in Argentina (1941) musical film, lyric by Lorenz Hart
Amarillo
Carefree careterro See also: [M.S. 12] in MISCELLANEOUS SKETCHES
Contrapunto See also: [M.S. 12] in MISCELLANEOUS SKETCHES
Cutting the cane
Lolita See also: [Sketches for Pal Joey]
Never go to Argentina
North America meets South America See also: [M.S. 12] in MISCELLANEOUS SKETCHES
On the track See also: [M.S. 12] in MISCELLANEOUS SKETCHES
Simpatica See also: [M.S. 12] in MISCELLANEOUS SKETCHES
You've got the best of me
Too Many Girls (1939; film 1940) lyrics by Lorenz Hart
'Cause we got cake See also: 'Cause we got cake in [Sketches for Ghost Town]
Give it back to the Indians
I didn't know what time it was
I like to recognize the tune
Look out!
Love never went to college
What a prince!
Pottawatomie
She could shake the maracas
Spic and Spanish
Spic and Spanish : insert #1
Holograph piano score/condensed score in pencil ; 2 p.
The sweethearts of the team
Tempt me not!
Too many girls
You're nearer
[Sketches for Too Many Girls]
Two by Two (1970) lyrics by Martin Charnin
As far as I'm concerned see: The brother department see: [Lyric sheets for Two by Two]
The brother department
The covenant
Holograph sketch in pencil, with lyric ; [4] p.
Ev'rything that's gonna be has been
Forty nights
Getting married [to a person]
The gitka's song see: [Two by Two sketchbook]
The golden ram
Hey, girlie
Holograph lead sheet in pencil, no lyric ; [1] p.
I can't complain
I do not know a day I did not love you : [I can't remember when]
I do not know a day
I do not know a day I did not love you : Love song
Ninety again
Holograph lead sheet in pencil, no lyric ; 2 p.
An old man
Poppa isn't Poppa anymore, or, Everything that's gonna be has been See also: "Ev'rything that's gonna be has been"
Poppa knows best
Put him away!
Something doesn't happen
Something that you like
Something, somewhere
Holograph rhythmic sketch in pencil, with lyric ; [1] p.
When it dries see: [Sketches for Two by Two] see: [Lyric sheets for Two by Two]
Why me?
Without my money
You : Who
You couldn't please me more
You have got to have a rudder on the ark
[Two by Two sketchbook]
Holograph sketches in pencil, some with lyrics ; [22] p.
[Lyric sheets for Two by Two]
[Song listings with notes] : Typed listings of used and unused lyrics of songs, annotations in pencil ; [2] p.
[Playbill] : Playbill for Imperial Theatre, November 1970
Up Stage and Down (1919) amateur musical comedy, lyrics by Richard Rodgers
Prism, plums and prunes
Copyist's ms. piano-vocal score in ink ; [2] p.
The Valiant Years (1960) television film
The American rifle
Holograph condensed score in pencil ; [2] p.
The church ; Winston depressed
Holograph piano scores in pencil ; [2] p.
Churchill is determined
Holograph condensed score in pencil ; [1] p.
Deep sea
England at play
Factories -- mechanique
Flute and Chopin
France gay
German band
German unison
The home guard
A hymn, sort of
Jolly Churchill
Luftwaffe
Majestic England
Mare nostram
Mosquito fleet
Pastoral
La patrie
Return from Dunkirk
Sea killer
Ski troops
Title ; Winston is back in office ; Winston is back
Holograph piano score/condensed score in pencil, some words ; [3] p.
Triumph
Winston depressed see: The church
Winston is back see: Title
Winston is back in office see: Title
[Sketches for The Valiant Years]
Victory at Sea (1952) television film
Tango
Holograph condensed score sketch in pencil ; [2] p.
Tango part II
Building up theme : mustering of forces See also: "Guadalcanal march"
Carriers : on board of a carrier
Holograph short score sketch in pencil ; 2 p.
Death and debris see: Song of the high seas
Fiddle and geetar
From Naples to Rome
A march
Holograph lead sheet in ink & pencil, no lyric ; [2] p.
[Guadalcanal march] : 1st [verse?] of Guadalcanal march
Victory hymn
Landing
The song of the sea
Holograph condensed score in pencil ; 3 p.
Submarines in a calm sea see: Song of the high seas
Pleasant theme : Hawai[i]an mood
Winkle Town (1922) unproduced musical
I want a man see: America's Sweetheart see: [M.S. 1] in MISCELLANEOUS SKETCHES
Comfort me
One a day
Since I remember you
You're too wonderful for me! See also: [M.S. 1] in MISCELLANEOUS SKETCHES
You'll Never Know (1921) amateur musical comedy, lyrics by Lorenz Hart
I'm broke : duet
Holograph piano-vocal score in ink, lyric in pencil ; 3 p.
Jumping Jack!
Just a little lie : dance chorus
Holograph piano-vocal score in pencil, lyric in ink ; 4 p.
Mr. Director : dance quartet
Virtue wins the day : opening
Full scores
Allegro ballet : #41
Arranger's holograph (Robert Russell Bennett) full score in ink & pencil ; 82 p.
New end Allegro
Arranger's holograph (Bennett) full score in ink ; [11] p. (a-k)
Allegro (vocal) : #40(a)
Arranger's holograph (Bennett) full score in ink ; p. 1-6, 13-14
New "Allegro" : #40
Arranger's holograph (Bennett) full score in ink ; 38 p.
Annabelle solo : #12
Arranger's holograph (Bennett) full score in ink & pencil ; 30 p.
Children's dance : #5
Arranger's holograph (Bennett) full score in ink & pencil ; 59 p.
Arranger's holograph (Bennett) full score in ink ; 18 p.
Verse -- Come home
Arranger's holograph (Bennett) full score in ink ; 4 p.
End of college dance ; Darn nice campus
Arranger's holograph (Bennett) full score in ink & pencil ; 39 p.
Dream sequence : #11
Arranger's holograph (Bennett) full score in ink ; 21 p.
Entr'acte
Arranger's holograph (Bennett) full score in ink ; 27 p.
Arranger's holograph (Bennett) full score in ink & pencil ; 17 p.
Arranger's holograph (Bennett) full score in ink & pencil ; 54 p. + [1] p. laid in
Finale ultimo
Arranger's holograph (Bennett) full score in ink ; 9 p.
Freshman get-together : #10
Arranger's holograph (Bennett) full score in ink ; 11 p.
Arranger's holograph (Bennett) full score in ink & pencil ; 26 p.
Arranger's holograph (Bennett) full score in ink ; 6 p.
Intro: I know it can happen again
Arranger's holograph (Bennett) full score in ink ; [1] p.
It may be a good idea for Joe
Arranger's holograph (Bennett) full score in ink ; 16 p.
Money isn't ev'rything
Arranger's holograph (Bennett) full score in ink & pencil ; 84 p.
Arranger's holograph (Bennett) full score in ink ; 21 p. + p. 19a-19b
Opening
Arranger's holograph (Bennett) full score in ink ; 36 p.
Opening act II
Arranger's holograph (Bennett) full score in ink & pencil ; 12 p. + p. a-b
Overture
Arranger's holograph (Bennett) full score in ink & pencil ; 50 p. + [3] p. laid in
Poor Joe
Arranger's holograph (Bennett) full score in ink ; 2 p.
Rotunda
Arranger's holograph (Bennett) full score in ink ; [39] p. (numbered variously 1-42)
Arranger's holograph (Bennett) full score in ink ; 18 p. + [1] p., crossed out, for "So far 1st ending"
What a lovely day for a wedding
Arranger's holograph (Bennett) full score in ink & pencil ; 33 p.
Intro. to Lovely day
Arranger's holograph (Bennett) full score in ink and pencil ; p. a-c
Arranger's holograph (Bennett) full score in ink ; 5 p.
Wildcats
Arranger's holograph (Bennett) full score in ink ; 1 p.
The wildcats are on a rampage : utility
Winters go by
Yatata
Arranger's holograph (Bennett) full score in ink & pencil ; 33 p. + p. a-c
Never away encore
Arranger's holograph (Bennett) full score in ink & pencil ; 27 p.
Reprise Never away : act II
[Miscellaneous full scores I]
Arranger's holograph (Bennett) and unidentified ms. full scores in ink
[Miscellaneous full scores II]
Arranger's holograph (Bennett) and unidentified ms. full scores in ink, and (2) ms. trumpet parts in ink
[Miscellaneous cut music]
Carousel (1945) lyrics by Oscar Hammerstein II
Ballet : act II : #27
Arranger's holograph (Don Walker) full score in ink & pencil ; 90 p. + inserts (p. 33a, 85a), lacking p. 27
Arranger's holograph (Don Walker) full score in ink & pencil ; 24 p.
The carousel waltz
Ms. score for reeds and brass (p. a-c) and ms. full score (p. 3-8), in pencil ; [9] p.
Finale act I : new
Geraniums [in the winder] : [act II]
Arranger's holograph (Don Walker) full score in ink & pencil ; 17 p.
The highest judge of all : [act II]
Hornpipe :[act I] : #14
Arranger's holograph (Don Walker) full score in ink ; 43 p. + p. a
If I loved you see: You're a queer one, Julie Jordon
June is bustin' out all over
Arranger's holograph (Hans Spialek) full score in ink ; 31 p. + p. a (title page)
Julie and Carrie : Mister Snow
Arrangers' holograph (Bennett; Don Walker) full score in ink ; p. 1-16, 1-13
When I marry Mr. Snow : chorus
Arranger's holograph (Bennett) full score in ink ; p. 17-35 + [5] p. (variously paginated)
Mr. Snow reprise : [act I]
Opening act I scene II
Arranger's holograph (Hans Spialek) full score in ink ; 6 p.
Opening act II : A real nice clambake
Arranger's holograph (Don Walker) full score in ink ; [1] p.
Opening scene III act II
Ms. full score (incomplete) in ink ; p. 2-3
Clambake
Clambake specialty
Arranger's holograph (Hans Spialek) full score in ink ; 40 p.
Stonecutters cut it on stone = There's nothin' so bad for a woman see: There's nothin' so bad for a woman
Storm scene : [act I]
Arranger's holograph (Hans Spialek) full score in ink ; 19 p.
What's the use of wondering : [act II]
Arranger's holograph (Don Walker) and unidentified ms. (p. 18) full score in ink & pencil ; p. 1-10, 13-18
What's the use of wond'rin' : reprise
Arranger's holograph (Hans Spialek) full score in ink ; 11 p.
Wondering change : act II : #21
Unidentified ms. (p. 1-6) and arranger's holograph (Don Walker, p. 18-20) full score in ink ; [9] p.
When the children are asleep : [act I]
Arranger's holograph (Hans Spialek) full score in ink ; 47 p.
You'll never walk alone ; Finale tag
Ms. full score in ink & pencil ; p. 5-18 + p. 7
Scene -- "Billy and Julie" ; If I loved you
Arrangers' holograph (Don Walker; Hans Spialek [inserts]) full score in ink & pencils ; 34 p. + inserts ([9] p.)
Billy -- Julie tag : [act I]
You're a queer one, Julie Jordon see: Mister Snow
[Miscellaneous full scores]
Ms. (Don Walker) short score and unidentified ms. full score in ink
[Miscellaneous unused music]
Arranger's holograph (Hans Spialek) and unidentified ms. full scores
Flower Drum Song (1958) lyrics by Oscar Hammerstein II
Ballet see: Ta's dream
Arranger's holograph (Joe Glover) full score in ink ; 17 p.
Chop suey encore
Arranger's holograph (Joe Glover) full score in ink ; 9 p.
Arranger's holograph (Bennett) full score in ink & pencil ; 22 p.
Encore -- Don't marry
Entr'acte : act II
Intro: Fan Tan Fanny
Fan Tan Fanny : opening scene 7
Arranger's holograph (Bennett) full score in ink & pencil ; 8 p.
Finale act two
Arranger's holograph (Bennett) full score in ink ; 3 p.
Finale ultimo II
Arranger's holograph (Joe Glover) full score in ink & orange pencil ; 3 p.
Memoree ; New ending (Grant Ave.)
Arranger's holograph (Joe Glover) full score in ink & orange & blue pencil ; 22 p.
Grant Avenue
Arranger's holograph (Bennett) full score in ink ; 15 p. + p. 8a-8b, 151⁄2
Arranger's holograph (Luther Henderson) full score in pencil ; 16 p.
Grant Ave : insert
Arranger's holograph (Joe Glover) full score in ink ; 5 p.
Grant Ave : exit
Arranger's holograph (Bennett) full score in pencil ; [3] p.
Grant Avenue for Anita
Grant Avenue IV
Arrangers' holograph (Bennett; Joe Glover) full score in ink pencil ; [33] p. (various paginations)
Grant Avenue : new new
Arrangers' holograph (Joe Glover, p. 1-10; Bennett, p. 26-31) full score in ink & red pencil ; [16] p.
Arranger's holograph (Bennett) full score in ink & pencil ; 29 p. + 2nd p. 14 + [1] p. ending
Miracles encore
Arranger's holograph (Bennett) full score in ink ; 13 p. + 2nd p. [1]
Arranger's holograph (Bennett) full score in ink ; 23 p.
Encore: I enjoy being a girl
Arranger's holograph (Bennett) full score in ink ; 19 p.
New 2nd refrain: Being a girl
Like a god : verse ; Like a god
Arranger's holograph (Bennett) full scores in ink ; 3 p. ; 10 p.
2nd refrain and encore
Arranger's holograph (Bennett) full score in ink ; 13 p.
New intro: Love, look away
Love, look away : verse & chorus
Arranger's holograph (Bennett) full score in ink ; [10] p.
Reprise: Love, look away
Arranger's holograph (Bennett) full score in ink ; 6 p. + [1] p. ending
Replacing 1st ten bars: Reprise -- Love, look away
Arranger's holograph (Bennett) full score in ink ; 15 p.
Best love E[-flat] : new ; End of rep. My best love
Arranger's holograph (Bennett) full score in ink & pencil ; 8 p. ; 2 p.
My best love reprise
Arranger's holograph (Joe Glover) full score in ink & pencil ; 7 p.
Opening act two
Arranger's holograph (Bennett) full score in ink ; 7 p.
Arranger's holograph (Joe Glover) full score in ink ; 12 p.
Other generation -- dance
Other gen. reprise
Arranger's holograph (Joe Glover) full score in ink ; 7 p. + [5] p. insert
Arranger's holograph (Bennett) full score in ink ; 26 p. + 10 p. insert
Sunday : Khyber -- Suzuki ; New Sunday dance ; 2nd refrain Sunday
Arranger's holograph (Bennett) full scores in ink ; 10 p. ; 17 p. + [1] p. insert + p. 11-15 ; 6 p.
Sunday : [B-flat]
Arranger's holograph (Bennett) full score in ink & pencils ; 11 p.
Sunday dance : [act II]
Arranger's holograph (Bennett) full score in ink & pencil ; 12 p. + [3] p. (inserts)
Opening Ta's dream : #16
Ta's dream : [ballet]
Arranger's holograph (Bennett) full score in ink & pencil ; 36 p.
New end Ta's dream
Coda: Ta's dream ; Night with Helen : end of coda Ta's dream
Arranger's holograph (Bennett) full score in ink ; 3 p. ; 2 p.
She is the girl, or, You are beautiful
Reprise: She is beautiful
Act I reprise: Beautiful
Act II reprise: Beautiful
Arranger's holograph (Bennett) full score in ink ; 14 p.
Arrangers' holograph (Bennett; Joe Glover) full scores in ink
Arrangers' holograph (Bennett; Joe Glover) full scores in ink & pencil
The King and I (1951) lyrics by Oscar Hammerstein II
Arranger's holograph (Bennett) full score in ink & pencil ; 3 p.
Getting to know you
Arranger's holograph (Bennett) full score in ink ; 12 p.
School room dance : #15-a
Arranger's holograph (Bennett) full score in ink & blue pencil ; 13 p.
Arranger's holograph (Bennett) full score in ink & pencil ; 9 p.
Intro. I have dreamed
Arranger's holograph full score in ink ; [1] p.
I whistle [a happy tune]
Arranger's holograph (Bennett) full score in ink & pencil ; 13 p. + p. 10a, 10b
Arranger's holograph (Bennett) full score in ink ; 17 p. + p. 17/a
Postlude Children's march
Arranger's holograph (Bennett) full score in ink & pencil ; 5 p.
Parade : 44
Arranger's holograph (Bennett) and unidentified ms. full score in ink ; p. 1-7, 16-19
Lord and master
Arranger's holograph (Bennett) full score in ink ; 7 p. + [1] p. insert
Lord and master : melos act two
Arranger's holograph (Bennett) full score in ink ; [36] p. (variously paginated)
Arranger's holograph (Bennett) full score in ink ; 28 p.
Boy's puzzlement : 18, 18a
Ms. and arranger's holograph (Bennett) full score in ink ; [19] p. (variously paginated)
School song
Intro -- bedroom
Anna's bedroom, or, Shall I tell you what I think of you
Arranger's holograph (Don Walker) full score in ink ; 14 p.
Shall we dance : march 1
Arranger's holograph (Bennett) full score in ink ; 8 p.
Shall we dance at H
Arranger's holograph (Bennett) full score in ink ; [9] p.
Shall we dance (album)
Shall we -- encore bar 6
Arranger's holograph (Bennett) full score in ink ; p. a-b
Uncle Tom : ballet
Arranger's holograph (Bennett) full score in ink and pencils ; 79 p.
Postlude of ballet
Arranger's holograph (Hans Spialek) full score in ink ; 7 p.
Arranger's holograph (Bennett) and unidentified ms. full score in ink ; p. 1-6, 3-12
Arranger's holograph (Bennett) full score in ink and pencil ; 8 p.
Wonderful coda : change of scene
Scene and We kiss
We kiss -- 2nd refrain : encore : #17
Arranger's holograph (Bennett) full score ; 10 p.
Western people funny
Arrangers' holograph (Bennett; Hans Spialek; Don Walker) full scores in ink
Oklahoma! (1943) lyrics by Oscar Hammerstein II
All er nothin'
Arranger's holograph (Bennett) full score in ink & pencil ; 49 p.
Arranger's holograph (Bennett) full score in ink, photocopy and pencil ms. inserts ; 9 p. + inserts (7 p. & [2] p.)
Arranger's holograph (Bennett) full score in ink & pencils ; [63] p. (variously paginated)
[Finale ultimo]
Ms. full score in pencil (p. 1-8) and arranger's holograph (Bennett) full score in ink & pencils (p. 6-14) ; [17] p.
Cain't say no -- intro.
I can't say no
Arranger's holograph (Bennett) full score in ink & pencils ; 24 p.
1st reprise Can't say no
Arranger's holograph (Bennett) full score in ink & pencil ; p. 1-4, 1-2
[I cain't say no]
Arranger's holograph (Bennett) full score in ink ; p. 5-7, 9
2nd reprise Can't say no
Arranger's holograph (Bennett) full score in ink ; p. 1-8 (incomplete)
Scandal for jaybirds ; Scandal exit
Arranger's holograph (Bennett) full score in ink & pencils and ms. full score in pencil ; 35 p.
Arranger's holograph (Bennett) and unidentified ms. full score in ink and pencils ; [28] p. (variously paginated)
Kansas City dance
Arranger's holograph (Bennett) full score in ink & pencils ; 36 p.
Arranger's holograph (Bennett) full score in ink & pencil ; [1] p.
Kansas City -- orch. chos.
Arranger's holograph (Bennett) full score in ink ; p. 1-7, 22-30
Kansas City -- intro.
Coda -- K.C.
Kansas City : boys chorus
Ms. (Robert Russell Bennett) choral score in ink ; 2 p.
Opening act II ; End of act I ; New end act I
Arranger's holograph (Bennett) and unidentified ms. full scores in ink & pencils ; [146] p. (variously paginated) ; 12 p. ; 2 p.
Arranger's holograph (Bennett) full score in ink & pencils ; 13 p.
Many a new day -- intro.
Arranger's holograph (Bennett) full score in ink & green pencil ; 22 p.
Many a new day dance
Many a new day -- last 2 bars -- replacing last bar
Last 2 bars into Many a new day dance
Arranger's holograph (Bennett) full score in pencil ; [1] p.
Many a new day : last 2 bars into 2d refrain
Beautiful morning : Opening act one
Arranger's holograph (Bennett) full score in ink & green pencil ; p. 1-22, 24-32
Arranger's holograph (Bennett) and unidentified ms. full score in ink & pencils ; [54] p. (various paginations)
Opening act II see: The farmer and the cowman
Out of my dreams See also: Laurey makes up her mind ballet
Arranger's holograph (Bennett) full score in ink ; [1] p. (title page)
Out of my dreams -- intro. See also: Laurey makes up her mind ballet
Intro: Out of my dreams See also: Laurey makes up her mind ballet
Arranger's holograph (Bennett) full score in ink ; p. 2 only
Intro. to Out of my dreams See also: Laurey makes up her mind ballet
Arranger's holograph (Bennett) full score in ink ; 3 p. (incomplete)
Arranger's holograph (Bennett) full score in ink & green pencil ; 58 p.
People will say [we're in love]
Arranger's holograph (Bennett) and unidentified ms. full score in ink & pencils ; 28 p.
Reprise "People will say"
Arranger's holograph (Bennett) full score in ink & green pencil ; 12 p.
Arranger's holograph (Bennett) full score in ink & green pencil ; 15 p.
Surrey -- intro.
The surrey
Arranger's holograph (Bennett) full score in ink & green pencil ; 40 p.
Surrey -- reprise : #5
Arranger's holog. (Bennett) & unident. ms. full scores in ink & pencil
Arranger's holograph (Bennett) and unidentified ms. full scores in ink & pencil
[Full score fragments -- unused]
Arranger's holograph (Bennett) full scores (incomplete) in ink
All at once [you love her]
Arranger's holograph (Bennett) full score in ink ; 32 p.
[All at once you love her]
Arranger's holograph (Bennett) full score in ink ; p. 23-29, 35-49
Verse "All at once" ; All Helen's reprise
Arrangers' holograph (Bennett; Joe Glover) full score in ink ; 3 p. ; 9 p.
All at once (utility)
Arranger's holograph (Bennett) full score in ink & pencil ; 11 p.
Arranger's holograph (Bennett) full score in ink & pencil ; 28 p. + 4 p. insert
People reprise I
Arranger's holograph (Joe Glover) full score in ink ; 7 p.
People reprise II
Arranger's holograph (Joe Glover) full score in ink ; 3 p.
People reprise #2
Arranger's holograph (Joe Glover) full score in ink ; p. 4-8
Bum's opera ; New B.O.
Arranger's holograph (Bennett) full scores in ink ; 24 p. ; 4 p.
Part of #7 Bums opera
Arranger's holograph (Bennett) full score in ink ; p. 25-45, 45a
Bums opera (utility) : reprise : #9
Bums' new ending : Fauna's song : #8
Arranger's holograph (Bennett) full score in ink ; 29 p.
Temp entr'acte
Arranger's holograph (Bennett) full score in ink & pencil ; p. 1-22, 28-50
Everybody's got a home : utility
Finale
New finale ultimo
Fractured fugue : dance fugue : #22-a
The happiest house [on the block]
How long?
Arranger's holograph (Bennett) full score in ink ; 47 p.
Arranger's holograph (Hans Spialek) full score in ink ; 18 p.
[A] lopsided bus
Arranger's holograph (Bennett) and unidentified ms. full score in ink ; 66 p. + [19] p. insert (numbered variously 1-38)
Bus reprise : #10
Arranger's holograph (Bennett) full score in ink ; [17] p. (numbered variously 1-19)
Arrangers' holograph (Joe Glover; Bennett [insert]) full score in ink & pencil ; 23 p. + 2 p. insert
Man "incidental"
Arranger's holograph (Joe Glover) full score in ink ; 6 p.
Entrance 2 party : masquerade brawl
Next time
Arranger's holograph (Bennett) full score in ink ; 43 p.
Next time (part II)
Next time curtain
Arranger's holograph (Hans Spialek) full score in ink ; 54 p.
Arranger's holograph (Bennett) full score in ink & pencils ; 46 p.
Temporary overture
[Temporary overture]
Ms. (Bennett) piano score in ink ; [1] p.
The party [gets going]
Ms. full score in ink & pencils ; [64] p. (numbered variously 1-103)
Pick-up to party
Arranger's holograph (Joe Glover) full score in ink ; [1] p.
Party dance
Arranger's holograph (Joe Glover) full score in ink ; 19 p.
Party reprise
Party utility
Suzy
Arranger's holograph (Don Walker) full score in pencil & ink ; 25 p.
Arranger's holograph (Bennett) full score in ink & pencil ; 30 p. + [2] p. (codas)
Thursday rep[rise]
Arranger's holograph (Joe Glover) full score in ink ; 13 p.
Sweet Thursday : utility
Arranger's holograph (Bennett) full score in ink ; 44 p.
[The] tide pool
Will you marry me
Will you marry me (E[-flat])
Doc's marry me
Arranger's holograph (Bennett) full scores in ink
[Outtakes]
Arranger's holograph (Bennett) full scores (incomplete) in ink and ms. cello part in ink, not used in show
The Sound Of Music (1959) lyrics by Oscar Hammerstein II
Climb every mountain
The concert
Arranger's holograph (Bennett) full score in ink ; p. [5]-13
Do-re-mi encore
[Reprise: Do-re-mi] : new bridge at 17
Arranger's holograph (Bennett) full score in ink ; p. 3-4
Arranger's holograph (Bennett) full score in ink ; 10 p.
Entr'acte : Opening act II
Arranger's holograph (Bennett) full score in ink ; p. 1-13, a-e
Finale ultimo: Climb ev'ry mountain
Arranger's holograph (Bennett) full score in ink & pencil ; p. 3-8
How can love survive
Arranger's holograph (Bennett) full score in ink & pencil ; [27] p.
Arranger's holograph (Bennett) full score in ink ; 24 p.
Arranger's holograph (Bennett) full score in ink ; 26 p.
My favorite things See also: [Miscellaneous incomplete full scores], p. 6-9
Arranger's holograph (Bennett) full score in ink & pencils ; 22 p. + p. 1a, 20a
The scene continues : My favorite things
Arranger's holograph (Bennett) and unidentified ms. (p. 6-8) full score in ink & pencil ; 13 p.
Reprise: My favorite things
Opening act II : Lonely Goatherd
Arranger's holograph (Bennett) full score in ink ; 20 p.
Arranger's holograph (Bennett) full score in ink & pencil ; 14 p. + [1] p. insert
Arranger's holograph (Bennett) full score in ink ; 31 p. (including unused pages)
For tawkin musheens ; Understudy coda
Arranger's holograph (Bennett) full score in ink & pencil ; [3] p.
Reprise: Sixteen
Reprise: So long, farewell
Arranger's holograph (Bennett) full score in ink ; p. 18
The sound of music : Intro. Sound of music
Reprise: The sound of music
Arranger's holograph (Bennett) full score in ink & pencils ; 7 p.
The scene continues
Arranger's holograph (Bennett) full score in ink ; [11] p. (various paginations)
Arranger's holograph (Bennett) full scores in ink & pencil
[Miscellaneous full scores III]
[Miscellaneous incomplete full scores]
Arranger's holograph (Bennett) incomplete full scores (3) in ink
South Pacific (1949) lyrics by Oscar Hammerstein II
Bali Ha'i : #15
Joe's Bali Ha'i : #16
Girls reprise Bali Ha'i : #27
Canary yellow
Canary yellow reprise
[A] cockeyed optimist
[The] company street : scene 4 [&] 6
Do I have a chance : (Unspoken thoughts) : #7
Arrangers' holograph (Bennett; unidentified) full score in ink & pencil ; p. 1-4, 3
Arranger's holograph (Bennett) full score in ink & pencil ; 20 p.
Emile returns
Arranger's holograph (Bennett) full score in ink & pencil ; 37 p. + [5] unused pages
Honey Bun (& encore)
[Honey Bun reprise] : 2-11-33 : incidental
Arranger's holograph (Bennett) full score in ink & pencil ; 30 p. + p. 25a, 26a
Arranger's holograph (Bennett) full score in ink & pencil ; 14 p.
Operation alligator : #46
Overture to "South Pacific"
Arranger's holograph (Bennett) full score in ink ; 41 p. + 2nd p. 8
There is nothing like a dame
Arranger's holograph (Bennett) and unidentified ms. (p. 12-17, 27-31) full score in ink ; 63 p. + [3 replaced pages]
This is how it feels
This nearly was mine
New intro. to Wonderful guy ; New Wonderful guy (from 12)
Arranger's holograph (Bennett) full score in ink & pencil ; [14] p. (variously paginated)
Wonderful guy
Encore : Wonderful guy
Guy Viennese : #29
Arranger's holograph (Bennett) full score in ink & pencil ; [10] p.
Scene: Joe and Liatt : (Younger than Springtime)
Arranger's holograph (Bennett) and unidentified ms. ([1] p. insert) full score in ink & pencil ; 29 p. + [1] p. insert
No. 29 from 9th bar of D-(28) : reprise
Arranger's holograph (Bennett) full score in ink ; [6] p.
[You've got to be] carefully taught
Arranger's holograph (Bennett) full scores in ink; ms. 2-piano score in pencil; printed piano-vocal score
Non-show Music
The Non-Show titles range from "Aida" to "[Unidentified]".
Aida
All points west!
Holograph piano-vocal score in pencil ; 28 p.
The bombardier song
Cette heure
Clementine see: My Clementine
Dear friend
Down on the Bahamas
On the Bahamas
Holograph piano-vocal score in ink ; [4] p.
The Dresden Sonata
The Dutch Treat Club
Fair is fair See also: I have confidence in The Sound of Music
Father of the man
Flow on river
Holograph piano-vocal score (unfinished) in pencil, no lyric ; [4] p.
Good bad woman
Holograph lead sheet in ink, no lyric ; [1] p.
Good provider
Gypsy dance
Happy Christmas, little friend
[Happy] xmas [little friend]
He was the last rose of summer
Here comes the lion
In the heart of a motorman
The land where the camp songs go
Ms. piano-vocal score in pencil, typed lyric ; [3] p.
Let me walk!
A lonely traveling man
Manny
The melting pot
Melville
Holograph condensed score in pencil ; 4 p.
Mom
Music in you
Holograph lead sheet/sketch in ink/pencil ; [2] p.
My Clementine!
Holograph piano-vocal score in ink ; [3] p.
Clementine
My hobby
My idiot's delight
My tent in Paradox See also: [Camp Paradox materials] in MISCELLANEOUS
Nothing at all
Holograph sketch/lead sheet in pencil ; [1] p.
On the Bahamas see: Down on the Bahamas
Opening theme
The P.T. boat song, or, Steady as you go
Steady as you go
Paradox victory song/chant
Holograph piano-vocal score in ink ; [2] p.
Rock
Shakespeare of 1922
Holograph piano score/sketch in pencil ; [4] p.
Shorty, the gunner
Shorty
Holograph lead sheet in ink, annotations in pencil ; [1] p.
Steady as you go see: The P.T. boat song
Tiki-pu : also, "Baby's lullaby"
Try See also: [M.S. 3], p. [12, 13] in MISCELLANEOUS SKETCHES
We want you to feel at home
Holograph piano-vocal score in ink, no lyric ; [3] p.
We're on our way : infantry song See also: [Sketches for State Fair]
Willow pattern
Holograph piano score/sketch in pencil, some lyric ; 8 p.
Wiowani, Josi-Mosi, and Mee Mee themes ; Opening act II -- curtain
[Unidentified]
Holograph piano score in pencil ; p. 5-6
Miscellaneous Sketches
Unidentified sketches. Each is given a brief description.
Holograph sketches in pencil in small sketchbook with ship drawn on front ; [22] p.
Holograph sketches in pencil and ink in "Academy Manuscript Book" ; [16] p.
[Unidentified sketches]
Holograph sketches in pencil ; [13] leaves
[Unidentified lyric sketches]
Holograph lyric sketches in pencil & ink ; [9] p.
Photographs
The Photographs are contained in three folders. They span the years 1920-1979.
[Camp Paradox - 1920] : Photograph of "The Faculty/1920," black & white ; 9 1/4" x 7" See also: [Camp Paradox materials] in MISCELLANEOUS
[ca. 1920-1947, 1953] : Photographs (10) in black & white ; 8" x 10"
[1955-1965] : Photographs (8), 6 in black & white and 2 in color ; 8" x 10"
[1976-1979, n.d.] : Photographs (9) in black & white ; 8" x 10"
Miscellaneous
The Miscellaneous series contains Camp Paradox materials, Carbon copies of correspondence with the Library of Congress (1964, 1965), a typed lists of the items in the collection, Memorbilia, and related items from Richard Rodgers 65th birthday tribute.
[Camp Paradox materials] : "The Paradoxian," published at Camp Paradox, N.Y., some autographed ; 7 issues (1918-1920, 1925) See also: Paradox victory song/chant in NON-SHOW MUSIC
[Camp Paradox materials] : "Camp Paradox 1914" (informational booklet) See also: Paradox victory song/chant in NON-SHOW MUSIC
[Letter] : Carbon of typed letter (Eileen Minich to Harold Glick, 5/17/65) re original Rodgers' mss. sent to the Library of Congress
[Letter] : Carbon of typed letter (9/1/64) describing mss. sent via letter above
[List re contents of Richard Rodgers Collection] : Typed lists (2) ; 18 p. each
[Memorabilia] : Invitation to Richard Rodgers exhibition at Hallmark Gallery, N.Y., 9/19/72
[Memorabilia] : Keepsake from the event honoring Richard Rodgers at the Library of Congress, 6/4/80
[Memorabilia] : Autographed guest list, 6/4/80
[65th birthday tribute to Richard Rodgers] : Press release re tribute to Rodgers, 6/28/67 ; 2 p.
[65th birthday tribute to Richard Rodgers] : Commemorative linen napkin of the song "Sweet sixty-five" (from I'd Rather Be Right, 1937)
[65th birthday tribute to Richard Rodgers] : Envelope (oversize)